Greg Nicotero

Directed by: Greg Nicotero

Executive Producer, Special Effects Make-up By

'The Walking Dead' Chokepoint (2019)

| USA

Directed by: Liesl Tommy

Cinematography by: Duane Manwiller

Edited by: Brian G. Addie, Alan Cody

Executive Producer, Special Effects Make-up By

'The Walking Dead' Omega (2019)

| USA

Directed by: David Boyd

Cinematography by: Stephen Campbell

Edited by: Alan Cody

Director, Executive Producer, Special Effects Make-up By

'The Walking Dead' The Storm (2019)

| USA

Directed by: Greg Nicotero

Cinematography by: Stephen Campbell

Edited by: Alan Cody

Executive Producer, Special Effects Make-up By

'The Walking Dead' Guardians (2019)

| USA

Directed by: Michael E. Satrazemis

Cinematography by: Stephen Campbell

Edited by: Dan Liu

Executive Producer, Special Effects Make-up By

'The Walking Dead' The Calm Before (2019)

| USA

Directed by: Laura Belsey

Cinematography by: Duane Manwiller

Edited by: Dan Liu, Tiffany Melvin

Executive Producer, Special Effects Make-up By

'The Walking Dead' Bounty (2019)

| USA

Directed by: Meera Menon

Cinematography by: Duane Manwiller

Edited by: Evan Schrodek

Executive Producer, Special Effects Make-up By

'The Walking Dead' Scars (2019)

| USA

Directed by: Millicent Shelton

Cinematography by: Stephen Campbell

Edited by: Evan Schrodek

Director, Executive Producer, Special Effects Make-up By

'The Walking Dead' Adaptation (2019)

| USA

Directed by: Greg Nicotero

Cinematography by: Duane Manwiller

Edited by: Dan Liu

Executive Producer, Special Effects Make-up By

'The Walking Dead' Worth (2018)

| USA

Directed by: Michael Slovis

Cinematography by: Stephen Campbell, Duane Manwiller

Edited by: Dan Liu

Executive Producer, Special Effects Make-up By

'The Walking Dead' Who Are You Now? (2018)

| USA

Directed by: Larry Teng

Cinematography by: Stephen Campbell

Edited by: Dan Liu

Executive Producer, Special Effects Make-up By

'The Walking Dead' Dead or Alive Or (2018)

| USA

Directed by: Michael E. Satrazemis

Cinematography by: Stephen Campbell

Edited by: Evan Schrodek

Executive Producer, Special Effects Make-up By

'The Walking Dead' The Bridge (2018)

| USA

Directed by: Daisy von Scherler Mayer

Cinematography by: Stephen Campbell

Edited by: Jack Colwell

Executive Producer, Special Effects Make-up By

'The Walking Dead' Still Gotta Mean Something (2018)

Directed by: Michael E. Satrazemis

Cinematography by: Paul Varrieur, Duane Manwiller

Edited by: Evan Schrodek

Director, Executive Producer, Special Effects Make-up By

'The Walking Dead' What Comes After (2018)

| USA

Directed by: Greg Nicotero

Cinematography by: Duane Manwiller

Edited by: Evan Schrodek

Executive Producer, Special Effects Make-up By

'The Walking Dead' The Lost and the Plunderers (2018)

Directed by: David Boyd

Cinematography by: Paul Varrieur, Duane Manwiller

Edited by: Alan Cody

Director, Executive Producer, Special Effects Make-up By

'The Walking Dead' A New Beginning (2018)

| USA

Directed by: Greg Nicotero

Cinematography by: Duane Manwiller

Edited by: Alan Cody

Executive Producer, Special Effects Make-up By

'The Walking Dead' Evolution (2018)

| USA

Directed by: Michael E. Satrazemis

Cinematography by: Stephen Campbell

Edited by: Evan Schrodek

Executive Producer, Special Effects Make-up By

'The Walking Dead' Do Not Send Us Astray (2018)

| USA

Directed by: Jeffrey F. January

Cinematography by: Stephen Campbell

Edited by: Alan Cody

Executive Producer

'The Walking Dead' The Obliged (2018)

| USA

Directed by: Rosemary Rodriguez

Cinematography by: Stephen Campbell

Edited by: Alan Cody

Directed By, Executive Producer, Special Effects Make-up By

'The Walking Dead' Honor (2018)

| USA

Directed by: Greg Nicotero

Cinematography by: Duane Manwiller

Edited by: Dan Liu

Directed By, Executive Producer, Special Effects Make-up By

'The Walking Dead' Wrath (2018)

| USA

Directed by: Greg Nicotero

Cinematography by: Paul Varrieur, Duane Manwiller

Edited by: Alan Cody

Executive Producer, Special Effects Make-up By

'The Walking Dead' Stradivarius (2018)

| USA

Directed by: Michael Cudlitz

Cinematography by: Duane Manwiller

Edited by: Alan Cody

Directed By, Executive Producer, Special Effects Make-up By

'The Walking Dead' The Key (2018)

| USA

Directed by: Greg Nicotero

Cinematography by: Paul Varrieur

Edited by: Dan Liu, Tiffany Melvin

Executive Producer

'The Walking Dead' Warning Signs (2018)

| USA

Directed by: Dan Liu

Cinematography by: Duane Manwiller

Edited by: Tiffany Melvin

Directed By, Executive Producer, Special Effects Make-up By

'The Walking Dead' Mercy (2017)

| USA

Directed by: Greg Nicotero

Cinematography by: Michael E. Satrazemis

Edited by: Dan Liu

Directed By, Executive Producer, Special Effects Make-up By

'The Walking Dead' Say Yes (2017)

| USA

Directed by: Greg Nicotero

Cinematography by: Stephen Campbell

Edited by: Rachel Goodlett Katz

Executive Producer, Special Effects Make-up By

'The Walking Dead' How It's Gotta Be (2017)

| USA

Directed by: Michael E. Satrazemis

Cinematography by: Paul Varrieur, Duane Manwiller

Edited by: Evan Schrodek

Directed By, Executive Producer, Special Effects Make-up By

'The Walking Dead' Rock in the Road (2017)

Directed by: Greg Nicotero

Cinematography by: Michael E. Satrazemis

Edited by: Rachel Goodlett Katz

Executive Producer, Special Effects Make-up By

'The Walking Dead' Some Guy (2017)

| USA

Directed by: Dan Liu

Cinematography by: Michael E. Satrazemis

Edited by: Sarah C. Reeves

Executive Producer, Special Effects Make-up By

'The Walking Dead' Something They Need (2017)

| USA

Directed by: Michael Slovis

Cinematography by: Stephen Campbell

Edited by: Rachel Goodlett Katz, Enrique Sanchez

Executive Producer, Special Effects Make-up By

'The Walking Dead' New Best Friends (2017)

| USA

Directed by: Jeffrey F. January

Cinematography by: Michael E. Satrazemis

Edited by: Dan Liu

Executive Producer, Special Effects Make-up By

'The Walking Dead' Time for After (2017)

| USA

Directed by: Larry Teng

Cinematography by: Duane Manwiller

Edited by: Alan Cody

Directed By, Executive Producer, Special Effects Make-up By

'The Walking Dead' Monsters (2017)

| USA

Directed by: Greg Nicotero

Cinematography by: Michael E. Satrazemis

Edited by: Alan Cody

Executive Producer, Special Effects Make-up By

'The Walking Dead' The Other Side (2017)

| USA

Directed by: Michael E. Satrazemis

Cinematography by: Stephen Campbell

Edited by: Dan Liu, Tiffany Melvin

Executive Producer, Special Effects Make-up By

'The Walking Dead' Hostiles and Calamities (2017)

| USA

Directed by: Kari Skogland

Cinematography by: Michael E. Satrazemis

Edited by: Enrique Sanchez, Avi Youabian

Executive Producer, Special Effects Make-up By

'The Walking Dead' The King, the Widow and Rick (2017)

| USA

Directed by: John Polson

Cinematography by: Duane Manwiller

Edited by: Evan Schrodek

Executive Producer, Special Effects Make-up By

'The Walking Dead' The Damned (2017)

| USA

Directed by: Rosemary Rodriguez

Cinematography by: Michael E. Satrazemis

Edited by: Evan Schrodek

Executive Producer, Special Effects Make-up By

'The Walking Dead' Bury Me Here (2017)

| USA

Directed by: Alrick Riley

Cinematography by: Stephen Campbell

Edited by: Orlando Machado Jr.

Executive Producer, Special Effects Make-up By

'The Walking Dead' The Big Scary U (2017)

| USA

Directed by: Michael E. Satrazemis

Cinematography by: Paul Varrieur

Edited by: Dan Liu

Directed By, Executive Producer, Special Effects Make-up By

'The Walking Dead' The First Day of the Rest of Your Life (2017)

| USA

Directed by: Greg Nicotero

Cinematography by: Michael E. Satrazemis

Edited by: Dan Liu

Executive Producer, Special Effects Make-up By

'The Walking Dead' The Next World (2016)

| USA

Directed by: Kari Skogland

Cinematography by: Stephen Campbell

Edited by: Dan Liu

Directed By, Executive Producer, Special Effects Make-up By

'The Walking Dead' The Day Will Come When You Won't Be (2016)

| USA

Directed by: Greg Nicotero

Cinematography by: Michael E. Satrazemis

Edited by: Dan Liu

Executive Producer, Special Effects Make-up By

'The Walking Dead' East (2016)

| USA

Directed by: Michael E. Satrazemis

Cinematography by: Stephen Campbell

Edited by: Evan Schrodek, Avi Youabian

Executive Producer, Special Effects Make-up By

'The Walking Dead' Service (2016)

| USA

Directed by: David Boyd

Cinematography by: Michael E. Satrazemis

Edited by: Dan Liu

Directed By, Executive Producer, Special Effects Make-up By

'The Walking Dead' No Way Out (2016)

| USA

Directed by: Greg Nicotero

Cinematography by: Michael E. Satrazemis

Edited by: Avi Youabian

Directed By, Executive Producer, Special Effects Make-up By

'The Walking Dead' Last Day on Earth (2016)

| USA

Directed by: Greg Nicotero

Cinematography by: Michael E. Satrazemis

Edited by: Dan Liu

Executive Producer, Special Effects Make-up By, Walker In Front Of The Sancutary

'The Walking Dead' Sing Me a Song (2016)

| USA

Directed by: Rosemary Rodriguez

Cinematography by: Stephen Campbell

Edited by: Dan Liu

Directed By, Executive Producer, Special Effects Make-up By

'The Walking Dead' Not Tomorrow Yet (2016)

| USA

Directed by: Greg Nicotero

Cinematography by: Michael E. Satrazemis

Edited by: Avi Youabian

Executive Producer, Special Effects Make-up By

'The Walking Dead' The Cell (2016)

| USA

Directed by: Alrick Riley

Cinematography by: Michael E. Satrazemis

Edited by: Avi Youabian

Executive Producer, Special Effects Make-up By

'The Walking Dead' The Same Boat (2016)

| USA

Directed by: Billy Gierhart

Cinematography by: Michael E. Satrazemis

Edited by: Dan Liu

Executive Producer, Special Effects Make-up By

'The Walking Dead' Swear (2016)

| USA

Directed by: Michael E. Satrazemis

Cinematography by: Stephen Campbell

Edited by: Rachel Goodlett Katz

Killer Croc Supervisor: KNB EFX Group

Suicide Squad (2016)

| USA

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Executive Producer, Special Effects Make-up By

'The Walking Dead' Knots Untie (2016)

| USA

Directed by: Michael E. Satrazemis

Cinematography by: Stephen Campbell

Edited by: Rachel Goodlett Katz

Directed By, Executive Producer, Special Effects Make-up By

'The Walking Dead' The Well (2016)

| USA

Directed by: Greg Nicotero

Cinematography by: Michael E. Satrazemis

Edited by: Rachel Goodlett Katz

Executive Producer, Special Effects Make-up By

'The Walking Dead' Hearts Still Beating (2016)

| USA

Directed by: Michael E. Satrazemis

Cinematography by: Stephen Campbell

Edited by: Avi Youabian

Executive Producer, Special Effects Make-up By

'The Walking Dead' Twice as Far (2016)

| USA

Directed by: Alrick Riley

Cinematography by: Stephen Campbell

Edited by: Rachel Goodlett Katz

Executive Producer, Special Effects Make-up By

'The Walking Dead' Go Getters (2016)

| USA

Directed by: Darnell Martin

Cinematography by: Stephen Campbell

Edited by: Avi Youabian

Directed By, Executive Producer, Special Effects Make-up By

'The Walking Dead' Remember (2015)

| USA

Directed by: Greg Nicotero

Cinematography by: Michael E. Satrazemis

Edited by: Avi Youabian

Executive Producer, Special Effects Make-up By, Walker

'The Walking Dead' Thank You (2015)

| USA

Directed by: Michael Slovis

Cinematography by: Michael E. Satrazemis

Edited by: Evan Schrodek

Executive Producer, Special Effects Make-up By

'The Walking Dead' Try (2015)

| USA

Directed by: Michael E. Satrazemis

Cinematography by: Stephen Campbell

Edited by: Todd Desrosiers

Executive Producer, Special Effects Make-up By

'The Walking Dead' Always Accountable (2015)

| USA

Directed by: Jeffrey F. January

Cinematography by: Michael E. Satrazemis

Edited by: Rachel Goodlett Katz

Special Makeup Effects Artist

The Hateful Eight (2015)

Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

| USA

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens

Editing System: Avid Editing System

Special Effects Makeup: KNB EFX Group, Inc. - 1 Episode, 2015

Into the Badlands (2015)

| USA

Directed by: Paco Cabezas, Toa Fraser, David Dobkin, Guy Ferland, Nick Copus, Stephen Fung, James Marshall, Tricia Brock, Miles Millar, Wayne Yip

Cinematography by: Owen McPolin, Shane Hurlbut, Sam McCurdy, Daniel Aranyó, Nigel Willoughby, Denis Crossan, P.J. Dillon, Jean-Philippe Gossart

Edited by: Paul G. Day, Ben Wilkinson, Erin Deck, Jay Prychidny, Bridget Durnford, Ray Daniels III, Vikash Patel, Anthony Pinker, Cedric Nairn-Smith

Cameras: Red Epic Dragon Camera

Lenses: Leica Summicron-C Series Lenses, Leica Summilux-C Series Lenses

Executive Producer, Special Effects Make-up By

'The Walking Dead' The Distance (2015)

| USA

Directed by: Larysa Kondracki

Cinematography by: Michael E. Satrazemis

Edited by: Dan Liu

Executive Producer, Special Effects Make-up By

'The Walking Dead' JSS (2015)

| USA

Directed by: Jennifer Lynch

Cinematography by: Michael E. Satrazemis

Edited by: Rachel Goodlett Katz

Executive Producer, Special Effects Make-up By

'The Walking Dead' Spend (2015)

| USA

Directed by: Jennifer Lynch

Cinematography by: Stephen Campbell

Edited by: Dan Liu

Executive Producer, Special Effects Make-up By

'The Walking Dead' Now (2015)

| USA

Directed by: Avi Youabian

Cinematography by: Michael E. Satrazemis

Edited by: Dan Liu

Special Effects Makeup: KNB EFX Group, Inc.

'Into the Badlands' Chapter IV: Two Tigers Subdue Dragons (2015)

| USA

Directed by: Guy Ferland

Cinematography by: Shane Hurlbut

Edited by: Cedric Nairn-Smith, Vikash Patel

Executive Producer, Special Effects Make-up By

'The Walking Dead' Them (2015)

| USA

Directed by: Julius Ramsay

Cinematography by: Michael E. Satrazemis

Edited by: Rachel Goodlett Katz

Directed By, Executive Producer, Special Effects Make-up By

'The Walking Dead' First Time Again (2015)

| USA

Directed by: Greg Nicotero

Cinematography by: Michael E. Satrazemis

Edited by: Dan Liu

Executive Producer, Special Effects Make-up By

'The Walking Dead' Start to Finish (2015)

| USA

Directed by: Michael E. Satrazemis

Cinematography by: Stephen Campbell

Edited by: Dan Liu

Executive Producer, Special Effects Make-up By

'The Walking Dead' Forget (2015)

| USA

Directed by: David Boyd

Cinematography by: Michael E. Satrazemis

Edited by: Julius Ramsay

Executive Producer, Special Effects Make-up By

'The Walking Dead' Here's Not Here (2015)

| USA

Directed by: Stephen Williams

Cinematography by: Michael E. Satrazemis

Edited by: Rachel Goodlett Katz

Makeup Creator: Ben Foster

The Program (2015)

| UK, France

Directed by: Stephen Frears

Cinematography by: Danny Cohen

Edited by: Valerio Bonelli

Cameras: Red Epic Camera

Directed By, Executive Producer, Special Effects Make-up By

'The Walking Dead' What Happened and What's Going On (2015)

| USA

Directed by: Greg Nicotero

Cinematography by: Michael E. Satrazemis

Edited by: Evan Schrodek, Avi Youabian

Directed By, Executive Producer, Special Effects Make-up By

'The Walking Dead' Conquer (2015)

| USA

Directed by: Greg Nicotero

Cinematography by: Michael E. Satrazemis

Edited by: Julius Ramsay

Executive Producer, Special Effects Make-up By

'The Walking Dead' Heads Up (2015)

| USA

Directed by: David Boyd

Cinematography by: Stephen Campbell

Edited by: Avi Youabian

Special Makeup Effects Artist

Sin City: A Dame to Kill For (2014)

| USA

Directed by: Frank Miller, Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Cameras: ARRI ALEXA M Camera

Lenses: Fujinon Premier Lenses

Editing System: Avid Editing System

Executive Producer, Special Effects Make-up By

'The Walking Dead' Inmates (2014)

| USA

Directed by: Tricia Brock

Cinematography by: Michael E. Satrazemis

Edited by: Dan Liu

Executive Producer, Special Effects Make-up By

'The Walking Dead' The Grove (2014)

| USA

Directed by: Michael E. Satrazemis

Cinematography by: Stephen Campbell

Edited by: Julius Ramsay

Special Makeup Effects Artist

The Interview (2014)

| USA

Directed by: Evan Goldberg, Seth Rogen

Cinematography by: Brandon Trost

Edited by: Zene Baker, Evan Henke

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Executive Producer, Special Effects Make-up By

'The Walking Dead' Coda (2014)

| USA

Directed by: Ernest R. Dickerson

Cinematography by: Michael E. Satrazemis

Edited by: Dan Liu

Executive Producer, Special Effects Make-up By

'The Walking Dead' Alone (2014)

| USA

Directed by: Ernest R. Dickerson

Cinematography by: Michael E. Satrazemis

Edited by: Kelley Dixon

Executive Producer, Special Effects Make-up By

'The Walking Dead' Slabtown (2014)

| USA

Directed by: Michael E. Satrazemis

Cinematography by: Stephen Campbell

Edited by: Avi Youabian

Directed By, Executive Producer, Special Effects Make-up By

'The Walking Dead' After (2014)

| USA

Directed by: Greg Nicotero

Cinematography by: Michael E. Satrazemis

Edited by: Kelley Dixon

Directed By, Executive Producer, Special Effects Make-up By

'The Walking Dead' Us (2014)

| USA

Directed by: Greg Nicotero

Cinematography by: Michael E. Satrazemis

Edited by: Avi Youabian

Executive Producer, Special Effects Make-up By

'The Walking Dead' Crossed (2014)

| USA

Directed by: Billy Gierhart

Cinematography by: Michael E. Satrazemis

Edited by: Dan Liu, Avi Youabian

Executive Producer, Special Effects Make-up By

'The Walking Dead' Still (2014)

| USA

Directed by: Julius Ramsay

Cinematography by: Michael E. Satrazemis

Edited by: Avi Youabian

Executive Producer, Special Effects Make-up By

'The Walking Dead' Four Walls and a Roof (2014)

| USA

Directed by: Jeffrey F. January

Cinematography by: Stephen Campbell

Edited by: Julius Ramsay

Executive Producer, Special Effects Make-up By

'The Walking Dead' A (2014)

| USA

Directed by: Michelle MacLaren

Cinematography by: Michael E. Satrazemis

Edited by: Julius Ramsay

Project Supervisor: KNB EFX Group, Inc.

Dolphin Tale 2 (2014)

| USA

Directed by: Charles Martin Smith

Cinematography by: Daryn Okada

Edited by: Harvey Rosenstock

Cameras: Sony PMW-F55 Camera

Executive Producer, Special Effects Make-up By

'The Walking Dead' Consumed (2014)

| USA

Directed by: Seith Mann

Cinematography by: Michael E. Satrazemis

Edited by: Dan Liu, Julius Ramsay

Executive Producer, Special Effects Make-up By

'The Walking Dead' Claimed (2014)

| USA

Directed by: Seith Mann

Cinematography by: Stephen Campbell

Edited by: Kelley Dixon

Executive Producer, Special Effects Make-up By

'The Walking Dead' Strangers (2014)

| USA

Directed by: David Boyd

Cinematography by: Michael E. Satrazemis

Edited by: Avi Youabian

Demon Effects: And Design / Special Makeup Effects

Annabelle (2014)

| USA

Directed by: John R. Leonetti

Cinematography by: James Kniest

Edited by: Tom Elkins

Cameras: ARRI ALEXA XT Camera, Canon EOS-5D Mark III Camera, Red Epic Camera

Lenses: Canon L Series Lenses, Fujinon Premier Lenses, Leica Summilux-C Series Lenses

Directed By, Executive Producer, Special Effects Make-up By

'The Walking Dead' No Sanctuary (2014)

| USA

Directed by: Greg Nicotero

Cinematography by: Michael E. Satrazemis

Edited by: Julius Ramsay

Executive Producer, Special Effects Make-up By

'The Walking Dead' Self Help (2014)

| USA

Directed by: Ernest R. Dickerson

Cinematography by: Michael E. Satrazemis

Edited by: Dan Liu

Co-executive Producer, Special Effects Make-up By

'The Walking Dead' Clear (2013)

| USA

Directed by: Tricia Brock

Cinematography by: Rohn Schmidt

Edited by: Nathan Gunn

Special Make-up Effects By

'Hemlock Grove' The Order of the Dragon (2013)

| USA

Directed by: Deran Sarafian

Cinematography by: Fernando Argüelles

Edited by: Don Cassidy

Executive Producer, Special Effects Make-up By

'The Walking Dead' Isolation (2013)

| USA

Directed by: Daniel Sackheim

Cinematography by: Michael E. Satrazemis

Edited by: Kelley Dixon

Special Make-up Effects By

'Hemlock Grove' What God Wants (2013)

| USA

Directed by: T.J. Scott

Cinematography by: Fernando Argüelles

Edited by: Roger Mattiussi

2nd Unit Director, Co-executive Producer, Special Effects Make-up By

'The Walking Dead' Welcome to the Tombs (2013)

| USA

Directed by: Ernest R. Dickerson

Cinematography by: Rohn Schmidt

Edited by: Hunter M. Via

Special Makeup Effects

Oz the Great and Powerful (2013)

| USA

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Red Epic Camera

Editing System: Avid Editing System

Special Make-up Effects By

'Hemlock Grove' The Crucible (2013)

| USA

Directed by: Deran Sarafian

Cinematography by: Fernando Argüelles

Edited by: Don Cassidy

Executive Producer, Special Effects Make-up By

'The Walking Dead' Live Bait (2013)

| USA

Directed by: Michael Uppendahl

Cinematography by: Michael E. Satrazemis

Edited by: Kelley Dixon

Special Make-up Effects By

'Hemlock Grove' The Price (2013)

| USA

Directed by: T.J. Scott

Cinematography by: Fernando Argüelles

Edited by: Jim Munro

Co-executive Producer, Directed By, Special Effects Make-up By

'The Walking Dead' I Ain't a Judas (2013)

Television Series, Web Series

| USA

Directed by: Greg Nicotero

Cinematography by: Rohn Schmidt

Edited by: Julius Ramsay

Special Make-up Effects By - 13 Episodes, 2013

Hemlock Grove (2013)

| USA

Directed by: David Straiton, Deran Sarafian, Russell Lee Fine, T.J. Scott, David Semel, Peter Cornwell, Eli Roth, Billy Gierhart, Sanaa Hamri, Vincenzo Natali, David Petrarca, Floria Sigismondi, Spencer Susser, Jon Amiel, Coky Giedroyc, Marc Jobst, Jim O'Hanlon, Carl Tibbetts

Cinematography by: Fernando Argüelles, John Grillo, Steven Poster

Edited by: Paul G. Day, Don Cassidy, Bert Kish, James Coblentz, Jim Munro, Roslyn Kalloo, Monty DeGraff, Conrad Smart, Roger Mattiussi, Ronald Sanders, Michael G. England, David B. Thompson

Cameras: ARRI ALEXA Camera, Canon EOS-C300 Camera

Lenses: Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens

Special Make-up Effects By

'Hemlock Grove' The Angel (2013)

| USA, Canada

Directed by: Deran Sarafian

Cinematography by: Fernando Argüelles

Edited by: Don Cassidy

Executive Producer, Special Effects Make-up By

'The Walking Dead' Infected (2013)

| USA

Directed by: Guy Ferland

Cinematography by: Michael E. Satrazemis

Edited by: Avi Youabian

Special Make-up Effects By

'Hemlock Grove' What Peter Can Live Without (2013)

| USA

Directed by: David Straiton

Cinematography by: Fernando Argüelles

Edited by: Don Cassidy

Co-executive Producer, Special Effects Make-up By

'The Walking Dead' Prey (2013)

| USA

Directed by: Stefan Schwartz

Cinematography by: Rohn Schmidt

Edited by: Julius Ramsay

Project Supervisor: KNB EFX Group

Pain & Gain (2013)

| USA

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Tom Muldoon, Joel Negron

Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera

Editing System: Avid Editing System

Special Make-up Effects By

'Hemlock Grove' Hello, Handsome (2013)

| USA

Directed by: David Semel

Cinematography by: Fernando Argüelles

Edited by: Paul G. Day

Executive Producer, Special Effects Make-up By

'The Walking Dead' Internment (2013)

| USA

Directed by: David Boyd

Cinematography by: Michael E. Satrazemis

Edited by: Avi Youabian

Special Make-up Effects By

'Hemlock Grove' Children of the Night (2013)

| USA

Directed by: Deran Sarafian

Cinematography by: Fernando Argüelles

Edited by: Paul G. Day

Co-executive Producer, Special Effects Make-up By

'The Walking Dead' Home (2013)

| USA

Directed by: Seith Mann

Cinematography by: Rohn Schmidt

Edited by: Hunter M. Via

Special Make-up Effects

Lone Survivor (2013)

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo 45-120mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90 mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens

| USA

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr.

Cameras: Phantom Flex Camera, Red Epic Camera

Special Makeup Effects Head: KNB - Segment "Happy Birthday"

Movie 43 (2013)

| USA

Directed by: Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Brett Ratner, Jonathan van Tulleken, Bob Odenkirk

Cinematography by: Mattian Anderssonn Rudh, Frank G. DeMarco, Steve Gainer, Matthew F. Leonetti, Daryn Okada, William Rexer, Eric Scherbarth, Newton Thomas Sigel, Tim Suhrstedt

Edited by: Debra Chiate, Patrick J. Don Vito, Suzy Elmiger, Mark Helfrich, Craig Herring, Myron Kerstein, Jason Macdonald, Joe Randall-Cutler, Sam Seig, Cara Silverman, Sandy S. Solowitz, Jonathan van Tulleken, Håkan Wärn, Paul Zucker

Cameras: Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Special Make-up Effects By

'Hemlock Grove' Jellyfish in the Sky (2013)

| USA, Canada

Directed by: Eli Roth

Cinematography by: Fernando Argüelles, Steven Poster

Edited by: Jim Munro, Ronald Sanders

Directed By, Executive Producer, Special Effects Make-up By

'The Walking Dead' 30 Days Without an Accident (2013)

| USA

Directed by: Greg Nicotero

Cinematography by: Michael E. Satrazemis

Edited by: Julius Ramsay

Special Make-up Effects By

'Hemlock Grove' Catabasis (2013)

| USA

Directed by: David Straiton

Cinematography by: Fernando Argüelles

Edited by: Paul G. Day

Executive Producer, Special Effects Make-up By

'The Walking Dead' Too Far Gone (2013)

| USA

Directed by: Ernest R. Dickerson

Cinematography by: Michael E. Satrazemis

Edited by: Avi Youabian

Co-executive Producer, Special Effects Make-up By

'The Walking Dead' Arrow on the Doorpost (2013)

| USA

Directed by: David Boyd

Cinematography by: Rohn Schmidt

Edited by: Hunter M. Via

Special Makeup Effects

This Is the End (2013)

| USA

Directed by: Evan Goldberg, Seth Rogen

Cinematography by: Brandon Trost

Edited by: Zene Baker

Cameras: Panavision Cameras, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Special Makeup Effects Designer And Creator

Texas Chainsaw 3D (2013)

Lenses: Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens

| USA

Directed by: John Luessenhop

Cinematography by: Anastas N. Michos

Edited by: Randy Bricker

Cameras: Red Epic Camera

Editing System: Avid Editing System

Special Make-up Effects By

'Hemlock Grove' In Poor Taste (2013)

| USA

Directed by: David Semel

Cinematography by: Fernando Argüelles

Edited by: Paul G. Day

Executive Producer, Special Effects Make-up By

'The Walking Dead' Indifference (2013)

| USA

Directed by: Tricia Brock

Cinematography by: Michael E. Satrazemis

Edited by: Julius Ramsay

Special Make-up Effects By

'Hemlock Grove' Birth (2013)

| USA

Directed by: Deran Sarafian

Cinematography by: Fernando Argüelles

Edited by: Don Cassidy

2nd Unit Director, Co-executive Producer, Special Effects Make-up By, Walker In Woodberry

'The Walking Dead' The Suicide King (2013)

| USA

Directed by: Lesli Linka Glatter

Cinematography by: Rohn Schmidt

Edited by: Julius Ramsay

Co-executive Producer, Directed By, Special Effects Make-up By

'The Walking Dead' This Sorrowful Life (2013)

| USA

Directed by: Greg Nicotero

Cinematography by: Rohn Schmidt

Edited by: Nathan Gunn

Special Make-up Effects By

'Hemlock Grove' Measure of Disorder (2013)

| USA

Directed by: Deran Sarafian

Cinematography by: Fernando Argüelles

Edited by: Jim Munro

Executive Producer, Special Effects Make-up By

'The Walking Dead' Dead Weight (2013)

| USA

Directed by: Jeremy Podeswa

Cinematography by: Michael E. Satrazemis

Edited by: Julius Ramsay

Special Makeup Effects

The Man with the Iron Fists (2012)

| USA, Hong Kong

Directed by: RZA

Cinematography by: Chi-Ying Chan

Edited by: Joe D'Augustine

Cameras: Red One MX Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Co-executive Producer, Special Effects Make-up By

'The Walking Dead' Nebraska (2012)

| USA

Directed by: Clark Johnson

Cinematography by: Rohn Schmidt

Edited by: Nathan Gunn, Julius Ramsay

Special Makeup Effects Supervisor

The Odd Life of Timothy Green (2012)

| USA

Directed by: Peter Hedges

Cinematography by: John Toll

Edited by: Andrew Mondshein

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Co-executive Producer, Special Effects Make-up By

'The Walking Dead' Seed (2012)

| USA

Directed by: Ernest R. Dickerson

Cinematography by: Rohn Schmidt

Edited by: Julius Ramsay

Special Makeup Effects

'Breaking Bad' Live Free or Die (2012)

| USA

Directed by: Michael Slovis

Cinematography by: Marshall Adams

Edited by: Skip Macdonald

Co-executive Producer, Special Effects Make-up By

'The Walking Dead' Made to Suffer (2012)

| USA

Directed by: Billy Gierhart

Cinematography by: Rohn Schmidt

Edited by: Nathan Gunn

Special Makeup Effects Supervisor: KNB EFX Group

Django Unchained (2012)

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: Panavision Panaflex Millennium XL2 Camera

Editing System: Avid Editing System

Co-executive Producer, Special Effects Make-up By

'The Walking Dead' 18 Miles Out (2012)

| USA

Directed by: Ernest R. Dickerson

Cinematography by: Rohn Schmidt

Edited by: Nathan Gunn

Co-executive Producer, Directed By, Special Effects Make-up By

'The Walking Dead' Say the Word (2012)

| USA

Directed by: Greg Nicotero

Cinematography by: Rohn Schmidt

Edited by: Nathan Gunn

Special Makeup Effects

Seven Psychopaths (2012)

| UK, USA

Directed by: Martin McDonagh

Cinematography by: Ben Davis

Edited by: Lisa Gunning

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Co-executive Producer, Special Effects Make-up By

'The Walking Dead' Beside the Dying Fire (2012)

| USA

Directed by: Ernest R. Dickerson

Cinematography by: Rohn Schmidt

Edited by: Julius Ramsay

Co-executive Producer, Special Effects Make-up By

'The Walking Dead' When the Dead Come Knocking (2012)

| USA

Directed by: Daniel Sackheim

Cinematography by: Rohn Schmidt

Edited by: Hunter M. Via

Special Makeup Effects

Savages (2012)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA

Directed by: Oliver Stone

Cinematography by: Dan Mindel

Edited by: Joe Hutshing, Stuart Levy, Alex Marquez

Cameras: ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

Special Makeup Effects Artist

Hitchcock (2012)

| USA, UK

Directed by: Sacha Gervasi

Cinematography by: Jeff Cronenweth

Edited by: Pamela Martin

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Ultra Prime Lenses

Co-executive Producer, Special Effects Make-up By

'The Walking Dead' Triggerfinger (2012)

| USA

Directed by: Billy Gierhart

Cinematography by: Rohn Schmidt

Edited by: Hunter M. Via

Co-executive Producer, Special Effects Make-up By

'The Walking Dead' Hounded (2012)

| USA

Directed by: Daniel Attias

Cinematography by: Rohn Schmidt

Edited by: Robert Bramwell

Co-executive Producer, Special Effects Make-up By

'The Walking Dead' Better Angels (2012)

| USA

Directed by: Guy Ferland

Cinematography by: Rohn Schmidt

Edited by: Hunter M. Via

2nd Unit Director, Co-executive Producer, Special Effects Make-up By

'The Walking Dead' Walk with Me (2012)

| USA

Directed by: Guy Ferland

Cinematography by: Rohn Schmidt

Edited by: Robert Bramwell

Co-executive Producer, Special Effects Make-up By

'The Walking Dead' Sick (2012)

| USA

Directed by: Billy Gierhart

Cinematography by: Rohn Schmidt

Edited by: Nathan Gunn

Co-executive Producer, Directed By, Special Effects Make-up By

'The Walking Dead' Judge, Jury, Executioner (2012)

| USA

Directed by: Greg Nicotero

Cinematography by: Rohn Schmidt

Edited by: Julius Ramsay

Co-executive Producer, Special Effects Make-up By

'The Walking Dead' Killer Within (2012)

| USA

Directed by: Guy Ferland

Cinematography by: Rohn Schmidt

Edited by: Julius Ramsay

Special Makeup Effects Creator

Priest (2011)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

| USA

Directed by: Scott Stewart

Cinematography by: Don Burgess

Edited by: Lisa Zeno Churgin, Rebecca Weigold

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Special Makeup Effects

A Very Harold & Kumar 3D Christmas (2011)

| USA

Directed by: Todd Strauss-Schulson

Cinematography by: Michael Barrett

Edited by: Eric Kissack

Cameras: Panavision Genesis Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Co-executive Producer, Special Effects Make-up By

'The Walking Dead' Save the Last One (2011)

| USA

Directed by: Phil Abraham

Cinematography by: David Boyd

Edited by: Hunter M. Via

Key Special Makeup Effects Supervisor

Water for Elephants (2011)

| USA

Directed by: Francis Lawrence

Cinematography by: Rodrigo Prieto

Edited by: Alan Edward Bell

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Co-executive Producer, Special Effects Make-up By

'The Walking Dead' Chupacabra (2011)

| USA

Directed by: Guy Ferland

Cinematography by: Rohn Schmidt

Edited by: Nathan Gunn

Special Makeup Creator / Special Makeup Designer

I Am Number Four (2011)

| USA, India

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Special Makeup Effects

'Breaking Bad' Face Off (2011)

| USA

Directed by: Vince Gilligan

Cinematography by: Michael Slovis

Edited by: Skip Macdonald

Co-executive Producer, Special Effects Make-up By

'The Walking Dead' Bloodletting (2011)

| USA

Directed by: Ernest R. Dickerson

Cinematography by: David Boyd

Edited by: Nathan Gunn

Co-executive Producer, Special Effects Make-up By

'The Walking Dead' Secrets (2011)

| USA

Directed by: David Boyd

Cinematography by: Rohn Schmidt

Edited by: Hunter M. Via

Special Makeup Effects Artist

'Breaking Bad' Bullet Points (2011)

| USA

Directed by: Colin Bucksey

Cinematography by: Michael Slovis

Edited by: Kelley Dixon

Special Makeup Designer

Fright Night (2011)

| USA

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Co-executive Producer, Special Effects Make-up By

'The Walking Dead' What Lies Ahead (2011)

| USA

Directed by: Ernest R. Dickerson, Gwyneth Horder-Payton

Cinematography by: David Boyd

Edited by: Julius Ramsay, Hunter M. Via

Co-executive Producer, Special Effects Make-up By

'The Walking Dead' Pretty Much Dead Already (2011)

| USA

Directed by: Michelle MacLaren

Cinematography by: Rohn Schmidt

Edited by: Julius Ramsay

Animatronics Supervisor , Special Makeup Effects Artist

The Grey (2011)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

| USA

Directed by: Joe Carnahan

Cinematography by: Masanobu Takayanagi

Edited by: Roger Barton, Jason Hellmann

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Co-executive Producer, Special Effects Make-up By

'The Walking Dead' Cherokee Rose (2011)

| USA

Directed by: Billy Gierhart

Cinematography by: David Boyd

Edited by: Julius Ramsay

Puppeteer, Special Makeup Effects Artist

Spy Kids 4: All the Time in the World (2011)

| USA

Directed by: Robert Rodriguez

Cinematography by: Jimmy Lindsey, Robert Rodriguez

Edited by: Dan Zimmerman

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses

Consulting Producer, Special Effects Make-up By

'The Walking Dead' TS-19 (2010)

| USA

Directed by: Guy Ferland

Cinematography by: David Boyd

Edited by: Hunter M. Via

Practical Elements: KNB EFX Group, Inc

The Sorcerer's Apprentice (2010)

| USA

Directed by: Jon Turteltaub

Cinematography by: Bojan Bazelli

Edited by: William Goldenberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Boat Captain, Key Special Makeup Effects Supervisor

Piranha 3D (2010)

Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

| USA

Directed by: Alexandre Aja

Cinematography by: John R. Leonetti

Edited by: Baxter

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Consulting Producer, Special Effects Make-up By

'The Walking Dead' Guts (2010)

| USA

Directed by: Michelle MacLaren

Cinematography by: David Boyd

Edited by: Julius Ramsay

Prosthetics Supervisor

Don't Be Afraid of the Dark (2010)

| USA, Australia, Mexico

Directed by: Troy Nixey

Cinematography by: Oliver Stapleton

Edited by: Jill Bilcock

Cameras: ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Consulting Producer, Special Effects Make-up By

'The Walking Dead' Wildfire (2010)

| USA

Directed by: Ernest R. Dickerson

Cinematography by: David Boyd

Edited by: Julius Ramsay

Prosthetics Supervisor , Special Makeup Effects

Edge of Darkness (2010)

| UK, USA

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Stuart Baird

Lenses: Panavision Primo Classic Spherical Lenses

Makeup Effects

The Ward (2010)

| USA

Directed by: John Carpenter

Cinematography by: Yaron Orbach

Edited by: Patrick McMahon

Cameras: Moviecam Compact MK2 Camera

Lenses: Zeiss Ultra Prime Lenses

2nd Unit Director - 5 Episodes, 2010-2013, Amy's Walker, Director - 30 Episodes, 2012-2019, Executive Producer / Co-executive Producer / Consulting Producer - 131 Episodes, 2010-2019, Special Effects Make-up By - 129 Episodes, 2010-2019

The Walking Dead (2010)

| USA

Cinematography by: Michael E. Satrazemis, Stephen Campbell, Rohn Schmidt, Duane Manwiller, David Boyd, Paul Varrieur, David Tattersall

Edited by: Dan Liu, Julius Ramsay, Avi Youabian, Hunter M. Via, Evan Schrodek, Rachel Goodlett Katz, Alan Cody, Nathan Gunn, Kelley Dixon, Tiffany Melvin, Robert Bramwell, Enrique Sanchez, Sidney Wolinsky, Todd Desrosiers, Orlando Machado Jr., Sarah C. Reeves, Jack Colwell, Brian G. Addie

Cameras: ARRIFLEX 416 Camera, Panavision Cameras

Lenses: Panavision Lenses, Zeiss Super Speeds Mk I Lenses

2nd Unit Director , Consulting Producer, Special Effects Make-up By

'The Walking Dead' Days Gone Bye (2010)

| USA

Directed by: Frank Darabont

Cinematography by: David Tattersall

Edited by: Hunter M. Via

Special Makeup Effects Artist

The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)

| USA, UK

Directed by: Michael Apted

Cinematography by: Dante Spinotti

Edited by: Rick Shaine

Cameras: Sony CineAlta F23 Camera

Editing System: Avid Editing System

2nd Unit Director , Amy's Walker, Consulting Producer, Special Effects Make-up By

'The Walking Dead' Vatos (2010)

| USA

Directed by: Johan Renck

Cinematography by: David Boyd

Edited by: Sidney Wolinsky

Key Special Makeup Effects

The Book of Eli (2010)

| USA

Directed by: Albert Hughes, Allen Hughes

Cinematography by: Don Burgess

Edited by: Cindy Mollo

Cameras: Red One Camera

Creature Effects Supervisor , Puppeteer, Special Makeup And Creature Effects

Predators (2010)

| USA

Directed by: Nimród Antal

Cinematography by: Gyula Pados

Edited by: Dan Zimmerman

Cameras: Panavision Genesis Camera

Editing System: Avid Editing System

Consulting Producer, Special Effects Make-up By, Walker Eating Deer

'The Walking Dead' Tell It to the Frogs (2010)

| USA

Directed by: Gwyneth Horder-Payton

Cinematography by: David Boyd

Edited by: Hunter M. Via

Special Makeup Effects Artist

The Last Exorcism (2010)

| France, USA

Directed by: Daniel Stamm

Cinematography by: Zoltan Honti

Edited by: Shilpa Sahi

Second Unit Director

'The Vampire Diaries' Bad Moon Rising (2010)

| USA

Directed by: Patrick R. Norris

Cinematography by: Paul M. Sommers

Edited by: Sean Albertson

Special Effects Makeup Consultant

Survival of the Dead (2009)

| USA, Canada

Directed by: George A. Romero

Cinematography by: Adam Swica

Edited by: Michael Doherty

Special Makeup Effects Artist

The Final Destination (2009)

| USA

Directed by: David R. Ellis

Cinematography by: Glen MacPherson

Edited by: Mark Stevens

Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera

Special Effects Makeup , Special Makeup And Creature Effects

Splice (2009)

| Canada, France, USA

Directed by: Vincenzo Natali

Cinematography by: Tetsuo Nagata

Edited by: Michele Conroy

Cameras: Panavision Panaflex Millennium XL Camera

Special Makeup Effects And Animatronics

Jennifer's Body (2009)

| USA

Directed by: Karyn Kusama

Cinematography by: M. David Mullen

Edited by: Plummy Tucker

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Phantom HD Camera

Key Special Makeup Effects Supervisor

Surrogates (2009)

| USA

Directed by: Jonathan Mostow

Cinematography by: Oliver Wood

Edited by: Kevin Stitt

Special Effects Animatronics Supervisor

Transformers: Revenge of the Fallen (2009)

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Special Makeup Effects: KNB EFX Group

Public Enemies (2009)

| USA, Japan

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Jeffrey Ford, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses: Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

Special Makeup Effects Artist

Horsemen (2009)

| USA

Directed by: Jonas Åkerlund

Cinematography by: Eric Broms

Edited by: Jim May, Todd E. Miller

Special Makeup Effects Designer And Creator: K.N.B. Effects Group

The Unborn (2009)

| USA

Directed by: David S. Goyer

Cinematography by: James Hawkinson

Edited by: Jeff Betancourt

Cameras: Panavision Cameras

Gestapo Major, Special Makeup Effects Supervisor

Inglourious Basterds (2009)

Lenses: Cooke Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| Germany, USA

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera

Puppeteer, Special Makeup Effects Designer

Drag Me to Hell (2009)

| USA

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System, Final Cut Pro Editing System

Special Effects Makeup Artist

Dark Country (2009)

| USA

Directed by: Thomas Jane

Cinematography by: Geoff Boyle

Edited by: John Lafferty, Robert K. Lambert

Cameras: Red One Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux Lenses, Schneider Lenses

Second Unit Director - 1 Episode, 2010

The Vampire Diaries (2009)

| USA

Cinematography by: Paul M. Sommers, Dave Perkal, Darren Genet, Michael Karasick, Star Barry, Ramsey Nickell, Michael Negrin, John Peters

Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera

Lenses: Zeiss Master Prime Lenses

Key Special Makeup Effects Supervisor

Shorts (2009)

| USA, United Arab Emirates

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Ethan Maniquis, Robert Rodriguez

Cameras: Panavision Genesis Camera

Himself

His Name Was Jason: 30 Years of Friday the 13th (2009)

Television Movie

| USA

Directed by: Daniel Farrands

Cinematography by: Pete Young

Edited by: Monica Daniel, Andrew Kasch

Special Effects Makeup

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Project Consultant

Lost Boys: The Tribe (2008)

Direct to Video

| USA, Canada

Directed by: P.J. Pesce

Cinematography by: Barry Donlevy

Edited by: Amanda I. Kirpaul

Makeup Designer

Milk (2008)

| USA

Directed by: Gus Van Sant

Cinematography by: Harris Savides

Edited by: Elliot Graham

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Canon Scoopic 16 / 16M Camera

Lenses: Angenieux HR Zoom Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

Key Special Makeup Effects Supervisor

Seven Pounds (2008)

| USA

Directed by: Gabriele Muccino

Cinematography by: Philippe Le Sourd

Edited by: Hughes Winborne

Cameras: Panavision Cameras

Special Makeup Effects / Special Makeup Effects Artist - 3 Episodes, 2011-2012

Breaking Bad (2008)

| USA

Cinematography by: Michael Slovis, Reynaldo Villalobos, Arthur Albert, Peter Reniers, Nelson Cragg, John Toll, Marshall Adams

Edited by: Kelley Dixon, Skip Macdonald, Lynne Willingham, Chris McCaleb, Sharidan Williams-Sotelo

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Canon EOS-7D Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Canon Lenses, Cooke S4 Lenses

Special Makeup Effects Show Supervisor , Special Makeup Effects Supervisor

The Chronicles of Narnia: Prince Caspian (2008)

| USA, Poland, Slovenia, Czech Republic, UK

Directed by: Andrew Adamson

Cinematography by: Karl Walter Lindenlaub

Edited by: Josh Campbell, Sim Evan-Jones

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera

Lenses: Zeiss Master Prime Lenses

Special Makeup Effects Supervisor

Disturbia (2007)

| USA

Directed by: D.J. Caruso

Cinematography by: Rogier Stoffers

Edited by: Jim Page

Creature Designer , Creature Effects , Puppeteer , Second Unit Director

The Mist (2007)

| USA

Directed by: Frank Darabont

Cinematography by: Rohn Schmidt

Edited by: Hunter M. Via

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Supervisor: K.N.B. EFX Group, Inc.

The Reaping (2007)

| USA

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Colby Parker Jr.

Special Makeup Effects Designer And Creator

The Hitcher (2007)

| USA

Directed by: Dave Meyers

Cinematography by: James Hawkinson

Edited by: Jim May

Special Makeup Effects Designer

Planet Terror (2007)

| USA, Mexico

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Ethan Maniquis, Robert Rodriguez

Special Effects: Dog Puppet

Spider-Man 3 (2007)

| USA

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Animatronics Supervisor/puppeteer, Special Makeup Effects Show Supervisor

Transformers (2007)

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

| USA

Directed by: Michael Bay

Cinematography by: Mitchell Amundsen

Edited by: Tom Muldoon, Paul Rubell, Glen Scantlebury

Lenses: Angenieux HR 25-250mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System

Puppeteer, Special Makeup Effects Artist

The Great Debaters (2007)

| USA

Directed by: Denzel Washington

Cinematography by: Philippe Rousselot

Edited by: John Breinholt, Hughes Winborne

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Special Makeup Effects Producer, Zombie Surgeon

Diary of the Dead (2007)

| USA

Directed by: George A. Romero

Cinematography by: Adam Swica

Edited by: Michael Doherty

Special Makeup Effects Artist

Grindhouse (2007)

| USA, Mexico, Canada, UK

Directed by: Robert Rodriguez, Eli Roth, Quentin Tarantino, Edgar Wright, Rob Zombie

Cinematography by: Milan Chadima, Jess Hall, Phil Parmet, Robert Rodriguez, Quentin Tarantino

Edited by: Glenn Garland, Ethan Maniquis, Sally Menke, Robert Rodriguez

Special Makeup Effects Designer And Creator

Hostel: Part II (2007)

| USA, Czech Republic, Italy, Iceland, Slovakia

Directed by: Eli Roth

Cinematography by: Milan Chadima

Edited by: George Folsey Jr.

Supervisor: K.N.B. EFX Group

Underdog (2007)

| USA

Directed by: Frederik Du Chau

Cinematography by: David Eggby

Edited by: Tom Finan

Special Makeup Effects Designer

Death Proof (2007)

| USA

Directed by: Quentin Tarantino

Cinematography by: Quentin Tarantino

Edited by: Sally Menke

Effects Supervisor: KNB EFX Group, Puppetry Supervisor: K.N.B. EFX Group, Inc

Casino Royale (2006)

| UK, Czech Republic, USA, Germany, Bahamas

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Stuart Baird

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Lenses, Cooke S4 Lenses

Special Makeup Effects Artist

Deja Vu (2006)

| USA, UK

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Jason Hellmann, Chris Lebenzon

Makeup Effects Supervisor: K.N.B. Effects Group

Poseidon (2006)

| USA

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Peter Honess

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Puppeteer , Special Makeup Supervisor

The Texas Chainsaw Massacre: The Beginning (2006)

| USA

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Jonathan Chibnall, Jim May, Joel Negron

Cyst, Special Makeup Effects Designer

The Hills Have Eyes (2006)

| USA, France, Romania

Directed by: Alexandre Aja

Cinematography by: Maxime Alexandre

Edited by: Baxter

Additional Special Makeup Effects Supervisor / Additional Werewolf Effects Creator, Man Pushing Dracula's Coffin

Cursed (2005)

| Germany, USA

Directed by: Wes Craven

Cinematography by: Robert McLachlan

Edited by: Patrick Lussier, Lisa Mozden

Supervisor: KNB EFX Group

Serenity (2005)

| USA

Directed by: Joss Whedon

Cinematography by: Jack N. Green

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

Project Supervisor: K.N.B. EFX Group

The Island (2005)

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

| USA

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Special Makeup Effects Artist

The Amityville Horror (2005)

| USA

Directed by: Andrew Douglas

Cinematography by: Peter Lyons Collister

Edited by: Roger Barton, Christian Wagner

Bridgekeeper Zombie, Second Unit Director , Special Makeup Effects Supervisor

Land of the Dead (2005)

| USA, France, Canada

Directed by: George A. Romero

Cinematography by: Miroslaw Baszak

Edited by: Michael Doherty

Special Makeup And Creatures

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

| USA, UK

Directed by: Andrew Adamson

Cinematography by: Donald McAlpine

Edited by: Sim Evan-Jones, Jim May

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera

Editing System: Avid Editing System

Special Makeup Effects Supervisor

Sin City (2005)

| USA

Directed by: Frank Miller, Robert Rodriguez, Quentin Tarantino

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Cameras: Sony HDC-F950 Camera, Sony Other Camera

Editing System: Avid Editing System

Special Makeup Effects Artist

The Adventures of Sharkboy and Lavagirl 3-D (2005)

| USA

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Special Makeup Effects Designer

Dominion: Prequel to the Exorcist (2005)

| USA

Directed by: Paul Schrader

Cinematography by: Vittorio Storaro

Edited by: Tim Silano, William Yeh

Supervisor: KNB EFX Group, Inc.

Employee of the Month (2004)

| USA

Directed by: Mitch Rouse

Cinematography by: John Peters

Edited by: Hughes Winborne

Special Effects Supervisor: KNB EFX Group

Lemony Snicket's A Series of Unfortunate Events (2004)

| USA, Germany

Directed by: Brad Silberling

Cinematography by: Emmanuel Lubezki

Edited by: Michael Kahn

Special Makeup Effects Supervisor: K.N.B. EFX Group, Inc.

Ray (2004)

| USA

Directed by: Taylor Hackford

Cinematography by: Pawel Edelman

Edited by: Paul Hirsch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Cinetal Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

Special Makeup Effects

Riding the Bullet (2004)

| USA, Germany, Canada

Directed by: Mick Garris

Cinematography by: Robert C. New

Edited by: Marshall Harvey

Special Makeup Supervisor

Kill Bill: Vol. 2 (2004)

| USA

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Special Effects Makeup

The Texas Chainsaw Massacre (2003)

| USA

Directed by: Marcus Nispel

Cinematography by: Daniel Pearl

Edited by: Glen Scantlebury

Animatronics Effects Supervisor/puppeteer

Hulk (2003)

| USA

Directed by: Ang Lee

Cinematography by: Frederick Elmes

Edited by: Tim Squyres

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke Panchro/i Classic Lenses, Cooke S4 Lenses

Special Effects Makeup Supervisor

Kill Bill: Vol. 1 (2003)

| USA

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Special Makeup Effects: KNB EFX Group, Inc.

Once Upon a Time in Mexico (2003)

| USA

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Cameras: Sony HDW-F900 Camera

Puppeteer , Special Makeup Effects Supervisor

Identity (2003)

| USA

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: David Brenner

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Special Effects Makeup

Spy Kids 3-D: Game Over (2003)

| USA

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Supervisor: Special Makeup & Animatronic Effects, K.N.B. EFX Group Inc.

The Salton Sea (2002)

| USA

Directed by: D.J. Caruso

Cinematography by: Amir Mokri

Edited by: Jim Page

Special Makeup Effects Artist

Minority Report (2002)

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Puppeteer, Supervisor: KNB EFX Group

The Time Machine (2002)

| USA, United Arab Emirates

Directed by: Simon Wells

Cinematography by: Donald McAlpine

Edited by: Wayne Wahrman

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Special Makeup Effects Supervisor

Cabin Fever (2002)

| USA

Directed by: Eli Roth

Cinematography by: Scott Kevan

Edited by: Ryan Folsey

Cameras: ARRIFLEX 535 B Camera

Special Makeup Effects Supervisor

Vampires: Los Muertos (2002)

| USA

Directed by: Tommy Lee Wallace

Cinematography by: Henner Hofmann

Edited by: Charles Bornstein

Special Makeup Effects Supervisor: Kurtzman, Nicotero & Berger EFX Group, Inc.

Spy Kids 2: Island of Lost Dreams (2002)

| USA

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Cameras: Sony HDW-F900 Camera

Character Prosthetics Supervisor / Special Makeup Effects Artist

Austin Powers in Goldmember (2002)

| USA

Directed by: Jay Roach

Cinematography by: Peter Deming

Edited by: Greg Hayden, Jon Poll

Special Effects Makeup Supervisor

Bubba Ho-Tep (2002)

| USA

Directed by: Don Coscarelli

Cinematography by: Adam Janeiro

Edited by: Scott J. Gill, Donald Milne

Cameras: ARRIFLEX 535 Camera

Special Makeup Effects Artist

The Rules of Attraction (2002)

| Germany, USA

Directed by: Roger Avary

Cinematography by: Robert Brinkmann

Edited by: Sharon Rutter

Cameras: ARRIFLEX 535 Camera

Editing System: Final Cut Pro Editing System

Supervisor: K.N.B. EFX Group

Murder by Numbers (2002)

| USA

Directed by: Barbet Schroeder

Cinematography by: Luciano Tovoli

Edited by: Lee Percy

Puppeteer, Special Makeup Effects Artist

Ghosts of Mars (2001)

| USA

Directed by: John Carpenter

Cinematography by: Gary B. Kibbe

Edited by: Paul C. Warschilka

Puppeteer

Rat Race (2001)

| USA

Directed by: Jerry Zucker

Cinematography by: Thomas E. Ackerman

Edited by: Tom Lewis

Special Makeup Effects Supervisor: K.N.B. EFX Group Inc.

Vanilla Sky (2001)

| USA, Spain

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: Joe Hutshing, Mark Livolsi

Cameras: Panavision Panaflex Gold Camera

Special Makeup Effects Artist

The Animal (2001)

| USA

Directed by: Luke Greenfield

Cinematography by: Peter Lyons Collister

Edited by: Jeff Gourson, Peck Prior

Puppeteer, Special Makeup And Creature Effects

Spy Kids (2001)

| USA

Directed by: Robert Rodriguez

Cinematography by: Guillermo Navarro

Edited by: Robert Rodriguez

Effects Supervisor: KNB EFX Group

Evolution (2001)

| USA

Directed by: Ivan Reitman

Cinematography by: Michael Chapman

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Cameras: Panavision Cameras

Special Makeup Effects Artist

Mulholland Dr. (2001)

| France, USA

Directed by: David Lynch

Cinematography by: Peter Deming

Edited by: Mary Sweeney

Special Makeup Effects Supervisor

Picking Up the Pieces (2000)

| USA

Directed by: Alfonso Arau

Cinematography by: Vittorio Storaro

Edited by: Michael R. Miller

Special Makeup Effects: KNB EFX Group, Inc.

Mission to Mars (2000)

| USA

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Paul Hirsch

Special Makeup And Creature Effects Supervisor

Little Nicky (2000)

| USA

Directed by: Steven Brill

Cinematography by: Theo van de Sande

Edited by: Jeff Gourson

Cameras: Panavision Cameras

Prosthetics Supervisor , Supervisor: K.N.B. Effects Group

The Cell (2000)

| USA, Germany

Directed by: Tarsem Singh

Cinematography by: Paul Laufer

Edited by: Robert Duffy, Paul Rubell

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Panavision Panaflex Platinum Camera

Lenses: Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses

Puppeteer

What Lies Beneath (2000)

| USA

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Special Makeup Effects Supervisor: Kurtzman, Nicotero & Berger EFX Group Inc.

Unbreakable (2000)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Eduardo Serra

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Makeup Effects Supervisor , Puppeteer

Bats (1999)

| USA

Directed by: Louis Morneau

Cinematography by: George Mooradian

Edited by: Glenn Garland

Special Makeup Effects Supervisor

Dusk Till Dawn 2: Texas Blood Money (1999)

Direct to Video

| USA

Directed by: Scott Spiegel

Cinematography by: Philip Lee

Edited by: Bob Murawski, Georges Zeter

Special Makeup Effects Supervisor: K.N.B. EFX Group, Inc.

The Green Mile (1999)

| USA

Directed by: Frank Darabont

Cinematography by: David Tattersall

Edited by: Richard Francis-Bruce

Lenses: Panavision Frazier Lenses, Panavision Primo Classic Spherical Lenses

Puppeteer, Special Makeup Effects Supervisor: K.N.B. EFX Group Inc

The Haunting (1999)

| USA

Directed by: Jan de Bont

Cinematography by: Karl Walter Lindenlaub

Edited by: Michael Kahn

Cameras: Panavision Cameras, VistaVision Cameras

Lenses: Panavision Lenses

Puppeteer , Special Makeup And Creature Effects

The Faculty (1998)

| USA

Directed by: Robert Rodriguez

Cinematography by: Enrique Chediak

Edited by: Robert Rodriguez

Cameras: Panavision Cameras

Special Makeup Effects

Vampires (1998)

| USA, Japan

Directed by: John Carpenter

Cinematography by: Gary B. Kibbe

Edited by: Edward A. Warschilka

Supervisor: K.N.B. Effects Group, Inc.

Very Bad Things (1998)

| USA

Directed by: Peter Berg

Cinematography by: David Hennings

Edited by: Dan Lebental

Special Makeup Effects Supervisor: K.N.B. EFX Group Inc.

Phantoms (1998)

| USA, Japan

Directed by: Joe Chappelle

Cinematography by: Richard Clabaugh

Edited by: Randy Bricker

Special Makeup Effects Supervisor

The Night Flier (1997)

| USA, Italy

Directed by: Mark Pavia

Cinematography by: David Connell

Edited by: Elizabeth Schwartz

Animatronic Creature Effects

Spawn (1997)

| USA

Directed by: Mark A.Z. Dippé

Cinematography by: Guillermo Navarro

Edited by: Todd Busch, Michael N. Knue

Special Makeup Effects Supervisor

Boogie Nights (1997)

| USA

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Moviecam Compact Camera, Panavision Panaflex Gold Camera

Second Unit Director , Special Makeup Effects

Wishmaster (1997)

| USA

Directed by: Robert Kurtzman

Cinematography by: Jacques Haitkin

Edited by: David Handman

Special Makeup Effects Supervisor

Scream 2 (1997)

| USA

Directed by: Wes Craven

Cinematography by: Peter Deming

Edited by: Patrick Lussier

Special Makeup Effects Supervisor

Scream (1996)

| USA

Directed by: Wes Craven

Cinematography by: Mark Irwin

Edited by: Patrick Lussier

Cameras: Moviecam Compact Camera

Lenses: Clairmont Anamorphic Lenses

Editing System: Lightworks Editing System

Supervisor: Turboman Suit

Jingle All the Way (1996)

| USA

Directed by: Brian Levant

Cinematography by: Victor J. Kemper

Edited by: Kent Beyda, Wilt Henderson, Adam Weiss

Animatronic Crocodiles Supervisor: Kurtzman, Nicotero & Berger EFX Group

Eraser (1996)

| USA

Directed by: Chuck Russell

Cinematography by: Adam Greenberg

Edited by: Michael Tronick

Cameras: Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Special Makeup Effects: Puppeteer

Vampire in Brooklyn (1995)

| USA

Directed by: Wes Craven

Cinematography by: Mark Irwin

Edited by: Patrick Lussier

Cameras: Moviecam Compact Camera

Special Makeup Effects Supervisor: K.N.B. EFX Group , Special Makeup Effects: KNB EFX

Lord of Illusions (1995)

| USA

Directed by: Clive Barker

Cinematography by: Rohn Schmidt

Edited by: Alan Baumgarten

Supervisor: K.N.B. EFX

Hercules and the Amazon Women (1994)

Television Movie

| USA, New Zealand

Directed by: Bill Norton

Cinematography by: James Bartle

Edited by: Steve Polivka

Animal Makeup Effects

The Jungle Book (1994)

| USA

Directed by: Stephen Sommers

Cinematography by: Juan Ruiz Anchía

Edited by: Bob Ducsay

Special Makeup Supervisor

Pulp Fiction (1994)

| USA

Directed by: Quentin Tarantino

Cinematography by: Andrzej Sekula

Edited by: Sally Menke

Cameras: Panavision Cameras, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses

Editing System: Lightworks Editing System

Special Makeup Effects

In the Mouth of Madness (1994)

| USA

Directed by: John Carpenter

Cinematography by: Gary B. Kibbe

Edited by: Edward A. Warschilka

Special Makeup Effects Supervisor

Maniac Cop 3: Badge of Silence (1993)

| USA

Directed by: William Lustig

Cinematography by: Jacques Haitkin

Edited by: Michael Eliot, David Kern, Rick Tuber

Special Makeup Effects

Ed and His Dead Mother (1993)

| USA, UK

Directed by: Jonathan Wacks

Cinematography by: Francis Kenny

Edited by: Lisa Day

Special Makeup Effects Supervisor

Cyborg 2: Glass Shadow (1993)

Direct to Video

| USA

Directed by: Michael Schroeder

Cinematography by: Jamie Thompson

Edited by: David M. Richardson

Special Makeup Effects , Special Makeup Effects Supervisor: K.N.B. EFX Group

Army of Darkness (1992)

| USA

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski, Sam Raimi

Mechanical Animal Effects: KNB EFX Group

City Slickers (1991)

| USA

Directed by: Ron Underwood

Cinematography by: Dean Semler

Edited by: O. Nicholas Brown

Special Makeup Effects Supervisor

The People Under the Stairs (1991)

| USA

Directed by: Wes Craven

Cinematography by: Sandi Sissel

Edited by: James Coblentz

Special Makeup Effects Artist

Sibling Rivalry (1990)

| USA

Directed by: Carl Reiner

Cinematography by: Reynaldo Villalobos

Edited by: Bud Molin

Special Makeup Effects Artist

Misery (1990)

| USA

Directed by: Rob Reiner

Cinematography by: Barry Sonnenfeld

Edited by: Robert Leighton

Buffalo Effects Supervisor

Dances with Wolves (1990)

| USA, UK

Directed by: Kevin Costner

Cinematography by: Dean Semler

Edited by: William Hoy, Chip Masamitsu, Steve Potter, Neil Travis

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Makeup Supervisor: K.N.B. Effects Group

Leatherface: Texas Chainsaw Massacre III (1990)

| USA

Directed by: Jeff Burr

Cinematography by: James L. Carter

Edited by: Brent A. Schoenfeld

Guy In Gas Station, Special Makeup Effects Supervisor: K.N.B. EFX Group

Halloween 5: The Revenge of Michael Myers (1989)

| USA

Directed by: Dominique Othenin-Girard

Cinematography by: Robert Draper

Edited by: Jerry Brady, Charles Tetoni

Cameras: ARRI Cameras

Special Makeup Effects Artist , Townie In Car

Intruder (1989)

| USA

Directed by: Scott Spiegel

Cinematography by: Fernando Argüelles

Edited by: King Wilder

Creature Supervisor

DeepStar Six (1989)

| USA

Directed by: Sean S. Cunningham

Cinematography by: Mac Ahlberg

Edited by: David Handman

Creature Effects Crew

Predator (1987)

| USA, Mexico

Directed by: John McTiernan

Cinematography by: Donald McAlpine

Edited by: Mark Helfrich, John F. Link

Cameras: Panavision Cameras

Special Effects Technician , Special Makeup Effects Unit Crew , The Hand / Evil Ed's Hand / Henrietta's Long Neck Pee-Wee Head

Evil Dead II (1987)