Yvonne S. Moriarty

105 Titles

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Top Gun: Maverick | ShotOnWhat?

Orchestrator

Top Gun: Maverick (2022)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Eddie Hamilton

Cameras: Sony CineAlta VENICE Camera

Lenses: Sigma Lenses, Voigtländer Lenses, Zeiss Master Prime Lenses

The Lion King | ShotOnWhat?

Orchestrator

The Lion King (2019)

Directed by: Jon Favreau

Cinematography by: Caleb Deschanel

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA 65 Camera

Christopher Robin | ShotOnWhat?

Score Orchestrator

Christopher Robin (2018)

Directed by: Marc Forster

Cinematography by: Matthias Koenigswieser

Edited by: Matt Chesse

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Orchestrator

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

Batman v Superman: Dawn of Justice | ShotOnWhat?

Orchestrator

Batman v Superman: Dawn of Justice (2016)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: David Brenner

Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Amazing Spider-Man 2 | ShotOnWhat?

Orchestrator

The Amazing Spider-Man 2 (2014)

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Gangster Squad | ShotOnWhat?

Orchestrator

Gangster Squad (2013)

Directed by: Ruben Fleischer

Cinematography by: Dion Beebe

Edited by: Alan Baumgarten, James Herbert

Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Man of Steel | ShotOnWhat?

Orchestrator

Man of Steel (2013)

Directed by: Zack Snyder

Cinematography by: Amir Mokri

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Despicable Me 2 | ShotOnWhat?

Musician: French Horn

Despicable Me 2 (2013)

Directed by: Pierre Coffin, Chris Renaud

Edited by: Gregory Perler

Madagascar 3: Europe's Most Wanted | ShotOnWhat?

Orchestrator

Madagascar 3: Europe's Most Wanted (2012)

Directed by: Eric Darnell, Tom McGrath, Conrad Vernon

Edited by: Nick Fletcher

Editing System: Avid Editing System

Your Highness | ShotOnWhat?

Orchestrator

Your Highness (2011)

Directed by: David Gordon Green

Cinematography by: Tim Orr

Edited by: Craig Alpert

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Transformers: Dark of the Moon | ShotOnWhat?

Orchestrator

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Dilemma | ShotOnWhat?

Featured Musician

The Dilemma (2011)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Inception | ShotOnWhat?

A Nightmare on Elm Street | ShotOnWhat?

Orchestrator

A Nightmare on Elm Street (2010)

Directed by: Samuel Bayer

Cinematography by: Jeff Cutter

Edited by: Glen Scantlebury

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Case 39 | ShotOnWhat?

Orchestrator

Case 39 (2009)

Directed by: Christian Alvart

Cinematography by: Hagen Bogdanski

Edited by: Mark Goldblatt

Surrogates | ShotOnWhat?

Orchestrator

Surrogates (2009)

Directed by: Jonathan Mostow

Cinematography by: Oliver Wood

Edited by: Kevin Stitt

Blood: The Last Vampire | ShotOnWhat?

Orchestrator

Blood: The Last Vampire (2009)

Directed by: Chris Nahon

Cinematography by: Hang-Sang Poon

Edited by: Marco Cavé

Cameras: ARRI Cameras, ARRIFLEX 435 Xtreme Camera

Transformers: Revenge of the Fallen | ShotOnWhat?

Musician: French Horn

Transformers: Revenge of the Fallen (2009)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Baby Mama | ShotOnWhat?

Orchestrator

Baby Mama (2008)

Directed by: Michael McCullers

Cinematography by: Daryn Okada

Edited by: Bruce Green, Debra Neil-Fisher

Cameras: Panavision Cameras

Outlander | ShotOnWhat?

Orchestrator

Outlander (2008)

Directed by: Howard McCain

Cinematography by: Pierre Gill

Edited by: David Dodson

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

The Dark Knight | ShotOnWhat?

Orchestrator

The Dark Knight (2008)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Miracle at St. Anna | ShotOnWhat?

Musician: Horn

Miracle at St. Anna (2008)

Directed by: Spike Lee

Cinematography by: Matthew Libatique

Edited by: Barry Alexander Brown

Body of Lies | ShotOnWhat?

Orchestrator

Body of Lies (2008)

Directed by: Ridley Scott

Cinematography by: Alexander Witt

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Speed Racer | ShotOnWhat?

Musician: French Horn

Speed Racer (2008)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: David Tattersall

Edited by: Roger Barton, Zach Staenberg

Cameras: Phantom HD Camera, Phantom V Series Camera, Sony CineAlta F23 Camera

Lenses: Zeiss DigiPrime Lenses

Bolt | ShotOnWhat?

Musician: French Horn

Bolt (2008)

Directed by: Byron Howard, Chris Williams

Cinematography by: Scott Beattie

Edited by: Tim Mertens

Spider-Man 3 | ShotOnWhat?

Musician: French Horn

Spider-Man 3 (2007)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

American Gangster | ShotOnWhat?

Orchestrator

American Gangster (2007)

Directed by: Ridley Scott

Cinematography by: Harris Savides

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Transformers | ShotOnWhat?

Musician: French Horn / Orchestrator

Transformers (2007)

Directed by: Michael Bay

Cinematography by: Mitchell Amundsen

Edited by: Tom Muldoon, Paul Rubell, Glen Scantlebury

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System

Pirates of the Caribbean: At World's End | ShotOnWhat?

Musician: French Horn / Orchestrator

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Disturbia | ShotOnWhat?

Additional Orchestrator

Disturbia (2007)

Directed by: D.J. Caruso

Cinematography by: Rogier Stoffers

Edited by: Jim Page

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Simpsons Movie | ShotOnWhat?

Musician: French Horn / Orchestrator

The Simpsons Movie (2007)

Directed by: David Silverman

Edited by: John Carnochan

Editing System: Final Cut Pro Editing System

X-Men: The Last Stand | ShotOnWhat?

Orchestrator

X-Men: The Last Stand (2006)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Goldblatt, Mark Helfrich, Julia Wong

Smokin' Aces | ShotOnWhat?

Additional Orchestrator

Smokin' Aces (2006)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Robert Frazen

Mission: Impossible III | ShotOnWhat?

Musician: French Horn

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

Click | ShotOnWhat?

Orchestrator

Click (2006)

Directed by: Frank Coraci

Cinematography by: Dean Semler

Edited by: Jeff Gourson

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Primes Spherical Lenses

Pirates of the Caribbean: Dead Man's Chest | ShotOnWhat?

Musician: French Horn / Orchestrator

Pirates of the Caribbean: Dead Man's Chest (2006)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Holiday | ShotOnWhat?

Orchestrator

The Holiday (2006)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Joe Hutshing

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Charlotte's Web | ShotOnWhat?

Musician: French Horn

Charlotte's Web (2006)

Directed by: Gary Winick

Cinematography by: Seamus McGarvey

Edited by: Susan Littenberg, Sabrina Plisco

King Kong | ShotOnWhat?

Musician: French Horn

King Kong (2005)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jamie Selkirk

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | ShotOnWhat?

Orchestrator

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

Directed by: Andrew Adamson

Cinematography by: Donald McAlpine

Edited by: Sim Evan-Jones, Jim May

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Island | ShotOnWhat?

Musician: French Horn / Orchestrator

The Island (2005)

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Friday Night Lights | ShotOnWhat?

Orchestrator

Friday Night Lights (2004)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Gabrielle Fasulo, Colby Parker Jr., Susan Rash, David Rosenbloom

Thunderbirds | ShotOnWhat?

Orchestrator

Thunderbirds (2004)

Directed by: Jonathan Frakes

Cinematography by: Brendan Galvin

Edited by: Martin Walsh

The Chronicles of Riddick | ShotOnWhat?

Musician: French Horn

The Chronicles of Riddick (2004)

Directed by: David Twohy

Cinematography by: Hugh Johnson

Edited by: Tracy Adams, Martin Hunter, Dennis Virkler

Team America: World Police | ShotOnWhat?

Orchestrator

Team America: World Police (2004)

Directed by: Trey Parker

Cinematography by: Bill Pope

Edited by: Thomas M. Vogt

Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera

Lenses: Panavision Lenses, Panavision Primo Close Focus Spherical Lenses

Spanglish | ShotOnWhat?

Orchestrator

Spanglish (2004)

Directed by: James L. Brooks

Cinematography by: John Seale

Edited by: Richard Marks, Tia Nolan

Troy | ShotOnWhat?

Musician: French Horn

Troy (2004)

Directed by: Wolfgang Petersen

Cinematography by: Roger Pratt

Edited by: Peter Honess

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Cooke S4 Lenses

Hidalgo | ShotOnWhat?

Musician: French Horn

Hidalgo (2004)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The Bourne Supremacy | ShotOnWhat?

Orchestrator

The Bourne Supremacy (2004)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Richard Pearson, Christopher Rouse

Cameras: ARRI Cameras

Shark Tale | ShotOnWhat?

Orchestrator

Shark Tale (2004)

Directed by: Bibo Bergeron, Vicky Jenson, Rob Letterman

Edited by: Nick Fletcher, Peter Lonsdale, John Venzon

Shrek 2 | ShotOnWhat?

Orchestrator

Shrek 2 (2004)

Directed by: Andrew Adamson, Kelly Asbury, Conrad Vernon

Edited by: Mike Andrews, Sim Evan-Jones

The Incredibles | ShotOnWhat?

Musician: French Horn

The Incredibles (2004)

Directed by: Brad Bird

Cinematography by: Andrew Jimenez, Patrick Lin, Janet Lucroy

Edited by: Stephen Schaffer

The Core | ShotOnWhat?

Musician: French Horn

The Core (2003)

Directed by: Jon Amiel

Cinematography by: John Lindley

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Matrix Revolutions | ShotOnWhat?

Musician: French Horn

The Matrix Revolutions (2003)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: Pan-Arri 435es Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Italian Job | ShotOnWhat?

Orchestrator

The Italian Job (2003)

Directed by: F. Gary Gray

Cinematography by: Wally Pfister

Edited by: Richard Francis-Bruce, Christopher Rouse

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII 35 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Something's Gotta Give | ShotOnWhat?

Orchestrator

Something's Gotta Give (2003)

Directed by: Nancy Meyers

Cinematography by: Michael Ballhaus

Edited by: Joe Hutshing

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Zeiss Lenses

Pirates of the Caribbean: The Curse of the Black Pearl | ShotOnWhat?

Musician: French Horn / Orchestrator

Pirates of the Caribbean: The Curse of the Black Pearl (2003)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Arthur Schmidt, Craig Wood

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Cat in the Hat | ShotOnWhat?

Musician: French Horn

The Cat in the Hat (2003)

Directed by: Bo Welch

Cinematography by: Emmanuel Lubezki

Edited by: Don Zimmerman

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Paycheck | ShotOnWhat?

Musician: French Horn / Orchestrator

Paycheck (2003)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Christopher Rouse, Kevin Stitt

The Matrix Reloaded | ShotOnWhat?

Musician: French Horn

The Matrix Reloaded (2003)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Hulk | ShotOnWhat?

Musician: French Horn

Hulk (2003)

Directed by: Ang Lee

Cinematography by: Frederick Elmes

Edited by: Tim Squyres

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke Panchro/i Classic Lenses, Cooke S4 Lenses

The Last Samurai | ShotOnWhat?

Musician: French Horn / Orchestrator

The Last Samurai (2003)

Directed by: Edward Zwick

Cinematography by: John Toll

Edited by: Victor Du Bois, Steven Rosenblum

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Matchstick Men | ShotOnWhat?

Additional Orchestrator

Matchstick Men (2003)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

Head of State | ShotOnWhat?

Orchestrator

Head of State (2003)

Directed by: Chris Rock

Cinematography by: Donald E. Thorin

Edited by: Stephen A. Rotter

Tears of the Sun | ShotOnWhat?

Orchestrator

Tears of the Sun (2003)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: Conrad Buff IV, Christopher Holmes

Cameras: Panavision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Agent Cody Banks | ShotOnWhat?

Orchestrator

Agent Cody Banks (2003)

Directed by: Harald Zwart

Cinematography by: Denis Crossan

Edited by: Jim Miller

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Bourne Identity | ShotOnWhat?

Orchestrator

The Bourne Identity (2002)

Directed by: Doug Liman

Cinematography by: Oliver Wood

Edited by: Saar Klein

Cameras: Aaton 35-III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Red Dragon | ShotOnWhat?

Musician: French Horn

Red Dragon (2002)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Eye See You | ShotOnWhat?

Orchestrator

Eye See You (2002)

Directed by: Jim Gillespie

Cinematography by: Dean Semler

Edited by: Timothy Alverson, Steve Mirkovich

Planet of the Apes | ShotOnWhat?

Musician: French Horn

Planet of the Apes (2001)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Pearl Harbor | ShotOnWhat?

Musician: French Horn

Pearl Harbor (2001)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Hannibal | ShotOnWhat?

Additional Orchestrator

Hannibal (2001)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

I Am Sam | ShotOnWhat?

Orchestrator

I Am Sam (2001)

Directed by: Jessie Nelson

Cinematography by: Elliot Davis

Edited by: Richard Chew

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Lightweight Zoom Lenses, Panavision Primo Classic Spherical Lenses

Black Hawk Down | ShotOnWhat?

Additional Orchestrator

Black Hawk Down (2001)

Directed by: Ridley Scott

Cinematography by: Slawomir Idziak

Edited by: Pietro Scalia

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Evolution | ShotOnWhat?

Orchestrator

Evolution (2001)

Directed by: Ivan Reitman

Cinematography by: Michael Chapman

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Cameras: Panavision Cameras

Shrek | ShotOnWhat?

Orchestrator

Shrek (2001)

Directed by: Andrew Adamson, Vicky Jenson

Edited by: Sim Evan-Jones

Monsters, Inc. | ShotOnWhat?

Musician: French Horn

Monsters, Inc. (2001)

Directed by: Pete Docter, David Silverman, Lee Unkrich

Edited by: Robert Grahamjones, Jim Stewart

Chicken Run | ShotOnWhat?

Orchestrator

Chicken Run (2000)

Directed by: Peter Lord, Nick Park

Cinematography by: Simon Jacobs, Andy MacCormack, Tristan Oliver, Frank Passingham, Dave Alex Riddett, Paul Smith

Edited by: Robert Francis, Tamsin Parry, Mark Solomon

Gladiator | ShotOnWhat?

Orchestrator

Gladiator (2000)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

Remember the Titans | ShotOnWhat?

Musician: French Horn

Remember the Titans (2000)

Directed by: Boaz Yakin

Cinematography by: Philippe Rousselot

Edited by: Michael Tronick

The Adventures of Rocky & Bullwinkle | ShotOnWhat?

Orchestrator

The Adventures of Rocky & Bullwinkle (2000)

Directed by: Des McAnuff

Cinematography by: Thomas E. Ackerman

Edited by: Dennis Virkler

Dinosaur | ShotOnWhat?

Musician: French Horn

Dinosaur (2000)

Directed by: Eric Leighton, Ralph Zondag

Cinematography by: David R. Hardberger, Steven Douglas Smith

Edited by: H. Lee Peterson

Cameras: VistaVision Cameras

Deep Blue Sea | ShotOnWhat?

Musician: French Horn

Deep Blue Sea (1999)

Directed by: Renny Harlin

Cinematography by: Stephen F. Windon

Edited by: Derek Brechin, Dallas Puett, Frank J. Urioste

Music of the Heart | ShotOnWhat?

Orchestrator

Music of the Heart (1999)

Directed by: Wes Craven

Cinematography by: Peter Deming

Edited by: Gregg Featherman, Patrick Lussier

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Forces of Nature | ShotOnWhat?

Orchestrator

Forces of Nature (1999)

Directed by: Bronwen Hughes

Cinematography by: Elliot Davis, David Stockton

Edited by: Craig Wood

Cameras: Panavision Cameras

Tarzan | ShotOnWhat?

Musician: French Horn

Tarzan (1999)

Directed by: Chris Buck, Kevin Lima

Edited by: Gregory Perler

Toy Story 2 | ShotOnWhat?

Musician: French Horn

Toy Story 2 (1999)

Directed by: John Lasseter, Ash Brannon, Lee Unkrich

Cinematography by: Sharon Calahan

Edited by: Edie Ichioka, David Ian Salter, Lee Unkrich

The Thin Red Line | ShotOnWhat?

Small Soldiers | ShotOnWhat?

Musician: French Horn

Small Soldiers (1998)

Directed by: Joe Dante

Cinematography by: Jamie Anderson

Edited by: Marshall Harvey, Michael Thau

Armageddon | ShotOnWhat?

Musician: French Horn

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

A Bug's Life | ShotOnWhat?

Musician: French Horn

A Bug's Life (1998)

Directed by: John Lasseter, Andrew Stanton

Cinematography by: Sharon Calahan

Edited by: Lee Unkrich

The Prince of Egypt | ShotOnWhat?

Additional Orchestrator

The Prince of Egypt (1998)

Directed by: Brenda Chapman, Steve Hickner, Simon Wells

Edited by: Nick Fletcher

The Peacemaker | ShotOnWhat?

Orchestrator

The Peacemaker (1997)

Directed by: Mimi Leder

Cinematography by: Dietrich Lohmann

Edited by: David Rosenbloom

Batman & Robin | ShotOnWhat?

Musician: French Horn

Batman & Robin (1997)

Directed by: Joel Schumacher

Cinematography by: Stephen Goldblatt

Edited by: Mark Stevens, Dennis Virkler

The Borrowers | ShotOnWhat?

Orchestrator

The Borrowers (1997)

Directed by: Peter Hewitt

Cinematography by: Trevor Brooker, John Fenner

Edited by: David Freeman

As Good as It Gets | ShotOnWhat?

Orchestrator

As Good as It Gets (1997)

Directed by: James L. Brooks

Cinematography by: John Bailey

Edited by: Richard Marks

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Men in Black | ShotOnWhat?

Musician: French Horn

Men in Black (1997)

Directed by: Barry Sonnenfeld

Cinematography by: Donald Peterman

Edited by: Jim Miller

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Face/Off | ShotOnWhat?

Orchestrator

Face/Off (1997)

Directed by: John Woo

Cinematography by: Oliver Wood

Edited by: Steven Kemper, Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

The Rock | ShotOnWhat?

Orchestrator

The Rock (1996)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Richard Francis-Bruce

Cameras: Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Twister | ShotOnWhat?

Orchestrator

Twister (1996)

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Michael Kahn

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Space Jam | ShotOnWhat?

Musician: French Horn

Space Jam (1996)

Directed by: Joe Pytka

Cinematography by: Michael Chapman

Edited by: Sheldon Kahn

Crimson Tide | ShotOnWhat?

Orchestrator

Crimson Tide (1995)

Directed by: Tony Scott

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

Batman Forever | ShotOnWhat?

Musician: French Horn

Batman Forever (1995)

Directed by: Joel Schumacher

Cinematography by: Stephen Goldblatt

Edited by: Mark Stevens, Dennis Virkler

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Speed | ShotOnWhat?

Orchestrator

Speed (1994)

Directed by: Jan de Bont

Cinematography by: Andrzej Bartkowiak

Edited by: John Wright

Cameras: Beaumont Vista Vision Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

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