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Philip Lee

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Camera Operator

'Happy Endings' Bo Fight  (2011)

| USA
Directed by: Joe Russo
Cinematography by: Michael A. Price
Edited by: Richard Candib

Dark House  (2009)

| USA
Directed by: Darin Scott
Cinematography by: Philip Lee

Camera Operator: Second Unit

The Comebacks  (2007)

| USA
Directed by: Tom Brady
Cinematography by: Anthony B. Richmond
Edited by: Alan Edward Bell

Camera Operator: "b" Camera

'Dexter' Love American Style  (2006)

| USA
Directed by: Robert Lieberman
Cinematography by: Romeo Tirone
Edited by: Scott K. Wallace

Camera Operator: "b" Camera

'Dexter' Crocodile  (2006)

| USA
Directed by: Michael Cuesta
Cinematography by: Romeo Tirone
Edited by: Elena Maganini

Camera Operator

'Dexter' Popping Cherry  (2006)

| USA
Directed by: Michael Cuesta
Cinematography by: Romeo Tirone
Edited by: Elena Maganini

Camera Operator: "b" Camera

'Dexter' Let's Give the Boy a Hand  (2006)

| USA
Directed by: Robert Lieberman
Cinematography by: Romeo Tirone
Edited by: Scott K. Wallace

Camera Operator

'Dexter' Dexter  (2006)

| USA
Directed by: Michael Cuesta
Cinematography by: Terry Stacey
Edited by: Elena Maganini

Additional Camera Operator

The Dukes of Hazzard  (2005)

| USA
Directed by: Jay Chandrasekhar
Cinematography by: Lawrence Sher

Director Of Photography: Second Unit

Bubble Boy  (2001)

| USA
Directed by: Blair Hayes
Cinematography by: Jerzy Zielinski
Edited by: Pamela Martin

Additional Camera Operator

Jurassic Park III  (2001)

| USA
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva

Cinematographer

Galaxies Are Colliding  (1992)

| Canada, USA
Directed by: John Ryman
Cinematography by: Philip Lee
Edited by: Ivan Ladizinsky

Director Of Photography: Second Unit

Live Wire  (1992)

| USA
Directed by: Christian Duguay
Cinematography by: Jeffrey Jur

Camera Operator

Psycho IV: The Beginning  (1990)

| USA
Directed by: Mick Garris
Cinematography by: Rodney Charters

Second Assistant Camera

Hoosiers  (1986)

| UK, USA
Directed by: David Anspaugh
Cinematography by: Fred Murphy
Cameras: