Paul Massey

138 Titles

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The Color Purple | ShotOnWhat?

Re-recording Mixer

The Color Purple (2023)

Directed by: Blitz Bazawule

Cinematography by: Dan Laustsen

Edited by: Jon Poll

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: ARRI Signature Prime Lenses

Napoleon | ShotOnWhat?

Re-recording Mixer

Napoleon (2023)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Sam Restivo, Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses

Indiana Jones and the Dial of Destiny | ShotOnWhat?

Re-recording Mixer: Fox Studio Lot

Indiana Jones and the Dial of Destiny (2023)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

No Time to Die | ShotOnWhat?

The Last Duel | ShotOnWhat?

Re-recording Mixer

The Last Duel (2021)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses

House of Gucci | ShotOnWhat?

Re-recording Mixer

House of Gucci (2021)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Panaspeed Series Lenses

Ford v Ferrari | ShotOnWhat?

Music Mixer, Re-recording Mixer

Ford v Ferrari (2019)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

Bohemian Rhapsody | ShotOnWhat?

Music Mixer, Re-recording Mixer

Bohemian Rhapsody (2018)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: John Ottman

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA SXT Plus Camera, ARRIFLEX 35 BL Camera

Lenses: ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Cooke Speed Panchro Lenses

Editing System: Avid Editing System

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Re-recording Mixer

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

Logan | ShotOnWhat?

Re-recording Mixer

Logan (2017)

Directed by: James Mangold

Cinematography by: John Mathieson

Edited by: Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Suburbicon | ShotOnWhat?

Re-recording Mixer

Suburbicon (2017)

Directed by: George Clooney

Cinematography by: Robert Elswit

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Alien: Covenant | ShotOnWhat?

Re-recording Mixer

Alien: Covenant (2017)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses

The Greatest Showman | ShotOnWhat?

Film Song Music Mixer, Re-recording Mixer

The Greatest Showman (2017)

Directed by: Michael Gracey

Cinematography by: Seamus McGarvey

Edited by: Tom Cross, Robert Duffy, Joe Hutshing, Michael McCusker, Jon Poll, Spencer Susser

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses, Panavision Super Speed Lenses

The Mummy | ShotOnWhat?

Re-recording Mixer

The Mummy (2017)

Directed by: Alex Kurtzman

Cinematography by: Ben Seresin

Edited by: Gina Hirsch, Paul Hirsch, Andrew Mondshein

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Deadpool | ShotOnWhat?

Re-recording Mixer

Deadpool (2016)

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System

X-Men: Apocalypse | ShotOnWhat?

Re-recording Mixer

X-Men: Apocalypse (2016)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses

Kung Fu Panda 3 | ShotOnWhat?

Re-recording Mixer

Kung Fu Panda 3 (2016)

Directed by: Alessandro Carloni, Jennifer Yuh Nelson

Edited by: Clare Knight

The Nice Guys | ShotOnWhat?

Re-recording Mixer

The Nice Guys (2016)

Directed by: Shane Black

Cinematography by: Philippe Rousselot

Edited by: Joel Negron

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision G Series Anamorphic Lenses

A Cure for Wellness | ShotOnWhat?

Re-recording Mixer

A Cure for Wellness (2016)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: Pete Beaudreau, Lance Pereira

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

A Beautiful Planet | ShotOnWhat?

Music Mixer

A Beautiful Planet (2016)

Directed by: Toni Myers

Cinematography by: James Neihouse

Edited by: Toni Myers

Cameras: Canon EOS-C500 Camera

The Martian | ShotOnWhat?

Re-recording Mixer

The Martian (2015)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: GoPro (Woodman Labs) Cameras, Red Epic Dragon Camera, Red Scarlet Dragon Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses

The Amazing Spider-Man 2 | ShotOnWhat?

Re-recording Mixer

The Amazing Spider-Man 2 (2014)

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Monuments Men | ShotOnWhat?

Re-recording Mixer

The Monuments Men (2014)

Directed by: George Clooney

Cinematography by: Phedon Papamichael

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens

Editing System: Avid Editing System

Exodus: Gods and Kings | ShotOnWhat?

Re-recording Mixer

Exodus: Gods and Kings (2014)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Ali Degismis, Billy Rich

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Big Eyes | ShotOnWhat?

Additional Re-recording Mixer

Big Eyes (2014)

Directed by: Tim Burton

Cinematography by: Bruno Delbonnel

Edited by: JC Bond

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Editing System: Avid Editing System

Think Like a Man Too | ShotOnWhat?

Re-recording Mixer

Think Like a Man Too (2014)

Directed by: Tim Story

Cinematography by: Christopher Duskin

Edited by: Peter S. Elliot

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Panavision Super Speed Lenses

After Earth | ShotOnWhat?

Re-recording Mixer

After Earth (2013)

Directed by: M. Night Shyamalan

Cinematography by: Peter Suschitzky

Edited by: Steven Rosenblum

Cameras: Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

The Lone Ranger | ShotOnWhat?

Re-recording Mixer: Sony Pictures Studios

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

The Host | ShotOnWhat?

Re-recording Mixer

The Host (2013)

Directed by: Andrew Niccol

Cinematography by: Roberto Schaefer

Edited by: Thomas J. Nordberg

Cameras: ARRI ALEXA Camera

The Amazing Spider-Man | ShotOnWhat?

Re-recording Mixer

The Amazing Spider-Man (2012)

Directed by: Marc Webb

Cinematography by: John Schwartzman

Edited by: Alan Edward Bell, Michael McCusker, Pietro Scalia

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Battleship | ShotOnWhat?

Re-recording Mixer

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Total Recall | ShotOnWhat?

Re-recording Mixer

Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Think Like a Man | ShotOnWhat?

Re-recording Mixer

Think Like a Man (2012)

Directed by: Tim Story

Cinematography by: Larry Blanford

Edited by: Peter S. Elliot

Cameras: Red Epic Camera

Chasing Mavericks | ShotOnWhat?

Re-recording Mixer

Chasing Mavericks (2012)

Directed by: Michael Apted, Curtis Hanson

Cinematography by: Bill Pope

Edited by: John Gilbert

Cameras: ARRI ALEXA Camera, Red Epic Camera

In Time | ShotOnWhat?

Re-recording Mixer

In Time (2011)

Directed by: Andrew Niccol

Cinematography by: Roger Deakins

Edited by: Zach Staenberg

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Re-recording Mixer

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Real Steel | ShotOnWhat?

Re-recording Mixer

Real Steel (2011)

Directed by: Shawn Levy

Cinematography by: Mauro Fiore

Edited by: Dean Zimmerman

Cameras: Sony CineAlta F35 Camera

Lenses: Cooke Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Battle Los Angeles | ShotOnWhat?

Re-recording Mixer

Battle Los Angeles (2011)

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Christian Wagner

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Rango | ShotOnWhat?

Re-recording Mixer

Rango (2011)

Directed by: Gore Verbinski

Cinematography by: Roger Deakins

Edited by: Craig Wood

Editing System: Avid Editing System

Knight and Day | ShotOnWhat?

Re-recording Mixer

Knight and Day (2010)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Quincy Z. Gunderson, Michael McCusker

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Chronicles of Narnia: The Voyage of the Dawn Treader | ShotOnWhat?

Re-recording Mixer

The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)

Directed by: Michael Apted

Cinematography by: Dante Spinotti

Edited by: Rick Shaine

Cameras: Sony CineAlta F23 Camera

Editing System: Avid Editing System

Robin Hood | ShotOnWhat?

Re-recording Mixer

Robin Hood (2010)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera

Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Tooth Fairy | ShotOnWhat?

Re-recording Mixer

Tooth Fairy (2010)

Directed by: Michael Lembeck

Cinematography by: David Tattersall

Edited by: David Finfer

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

It's Complicated | ShotOnWhat?

Re-recording Sound Mixer

It's Complicated (2009)

Directed by: Nancy Meyers

Cinematography by: John Toll

Edited by: Joe Hutshing, David Moritz

X-Men Origins: Wolverine | ShotOnWhat?

Re-recording Mixer

X-Men Origins: Wolverine (2009)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Nicolas De Toth, Megan Gill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

The Taking of Pelham 1 2 3 | ShotOnWhat?

Re-recording Mixer

The Taking of Pelham 123 (2009)

Directed by: Tony Scott

Cinematography by: Tobias A. Schliessler

Edited by: Chris Lebenzon

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Night at the Museum: Battle of the Smithsonian | ShotOnWhat?

Sound Mixer

Night at the Museum: Battle of the Smithsonian (2009)

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

All About Steve | ShotOnWhat?

Re-recording Mixer

All About Steve (2009)

Directed by: Phil Traill

Cinematography by: Tim Suhrstedt

Edited by: Rod Dean, Virginia Katz

Cameras: Panavision Cameras

Star Trek | ShotOnWhat?

Re-recording Mixer

Star Trek (2009)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System, Avid Editing System

This Is It | ShotOnWhat?

Music Mixer, Re-recording Mixer

This Is It (2009)

Directed by: Kenny Ortega

Cinematography by: Sandrine Orabona, Tim Patterson

Edited by: Don Brochu, Brandon Key, Tim Patterson, Kevin Stitt

Cameras: Red One Camera

What Happens in Vegas | ShotOnWhat?

Re-recording Mixer

What Happens in Vegas (2008)

Directed by: Tom Vaughan

Cinematography by: Matthew F. Leonetti

Edited by: Matt Friedman

Cameras: Panavision Cameras

Meet Dave | ShotOnWhat?

Re-recording Mixer

Meet Dave (2008)

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

The Spirit | ShotOnWhat?

Re-recording Mixer

The Spirit (2008)

Directed by: Frank Miller

Cinematography by: Bill Pope

Edited by: Gregory Nussbaum

Jumper | ShotOnWhat?

Re-recording Mixer

Jumper (2008)

Directed by: Doug Liman

Cinematography by: Barry Peterson

Edited by: Saar Klein, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Cameras, Red One Camera

Pirates of the Caribbean: At World's End | ShotOnWhat?

Sound Mixer: 20th Century Fox Studios

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

3:10 to Yuma | ShotOnWhat?

Sound Mixer

3:10 to Yuma (2007)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Michael McCusker

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Seeker: The Dark Is Rising | ShotOnWhat?

Sound Mixer

The Seeker: The Dark Is Rising (2007)

Directed by: David L. Cunningham

Cinematography by: Joel Ransom

Edited by: Geoffrey Rowland, Eric A. Sears

Cameras: Panavision Cameras

Night at the Museum | ShotOnWhat?

Sound Mixer

Night at the Museum (2006)

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Don Zimmerman

A Good Year | ShotOnWhat?

Re-recording Mixer

A Good Year (2006)

Directed by: Ridley Scott

Cinematography by: Philippe Le Sourd

Edited by: Dody Dorn, Robb Sullivan

Cameras: ARRICAM Lite (LT) Camera

Lenses: Panavision Primo Primes Spherical Lenses

Basic Instinct 2 | ShotOnWhat?

Re-recording Mixer

Basic Instinct 2 (2006)

Directed by: Michael Caton-Jones

Cinematography by: Gyula Pados

Edited by: István Király, John Scott

Flicka | ShotOnWhat?

Re-recording Mixer

Flicka (2006)

Directed by: Michael Mayer

Cinematography by: James M. Muro

Edited by: Andrew Marcus

Amazing Grace | ShotOnWhat?

Sound Mixer

Amazing Grace (2006)

Directed by: Michael Apted

Cinematography by: Remi Adefarasin

Edited by: Rick Shaine

Cameras: ARRI Cameras

Pirates of the Caribbean: Dead Man's Chest | ShotOnWhat?

Sound Mixer

Pirates of the Caribbean: Dead Man's Chest (2006)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

For Your Consideration | ShotOnWhat?

Re-recording Mixer

For Your Consideration (2006)

Directed by: Christopher Guest

Cinematography by: Roberto Schaefer

Edited by: Robert Leighton

Cameras: Aaton XTR Prod Camera, Ultracam 35 Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Canon Lenses, Zeiss Lenses

Lord of War | ShotOnWhat?

Sound Mixer

Lord of War (2005)

Directed by: Andrew Niccol

Cinematography by: Amir Mokri

Edited by: Zach Staenberg

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Weather Man | ShotOnWhat?

Re-recording Mixer

The Weather Man (2005)

Directed by: Gore Verbinski

Cinematography by: Phedon Papamichael

Edited by: Craig Wood

Cameras: Panavision Panaflex Millennium XL2 Camera

Kingdom of Heaven | ShotOnWhat?

Sound Mixer: Director's Cut

Kingdom of Heaven (2005)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

Hide and Seek | ShotOnWhat?

Re-recording Mixer

Hide and Seek (2005)

Directed by: John Polson

Cinematography by: Dariusz Wolski

Edited by: Jeffrey Ford

Walk the Line | ShotOnWhat?

Re-recording Mixer

Walk the Line (2005)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Michael McCusker

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Standard Primes (SP) Lenses

The Ring Two | ShotOnWhat?

Re-recording Mixer

The Ring Two (2005)

Directed by: Hideo Nakata

Cinematography by: Gabriel Beristain

Edited by: Michael N. Knue

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens

Fantastic Four | ShotOnWhat?

Re-recording Mixer

Fantastic Four (2005)

Directed by: Tim Story

Cinematography by: Oliver Wood

Edited by: William Hoy

Get Rich or Die Tryin' | ShotOnWhat?

Re-recording Mixer

Get Rich or Die Tryin' (2005)

Directed by: Jim Sheridan

Cinematography by: Declan Quinn

Edited by: Roger Barton, Conrad Buff IV

Cameras: Panavision Cameras

Alexander | ShotOnWhat?

Supervising Sound Re-recording Mixer

Alexander (2004)

Directed by: Oliver Stone

Cinematography by: Rodrigo Prieto

Edited by: Yann Hervé, Gladys Joujou, Alex Marquez, Thomas J. Nordberg

The Day After Tomorrow | ShotOnWhat?

Sound Mixing

The Day After Tomorrow (2004)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: David Brenner

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Editing System: Avid Editing System

I, Robot | ShotOnWhat?

Re-recording Mixer

I, Robot (2004)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: William Hoy, Richard Learoyd, Armen Minasian

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses

The Rundown | ShotOnWhat?

Re-recording Mixer

The Rundown (2003)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Richard Pearson

Master and Commander: The Far Side of the World | ShotOnWhat?

Re-recording Mixer

Master and Commander: The Far Side of the World (2003)

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Daredevil | ShotOnWhat?

Re-recording Mixer

Daredevil (2003)

Directed by: Mark Steven Johnson

Cinematography by: Ericson Core

Edited by: Armen Minasian, Dennis Virkler

Old School | ShotOnWhat?

Re-recording Mixer

Old School (2003)

Directed by: Todd Phillips

Cinematography by: Mark Irwin

Edited by: Michael Jablow

X2 | ShotOnWhat?

Sound Mixer

X2: X-Men United (2003)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

The Tuxedo | ShotOnWhat?

Re-recording Mixer

The Tuxedo (2002)

Directed by: Kevin Donovan

Cinematography by: Stephen F. Windon

Edited by: Craig Herring

Unfaithful | ShotOnWhat?

Re-recording Mixer

Unfaithful (2002)

Directed by: Adrian Lyne

Cinematography by: Peter Biziou

Edited by: Anne V. Coates

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

Ice Age | ShotOnWhat?

Re-recording Mixer

Ice Age (2002)

Directed by: Chris Wedge, Carlos Saldanha

Edited by: John Carnochan

Spirit: Stallion of the Cimarron | ShotOnWhat?

Re-recording Mixer

Spirit: Stallion of the Cimarron (2002)

Directed by: Kelly Asbury, Lorna Cook

Edited by: Nick Fletcher, Clare Knight

Hannibal | ShotOnWhat?

Re-recording Mixer

Hannibal (2001)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Vanilla Sky | ShotOnWhat?

Re-recording Mixer

Vanilla Sky (2001)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: Joe Hutshing, Mark Livolsi

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

From Hell | ShotOnWhat?

Re-recording Mixer

From Hell (2001)

Directed by: Albert Hughes, Allen Hughes

Cinematography by: Peter Deming

Edited by: George Bowers, Dan Lebental

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

What's the Worst That Could Happen? | ShotOnWhat?

Re-recording Mixer

What's the Worst That Could Happen? (2001)

Directed by: Sam Weisman

Cinematography by: Anastas N. Michos

Edited by: Garth Craven, Nick Moore

Cameras: Panavision Cameras

Dr. Dolittle 2 | ShotOnWhat?

Re-recording Mixer

Dr. Dolittle 2 (2001)

Directed by: Steve Carr

Cinematography by: Daryn Okada

Edited by: Craig Herring

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Almost Famous | ShotOnWhat?

Re-recording Mixer

Almost Famous (2000)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: Joe Hutshing, Saar Klein

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Big Momma's House | ShotOnWhat?

Re-recording Mixer

Big Momma's House (2000)

Directed by: Raja Gosnell

Cinematography by: Michael D. O'Shea

Edited by: Kent Beyda, Bruce Green

Mission: Impossible II | ShotOnWhat?

Additional Re-recording Mixer

Mission: Impossible II (2000)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Steven Kemper, Christian Wagner

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Bedazzled | ShotOnWhat?

Rerecording Mixer

Bedazzled (2000)

Directed by: Harold Ramis

Cinematography by: Bill Pope

Edited by: Craig Herring

In Dreams | ShotOnWhat?

Re-recording Mixer

In Dreams (1999)

Directed by: Neil Jordan

Cinematography by: Darius Khondji

Edited by: Tony Lawson

Never Been Kissed | ShotOnWhat?

Re-recording Mixer

Never Been Kissed (1999)

Directed by: Raja Gosnell

Cinematography by: Alex Nepomniaschy

Edited by: Debra Chiate, Marcelo Sansevieri

Stuart Little | ShotOnWhat?

Re-recording Mixer

Stuart Little (1999)

Directed by: Rob Minkoff

Cinematography by: Guillermo Navarro

Edited by: Tom Finan

Cameras: Moviecam Compact Camera

Lenses: Zeiss Ultra Prime Lenses

Les Misérables | ShotOnWhat?

Additional Sound Re-recordist

Les Misérables (1998)

Directed by: Bille August

Cinematography by: Jörgen Persson

Edited by: Janus Billeskov Jansen

Wild Things | ShotOnWhat?

Re-recording Mixer

Wild Things (1998)

Directed by: John McNaughton

Cinematography by: Jeffrey L. Kimball

Edited by: Elena Maganini

The Replacement Killers | ShotOnWhat?

Re-recording Mixer

The Replacement Killers (1998)

Directed by: Antoine Fuqua

Cinematography by: Peter Lyons Collister

Edited by: Jay Cassidy

The Negotiator | ShotOnWhat?

Re-recording Mixer

The Negotiator (1998)

Directed by: F. Gary Gray

Cinematography by: Russell Carpenter

Edited by: Christian Wagner

Cameras: Panavision Cameras

Gattaca | ShotOnWhat?

Re-recording Mixer

Gattaca (1997)

Directed by: Andrew Niccol

Cinematography by: Slawomir Idziak

Edited by: Lisa Zeno Churgin

Cameras: ARRIFLEX Camera, Moviecam Cameras

Air Force One | ShotOnWhat?

Re-recording Mixer

Air Force One (1997)

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: Richard Francis-Bruce

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Variable Prime Lenses

Liar Liar | ShotOnWhat?

Re-recording Mixer

Liar Liar (1997)

Directed by: Tom Shadyac

Cinematography by: Russell Boyd

Edited by: Don Zimmerman

Last Man Standing | ShotOnWhat?

Re-recording Mixer

Last Man Standing (1996)

Directed by: Walter Hill

Cinematography by: Lloyd Ahern II

Edited by: Freeman A. Davies

Albino Alligator | ShotOnWhat?

Re-recording Mixer

Albino Alligator (1996)

Directed by: Kevin Spacey

Cinematography by: Mark Plummer

Edited by: Jay Cassidy

The Long Kiss Goodnight | ShotOnWhat?

Re-recording Mixer

The Long Kiss Goodnight (1996)

Directed by: Renny Harlin

Cinematography by: Guillermo Navarro

Edited by: William Goldenberg

Jerry Maguire | ShotOnWhat?

Re-recording Mixer

Jerry Maguire (1996)

Directed by: Cameron Crowe

Cinematography by: Janusz Kaminski

Edited by: Joe Hutshing, David Moritz

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Editing System: Lightworks Editing System

Multiplicity | ShotOnWhat?

Re-recording Mixer

Multiplicity (1996)

Directed by: Harold Ramis

Cinematography by: László Kovács

Edited by: Craig Herring, Pembroke J. Herring

The Pallbearer | ShotOnWhat?

Re-recording Mixer

The Pallbearer (1996)

Directed by: Matt Reeves

Cinematography by: Robert Elswit

Edited by: Stan Salfas

Clueless | ShotOnWhat?

Re-recording Mixer

Clueless (1995)

Directed by: Amy Heckerling

Cinematography by: Bill Pope

Edited by: Debra Chiate

Cameras: Moviecam Compact Camera, Panavision Cameras

Lenses: Panavision Lenses, Zeiss Lenses

While You Were Sleeping | ShotOnWhat?

Re-recording Mixer

While You Were Sleeping (1995)

Directed by: Jon Turteltaub

Cinematography by: Phedon Papamichael

Edited by: Bruce Green

Wild Bill | ShotOnWhat?

Additional Sound Re-recording Mixer

Wild Bill (1995)

Directed by: Walter Hill

Cinematography by: Lloyd Ahern II

Edited by: Freeman A. Davies

Nixon | ShotOnWhat?

Re-recording Mixer

Nixon (1995)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Brian Berdan, Hank Corwin

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Exit to Eden | ShotOnWhat?

Sound Re-recordist: Todd A-O/Glen Glenn Studios

Exit to Eden (1994)

Directed by: Garry Marshall

Cinematography by: Theo van de Sande

Edited by: David Finfer

Beverly Hills Cop III | ShotOnWhat?

Re-recording Mixer

Beverly Hills Cop III (1994)

Directed by: John Landis

Cinematography by: Mac Ahlberg

Edited by: Dale Beldin

Legends of the Fall | ShotOnWhat?

Re-recording Mixer

Legends of the Fall (1994)

Directed by: Edward Zwick

Cinematography by: John Toll

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Gold II Camera

Lenses: Canon Lenses, Panavision Lenses

Milk Money | ShotOnWhat?

Re-recording Mixer

Milk Money (1994)

Directed by: Richard Benjamin

Cinematography by: David Watkin

Edited by: Jacqueline Cambas

Ace Ventura: Pet Detective | ShotOnWhat?

Re-recording Mixer

Ace Ventura: Pet Detective (1994)

Directed by: Tom Shadyac

Cinematography by: Julio Macat

Edited by: Don Zimmerman

Don Juan DeMarco | ShotOnWhat?

Re-recording Mixer

Don Juan DeMarco (1994)

Directed by: Jeremy Leven

Cinematography by: Ralf D. Bode

Edited by: Antony Gibbs

Cameras: Panavision Cameras

Last Action Hero | ShotOnWhat?

Additional Sound Re-recording Mixer

Last Action Hero (1993)

Directed by: John McTiernan

Cinematography by: Dean Semler

Edited by: Richard A. Harris, John Wright

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Blink | ShotOnWhat?

Re-recording Mixer

Blink (1993)

Directed by: Michael Apted

Cinematography by: Dante Spinotti

Edited by: Rick Shaine

RoboCop 3 | ShotOnWhat?

Re-recording Mixer

RoboCop 3 (1993)

Directed by: Fred Dekker

Cinematography by: Gary B. Kibbe

Edited by: Bert Lovitt

The Crush | ShotOnWhat?

Re-recording Mixer

The Crush (1993)

Directed by: Alan Shapiro

Cinematography by: Bruce Surtees

Edited by: Ian Crafford

Body of Evidence | ShotOnWhat?

Re-recording Mixer

Body of Evidence (1992)

Directed by: Uli Edel

Cinematography by: Douglas Milsome

Edited by: Thom Noble

Cameras: ARRIFLEX Camera

Lenses: ARRI Lenses

White Sands | ShotOnWhat?

Re-recording Mixer

White Sands (1992)

Directed by: Roger Donaldson

Cinematography by: Peter Menzies Jr.

Edited by: Nicholas Beauman

Cameras: Panavision Cameras

The Last of the Mohicans | ShotOnWhat?

Re-recording Mixer

The Last of the Mohicans (1992)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Dov Hoenig, Arthur Schmidt

Cameras: Panavision Cameras

Boyz n the Hood | ShotOnWhat?

Re-recording Mixer

Boyz n the Hood (1991)

Directed by: John Singleton

Cinematography by: Charles Mills

Edited by: Bruce Cannon

Cameras: ARRI Cameras

Lenses: ARRI / Zeiss Lenses

Mystery Date | ShotOnWhat?

Re-recording Mixer

Mystery Date (1991)

Directed by: Jonathan Wacks

Cinematography by: Oliver Wood

Edited by: Tina Hirsch

Robin Hood: Prince of Thieves | ShotOnWhat?

Re-recording Mixer

Robin Hood: Prince of Thieves (1991)

Directed by: Kevin Reynolds

Cinematography by: Douglas Milsome

Edited by: Peter Boyle

Cameras: ARRIFLEX Camera

Lenses: ARRI Lenses

Cold Heaven | ShotOnWhat?

Re-recording Mixer: Todd-AO/Glen Glenn Studios

Cold Heaven (1991)

Directed by: Nicolas Roeg

Cinematography by: Francis Kenny

Edited by: Tony Lawson

He Said, She Said | ShotOnWhat?

Re-recording Mixer

He Said, She Said (1991)

Directed by: Ken Kwapis, Marisa Silver

Cinematography by: Stephen H. Burum

Edited by: Sidney Levin

Cameras: Panavision Cameras

The Long Walk Home | ShotOnWhat?

Re-recording Mixer

The Long Walk Home (1990)

Directed by: Richard Pearce

Cinematography by: Roger Deakins

Edited by: Bill Yahraus

Cadence | ShotOnWhat?

Re-recording Mixer

Cadence (1990)

Directed by: Martin Sheen

Cinematography by: Richard Leiterman

Edited by: Martin Hunter

Marked for Death | ShotOnWhat?

Re-recording Mixer

Marked for Death (1990)

Directed by: Dwight H. Little

Cinematography by: Ric Waite

Edited by: O. Nicholas Brown

The Last Winter | ShotOnWhat?

Re-recording Mixer

The Last Winter (1989)

Directed by: Aaron Kim Johnston

Cinematography by: Ian Elkin

Edited by: Lara Mazur

In Country | ShotOnWhat?

Re-recording Mixer

In Country (1989)

Directed by: Norman Jewison

Cinematography by: Russell Boyd

Edited by: Antony Gibbs, Lou Lombardo

Prancer | ShotOnWhat?

Re-recording Mixer

Prancer (1989)

Directed by: John D. Hancock

Cinematography by: Misha Suslov

Edited by: Dennis M. O'Connor, John Rosenberg

Speed Zone | ShotOnWhat?

Re-recording Mixer

Speed Zone (1989)

Directed by: Jim Drake

Cinematography by: François Protat, Robert Saad

Edited by: Michael Economou

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