Andy Nelson

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Babylon | ShotOnWhat?

Re-recording Mixer: Fox Studio Lot

Babylon (2022)

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera

Lenses: Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic/i Zoom Lenses, Zeiss Super Speed Lenses

The Batman | ShotOnWhat?

Re-recording Mixer

The Batman (2022)

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: William Hoy, Tyler Nelson

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera, ARRI ALEXA Plus 4:3 Camera

Lenses: ARRI Rental ALFA Lenses, ARRI Rental Prime DNA Lenses, Atlas Orion Anamorphic Series Lenses, Cooke Xtal Express Lenses

Elvis | ShotOnWhat?

Re-recording Mixer

Elvis (2022)

Directed by: Baz Luhrmann

Cinematography by: Mandy Walker

Edited by: Jonathan Redmond, Matt Villa

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision T Series Anamorphic Lenses

The Fabelmans | ShotOnWhat?

Re-recording Mixer

The Fabelmans (2022)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Mini LF Camera, ARRIFLEX 16ST Camera, ARRIFLEX 416 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

West Side Story | ShotOnWhat?

Re-recording Mixer

West Side Story (2021)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Jojo Rabbit | ShotOnWhat?

Re-recording Mixer

Jojo Rabbit (2019)

Directed by: Taika Waititi

Cinematography by: Mihai Malaimare Jr.

Edited by: Tom Eagles, Yana Gorskaya

Cameras: ARRI ALEXA SXT Plus Camera

Lenses: Hawk V-Lite Lenses, Hawk Vantage One Lenses

Terminator: Dark Fate | ShotOnWhat?

Re-recording Mixer

Terminator: Dark Fate (2019)

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses: ARRI Rental Prime DNA Lenses, Cineovision Lenses

Editing System: Adobe Premiere Editing System

Star Wars: Episode IX - The Rise of Skywalker | ShotOnWhat?

Re-recording Mixer

Star Wars: Episode IX - The Rise of Skywalker (2019)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Stefan Grube

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

Ready Player One | ShotOnWhat?

Re-recording Mixer

Ready Player One (2018)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

The Hate U Give | ShotOnWhat?

Re-recording Mixer

The Hate U Give (2018)

Directed by: George Tillman Jr.

Cinematography by: Mihai Malaimare Jr.

Edited by: Alex Blatt, Craig Hayes

Cameras: Panavision Millennium DXL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision Primo 70 Lenses, Panavision Ultra Panatar Anamorphic Lenses

War for the Planet of the Apes | ShotOnWhat?

Re-Recording Mixer

War for the Planet of the Apes (2017)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses

The Post | ShotOnWhat?

Re-recording Mixer

The Post (2017)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Ghost in the Shell | ShotOnWhat?

Re-recording Mixer: Formosa Group

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

Kung Fu Panda 3 | ShotOnWhat?

Re-recording Mixer

Kung Fu Panda 3 (2016)

Directed by: Alessandro Carloni, Jennifer Yuh Nelson

Edited by: Clare Knight

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Re-recording Mixer

Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

La La Land | ShotOnWhat?

Re-recording Mixer

La La Land (2016)

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens

The BFG | ShotOnWhat?

Re-recording Mixer

The BFG (2016)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision Primo Primes Spherical Lenses

Star Wars: The Force Awakens | ShotOnWhat?

Spy | ShotOnWhat?

Re-recording Mixer

Spy (2015)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Bridge of Spies | ShotOnWhat?

Re-recording Mixer

Bridge of Spies (2015)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Editing System: Avid Editing System

Dawn of the Planet of the Apes | ShotOnWhat?

Re-recording Mixer

Dawn of the Planet of the Apes (2014)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

The Fault in Our Stars | ShotOnWhat?

Re-recording Mixer

The Fault in Our Stars (2014)

Directed by: Josh Boone

Cinematography by: Ben Richardson

Edited by: Robb Sullivan

Cameras: ARRI ALEXA XT Camera

Mr. Peabody & Sherman | ShotOnWhat?

Re-recording Mixer

Mr. Peabody & Sherman (2014)

Directed by: Rob Minkoff

Edited by: Mike Andrews

Night at the Museum: Secret of the Tomb | ShotOnWhat?

Re-recording Mixer

Night at the Museum: Secret of the Tomb (2014)

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Dean Zimmerman

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo Zoom Lenses

Editing System: Avid Editing System

Wild | ShotOnWhat?

Re-recording Mixer

Wild (2014)

Directed by: Jean-Marc Vallée

Cinematography by: Yves Bélanger

Edited by: Martin Pensa, Jean-Marc Vallée

Cameras: ARRI ALEXA XT Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Super Speed Lenses

Paddington | ShotOnWhat?

Re-recording Mixer

Paddington (2014)

Directed by: Paul King

Cinematography by: Erik Wilson

Edited by: Mark Everson

Cameras: ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera

Lenses: Cooke S4 Lenses

Star Trek Into Darkness | ShotOnWhat?

Re-recording Mixer

Star Trek Into Darkness (2013)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Turbo | ShotOnWhat?

Re-recording Mixer

Turbo (2013)

Directed by: David Soren

Cinematography by: Chris Stover

Edited by: James Ryan

The Book Thief | ShotOnWhat?

Re-recording Mixer

The Book Thief (2013)

Directed by: Brian Percival

Cinematography by: Florian Ballhaus

Edited by: John Wilson

Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

The Pirates! Band of Misfits | ShotOnWhat?

Re-recording Mixer

The Pirates! Band of Misfits (2012)

Directed by: Peter Lord, Jeff Newitt

Cinematography by: Frank Passingham

Edited by: Justin Krish

Cameras: Canon EOS-5D Mark II Camera

Snow White and the Huntsman | ShotOnWhat?

Re-recording Mixer

Snow White and the Huntsman (2012)

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Lincoln | ShotOnWhat?

Re-recording Mixer

Lincoln (2012)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Les Misérables | ShotOnWhat?

Re-recording Mixer

Les Misérables (2012)

Directed by: Tom Hooper

Cinematography by: Danny Cohen

Edited by: Chris Dickens, Melanie Oliver

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Rise of the Guardians | ShotOnWhat?

Re-recording Mixer

Rise of the Guardians (2012)

Directed by: Peter Ramsey

Edited by: Joyce Arrastia

The Adventures of Tintin | ShotOnWhat?

Re-recording Mixer

The Adventures of Tintin (2011)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Cameras

Editing System: Avid Editing System

Thor | ShotOnWhat?

Re-recording Mixer

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Super 8 | ShotOnWhat?

Re-recording Mixer: 20th Century Fox Studios

Super 8 (2011)

Directed by: J.J. Abrams

Cinematography by: Larry Fong

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses

Editing System: Avid Editing System

War Horse | ShotOnWhat?

Re-recording Mixer

War Horse (2011)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Mission: Impossible - Ghost Protocol | ShotOnWhat?

Re-recording Mixer

Mission: Impossible - Ghost Protocol (2011)

Directed by: Brad Bird

Cinematography by: Robert Elswit

Edited by: Paul Hirsch

Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Kung Fu Panda 2 | ShotOnWhat?

Re-recording Mixer

Kung Fu Panda 2 (2011)

Directed by: Jennifer Yuh Nelson

Edited by: Maryann Brandon, Clare Knight

Puss in Boots | ShotOnWhat?

Re-recording Mixer

Puss in Boots (2011)

Directed by: Chris Miller

Cinematography by: Gil Zimmerman

Edited by: Erika Dapkewicz

Gulliver's Travels | ShotOnWhat?

Re-recording Mixer

Gulliver's Travels (2010)

Directed by: Rob Letterman

Cinematography by: David Tattersall

Edited by: Alan Edward Bell, Nicolas De Toth, Dean Zimmerman

Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Date Night | ShotOnWhat?

Re-recording Mixer

Date Night (2010)

Directed by: Shawn Levy

Cinematography by: Dean Semler

Edited by: Dean Zimmerman

Cameras: Panavision Genesis Camera

Love & Other Drugs | ShotOnWhat?

Re-recording Mixer

Love & Other Drugs (2010)

Directed by: Edward Zwick

Cinematography by: Steven Fierberg

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

The A-Team | ShotOnWhat?

Re-recording Mixer

The A-Team (2010)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Re-recording Mixer

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Land of the Lost | ShotOnWhat?

Re-recording Mixer

Land of the Lost (2009)

Directed by: Brad Silberling

Cinematography by: Dion Beebe

Edited by: Peter Teschner

Cameras: Panavision Cameras

Star Trek | ShotOnWhat?

Re-Recording Mixer

Star Trek (2009)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System, Avid Editing System

Mother and Child | ShotOnWhat?

Sound Mixer

Mother and Child (2009)

Directed by: Rodrigo García

Cinematography by: Xavier Grobet

Edited by: Steven Weisberg

Indiana Jones and the Kingdom of the Crystal Skull | ShotOnWhat?

Re-recording Mixer

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Spiderwick Chronicles | ShotOnWhat?

Re-recording Mixer

The Spiderwick Chronicles (2008)

Directed by: Mark Waters

Cinematography by: Caleb Deschanel

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Australia | ShotOnWhat?

Re-recording Mixer

Australia (2008)

Directed by: Baz Luhrmann

Cinematography by: Mandy Walker

Edited by: Dody Dorn, Michael McCusker

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Cloverfield | ShotOnWhat?

Re-recording Mixer

Cloverfield (2008)

Directed by: Matt Reeves

Cinematography by: Michael Bonvillain

Edited by: Kevin Stitt

Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Canon Lenses, Zeiss DigiPrime Lenses

Defiance | ShotOnWhat?

Re-recording Mixer

Defiance (2008)

Directed by: Edward Zwick

Cinematography by: Eduardo Serra

Edited by: Steven Rosenblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Kung Fu Panda | ShotOnWhat?

Re-recording Mixer

Kung Fu Panda (2008)

Directed by: Mark Osborne, John Stevenson

Cinematography by: Yong Duk Jhun

Edited by: Clare Knight

Live Free or Die Hard | ShotOnWhat?

Re-recording Mixer, Re-recording Sound Mixer

Live Free or Die Hard (2007)

Directed by: Len Wiseman

Cinematography by: Simon Duggan

Edited by: Nicolas De Toth

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Editing System: Avid Editing System

The Simpsons Movie | ShotOnWhat?

Sound Mixing: Twentieth Century Fox Studios

The Simpsons Movie (2007)

Directed by: David Silverman

Edited by: John Carnochan

Editing System: Final Cut Pro Editing System

Blades of Glory | ShotOnWhat?

Re-recording Mixer

Blades of Glory (2007)

Directed by: Josh Gordon, Will Speck

Cinematography by: Stefan Czapsky

Edited by: Richard Pearson

Miami Vice | ShotOnWhat?

Re-recording Mixer

Miami Vice (2006)

Directed by: Michael Mann

Cinematography by: Dion Beebe

Edited by: William Goldenberg, Paul Rubell

Cameras: Thomson Viper Camera

Blood Diamond | ShotOnWhat?

Re-recording Mixer

Blood Diamond (2006)

Directed by: Edward Zwick

Cinematography by: Eduardo Serra

Edited by: Steven Rosenblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses

Mission: Impossible III | ShotOnWhat?

Re-recording Mixer

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

War of the Worlds | ShotOnWhat?

Re-recording Mixer

War of the Worlds (2005)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Munich | ShotOnWhat?

Re-recording Mixer

Munich (2005)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Editing System: Moviola Editing System

Star Wars: Episode III - Revenge of the Sith | ShotOnWhat?

Music Re-recording Mixer

Star Wars: Episode III - Revenge of the Sith (2005)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Roger Barton, Ben Burtt

Cameras: Sony HDC-F950 Camera

Lenses: Fujinon C Series Lenses, Fujinon E Series Lenses

A Series of Unfortunate Events | ShotOnWhat?

Re-recording Mixer

Lemony Snicket's A Series of Unfortunate Events (2004)

Directed by: Brad Silberling

Cinematography by: Emmanuel Lubezki

Edited by: Michael Kahn

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Terminal | ShotOnWhat?

Re-recording Mixer

The Terminal (2004)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

The Phantom of the Opera | ShotOnWhat?

Re-recording Mixer

The Phantom of the Opera (2004)

Directed by: Joel Schumacher

Cinematography by: John Mathieson

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses

Shark Tale | ShotOnWhat?

Re-recording Mixer

Shark Tale (2004)

Directed by: Bibo Bergeron, Vicky Jenson, Rob Letterman

Edited by: Nick Fletcher, Peter Lonsdale, John Venzon

Shrek 2 | ShotOnWhat?

Sound Mixer

Shrek 2 (2004)

Directed by: Andrew Adamson, Kelly Asbury, Conrad Vernon

Edited by: Mike Andrews, Sim Evan-Jones

Timeline | ShotOnWhat?

Re-recording Mixer

Timeline (2003)

Directed by: Richard Donner

Cinematography by: Caleb Deschanel

Edited by: Richard Marks

Down with Love | ShotOnWhat?

Re-recording Mixer

Down with Love (2003)

Directed by: Peyton Reed

Cinematography by: Jeff Cronenweth

Edited by: Larry Bock

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

How to Lose a Guy in 10 Days | ShotOnWhat?

Re-recording Mixer

How to Lose a Guy in 10 Days (2003)

Directed by: Donald Petrie

Cinematography by: John Bailey

Edited by: Debra Neil-Fisher

The Life of David Gale | ShotOnWhat?

Re-recording Mixer

The Life of David Gale (2003)

Directed by: Alan Parker

Cinematography by: Michael Seresin

Edited by: Gerry Hambling

The Last Samurai | ShotOnWhat?

Re-recording Mixer

The Last Samurai (2003)

Directed by: Edward Zwick

Cinematography by: John Toll

Edited by: Victor Du Bois, Steven Rosenblum

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Seabiscuit | ShotOnWhat?

Sound Mixer

Seabiscuit (2003)

Directed by: Gary Ross

Cinematography by: John Schwartzman

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Duplex | ShotOnWhat?

Re-recording Mixer

Duplex (2003)

Directed by: Danny DeVito

Cinematography by: Anastas N. Michos

Edited by: Greg Hayden, Lynzee Klingman

Catch Me If You Can | ShotOnWhat?

Re-recording Mixer

Catch Me If You Can (2002)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Minority Report | ShotOnWhat?

Re-recording Mixer

Minority Report (2002)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

Unfaithful | ShotOnWhat?

Re-recording Mixer

Unfaithful (2002)

Directed by: Adrian Lyne

Cinematography by: Peter Biziou

Edited by: Anne V. Coates

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

Spirit: Stallion of the Cimarron | ShotOnWhat?

Re-recording Mixer

Spirit: Stallion of the Cimarron (2002)

Directed by: Kelly Asbury, Lorna Cook

Edited by: Nick Fletcher, Clare Knight

Moulin Rouge! | ShotOnWhat?

Sound Re-recording Mixer: USA

Moulin Rouge! (2001)

Directed by: Baz Luhrmann

Cinematography by: Donald McAlpine

Edited by: Jill Bilcock

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Planet of the Apes | ShotOnWhat?

Re-recording Mixer

Planet of the Apes (2001)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Ali | ShotOnWhat?

Re-recording Mixer

Ali (2001)

Directed by: Michael Mann

Cinematography by: Emmanuel Lubezki

Edited by: William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Sony HDW-F900 Camera

Lenses: Panavision Primo Primes Spherical Lenses

A.I. Artificial Intelligence | ShotOnWhat?

Re-recording Mixer

A.I. Artificial Intelligence (2001)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Cameras

Lenses: ARRI / Zeiss Lenses

Shrek | ShotOnWhat?

Re-recording Mixer

Shrek (2001)

Directed by: Andrew Adamson, Vicky Jenson

Edited by: Sim Evan-Jones

Mission: Impossible II | ShotOnWhat?

Re-recording Mixer

Mission: Impossible II (2000)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Steven Kemper, Christian Wagner

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Miss Congeniality | ShotOnWhat?

Re-recording Mixer

Miss Congeniality (2000)

Directed by: Donald Petrie

Cinematography by: László Kovács

Edited by: Billy Weber

X-Men | ShotOnWhat?

Re-recording Mixer

X-Men (2000)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Steven Rosenblum, Kevin Stitt, John Wright

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Men of Honor | ShotOnWhat?

Re-recording Mixer

Men of Honor (2000)

Directed by: George Tillman Jr.

Cinematography by: Anthony B. Richmond

Edited by: John Carter, Dirk Westervelt

Cameras: ARRIFLEX 35 III Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

The Insider | ShotOnWhat?

Re-recording Mixer

The Insider (1999)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: William Goldenberg, David Rosenbloom, Paul Rubell

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Lightweight Camera

Lenses: Panavision Primo Primes Spherical Lenses

Brokedown Palace | ShotOnWhat?

Re-recording Mixer

Brokedown Palace (1999)

Directed by: Jonathan Kaplan

Cinematography by: Newton Thomas Sigel

Edited by: Curtiss Clayton, Don Zimmerman

Angela's Ashes | ShotOnWhat?

Re-recording Mixer

Angela's Ashes (1999)

Directed by: Alan Parker

Cinematography by: Chris Connier, Michael Seresin

Edited by: Gerry Hambling

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses

Forces of Nature | ShotOnWhat?

Re-recording Mixer: Twentieth Century Fox Studios

Forces of Nature (1999)

Directed by: Bronwen Hughes

Cinematography by: Elliot Davis, David Stockton

Edited by: Craig Wood

Cameras: Panavision Cameras

Anna and the King | ShotOnWhat?

Re-recording Mixer

Anna and the King (1999)

Directed by: Andy Tennant

Cinematography by: Caleb Deschanel

Edited by: Roger Bondelli

Cameras: Panavision Cameras

Lenses: Panavision E Series Anamorphic Lenses

The Thin Red Line | ShotOnWhat?

Re-recording Mixer

The Thin Red Line (1998)

Directed by: Terrence Malick

Cinematography by: John Toll

Edited by: Leslie Jones, Saar Klein, Billy Weber

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens

Editing System: Avid Editing System

Deep Impact | ShotOnWhat?

Re-recording Mixer

Deep Impact (1998)

Directed by: Mimi Leder

Cinematography by: Dietrich Lohmann

Edited by: Paul Cichocki, David Rosenbloom

Cameras: ARRIFLEX 535 Camera

Bulworth | ShotOnWhat?

Additional Sound Re-recording Mixer

Bulworth (1998)

Directed by: Warren Beatty

Cinematography by: Vittorio Storaro

Edited by: Robert C. Jones, Billy Weber

Saving Private Ryan | ShotOnWhat?

Re-recording Mixer

Saving Private Ryan (1998)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Moviola Editing System

The X Files | ShotOnWhat?

Re-recording Mixer

The X Files (1998)

Directed by: Rob Bowman

Cinematography by: Ward Russell

Edited by: Stephen Mark

The Odd Couple II | ShotOnWhat?

Re-recording Mixer

The Odd Couple II (1998)

Directed by: Howard Deutch

Cinematography by: Jamie Anderson

Edited by: Seth Flaum

Cameras: Panavision Cameras

The Prince of Egypt | ShotOnWhat?

Re-recording Mixer

The Prince of Egypt (1998)

Directed by: Brenda Chapman, Steve Hickner, Simon Wells

Edited by: Nick Fletcher

L.A. Confidential | ShotOnWhat?

Re-recording Mixer

L.A. Confidential (1997)

Directed by: Curtis Hanson

Cinematography by: Dante Spinotti

Edited by: Peter Honess

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Lightworks Editing System

The Peacemaker | ShotOnWhat?

Re-recording Mixer

The Peacemaker (1997)

Directed by: Mimi Leder

Cinematography by: Dietrich Lohmann

Edited by: David Rosenbloom

Amistad | ShotOnWhat?

Re-recording Mixer

Amistad (1997)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Platinum Camera

Lenses: Zeiss Super Speed Lenses

Face/Off | ShotOnWhat?

Re-recording Mixer

Face/Off (1997)

Directed by: John Woo

Cinematography by: Oliver Wood

Edited by: Steven Kemper, Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Down Periscope | ShotOnWhat?

Re-recording Mixer

Down Periscope (1996)

Directed by: David S. Ward

Cinematography by: Victor Hammer

Edited by: William M. Anderson, Armen Minasian

The Craft | ShotOnWhat?

Re-recording Mixer

The Craft (1996)

Directed by: Andrew Fleming

Cinematography by: Alexander Gruszynski

Edited by: Jeff Freeman

Cameras: Moviecam Compact Camera

Lenses: Zeiss Lenses

The Trigger Effect | ShotOnWhat?

Re-recording Mixer

The Trigger Effect (1996)

Directed by: David Koepp

Cinematography by: Newton Thomas Sigel

Edited by: Jill Savitt

Bulletproof | ShotOnWhat?

Re-recording Mixer

Bulletproof (1996)

Directed by: Ernest R. Dickerson

Cinematography by: Steven Bernstein

Edited by: George Folsey Jr.

Evita | ShotOnWhat?

Re-recording Mixer

Evita (1996)

Directed by: Alan Parker

Cinematography by: Darius Khondji

Edited by: Gerry Hambling

Cameras: Moviecam Compact Camera

Lenses: Cooke Xtal Express Lenses

Courage Under Fire | ShotOnWhat?

Rerecording Mixer: Todd-AO Studios West

Courage Under Fire (1996)

Directed by: Edward Zwick

Cinematography by: Roger Deakins

Edited by: Steven Rosenblum

Heat | ShotOnWhat?

Re-recording Mixer

Heat (1995)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Pasquale Buba, William Goldenberg, Dov Hoenig, Tom Rolf

Cameras: Cine SL-35 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Jade | ShotOnWhat?

Re-recording Mixer

Jade (1995)

Directed by: William Friedkin

Cinematography by: Andrzej Bartkowiak

Edited by: Augie Hess

Braveheart | ShotOnWhat?

Rerecording Mixer

Braveheart (1995)

Directed by: Mel Gibson

Cinematography by: John Toll

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Virtuosity | ShotOnWhat?

Re-recording Mixer

Virtuosity (1995)

Directed by: Brett Leonard

Cinematography by: Gale Tattersall

Edited by: Rob Kobrin, B.J. Sears

Cameras: ARRIFLEX 535 B Camera, Moviecam Compact Camera

That's Entertainment! III | ShotOnWhat?

Sound Mixer: Printmaster, Todd-AO/Glen Glenn Studios

That's Entertainment! III (1994)

Directed by: Bud Friedgen, Michael J. Sheridan

Edited by: Bud Friedgen, Michael J. Sheridan

Greedy | ShotOnWhat?

Re-recording Mixer

Greedy (1994)

Directed by: Jonathan Lynn

Cinematography by: Gabriel Beristain

Edited by: Tony Lombardo

The Cowboy Way | ShotOnWhat?

Re-recording Mixer

The Cowboy Way (1994)

Directed by: Gregg Champion

Cinematography by: Dean Semler

Edited by: Michael Tronick

Flesh and Bone | ShotOnWhat?

Re-recording Mixer

Flesh and Bone (1993)

Directed by: Steve Kloves

Cinematography by: Philippe Rousselot

Edited by: Mia Goldman

In the Name of the Father | ShotOnWhat?

Re-recording Mixer

In the Name of the Father (1993)

Directed by: Jim Sheridan

Cinematography by: Peter Biziou

Edited by: Gerry Hambling

RoboCop 3 | ShotOnWhat?

Re-recording Mixer

RoboCop 3 (1993)

Directed by: Fred Dekker

Cinematography by: Gary B. Kibbe

Edited by: Bert Lovitt

Schindler's List | ShotOnWhat?

Re-recording Mixer

Schindler's List (1993)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Editing System: Moviola Editing System

Patriot Games | ShotOnWhat?

Re-recording Mixer

Patriot Games (1992)

Directed by: Phillip Noyce

Cinematography by: Donald McAlpine

Edited by: William Hoy, Neil Travis

Wayne's World | ShotOnWhat?

Re-recording Mixer

Wayne's World (1992)

Directed by: Penelope Spheeris

Cinematography by: Theo van de Sande

Edited by: Malcolm Campbell

Leap of Faith | ShotOnWhat?

Re-recording Mixer

Leap of Faith (1992)

Directed by: Richard Pearce

Cinematography by: Matthew F. Leonetti

Edited by: John F. Burnett, Mark Warner, Don Zimmerman

Night and the City | ShotOnWhat?

Re-recording Mixer

Night and the City (1992)

Directed by: Irwin Winkler

Cinematography by: Tak Fujimoto

Edited by: David Brenner

Cameras: Panavision Cameras

Hook | ShotOnWhat?

Re-recording Mixer

Hook (1991)

Directed by: Steven Spielberg

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Nothing But Trouble | ShotOnWhat?

Re-recording Mixer

Nothing But Trouble (1991)

Directed by: Dan Aykroyd

Cinematography by: Dean Cundey

Edited by: Malcolm Campbell, James R. Symons

Class Action | ShotOnWhat?

Dubbing Mixer

Class Action (1991)

Directed by: Michael Apted

Cinematography by: Conrad L. Hall

Edited by: Ian Crafford

Frankie and Johnny | ShotOnWhat?

Re-recording Mixer

Frankie and Johnny (1991)

Directed by: Garry Marshall

Cinematography by: Dante Spinotti

Edited by: Jacqueline Cambas, Battle Davis

Cameras: Panavision Cameras

The Commitments | ShotOnWhat?

Re-recording Mixer

The Commitments (1991)

Directed by: Alan Parker

Cinematography by: Gale Tattersall

Edited by: Gerry Hambling

Cameras: Panavision Cameras

The Bonfire of the Vanities | ShotOnWhat?

Re-recording Mixer

The Bonfire of the Vanities (1990)

Directed by: Brian De Palma

Cinematography by: Vilmos Zsigmond

Edited by: Bill Pankow, David Ray

The Long Walk Home | ShotOnWhat?

Re-recording Mixer

The Long Walk Home (1990)

Directed by: Richard Pearce

Cinematography by: Roger Deakins

Edited by: Bill Yahraus

Flashback | ShotOnWhat?

Re-recording Mixer

Flashback (1990)

Directed by: Franco Amurri

Cinematography by: Stefan Czapsky

Edited by: Carroll Timothy O'Meara

In Country | ShotOnWhat?

Re-recording Mixer

In Country (1989)

Directed by: Norman Jewison

Cinematography by: Russell Boyd

Edited by: Antony Gibbs, Lou Lombardo

Prancer | ShotOnWhat?

Re-recording Mixer

Prancer (1989)

Directed by: John D. Hancock

Cinematography by: Misha Suslov

Edited by: Dennis M. O'Connor, John Rosenberg

Watchers | ShotOnWhat?

Re-recording Mixer

Watchers (1988)

Directed by: Jon Hess

Cinematography by: Richard Leiterman

Edited by: Carolle Alain, Rick Fields, Bill Freda

Stormy Monday | ShotOnWhat?

Dubbing Mixer

Stormy Monday (1988)

Directed by: Mike Figgis

Cinematography by: Roger Deakins

Edited by: David Martin

Dead Ringers | ShotOnWhat?

Re-recording Mixer

Dead Ringers (1988)

Directed by: David Cronenberg

Cinematography by: Peter Suschitzky

Edited by: Ronald Sanders

Gorillas in the Mist | ShotOnWhat?

Dubbing Mixer

Gorillas in the Mist (1988)

Directed by: Michael Apted

Cinematography by: John Seale

Edited by: Stuart Baird

Cameras: ARRIFLEX 35 BL4s Camera

Mandela | ShotOnWhat?

Dubbing Mixer

Mandela (1987)

Television Movie

Directed by: Philip Saville

Cinematography by: John Coquillon

Edited by: Ralph Sheldon

The Lonely Passion of Judith Hearne | ShotOnWhat?

Dubbing Mixer

The Lonely Passion of Judith Hearne (1987)

Directed by: Jack Clayton

Cinematography by: Peter Hannan

Edited by: Terry Rawlings

84 Charing Cross Road | ShotOnWhat?

Dubbing Mixer: London

84 Charing Cross Road (1987)

Directed by: David Hugh Jones

Cinematography by: Brian West

Edited by: Chris Wimble

Cameras: ARRIFLEX 35 BL Camera

Full Metal Jacket | ShotOnWhat?

Dubbing Mixer

Full Metal Jacket (1987)

Directed by: Stanley Kubrick

Cinematography by: Douglas Milsome

Edited by: Martin Hunter

Cameras: ARRIFLEX 35 BL Camera

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