Adr Recordist
Looper (2012)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Adr Recordist
The Odd Life of Timothy Green (2012)
Directed by: Peter Hedges
Cinematography by: John Toll
Edited by: Andrew Mondshein
Adr Recordist
Ruby Sparks (2012)
Cinematography by: Matthew Libatique
Edited by: Pamela Martin
Lenses: Cooke Speed Panchro Lenses
Adr Recordist
People Like Us (2012)
Directed by: Alex Kurtzman
Cinematography by: Salvatore Totino
Edited by: Robert Leighton
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Adr Recordist: 424 Inc.
The Rum Diary (2011)
Directed by: Bruce Robinson
Cinematography by: Dariusz Wolski
Edited by: Carol Littleton
Lenses: Zeiss Ultra Prime Lenses
Adr Recordist
The Ides of March (2011)
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Cameras: Panavision Panaflex Platinum Camera
Adr Recordist
Water for Elephants (2011)
Directed by: Francis Lawrence
Cinematography by: Rodrigo Prieto
Edited by: Alan Edward Bell
Editing System: Avid Editing System
Adr Recordist
Dolphin Tale (2011)
Directed by: Charles Martin Smith
Cinematography by: Karl Walter Lindenlaub
Edited by: Harvey Rosenstock
Cameras: Red One MX Camera
Adr Recordist
The Change-Up (2011)
Directed by: David Dobkin
Cinematography by: Eric Alan Edwards
Lenses: Cooke S4 Lenses
ADR Recordist
The Perfect Host (2010)
Directed by: Nick Tomnay
Cinematography by: John Brawley
Edited by: Nick Tomnay
Cameras: Red One Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Adr Recordist
Rabbit Hole (2010)
Directed by: John Cameron Mitchell
Cinematography by: Frank G. DeMarco
Edited by: Joe Klotz
Cameras: Red One Camera
Adr Recordist
Ramona and Beezus (2010)
Directed by: Elizabeth Allen Rosenbaum
Cinematography by: John Bailey
Edited by: Jane Moran
Adr Recordist
Handsome Harry (2009)
Directed by: Bette Gordon
Cinematography by: Nigel Bluck
Edited by: Keiko Deguchi
Adr Recordist
The Unborn (2009)
Directed by: David S. Goyer
Cinematography by: James Hawkinson
Edited by: Jeff Betancourt
Cameras: Panavision Cameras
Adr Recordist
The Macabre World of Lavender Williams (2009)
Directed by: Nick Delgado
Cinematography by: Matt Egan
Edited by: Mark Apicella
Adr Recordist
17 Again (2009)
Directed by: Burr Steers
Cinematography by: Tim Suhrstedt
Edited by: Padraic McKinley
Cameras: Panavision Panaflex Platinum Camera
Adr Recordist
Up in the Air (2009)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Adr Recordist
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Adr Recordist
Changeling (2008)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Adr Recordist
Tropic Thunder (2008)
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Adr Recordist
Henry Poole Is Here (2008)
Directed by: Mark Pellington
Cinematography by: Eric Schmidt
Edited by: Lisa Zeno Churgin
Adr Recordist
Role Models (2008)
Directed by: David Wain
Cinematography by: Russ T. Alsobrook
Edited by: Eric Kissack
Cameras: Panavision Cameras
Adr Recordist
Leatherheads (2008)
Directed by: George Clooney
Cinematography by: Newton Thomas Sigel
Edited by: Stephen Mirrione
Adr Recordist
Balls of Fury (2007)
Directed by: Robert Ben Garant
Cinematography by: Thomas E. Ackerman
Edited by: John Refoua
Cameras: Panavision Genesis Camera
Editing System: Final Cut Pro Editing System
Adr Recordist
The Condemned (2007)
Directed by: Scott Wiper
Cinematography by: Ross Emery
Edited by: Derek Brechin
Adr Recordist
Lions for Lambs (2007)
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Recordist
Underdog (2007)
Directed by: Frederik Du Chau
Cinematography by: David Eggby
Edited by: Tom Finan
Adr Recordist
American Gangster (2007)
Directed by: Ridley Scott
Cinematography by: Harris Savides
Edited by: Pietro Scalia
Editing System: Avid Editing System
Adr Recordist
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Adr Recordist
Evan Almighty (2007)
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Adr Recordist
There Will Be Blood (2007)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Adr Recordist
Breach (2007)
Directed by: Billy Ray
Cinematography by: Tak Fujimoto
Edited by: Jeffrey Ford
Cameras: Panavision Cameras
Adr Recordist
American Dreamz (2006)
Directed by: Paul Weitz
Cinematography by: Robert Elswit
Edited by: Myron Kerstein
Adr Recordist
The Prestige (2006)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Adr Recordist
Accepted (2006)
Directed by: Steve Pink
Cinematography by: Matthew F. Leonetti
Edited by: Scott Hill
Cameras: Moviecam Cameras
Adr Recordist
School for Scoundrels (2006)
Directed by: Todd Phillips
Cinematography by: Jonathan Brown
Adr Recordist
The Illusionist (2006)
Directed by: Neil Burger
Cinematography by: Dick Pope
Edited by: Naomi Geraghty
Adr Recordist
Are We There Yet? (2005)
Directed by: Brian Levant
Cinematography by: Thomas E. Ackerman
Edited by: Lawrence Jordan
Adr Recordist
The Prize Winner of Defiance, Ohio (2005)
Directed by: Jane Anderson
Cinematography by: Jonathan Freeman
Edited by: Robert Dalva
Adr Recordist
Brokeback Mountain (2005)
Directed by: Ang Lee
Cinematography by: Rodrigo Prieto
Lenses: Cooke S4 Lenses
Adr Recordist
Lord of War (2005)
Directed by: Andrew Niccol
Cinematography by: Amir Mokri
Edited by: Zach Staenberg
Cameras: Panavision Panaflex Platinum Camera
Adr Recordist
Serenity (2005)
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Adr Recordist: Los Angeles
King Kong (2005)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
Editing System: Avid Editing System
Adr Recordist
The Island (2005)
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Adr Recordist
Man on Fire (2004)
Directed by: Tony Scott
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Recordist
The Big Bounce (2004)
Directed by: George Armitage
Cinematography by: Jeffrey L. Kimball
Adr Recordist
In Good Company (2004)
Directed by: Paul Weitz
Cinematography by: Remi Adefarasin
Edited by: Myron Kerstein
Adr Recordist
Iron Jawed Angels (2004)
Directed by: Katja von Garnier
Cinematography by: Robbie Greenberg
Edited by: Hans Funck
Adr Recordist
Shall We Dance (2004)
Directed by: Peter Chelsom
Cinematography by: John de Borman
Cameras: ARRI Cameras
Adr Recordist
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Adr Recordist
Bruce Almighty (2003)
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Scott Hill
Lenses: Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
Editing System: Lightworks Editing System
Adr Recordist
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Adr Recordist
Runaway Jury (2003)
Directed by: Gary Fleder
Cinematography by: Robert Elswit
Edited by: William Steinkamp
Adr Recordist
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Recordist
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Adr Recordist
The Recruit (2003)
Directed by: Roger Donaldson
Cinematography by: Stuart Dryburgh
Edited by: David Rosenbloom
Adr Recordist
The Salton Sea (2002)
Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Jim Page
Adr Recordist
8 Mile (2002)
Directed by: Curtis Hanson
Cinematography by: Rodrigo Prieto
Lenses: Zeiss Ultra Prime Lenses
Adr Recordist
Punch-Drunk Love (2002)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Leslie Jones
Cameras: Panavision Panaflex Platinum Camera
Adr Recordist
The Time Machine (2002)
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Adr Recordist
Austin Powers in Goldmember (2002)
Directed by: Jay Roach
Cinematography by: Peter Deming
Adr Recordist
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Adr Recordist
The Caveman's Valentine (2001)
Directed by: Kasi Lemmons
Cinematography by: Amy Vincent
Edited by: Terilyn A. Shropshire
Adr Recordist
Spy Game (2001)
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Recordist
Angel Eyes (2001)
Directed by: Luis Mandoki
Cinematography by: Piotr Sobocinski
Edited by: Gerald B. Greenberg
Adr Recordist
What's the Worst That Could Happen? (2001)
Directed by: Sam Weisman
Cinematography by: Anastas N. Michos
Cameras: Panavision Cameras
Recordist
Battlefield Earth (2000)
Directed by: Roger Christian
Cinematography by: Giles Nuttgens
Edited by: Robin Russell
Adr Recordist
Thirteen Days (2000)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Adr Recordist: Los Angeles
Nutty Professor II: The Klumps (2000)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: William Kerr
Adr Recordist
The Whole Nine Yards (2000)
Directed by: Jonathan Lynn
Cinematography by: David Franco
Edited by: Tom Lewis
Adr Recordist
Get Carter (2000)
Directed by: Stephen Kay
Cinematography by: Mauro Fiore
Edited by: Gerald B. Greenberg
Adr Recordist
Unbreakable (2000)
Directed by: M. Night Shyamalan
Cinematography by: Eduardo Serra
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Adr Recordist
Miss Congeniality (2000)
Directed by: Donald Petrie
Cinematography by: László Kovács
Edited by: Billy Weber
Adr Recordist
The Way of the Gun (2000)
Directed by: Christopher McQuarrie
Cinematography by: Dick Pope
Edited by: Stephen Semel
Adr Recordist
The Cell (2000)
Directed by: Tarsem Singh
Cinematography by: Paul Laufer
Adr Recordist
The 13th Warrior (1999)
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Recordist
The Thomas Crown Affair (1999)
Directed by: John McTiernan
Cinematography by: Tom Priestley Jr.
Edited by: John Wright
Cameras: Panavision Panaflex Platinum Camera
Adr Recordist
Virus (1999)
Directed by: John Bruno
Cinematography by: David Eggby
Edited by: M. Scott Smith
Adr Recordist
Magnolia (1999)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Cameras: Panavision Cameras, Pathé Cameras
Lenses: Panavision Lenses
Adr Recordist
Dudley Do-Right (1999)
Directed by: Hugh Wilson
Cinematography by: Donald E. Thorin
Edited by: Don Brochu
Adr Recordist
The Green Mile (1999)
Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Richard Francis-Bruce
Cameras: Panavision Panaflex Platinum Camera
Adr Recordist
Forces of Nature (1999)
Directed by: Bronwen Hughes
Edited by: Craig Wood
Cameras: Panavision Cameras
Adr Recordist
Life (1999)
Directed by: Ted Demme
Cinematography by: Geoffrey Simpson
Edited by: Jeffrey Wolf
Adr Recordist
The Thin Red Line (1998)
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Adr Recordist
Patch Adams (1998)
Directed by: Tom Shadyac
Cinematography by: Phedon Papamichael
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Recordist
Enemy of the State (1998)
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Chris Lebenzon
Adr Recordist
Mercury Rising (1998)
Directed by: Harold Becker
Cinematography by: Michael Seresin
Edited by: Peter Honess
Adr Recordist
The Mask of Zorro (1998)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Thom Noble
Lenses: Cooke Lenses
Adr Recordist
Apt Pupil (1998)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Adr Recordist
Hope Floats (1998)
Directed by: Forest Whitaker
Cinematography by: Caleb Deschanel
Edited by: Richard Chew
Cameras: Panavision Cameras
Adr Recordist
That Old Feeling (1997)
Directed by: Carl Reiner
Cinematography by: Steve Mason
Edited by: Richard Halsey
Adr Recordist
Jackie Brown (1997)
Directed by: Quentin Tarantino
Cinematography by: Guillermo Navarro
Edited by: Sally Menke
Cameras: Moviecam Compact Camera
Lenses: Zeiss Super Speed Lenses
Adr Recordist
The Peacemaker (1997)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Edited by: David Rosenbloom
Adr Recordist: Los Angeles
Liar Liar (1997)
Directed by: Tom Shadyac
Cinematography by: Russell Boyd
Edited by: Don Zimmerman
Adr Recordist
The Rock (1996)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Edited by: Richard Francis-Bruce
Adr Recordist
Last Man Standing (1996)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Freeman A. Davies
Adr Recordist
The War at Home (1996)
Directed by: Emilio Estevez
Cinematography by: Peter Levy
Edited by: Craig Bassett
Adr Recordist
The Associate (1996)
Directed by: Donald Petrie
Cinematography by: Alex Nepomniaschy
Edited by: Bonnie Koehler
Adr Recordist
Matilda (1996)
Directed by: Danny DeVito
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Platinum Camera
Adr Recordist
Larger Than Life (1996)
Directed by: Howard Franklin
Cinematography by: Elliot Davis
Edited by: Sidney Levin
Adr Recordist
Broken Arrow (1996)
Directed by: John Woo
Cinematography by: Peter Levy
Cameras: Panavision Cameras
Adr Recording
The Surgeon (1995)
Directed by: Carl Schenkel
Cinematography by: Thomas Burstyn
Edited by: Jimmy B. Frazier
Adr Recordist
Species (1995)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Adr Recordist
The Usual Suspects (1995)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Cameras: Panavision Panaflex Platinum Camera
Adr Recordist
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Adr Recordist
Se7en (1995)
Directed by: David Fincher
Cinematography by: Darius Khondji
Edited by: Richard Francis-Bruce
Adr Recordist
A Walk in the Clouds (1995)
Directed by: Alfonso Arau
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Adr Recordist
Wild Bill (1995)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Freeman A. Davies
Adr Recordist
The Shawshank Redemption (1994)
Directed by: Frank Darabont
Cinematography by: Roger Deakins
Edited by: Richard Francis-Bruce
Lenses: ARRI / Zeiss Lenses
Adr Recordist
Speechless (1994)
Directed by: Ron Underwood
Cinematography by: Donald Peterman
Edited by: Richard Francis-Bruce
Adr Recordist
The Getaway (1994)
Directed by: Roger Donaldson
Cinematography by: Peter Menzies Jr.
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Recordist
The Little Rascals (1994)
Directed by: Penelope Spheeris
Cinematography by: Richard Bowen
Adr Recordist
The Favor (1994)
Directed by: Donald Petrie
Cinematography by: Tim Suhrstedt
Edited by: Harry Keramidas
Adr Recordist
Blue Sky (1994)
Directed by: Tony Richardson
Cinematography by: Steve Yaconelli
Edited by: Robert K. Lambert
Cameras: ARRI Cameras
Adr Recordist
Judgment Night (1993)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Tim Wellburn
