Foley Artist
Barbie (2023)
Directed by: Greta Gerwig
Cinematography by: Rodrigo Prieto
Edited by: Nick Houy
Cameras: ARRI ALEXA 65 Camera
Foley Artist
Dune (2021)
Directed by: Denis Villeneuve
Cinematography by: Greig Fraser
Edited by: Joe Walker
Foley Artist
Bombshell (2019)
Directed by: Jay Roach
Cinematography by: Barry Ackroyd
Edited by: Jon Poll
Cameras: ARRI ALEXA Mini Camera
Foley Artist
Marriage Story (2019)
Directed by: Noah Baumbach
Cinematography by: Robbie Ryan
Edited by: Jennifer Lame
Foley Artist
The Lighthouse (2019)
Directed by: Robert Eggers
Cinematography by: Jarin Blaschke
Edited by: Louise Ford
Lenses: Bausch & Lomb Lenses, Pathé Lenses
Foley Artist
Ford v Ferrari (2019)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Cameras: ARRI ALEXA LF Camera
Foley Artist
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Foley Artist
Love, Simon (2018)
Directed by: Greg Berlanti
Cinematography by: John Guleserian
Edited by: Harry Jierjian
Cameras: ARRI ALEXA XT Camera
Foley Artist
Creed II (2018)
Directed by: Steven Caple Jr.
Cinematography by: Kramer Morgenthau
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Foley Artist
The Hate U Give (2018)
Directed by: George Tillman Jr.
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Millennium DXL2 Camera
Foley Artist
Blade Runner 2049 (2017)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera
Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Foley Artist
The Greatest Showman (2017)
Directed by: Michael Gracey
Cinematography by: Seamus McGarvey
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Foley Artist
Hail, Caesar! (2016)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Adobe Premiere Editing System
Foley Artist
'Vikings' A Good Treason (2016)
Directed by: Ciaran Donnelly
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Artist
Christine (2016)
Movie
Directed by: Antonio Campos
Cinematography by: Joe Anderson
Edited by: Sofía Subercaseaux
Cameras: ARRI ALEXA Camera
Foley Artist
A Beautiful Planet (2016)
Directed by: Toni Myers
Cinematography by: James Neihouse
Edited by: Toni Myers
Cameras: Canon EOS-C500 Camera
Foley Artist
The Accountant (2016)
Directed by: Gavin O'Connor
Cinematography by: Seamus McGarvey
Edited by: Richard Pearson
Foley Artist
Chappie (2015)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Foley Artist
Trainwreck (2015)
Directed by: Judd Apatow
Cinematography by: Jody Lee Lipes
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke 5/i Lenses
Foley Artist
The Intern (2015)
Directed by: Nancy Meyers
Cinematography by: Stephen Goldblatt
Edited by: Robert Leighton
Cameras: ARRI ALEXA XT Camera
Foley Artist
The Big Short (2015)
Directed by: Adam McKay
Cinematography by: Barry Ackroyd
Edited by: Hank Corwin
Foley Artist
Joy (2015)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Lenses: Zeiss Ultra Prime Lenses
Foley Artist
'Penny Dreadful' And They Were Enemies (2015)
Directed by: Brian Kirk
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Artist
'Penny Dreadful' And Hell Itself My Only Foe (2015)
Directed by: Brian Kirk
Cinematography by: P.J. Dillon
Edited by: Geoff Ashenhurst
Foley Artist
'Penny Dreadful' Memento Mori (2015)
Directed by: Kari Skogland
Cinematography by: Nigel Willoughby
Edited by: Christopher Donaldson
Foley Artist
'Penny Dreadful' Little Scorpion (2015)
Directed by: Brian Kirk
Cinematography by: Nigel Willoughby
Edited by: Geoff Ashenhurst
Foley Artist
'Penny Dreadful' Glorious Horrors (2015)
Directed by: James Hawes
Cinematography by: Owen McPolin
Edited by: Michele Conroy
Foley Artist
'Penny Dreadful' Above the Vaulted Sky (2015)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Aaron Marshall
Foley Artist
'Penny Dreadful' Evil Spirits in Heavenly Places (2015)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Christopher Donaldson
Foley Artist
'Penny Dreadful' The Nightcomers (2015)
Directed by: Brian Kirk
Cinematography by: Nigel Willoughby
Edited by: Geoff Ashenhurst
Foley Artist
'Penny Dreadful' Verbis Diablo (2015)
Directed by: James Hawes
Cinematography by: Owen McPolin
Edited by: Michele Conroy
Foley Artist
'Penny Dreadful' Fresh Hell (2015)
Directed by: James Hawes
Cinematography by: Owen McPolin
Edited by: Michele Conroy
Foley Artist
'Vikings' Mercenary (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Artist
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Foley Artist
Transcendence (2014)
Directed by: Wally Pfister
Cinematography by: Jess Hall
Edited by: David Rosenbloom
Foley Artist
The Fault in Our Stars (2014)
Directed by: Josh Boone
Cinematography by: Ben Richardson
Edited by: Robb Sullivan
Cameras: ARRI ALEXA XT Camera
Foley Artist - 11 Episodes, 2014-2015
Penny Dreadful (2014)
Directed by: Damon Thomas, James Hawes, Brian Kirk, Paco Cabezas, J.A. Bayona, Coky Giedroyc, Dearbhla Walsh, Kari Skogland, Toa Fraser
Edited by: Michele Conroy, Christopher Donaldson, Geoff Ashenhurst, Aaron Marshall, Jaume Martí, Bernat Vilaplana, Gareth C. Scales
Cameras: ARRI ALEXA Camera
Foley Artist: Footsteps Post-Production Sound, Inc.
A Most Violent Year (2014)
Directed by: J.C. Chandor
Cinematography by: Bradford Young
Edited by: Ron Patane
Editing System: Final Cut Pro Editing System
Foley Artist
Nightcrawler (2014)
Directed by: Dan Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Foley Artist
'Penny Dreadful' Night Work (2014)
Directed by: J.A. Bayona
Cinematography by: Xavi Giménez
Sound
'Vikings' The Choice (2014)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Supervising Foley Editor
'Vikings' Answers in Blood (2014)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Artist
'Vikings' Brother's War (2014)
Directed by: Ciaran Donnelly
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Artist
Jack the Giant Slayer (2013)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Foley Artist
Riddick (2013)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Tracy Adams
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Foley Artist
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Foley Artist
42 (2013)
Directed by: Brian Helgeland
Cinematography by: Don Burgess
Cameras: Red Epic Camera
Editing System: Avid Editing System
Foley Artist
All Is Lost (2013)
Directed by: J.C. Chandor
Edited by: Pete Beaudreau
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Foley: Foorsteps Studios
Enough Said (2013)
Directed by: Nicole Holofcener
Cinematography by: Xavier Grobet
Edited by: Robert Frazen
Cameras: ARRI ALEXA Studio Camera
Lenses: Leitz Summilux-C Series Lenses
Foley Artist
Anchorman 2: The Legend Continues (2013)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Cameras: ARRI ALEXA Camera
Foley Artist / Sound / Supervising Foley Editor - 15 Episodes, 2013-2017
Vikings (2013)
Directed by: Ciaran Donnelly, Ken Girotti, Steve Saint Leger, Jeff Woolnough, Daniel Grou, Helen Shaver, David Wellington, Johan Renck, David Frazee, Kari Skogland, Kelly Makin, Sarah Harding, Ben Bolt, Anthony Karkosza, Joshua Zimmerman, Karla Braun, Katheryn Winnick
Edited by: Aaron Marshall, Tad Seaborn, Don Cassidy, Dan Briceno, Michele Conroy, Christopher Donaldson
Lenses: Panavision Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Foley Artist
'Vikings' A King's Ransom (2013)
Directed by: Ken Girotti
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Foley Artist
'Vikings' Sacrifice (2013)
Directed by: Ken Girotti
Cinematography by: John S. Bartley
Edited by: Michele Conroy
Foley Artist
'Vikings' All Change (2013)
Directed by: Ken Girotti
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Foley Artist
'Vikings' Burial of the Dead (2013)
Directed by: Ciaran Donnelly
Cinematography by: John S. Bartley
Foley Artist
'Vikings' Raid (2013)
Directed by: Ciaran Donnelly
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Foley Artist
'Vikings' Trial (2013)
Directed by: Ciaran Donnelly
Cinematography by: John S. Bartley
Edited by: Michele Conroy
Foley Artist
'Vikings' Dispossessed (2013)
Directed by: Johan Renck
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Foley Artist
'Vikings' Wrath of the Northmen (2013)
Directed by: Johan Renck
Cinematography by: John S. Bartley
Edited by: Michele Conroy
Foley Artist
'Vikings' Rites of Passage (2013)
Directed by: Johan Renck
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Foley Artist
Mud (2012)
Directed by: Jeff Nichols
Cinematography by: Adam Stone
Edited by: Julie Monroe
Foley Artist
To the Wonder (2012)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Foley Artist
Midnight's Children (2012)
Directed by: Deepa Mehta
Cinematography by: Giles Nuttgens
Edited by: Colin Monie
Foley Artist
The Campaign (2012)
Directed by: Jay Roach
Cinematography by: Jim Denault
Cameras: ARRI ALEXA Camera
Foley Artist
The Odd Life of Timothy Green (2012)
Directed by: Peter Hedges
Cinematography by: John Toll
Edited by: Andrew Mondshein
Foley Artist
Hemingway & Gellhorn (2012)
Directed by: Philip Kaufman
Cinematography by: Rogier Stoffers
Edited by: Walter Murch
Cameras: ARRI ALEXA Camera
Editing System: Final Cut Pro Editing System
Foley Artist
Antiviral (2012)
Directed by: Brandon Cronenberg
Cinematography by: Karim Hussain
Edited by: Matthew Hannam
Cameras: ARRI ALEXA Camera
Foley Artist
Wanderlust (2012)
Directed by: David Wain
Cinematography by: Michael Bonvillain
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Foley Artist
People Like Us (2012)
Directed by: Alex Kurtzman
Cinematography by: Salvatore Totino
Edited by: Robert Leighton
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Foley Artist
The Five-Year Engagement (2012)
Directed by: Nicholas Stoller
Cinematography by: Javier Aguirresarobe
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Foley Artist
This Is 40 (2012)
Directed by: Judd Apatow
Cinematography by: Phedon Papamichael
Cameras: ARRI ALEXA Camera
Foley Artist
Flight (2012)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Foley Artist
The Company You Keep (2012)
Directed by: Robert Redford
Cinematography by: Adriano Goldman
Edited by: Mark Day
Cameras: ARRICAM Lite (LT) Camera
Foley Artist
New Year's Eve (2011)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Michael Tronick
Cameras: ARRI ALEXA Camera
Foley Artist
The Rum Diary (2011)
Directed by: Bruce Robinson
Cinematography by: Dariusz Wolski
Edited by: Carol Littleton
Lenses: Zeiss Ultra Prime Lenses
Foley Artist
Take Me Home Tonight (2011)
Directed by: Michael Dowse
Cinematography by: Terry Stacey
Edited by: Lee Haxall
Foley Artist
Born to Be Wild (2011)
Directed by: David Lickley
Cinematography by: David Douglas
Edited by: Beth Spiegel
Foley Artist
In the Land of Blood and Honey (2011)
Directed by: Angelina Jolie
Cinematography by: Dean Semler
Edited by: Patricia Rommel
Foley Artist
Thin Ice (2011)
Directed by: Jill Sprecher
Cinematography by: Dick Pope
Edited by: Lee Percy
Foley Artist
The Tree of Life (2011)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera
Editing System: Avid Editing System
Foley Artist
The Rite (2011)
Directed by: Mikael Håfström
Cinematography by: Ben Davis
Edited by: David Rosenbloom
Foley Artist
A Dangerous Method (2011)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Cooke S4 Lenses
Foley Artist
The Help (2011)
Directed by: Tate Taylor
Cinematography by: Stephen Goldblatt
Edited by: Hughes Winborne
Foley Artist
Warrior (2011)
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
Foley Artist
Get Him to the Greek (2010)
Directed by: Nicholas Stoller
Cinematography by: Robert D. Yeoman
Cameras: Panavision Cameras
Foley Artist
Going the Distance (2010)
Directed by: Nanette Burstein
Cinematography by: Eric Steelberg
Edited by: Peter Teschner
Foley Artist
Hubble 3D (2010)
Directed by: Toni Myers
Cinematography by: James Neihouse
Edited by: Toni Myers
Foley Artist
The Conspirator (2010)
Directed by: Robert Redford
Cinematography by: Newton Thomas Sigel
Edited by: Craig McKay
Foley Artist
Alice in Wonderland (2010)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Foley Artist
Charlie St. Cloud (2010)
Directed by: Burr Steers
Cinematography by: Enrique Chediak
Edited by: Padraic McKinley
Lenses: Hawk V-Series Lenses
Foley Artist
Let Me In (2010)
Directed by: Matt Reeves
Cinematography by: Greig Fraser
Edited by: Stan Salfas
Foley Artist
Dinner for Schmucks (2010)
Directed by: Jay Roach
Cinematography by: Jim Denault
Editing System: Avid Editing System
Foley Artist
The Road (2009)
Directed by: John Hillcoat
Cinematography by: Javier Aguirresarobe
Edited by: Jon Gregory
Cameras: ARRICAM Lite (LT) Camera
Foley Artist
Funny People (2009)
Directed by: Judd Apatow
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Platinum Camera
Foley Artist
Journey to Mecca (2009)
Directed by: Bruce Neibaur
Cinematography by: Matthew Williams
Edited by: Jean-Marie Drot
Cameras: IMAX MSM 9802 Camera
Foley Artist
Chloe (2009)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Foley Artist
Under the Sea 3D (2009)
Directed by: Howard Hall
Cinematography by: Howard Hall
Edited by: Toni Myers
Cameras: IMAX Cameras
Foley Artist
Ghosts of Girlfriends Past (2009)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Foley Artist
A Single Man (2009)
Directed by: Tom Ford
Cinematography by: Eduard Grau
Edited by: Joan Sobel
Foley Artist
The Men Who Stare at Goats (2009)
Directed by: Grant Heslov
Cinematography by: Robert Elswit
Edited by: Tatiana S. Riegel
Cameras: Panavision Panaflex Platinum Camera
Foley Artist
Cairo Time (2009)
Directed by: Ruba Nadda
Cinematography by: Luc Montpellier
Edited by: Teresa Hannigan
Foley Artist
The Messenger (2009)
Directed by: Oren Moverman
Cinematography by: Bobby Bukowski
Edited by: Alex Hall
Cameras: ARRICAM Lite (LT) Camera
Foley Artist
Forgetting Sarah Marshall (2008)
Directed by: Nicholas Stoller
Cinematography by: Russ T. Alsobrook
Edited by: William Kerr
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Artist
Nothing Like the Holidays (2008)
Directed by: Alfredo Rodriguez de Villa
Cinematography by: Scott Kevan
Foley Artist
Inkheart (2008)
Directed by: Iain Softley
Cinematography by: Roger Pratt
Edited by: Martin Walsh
Cameras: Panavision Panaflex Platinum Camera
Foley Artist
The Spiderwick Chronicles (2008)
Directed by: Mark Waters
Cinematography by: Caleb Deschanel
Edited by: Michael Kahn
Foley Artist
Traitor (2008)
Directed by: Jeffrey Nachmanoff
Cinematography by: James M. Muro
Edited by: Billy Fox
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Final Cut Pro Editing System
Foley Artist
Passchendaele (2008)
Directed by: Paul Gross
Cinematography by: Gregory Middleton
Edited by: David Wharnsby
Foley Artist
Flash of Genius (2008)
Directed by: Marc Abraham
Cinematography by: Dante Spinotti
Edited by: Jill Savitt
Foley Artist
Cloverfield (2008)
Directed by: Matt Reeves
Cinematography by: Michael Bonvillain
Edited by: Kevin Stitt
Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses: Canon Lenses, Zeiss DigiPrime Lenses
Foley Artist
Milk (2008)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Elliot Graham
Foley Artist
I'm Not There (2007)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: Jay Rabinowitz
Cameras: Aaton LTR Camera, Moviecam Compact Camera
Foley Artist
Across the Universe (2007)
Directed by: Julie Taymor
Cinematography by: Bruno Delbonnel
Edited by: Françoise Bonnot
Cameras: ARRI Cameras, Panavision Cameras
Lenses: Panavision Lenses
Foley Artist
We Own the Night (2007)
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
Foley Artist
Charlie Bartlett (2007)
Directed by: Jon Poll
Cinematography by: Paul Sarossy
Edited by: Alan Baumgarten
Foley Artist
In the Land of Women (2007)
Directed by: Jonathan Kasdan
Cinematography by: Paul Cameron
Foley Artist
Knocked Up (2007)
Directed by: Judd Apatow
Cinematography by: Eric Alan Edwards
Cameras: Panavision Cameras
Foley Artist
Eastern Promises (2007)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Zeiss Master Prime Lenses
Foley Artist
Nancy Drew (2007)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Foley Artist
Beerfest (2006)
Directed by: Jay Chandrasekhar
Cinematography by: Frank G. DeMarco
Edited by: Lee Haxall
Foley Artist
Silent Hill (2006)
Directed by: Christophe Gans
Cinematography by: Dan Laustsen
Edited by: Sébastien Prangère
Foley Artist
The Pursuit of Happyness (2006)
Directed by: Gabriele Muccino
Cinematography by: Phedon Papamichael
Edited by: Hughes Winborne
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Artist , Foley Supervisor
A Prairie Home Companion (2006)
Directed by: Robert Altman
Cinematography by: Edward Lachman
Edited by: Jacob Craycroft
Cameras: Sony HDW-F900 Camera
Lenses: Fujinon Lenses
Foley Artist
A History of Violence (2005)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Artist
The 40-Year-Old Virgin (2005)
Directed by: Judd Apatow
Cinematography by: Jack N. Green
Edited by: Brent White
Foley Artist
Bewitched (2005)
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Tia Nolan
Foley Artist
Where the Truth Lies (2005)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Cameras: Panavision Panaflex Platinum Camera
Foley Artist
Taking Lives (2004)
Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Anne V. Coates
Foley Artist
Friday Night Lights (2004)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Foley Artist
The Life Aquatic with Steve Zissou (2004)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: David Moritz
Foley Artist
NASCAR: The IMAX Experience (2004)
Directed by: Simon Wincer
Cinematography by: James Neihouse
Edited by: Terry Blythe
Foley Artist
Christmas with the Kranks (2004)
Directed by: Joe Roth
Cinematography by: Don Burgess
Edited by: Nick Moore
Foley Artist
Bears (2004)
Directed by: David Lickley
Cinematography by: James Neihouse
Edited by: James Lahti
Cameras: IMAX Cameras
Foley Artist
Being Julia (2004)
Directed by: István Szabó
Cinematography by: Lajos Koltai
Edited by: Susan Shipton
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke Varotal Lenses
Foley Artist
Dodgeball: A True Underdog Story (2004)
Directed by: Rawson Marshall Thurber
Cinematography by: Jerzy Zielinski
Cameras: Panavision Cameras
Foley Artist
After the Sunset (2004)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Cameras: ARRICAM Lite (LT) Camera, Panavision Cameras
Foley Artist
Volcanoes of the Deep Sea (2003)
Directed by: Stephen Low
Cinematography by: William Reeve
Edited by: James Lahti
Foley Artist
The Rundown (2003)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Richard Pearson
Foley Artist
Timeline (2003)
Directed by: Richard Donner
Cinematography by: Caleb Deschanel
Edited by: Richard Marks
Foley Artist
The Company (2003)
Directed by: Robert Altman
Cinematography by: Andrew Dunn
Edited by: Geraldine Peroni
Foley Artist
The Lizzie McGuire Movie (2003)
Directed by: Jim Fall
Cinematography by: Jerzy Zielinski
Edited by: Margaret Goodspeed
Cameras: Panavision Cameras
Foley Artist
Red Dragon (2002)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Foley Artist
Space Station 3D (2002)
Directed by: Toni Myers
Cinematography by: James Neihouse
Edited by: Toni Myers
Foley Artist
Austin Powers in Goldmember (2002)
Directed by: Jay Roach
Cinematography by: Peter Deming
Foley Artist
Reign of Fire (2002)
Directed by: Rob Bowman
Cinematography by: Adrian Biddle
Cameras: Panavision Cameras
Foley Artist
The Guys (2002)
Directed by: Jim Simpson
Cinematography by: Maryse Alberti
Edited by: Sarah Flack
Cameras: Aaton Cameras, Panavision Cameras
Foley Artist
China: The Panda Adventure (2001)
Directed by: Robert M. Young
Cinematography by: Reed Smoot
Edited by: Jonathan P. Shaw
Foley Artist
Ali (2001)
Directed by: Michael Mann
Cinematography by: Emmanuel Lubezki
Foley Artist
Formula 51 (2001)
Directed by: Ronny Yu
Cinematography by: Hang-Sang Poon
Edited by: David Wu
Cameras: Moviecam Cameras
Foley Artist
Dungeons & Dragons (2000)
Directed by: Courtney Solomon
Cinematography by: Douglas Milsome
Edited by: Caroline Ross
Foley Artist
About Adam (2000)
Directed by: Gerard Stembridge
Cinematography by: Bruno de Keyzer
Edited by: Mary Finlay
Foley Artist
The Family Man (2000)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Foley Artist
American Psycho (2000)
Directed by: Mary Harron
Cinematography by: Andrzej Sekula
Edited by: Andrew Marcus
Foley Artist
Meet the Parents (2000)
Directed by: Jay Roach
Cinematography by: Peter James
Cameras: Panavision Panaflex Platinum Camera
Foley Artist
Felicia's Journey (1999)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Cameras: Panavision Panaflex Platinum Camera
Foley Artist
The Hurricane (1999)
Directed by: Norman Jewison
Cinematography by: Roger Deakins
Edited by: Stephen E. Rivkin
Lenses: Cooke S4 Lenses
Foley Artist
At First Sight (1999)
Directed by: Irwin Winkler
Cinematography by: John Seale
Edited by: Julie Monroe
Foley Artist
eXistenZ (1999)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Foley Artist
When the Day Breaks (1999)
Foley Artist
The Big Hit (1998)
Directed by: Kirk Wong
Cinematography by: Danny Nowak
Cameras: Panavision Panaflex Platinum Camera
Foley Artist
The Parent Trap (1998)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Stephen A. Rotter
Foley Artist
The Nephew (1998)
Directed by: Eugene Brady
Cinematography by: Jack Conroy
Edited by: J. Patrick Duffner
Foley Artist Supervisor
Lolita (1997)
Directed by: Adrian Lyne
Cinematography by: Howard Atherton
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Foley Artist
Super Speedway (1997)
Directed by: Stephen Low
Cinematography by: Andrew Kitzanuk
Edited by: James Lahti
Foley Artist
The Sweet Hereafter (1997)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Cameras: Panavision Panaflex Gold II Camera
Foley Artist
As Good as It Gets (1997)
Directed by: James L. Brooks
Cinematography by: John Bailey
Edited by: Richard Marks
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Artist
Ulee's Gold (1997)
Directed by: Victor Nunez
Cinematography by: Virgil Mirano
Edited by: Victor Nunez
Foley Artist
Independence Day (1996)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Foley Artist
The Cable Guy (1996)
Directed by: Ben Stiller
Cinematography by: Robert Brinkmann
Edited by: Steven Weisberg
Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera
Foley Artist
Get on the Bus (1996)
Directed by: Spike Lee
Cinematography by: Elliot Davis
Edited by: Leander T. Sales
Cameras: Aaton XTR Camera, Krasnogorsk-3 Camera
Foley Artist
Lawnmower Man 2: Beyond Cyberspace (1996)
Directed by: Farhad Mann
Cinematography by: Ward Russell
Foley Artist
Crash (1996)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Cameras: Panavision Panaflex Platinum Camera
Foley Artist
Johnny Mnemonic (1995)
Directed by: Robert Longo
Cinematography by: François Protat
Edited by: Ronald Sanders
Foley Artist
Senior Trip (1995)
Directed by: Kelly Makin
Cinematography by: François Protat
Edited by: Stephen Lawrence
Foley Artist
Only You (1994)
Directed by: Norman Jewison
Cinematography by: Sven Nykvist
Edited by: Stephen E. Rivkin
Foley Artist
Stargate (1994)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Artist
Into the Deep (1994)
Directed by: Howard Hall
Cinematography by: Noel Archambault
Edited by: Barbara Kerr
Foley Artist
The Chase (1994)
Directed by: Adam Rifkin
Cinematography by: Alan Jones
Edited by: Peter Schink
Foley Artist
The Santa Clause (1994)
Directed by: John Pasquin
Cinematography by: Walt Lloyd
Edited by: Larry Bock
Foley Artist
Universal Soldier (1992)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael J. Duthie
Foley Artist
The Swordsman (1992)
Directed by: Michael Kennedy
Cinematography by: Ludek Bogner
Edited by: Nick Rotundo
Foley Artist
Physical Evidence (1989)
Directed by: Michael Crichton
Cinematography by: John A. Alonzo
Edited by: Glenn Farr
Foley Artist
The Last Winter (1989)
Directed by: Aaron Kim Johnston
Cinematography by: Ian Elkin
Edited by: Lara Mazur
Foley Editor
Murder One (1988)
Directed by: Graeme Campbell
Cinematography by: Ludek Bogner
Edited by: Michael McMahon
Foley Artist
One Magic Christmas (1985)
Directed by: Phillip Borsos
Cinematography by: Frank Tidy
Edited by: Sidney Wolinsky
Cameras: Panavision Cameras
Foley Artist
The Grey Fox (1982)
Directed by: Phillip Borsos
Cinematography by: Frank Tidy
Edited by: Frank Irvine
Foley Artist
The Incubus (1982)
Directed by: John Hough
Cinematography by: Albert J. Dunk
Edited by: George Appleby
Foley
Visiting Hours (1982)
Directed by: Jean-Claude Lord
Cinematography by: René Verzier
Cameras: Panavision Cameras
Sound Effects Editor
Porky's (1981)
Directed by: Bob Clark
Cinematography by: Reginald H. Morris
Edited by: Stan Cole
Foley Artist
Prom Night (1980)
Directed by: Paul Lynch
Cinematography by: Robert C. New
Edited by: Brian Ravok
Post-synchronisation Sound Effects
Death Ship (1980)
Directed by: Alvin Rakoff
Cinematography by: René Verzier
Edited by: Mike Campbell
Foley Artist
Fast Company (1979)
Directed by: David Cronenberg
Cinematography by: Mark Irwin
Edited by: Ronald Sanders
Foley Artist
City on Fire (1979)
Directed by: Alvin Rakoff
Cinematography by: René Verzier
Cameras: Panavision Cameras
Foley Artist
The Brood (1979)
Directed by: David Cronenberg
Cinematography by: Mark Irwin
Edited by: Alan Collins
Lenses: Panavision Lenses
