Special Effects Mold Shop Supervisor
Guardians of the Galaxy Vol. 3 (2023)
Directed by: James Gunn
Cinematography by: Henry Braham
Mold Shop Supervisor
Avatar: The Way of Water (2022)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Cameras: Sony CineAlta VENICE Camera
Studio Crew: Legacy Effects
Black Panther: Wakanda Forever (2022)
Directed by: Ryan Coogler
Cinematography by: Autumn Durald Arkapaw
Cameras: Sony CineAlta VENICE Camera
Mold Shop Supervisor
'Grey's Anatomy' Helplessly Hoping (2021)
Directed by: Nicole Rubio
Cinematography by: Steven G. Fracol
Edited by: Jason Joseph
Mold Shop Supervisor
'Grey's Anatomy' You'll Never Walk Alone (2020)
Directed by: Allison Liddi-Brown
Cinematography by: Alicia Robbins
Edited by: Jason Joseph
Mold Shop Supervisor
'Grey's Anatomy' Fight the Power (2020)
Directed by: Michael W. Watkins
Cinematography by: Steven G. Fracol
Edited by: Karoliina Tuovinen
Mold Shop Supervisor
'Grey's Anatomy' No Time for Despair (2020)
Directed by: Pete Chatmon
Cinematography by: Alicia Robbins
Edited by: Dan Rovetto
Mold Shop Supervisor
'Grey's Anatomy' The Center Won't Hold (2020)
Directed by: Debbie Allen
Cinematography by: Alicia Robbins
Edited by: Chad Mochrie
Mold Shop Supervisor
'Grey's Anatomy' My Happy Ending (2020)
Directed by: Kevin McKidd
Cinematography by: Steven G. Fracol
Edited by: Dan Rovetto
Mold Shop Supervisor
'Grey's Anatomy' Put on a Happy Face (2020)
Directed by: Deborah Pratt
Cinematography by: Herbert Davis
Mold Shop Supervisor
'Grey's Anatomy' Sing It Again (2020)
Directed by: Michael W. Watkins
Cinematography by: Alicia Robbins
Edited by: Jason Joseph
Mold Shop Supervisor
'Grey's Anatomy' Love of My Life (2020)
Directed by: Allison Liddi-Brown
Cinematography by: Alicia Robbins
Edited by: Chad Mochrie
Mold Shop Supervisor
'Grey's Anatomy' Life on Mars? (2020)
Directed by: Michael W. Watkins
Cinematography by: Alicia Robbins
Edited by: Chad Mochrie
Mold Shop Supervisor
'Grey's Anatomy' Give a Little Bit (2020)
Directed by: Kevin McKidd
Cinematography by: Herbert Davis
Edited by: Dan Rovetto
Mold Shop Supervisor
'Grey's Anatomy' Leave a Light On (2020)
Directed by: Debbie Allen
Cinematography by: Steven G. Fracol
Edited by: Vanessa Delgado
Mold Shop Supervisor
'Grey's Anatomy' Snowblind (2020)
Directed by: Linda Klein
Cinematography by: Herbert Davis
Edited by: Jason Joseph
Mold Shop Supervisor
'Grey's Anatomy' A Diagnosis (2020)
Directed by: Gregory T. Evans
Cinematography by: Alicia Robbins
Edited by: Vanessa Delgado
Mold Shop Supervisor
'Grey's Anatomy' Help Me Through the Night (2020)
Directed by: Allison Liddi-Brown
Cinematography by: Herbert Davis
Edited by: Vanessa Delgado
Mold Shop Supervisor
'Grey's Anatomy' A Hard Pill to Swallow (2020)
Directed by: Michael Medico
Cinematography by: Steven G. Fracol
Edited by: Jason Joseph
Mold Shop Supervisor
'Grey's Anatomy' The Last Supper (2020)
Directed by: Nicole Rubio
Cinematography by: Alicia Robbins
Edited by: Dan Rovetto
Mold Shop Supervisor
'Grey's Anatomy' Save the Last Dance for Me (2020)
Directed by: Jesse Williams
Cinematography by: Herbert Davis
Edited by: Dan Rovetto
Mold Shop Supervisor
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
Mold Shop Supervisor
'Grey's Anatomy' Let's All Go to the Bar (2019)
Directed by: Kevin McKidd
Cinematography by: Herbert Davis
Edited by: Chad Mochrie
Mold Shop Supervisor
'Grey's Anatomy' Breathe Again (2019)
Directed by: Chandra Wilson
Cinematography by: Herbert Davis
Edited by: Meghan Robertson
Mold Shop Supervisor
'Grey's Anatomy' Whistlin' Past the Graveyard (2019)
Directed by: Pete Chatmon
Cinematography by: Herbert Davis
Edited by: Vanessa Delgado
Mold Shop Supervisor
'Grey's Anatomy' Papa Don't Preach (2019)
Directed by: Daniel Willis
Cinematography by: Alicia Robbins
Edited by: Chad Mochrie
Mold Shop Supervisor
'Grey's Anatomy' My Shot (2019)
Directed by: Debbie Allen
Cinematography by: Alicia Robbins
Edited by: Jason Joseph
Mold Shop Supervisor
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Mold Shop Supervisor
Guardians of the Galaxy Vol. 2 (2017)
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Mold Shop Supervisor
'The Flash' The Wrath of Savitar (2017)
Directed by: Alexandra La Roche
Cinematography by: C. Kim Miles
Edited by: Christopher Oakes
Mold Shop Supervisor
'The Flash' Into the Speed Force (2017)
Directed by: Gregory Smith
Cinematography by: Stewart Whelan
Edited by: Mike Jackson
Mold Shop Supervisor
Spider-Man: Homecoming (2017)
Directed by: Jon Watts
Cinematography by: Salvatore Totino
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Mold Shop Supervisor
The Shape of Water (2017)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Sidney Wolinsky
Lenses: Zeiss Master Prime Lenses
Mold Shop Supervisor
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Mold Shop Supervisor
X-Men: Apocalypse (2016)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Mold Shop Supervisor
The Nice Guys (2016)
Directed by: Shane Black
Cinematography by: Philippe Rousselot
Edited by: Joel Negron
Cameras: ARRI ALEXA XT Camera
Mold Shop Supervisor
'Agents of S.H.I.E.L.D.' Ghost Rider: The Ghost (2016)
Directed by: Billy Gierhart
Cinematography by: Feliks Parnell
Edited by: Eric Litman
Mold Shop Supervisor
Suicide Squad (2016)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Mold Shop Supervisor
'Agents of S.H.I.E.L.D.' Ghost Rider: The Laws of Inferno Dynamics (2016)
Directed by: Kevin Tancharoen
Cinematography by: Allan Westbrook
Edited by: Dexter N. Adriano
Mold Shop Supervisor
'Agents of S.H.I.E.L.D.' Ghost Rider: Deals with Our Devils (2016)
Directed by: Jesse Bochco
Cinematography by: Feliks Parnell
Edited by: Eric Litman
Mold Shop Supervisor
'Agents of S.H.I.E.L.D.' Ghost Rider: The Good Samaritan (2016)
Directed by: Billy Gierhart
Cinematography by: Allan Westbrook
Edited by: Kelly Stuyvesant
Mold Shop Supervisor
'Agents of S.H.I.E.L.D.' Ghost Rider: Lockup (2016)
Directed by: Kate Woods
Cinematography by: Feliks Parnell
Edited by: Dexter N. Adriano
Mold Shop Supervisor
'Agents of S.H.I.E.L.D.' Ghost Rider: Let Me Stand Next to Your Fire (2016)
Directed by: Brad Turner
Cinematography by: Allan Westbrook
Edited by: Eric Litman
Mold Shop Supervisor
'Agents of S.H.I.E.L.D.' Ghost Rider: Uprising (2016)
Directed by: Magnus Martens
Cinematography by: Feliks Parnell
Edited by: Kelly Stuyvesant
Mold Shop Supervisor
'Agents of S.H.I.E.L.D.' Ghost Rider: Meet the New Boss (2016)
Directed by: Vincent Misiano
Cinematography by: Allan Westbrook
Edited by: Joshua Charson
Mold Shop Supervisor
Avengers: Age of Ultron (2015)
Directed by: Joss Whedon
Cinematography by: Ben Davis
Mold Shop Supervisor
Jurassic World (2015)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Mold Shop Supervisor
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Mold Shop Supervisor
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Mold Shop Supervisor
Terminator Genisys (2015)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Roger Barton
Cameras: ARRI ALEXA XT Plus Camera
Mold Shop Supervisor
The Ridiculous 6 (2015)
Directed by: Frank Coraci
Cinematography by: Dean Semler
Edited by: Tom Costain
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Mold Shop Supervisor
'Grey's Anatomy' The Distance (2015)
Directed by: Eric Laneuville
Cinematography by: Herbert Davis
Edited by: Justin Chinn
Cameras: ARRI ALEXA Camera
Key Prosthetics And Suit Effects Crew: Legacy Effects
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Mold Shop Supervisor: Legacy Effects
RoboCop (2014)
Directed by: José Padilha
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Camera, Red Epic Camera
Mold Shop Supervisor
X-Men: Days of Future Past (2014)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Mold Shop Supervisor
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Mold Shop Supervisor
Teenage Mutant Ninja Turtles (2014)
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Mold Shop Supervisor
Night at the Museum: Secret of the Tomb (2014)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Dean Zimmerman
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Mold Shop Supervisor - 2 Episodes, 2017
The Flash (2014)
Directed by: Dermott Downs, Ralph Hemecker, Stefan Pleszczynski, David McWhirter, Glen Winter, Jesse Warn, Rachel Talalay, Tom Cavanagh, Alexandra La Roche, Millicent Shelton, Kevin Tancharoen, Rob Hardy, J.J. Makaro, John F. Showalter, Hanelle M. Culpepper, Kevin Smith, Armen V. Kevorkian, Gregory Smith, David Nutter, Steve Shill, C. Kim Miles, Michael A. Allowitz, Brent Crowell, Harry Jierjian, Rob Greenlea, Viet Nguyen, Philip Chipera, Chris Peppe, Larry Shaw, Douglas Aarniokoski, John Behring, Nick Copus, Thor Freudenthal, Wendey Stanzler, Stephen Surjik, Antonio Negret, Alice Troughton, Laura Belsey, Nina Lopez-Corrado, Andi Armaganian, Sarah Boyd, Kevin Mock, Tara Nicole Weyr, Jeff Cassidy, Rebecca Johnson, Danielle Panabaker, Marcus Stokes, Kristin Windell
Cinematography by: C. Kim Miles, Brenton Spencer, Stewart Whelan, Alwyn Kumst, Jeffrey C. Mygatt, Glen Winter, Jan Kiesser, Bruce Worrall, Craig Wright, Ronald Richard
Edited by: Nathan Draper, Felicia Mignon Livingston, Christopher Oakes, Chris Peppe, Chris Conlee, Harry Jierjian, Paul Karasick, Dan Wilken, Rhett Finch, Mike Jackson, Iris Hershner, Andrew Kasch, Derek Stricker
Pilot Suits And Conn Pod Arms: Legacy Effects
Pacific Rim (2013)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Mold Shop Supervisor Legacy Effects
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Mold Shop Supervisor - 8 Episodes, 2016
Agents of S.H.I.E.L.D. (2013)
Directed by: Kevin Tancharoen, Jesse Bochco, Billy Gierhart, Vincent Misiano, Garry A. Brown, Bobby Roth, Nina Lopez-Corrado, Roxann Dawson, Milan Cheylov, Kevin Hooks, Ron Underwood, Kate Woods, David Solomon, Brad Turner, Wendey Stanzler, Holly Dale, David Straiton, John Terlesky, Michael Zinberg, Eric Laneuville, Jed Whedon, Clark Gregg, Jonathan Frakes, Joss Whedon, Paul A. Edwards, Kenneth Fink, Karen Gaviola, Dwight H. Little, Elodie Keene, Magnus Martens, Stanley M. Brooks, Oz Scott, Cherie Gierhart, Jennifer Lynch, Salli Richardson-Whitfield, Mark Kolpack, Jennifer Phang, Lou Diamond Phillips
Mold Department Supervisor: Legacy Effects
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Mold Shop Supervisor
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Mold Shop Supervisor
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Key Technician: Legacy Effects
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Mold Shop Supervisor
The Hunger Games (2012)
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Mold Shop Supervisor
Snow White and the Huntsman (2012)
Directed by: Rupert Sanders
Cinematography by: Greig Fraser
Mold Shop Supervisor
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Mold Department Supervisor: Legacy Effects
The Bourne Legacy (2012)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Replica And Animatronic Animals: Legacy Effects
Life of Pi (2012)
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Mold Shop Supervisor
The Twilight Saga: Breaking Dawn - Part 2 (2012)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Editing System: Adobe Premiere Editing System, Avid Editing System
Mold Casting Department Head: Legacy Effects, Puppeteer
Cowboys & Aliens (2011)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Key Technician: Legacy Effects
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Mold Shop Supervisor
The Twilight Saga: Breaking Dawn - Part 1 (2011)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Edited by: Virginia Katz
Editing System: Avid Editing System
Mold/technical Department: Legacy Effects
The Muppets (2011)
Directed by: James Bobin
Cinematography by: Don Burgess
Edited by: James Thomas
Cameras: Red Epic Camera, Red One MX Camera
Mold Maker
Tron (2010)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: James Haygood
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Editing System: Avid Editing System
Mold Shop Supervisor
Alice in Wonderland (2010)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Mold Shop Supervisor
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Mold Shop Supervisor
Shutter Island (2010)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Mold Shop Supervisor
Dinner for Schmucks (2010)
Directed by: Jay Roach
Cinematography by: Jim Denault
Editing System: Avid Editing System
Mold Maker / Special Effects Technician
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Mold Maker / Special Effects Technician
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Mold Maker / Special Effects Technician
Dragonball Evolution (2009)
Directed by: James Wong
Cinematography by: Robert McLachlan
Mold Department: Amalgamated Dynamics / Mold Maker / Special Effects Technician
Race to Witch Mountain (2009)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: David Rennie
Art & Mold Mechanical Technician: Stan Winston Studio And Legacy Effects
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Mold Maker / Special Effects Technician
Cirque du Freak: The Vampire's Assistant (2009)
Directed by: Paul Weitz
Cinematography by: James M. Muro
Edited by: Leslie Jones
Key Makeup Effects Technician: Stan Winston Studio, Key Mold Maker
Pandorum (2009)
Directed by: Christian Alvart
Cinematography by: Wedigo von Schultzendorff
Mold Maker / Special Effects Makeup
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Mold Shop Supervisor
2012 (2009)
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Special Effects Technician
Watchmen (2009)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Mold Shop
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Special Effects Technician
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Special Effects Technician
I Am Legend (2007)
Directed by: Francis Lawrence
Cinematography by: Andrew Lesnie
Edited by: Wayne Wahrman
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Lenses
Creature Effects: Amalgamated Dynamics
Aliens vs. Predator: Requiem (2007)
Cinematography by: Daniel Pearl
Edited by: Dan Zimmerman
Mold Maker
Fur: An Imaginary Portrait of Diane Arbus (2006)
Directed by: Steven Shainberg
Cinematography by: Bill Pope
Mold Maker
Apocalypto (2006)
Directed by: Mel Gibson
Cinematography by: Dean Semler
Edited by: John Wright
Mold Maker
300 (2006)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
Special Effects Technician
Skinwalkers (2006)
Directed by: James Isaac
Edited by: Allan Lee
Cameras: Panavision Cameras
Key Special Effects Technician: Stan Winston Studio
Charlotte's Web (2006)
Directed by: Gary Winick
Cinematography by: Seamus McGarvey
Mold Maker
War of the Worlds (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Special Effects Technician
Land of the Dead (2005)
Directed by: George A. Romero
Cinematography by: Miroslaw Baszak
Edited by: Michael Doherty
Special Effects Technician
Doom (2005)
Directed by: Andrzej Bartkowiak
Cinematography by: Tony Pierce-Roberts
Edited by: Derek Brechin
Special Effects Technician
Son of the Mask (2005)
Directed by: Lawrence Guterman
Cinematography by: Greg Gardiner
Mold Shop Supervisor - 369 Episodes, 2005-2021
Grey's Anatomy (2005)
Directed by: Rob Corn, Kevin McKidd, Debbie Allen, Chandra Wilson, Allison Liddi-Brown, Jeannot Szwarc, Tony Phelan, Nicole Rubio, Michael W. Watkins, Tom Verica, Bill D'Elia, Mark Jackson, Peter Horton, Jeff Melman, Jessica Yu, Edward Ornelas, Stephen Cragg, Linda Klein, Daniel Minahan, Julie Anne Robinson, James Frawley, Michael Pressman, Ron Underwood, Geary McLeod, Adam Davidson, Wendey Stanzler, Randy Zisk, Michael Grossman, Steve Robin, Chris Hayden, Jesse Williams, Pete Chatmon, Mark Tinker, Susan Vaill, David Greenspan, Rob Greenlea, Bobby Roth, Zetna Fuentes, Kevin Rodney Sullivan, Michael Medico, Tony Goldwyn, Adam Arkin, Seith Mann, Christopher Misiano, Greg Yaitanes, Eric Stoltz, Rob Hardy, Cherie Nowlan, Eric Laneuville, Jann Turner, Cecilie A. Mosli, Ellen Pompeo, Nzingha Stewart, Sydney Freeland, Daniel Willis, Michael Watkins, Amyn Kaderali, Sarah Pia Anderson, Scott Brazil, John David Coles, Michael Dinner, Lesli Linka Glatter, Darnell Martin, Tricia Brock, Dan Lerner, David Paymer, Tamra Davis, Bethany Rooney, Joanna Kerns, Arlene Sanford, John Terlesky, Daniel Attias, Robert Berlinger, Rob Bailey, Donna Deitch, Laura Innes, Jesse Bochco, Paul McCrane, Thomas J. Wright, Charlotte Brändström, Victoria Mahoney, Denzel Washington, Oliver Bokelberg, Lisa Leone, Louis Venosta, Krista Vernoff, Gregory T. Evans, Deborah Pratt, Lindsay Cohen, Giacomo Gianniotti, Morenike Joela Evans, Kim Raver
Cinematography by: Herbert Davis, Alicia Robbins, Steven G. Fracol, Byron Shah, Tim Suhrstedt, Jeanne Tyson, Carlos González, Ross Riege, Robert LaBonge, Christian Sebaldt, Adam Kane, Walt Fraser, Oliver Bokelberg, Daryn Okada, Jeffrey Jur, Mark Jackson, John Simmons
Edited by: Susan Vaill, Joe Mitacek, Edward Ornelas, David Greenspan, Chad Mochrie, Jason Joseph, Meghan Robertson, Vanessa Delgado, Dan Rovetto, Justin Chinn, Briana London, Kathleen Latlip, Gregory Cusumano, Matthew Ramsey, Brandi Bradburn, Bjørn T. Myrholt, Victor Du Bois, Katherine Skjerping, Roger Nygard, Sarah Boyd, Stacy Katzman, Julia Grove, Heidi Scharfe, Philip Fowler, Karoliina Tuovinen, Tom Costain, Kyle Bond, Dino DeLorenzo, Aimee Jennings, Juan Soto
Special Effects Makeup
Van Helsing (2004)
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Prosthetics Technician , Special Effects Technician
Dawn of the Dead (2004)
Directed by: Zack Snyder
Cinematography by: Matthew F. Leonetti
Edited by: Niven Howie
Makeup Effects Technician
The Passion of the Christ (2004)
Directed by: Mel Gibson
Cinematography by: Caleb Deschanel
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Mold Maker / Special Effects Technician
Seed of Chucky (2004)
Directed by: Don Mancini
Cinematography by: Vernon Layton
Edited by: Chris Dickens
Laminating Specialist
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Mold Maker: Patrick Tatopoulos Designs
Underworld (2003)
Directed by: Len Wiseman
Cinematography by: Tony Pierce-Roberts
Edited by: Martin Hunter
Special Effects Technician
'Buffy the Vampire Slayer' Chosen (2003)
Directed by: Joss Whedon
Cinematography by: Raymond Stella
Edited by: Peter Basinski
Special Effects Technician
'Buffy the Vampire Slayer' End of Days (2003)
Directed by: Marita Grabiak
Cinematography by: Raymond Stella
Edited by: Louise Innes
Special Effects Technician
'Buffy the Vampire Slayer' Touched (2003)
Directed by: David Solomon
Cinematography by: Raymond Stella
Edited by: Joshua Charson
Special Effects Technician
'Buffy the Vampire Slayer' Empty Places (2003)
Directed by: James A. Contner
Cinematography by: Raymond Stella
Edited by: Peter Basinski
Special Effects Technician
'Buffy the Vampire Slayer' Lies My Parents Told Me (2003)
Directed by: David Fury
Cinematography by: Raymond Stella
Edited by: Louise Innes
Special Effects Technician
'Buffy the Vampire Slayer' Dirty Girls (2003)
Directed by: Michael Gershman
Cinematography by: Raymond Stella
Edited by: Joshua Charson
Special Effects Technician
'Buffy the Vampire Slayer' Storyteller (2003)
Directed by: Marita Grabiak
Cinematography by: Raymond Stella
Edited by: Peter Basinski
Special Effects Technician
'Buffy the Vampire Slayer' First Date (2003)
Directed by: David Grossman
Cinematography by: Raymond Stella
Edited by: Louise Innes
Special Effects Technician
'Buffy the Vampire Slayer' Get It Done (2003)
Directed by: Douglas Petrie
Cinematography by: Raymond Stella
Edited by: Joshua Charson
Special Effects Technician
'Buffy the Vampire Slayer' The Killer in Me (2003)
Directed by: David Solomon
Cinematography by: Raymond Stella
Edited by: Peter Basinski
Special Effects Technician
'Buffy the Vampire Slayer' Potential (2003)
Directed by: James A. Contner
Cinematography by: Raymond Stella
Edited by: Joshua Charson
Special Effects Technician
'Buffy the Vampire Slayer' Showtime (2003)
Directed by: Michael Grossman
Cinematography by: Raymond Stella
Edited by: Louise Innes
Mold Department Supervisor: Steve Johnson's XFX
Blade II (2002)
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Technician
'Buffy the Vampire Slayer' Bring on the Night (2002)
Directed by: David Grossman
Cinematography by: Raymond Stella
Edited by: Peter Basinski
Special Effects Technician
'Buffy the Vampire Slayer' Never Leave Me (2002)
Directed by: David Solomon
Cinematography by: Raymond Stella
Edited by: Joshua Charson
Special Effects Technician
'Buffy the Vampire Slayer' Sleeper (2002)
Directed by: Alan J. Levi
Cinematography by: Raymond Stella
Edited by: Louise Innes
Special Effects Technician
'Buffy the Vampire Slayer' Him (2002)
Directed by: Michael Gershman
Cinematography by: Raymond Stella
Edited by: Joshua Charson
Special Effects Technician
'Buffy the Vampire Slayer' Conversations with Dead People (2002)
Directed by: Nick Marck
Cinematography by: Raymond Stella
Edited by: Peter Basinski
Special Effects Technician
'Buffy the Vampire Slayer' Selfless (2002)
Directed by: David Solomon
Cinematography by: Raymond Stella
Edited by: Peter Basinski
Special Effects Technician
'Buffy the Vampire Slayer' Same Time, Same Place (2002)
Directed by: James A. Contner
Cinematography by: Raymond Stella
Edited by: Joshua Charson
Special Effects Technician
'Buffy the Vampire Slayer' Help (2002)
Directed by: Rick Rosenthal
Cinematography by: Raymond Stella
Edited by: Louise Innes
Special Effects Technician
'Buffy the Vampire Slayer' Beneath You (2002)
Directed by: Nick Marck
Cinematography by: Raymond Stella
Edited by: Louise Innes
Special Effects Technician
'Buffy the Vampire Slayer' Lessons (2002)
Directed by: David Solomon
Cinematography by: Raymond Stella
Edited by: Peter Basinski
Mold Department: Steve Johnson's XFX
Monkeybone (2001)
Directed by: Henry Selick
Cinematography by: Andrew Dunn
Mold Shop Supervisor
Zoolander (2001)
Directed by: Ben Stiller
Cinematography by: Barry Peterson
Edited by: Greg Hayden
Cameras: Panavision Panaflex Platinum Camera
Mold Shop Supervisor / Special Effects Technician
Red Planet (2000)
Directed by: Antony Hoffman
Cinematography by: Peter Suschitzky
Special Effects Technician
'Buffy the Vampire Slayer' Restless (2000)
Directed by: Joss Whedon
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Special Effects Technician
'Buffy the Vampire Slayer' Primeval (2000)
Directed by: James A. Contner
Cinematography by: Michael Gershman
Edited by: Michael Stern
Special Effects Technician
'Buffy the Vampire Slayer' New Moon Rising (2000)
Directed by: James A. Contner
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Special Effects Technician
'Buffy the Vampire Slayer' The Yoko Factor (2000)
Directed by: David Grossman
Cinematography by: Michael Gershman
Edited by: Tammis Chandler
Special Effects Technician
'Buffy the Vampire Slayer' This Year's Girl (2000)
Directed by: Michael Gershman
Cinematography by: Raymond Stella
Edited by: Nancy Forner
Special Effects Technician
'Buffy the Vampire Slayer' Who Are You? (2000)
Directed by: Joss Whedon
Cinematography by: Michael Gershman
Special Effects Technician
'Buffy the Vampire Slayer' Superstar (2000)
Directed by: David Grossman
Cinematography by: Michael Gershman
Edited by: Michael Kewley
Special Effects Technician
'Buffy the Vampire Slayer' Where the Wild Things Are (2000)
Directed by: David Solomon
Cinematography by: Raymond Stella
Edited by: Nancy Forner
Special Effects Technician
'Buffy the Vampire Slayer' Goodbye Iowa (2000)
Directed by: David Solomon
Cinematography by: Raymond Stella
Edited by: Michael Kewley
Special Effects Technician
'Buffy the Vampire Slayer' A New Man (2000)
Directed by: Michael Gershman
Cinematography by: Raymond Stella
Edited by: Nancy Forner
Special Effects Technician
'Buffy the Vampire Slayer' The I in Team (2000)
Directed by: James A. Contner
Edited by: Regis Kimble
Special Effects Technician
'Buffy the Vampire Slayer' Doomed (2000)
Directed by: James A. Contner
Cinematography by: Raymond Stella
Edited by: Michael Kewley
Mold Technician: Steve Johnson's XFX, Inc.
Bicentennial Man (1999)
Directed by: Chris Columbus
Cinematography by: Phil Meheux
Cameras: Panavision Panaflex Gold II Camera
Mold Maker
Election (1999)
Directed by: Alexander Payne
Cinematography by: James Glennon
Edited by: Kevin Tent
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Technician
Magnolia (1999)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Cameras: Panavision Cameras, Pathé Cameras
Lenses: Panavision Lenses
Special Effects Technician
Being John Malkovich (1999)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Edited by: Eric Zumbrunnen
Lenses: Cooke S4 Lenses
Special Effects Technician
'Buffy the Vampire Slayer' Hush (1999)
Directed by: Joss Whedon
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Special Effects Technician
'Buffy the Vampire Slayer' Pangs (1999)
Directed by: Michael Lange
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Special Effects Technician
'Buffy the Vampire Slayer' Something Blue (1999)
Directed by: Nick Marck
Cinematography by: Michael Gershman
Edited by: Nancy Forner
Special Effects Technician
'Buffy the Vampire Slayer' The Initiative (1999)
Directed by: James A. Contner
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Special Effects Technician
'Buffy the Vampire Slayer' Beer Bad (1999)
Directed by: David Solomon
Cinematography by: Michael Gershman
Edited by: Nancy Forner
Special Effects Technician
'Buffy the Vampire Slayer' Wild at Heart (1999)
Directed by: David Grossman
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Special Effects Technician
'Buffy the Vampire Slayer' The Harsh Light of Day (1999)
Directed by: James A. Contner
Cinematography by: Michael Gershman
Edited by: Nancy Forner
Special Effects Technician
'Buffy the Vampire Slayer' Fear Itself (1999)
Directed by: Tucker Gates
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Special Effects Technician
'Buffy the Vampire Slayer' Graduation Day: Part 1 (1999)
Directed by: Joss Whedon
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Special Effects Technician
'Buffy the Vampire Slayer' Graduation Day: Part 2 (1999)
Directed by: Joss Whedon
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Special Effects Technician
'Buffy the Vampire Slayer' The Freshman (1999)
Directed by: Joss Whedon
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Special Effects Technician
'Buffy the Vampire Slayer' Living Conditions (1999)
Directed by: David Grossman
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Special Effects Technician
'Buffy the Vampire Slayer' The Prom (1999)
Directed by: David Solomon
Cinematography by: Michael Gershman
Edited by: Nancy Forner
Special Effects Technician
'Buffy the Vampire Slayer' Choices (1999)
Directed by: James A. Contner
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Special Effects Technician
'Buffy the Vampire Slayer' Enemies (1999)
Directed by: David Grossman
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Special Effects Technician
'Buffy the Vampire Slayer' Earshot (1999)
Directed by: Regis Kimble
Cinematography by: Michael Gershman
Edited by: Nancy Forner
Special Effects Technician
'Buffy the Vampire Slayer' Consequences (1999)
Directed by: Michael Gershman
Cinematography by: Raymond Stella
Edited by: Nancy Forner
Special Effects Technician
'Buffy the Vampire Slayer' Doppelgangland (1999)
Directed by: Joss Whedon
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Special Effects Technician
'Buffy the Vampire Slayer' Bad Girls (1999)
Directed by: Michael Lange
Cinematography by: Raymond Stella
Edited by: Skip Macdonald
Special Effects Technician
'Buffy the Vampire Slayer' Gingerbread (1999)
Directed by: James Whitmore Jr.
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Special Effects Technician
'Buffy the Vampire Slayer' Helpless (1999)
Directed by: James A. Contner
Cinematography by: Michael Gershman
Edited by: Nancy Forner
Special Effects Technician
'Buffy the Vampire Slayer' The Zeppo (1999)
Directed by: James Whitmore Jr.
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Special Effects Technician
Species II (1998)
Directed by: Peter Medak
Cinematography by: Matthew F. Leonetti
Edited by: Richard Nord
Special Effects Technician
Sphere (1998)
Directed by: Barry Levinson
Cinematography by: Adam Greenberg
Edited by: Stu Linder
Special Effects Technician
'Buffy the Vampire Slayer' Amends (1998)
Directed by: Joss Whedon
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Special Effects Technician
'Buffy the Vampire Slayer' The Wish (1998)
Directed by: David Greenwalt
Cinematography by: Michael Gershman
Edited by: Nancy Forner
Special Effects Technician
'Buffy the Vampire Slayer' Band Candy (1998)
Directed by: Michael Lange
Cinematography by: Michael Gershman
Edited by: Nancy Forner
Special Effects Technician
'Buffy the Vampire Slayer' Revelations (1998)
Directed by: James A. Contner
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Special Effects Technician
'Buffy the Vampire Slayer' Lovers Walk (1998)
Directed by: David Semel
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Special Effects Technician
'Buffy the Vampire Slayer' Homecoming (1998)
Directed by: David Greenwalt
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Special Effects Technician
'Buffy the Vampire Slayer' Beauty and the Beasts (1998)
Directed by: James Whitmore Jr.
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Special Effects Technician
'Buffy the Vampire Slayer' Faith, Hope & Trick (1998)
Directed by: James A. Contner
Cinematography by: Michael Gershman
Edited by: Nancy Forner
Special Effects Technician
'Buffy the Vampire Slayer' Dead Man's Party (1998)
Directed by: James Whitmore Jr.
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Special Effects Technician
'Buffy the Vampire Slayer' Anne (1998)
Directed by: Joss Whedon
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Special Effects Technician
'Buffy the Vampire Slayer' Becoming: Part 1 (1998)
Directed by: Joss Whedon
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Special Effects Technician
'Buffy the Vampire Slayer' Becoming: Part 2 (1998)
Directed by: Joss Whedon
Cinematography by: Michael Gershman
Edited by: Kimberly Ray
Special Effects Technician
'Buffy the Vampire Slayer' I Only Have Eyes for You (1998)
Directed by: James Whitmore Jr.
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Special Effects Technician
'Buffy the Vampire Slayer' Go Fish (1998)
Directed by: David Semel
Cinematography by: Michael Gershman
Edited by: Kimberly Ray
Special Effects Technician
'Buffy the Vampire Slayer' Passion (1998)
Directed by: Michael Gershman
Cinematography by: Kenneth Zunder
Edited by: Kimberly Ray
Special Effects Technician
'Buffy the Vampire Slayer' Killed by Death (1998)
Directed by: Deran Sarafian
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Special Effects Technician
'Buffy the Vampire Slayer' Bad Eggs (1998)
Directed by: David Greenwalt
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Special Effects Technician
'Buffy the Vampire Slayer' Surprise (1998)
Directed by: Michael Lange
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Special Effects Technician
'Buffy the Vampire Slayer' Innocence (1998)
Directed by: Joss Whedon
Cinematography by: Michael Gershman
Edited by: Kimberly Ray
Special Effects Technician
'Buffy the Vampire Slayer' Phases (1998)
Directed by: Bruce Seth Green
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Special Effects Technician
'Buffy the Vampire Slayer' Bewitched, Bothered and Bewildered (1998)
Directed by: James A. Contner
Cinematography by: Kenneth Zunder
Edited by: Regis Kimble
Special Effects Technician - 88 Episodes, 1997-2003
Buffy the Vampire Slayer (1997)
Directed by: Joss Whedon, James A. Contner, David Solomon, David Grossman, Michael Gershman, Bruce Seth Green, Nick Marck, James Whitmore Jr., David Greenwalt, David Semel, Michael Lange, Douglas Petrie, John T. Kretchmer, Ellen S. Pressman, Daniel Attias, Marti Noxon, David Fury, Rick Rosenthal, Marita Grabiak, Reza Badiyi, Scott Brazil, Stephen Cragg, Stephen L. Posey, Charles Martin Smith, Deran Sarafian, Tucker Gates, Regis Kimble, Christopher Hibler, Turi Meyer, Alan J. Levi, Bill Norton, Michael Grossman
Cinematography by: Michael Gershman, Raymond Stella, Kenneth Zunder, Michael D. O'Shea, Donald M. Morgan
Edited by: Regis Kimble, Peter Basinski, Skip Macdonald, Nancy Forner, Marilyn McMahon Adams, Kimberly Ray, Tammis Chandler, Joshua Charson, Louise Innes, Lisa Lassek, Geoffrey Rowland, Michael Kewley, Skip Schoolnik, Golda Savage, Michael Stern
Lenses: Panavision Lenses
Special Effects Technician
'Buffy the Vampire Slayer' Ted (1997)
Directed by: Bruce Seth Green
Cinematography by: Michael Gershman
Edited by: Kimberly Ray
Special Effects Technician
'Buffy the Vampire Slayer' What's My Line?: Part 2 (1997)
Directed by: David Semel
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Special Effects Technician
'Buffy the Vampire Slayer' What's My Line?: Part 1 (1997)
Directed by: David Solomon
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Special Effects Technician
'Buffy the Vampire Slayer' The Dark Age (1997)
Directed by: Bruce Seth Green
Cinematography by: Michael Gershman
Edited by: Kimberly Ray
Special Effects Technician
'Buffy the Vampire Slayer' Lie to Me (1997)
Directed by: Joss Whedon
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Special Effects Technician
'Buffy the Vampire Slayer' Halloween (1997)
Directed by: Bruce Seth Green
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Special Effects Technician
'Buffy the Vampire Slayer' Reptile Boy (1997)
Directed by: David Greenwalt
Cinematography by: Michael Gershman
Edited by: Kimberly Ray
Special Effects Technician
'Buffy the Vampire Slayer' Inca Mummy Girl (1997)
Directed by: Ellen S. Pressman
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Special Effects Technician
'Buffy the Vampire Slayer' School Hard (1997)
Directed by: John T. Kretchmer
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Special Effects Technician
'Buffy the Vampire Slayer' When She Was Bad (1997)
Directed by: Joss Whedon
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Special Effects Technician
'Buffy the Vampire Slayer' Some Assembly Required (1997)
Directed by: Bruce Seth Green
Cinematography by: Michael Gershman
Edited by: Kimberly Ray
