Tim Gomillion

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Indiana Jones and the Dial of Destiny | ShotOnWhat?

Recordist: Fox Studio Lot

Indiana Jones and the Dial of Destiny (2023)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Sound of Freedom | ShotOnWhat?

Sound Recordist

Sound of Freedom (2023)

Directed by: Alejandro Monteverde

Cinematography by: Gorka Gómez Andreu

Edited by: Brian Scofield

Cameras: ARRI ALEXA Camera

The Last Duel | ShotOnWhat?

Sound Recordist

The Last Duel (2021)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses

West Side Story | ShotOnWhat?

Recordist: Robert Wise Stage

West Side Story (2021)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Ford v Ferrari | ShotOnWhat?

Sound Recordist

Ford v Ferrari (2019)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

Terminator: Dark Fate | ShotOnWhat?

Sound Recordist

Terminator: Dark Fate (2019)

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses: ARRI Rental Prime DNA Lenses, Cineovision Lenses

Editing System: Adobe Premiere Editing System

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Recordist: 20th Century Fox Studios

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Mummy | ShotOnWhat?

Recordist

The Mummy (2017)

Directed by: Alex Kurtzman

Cinematography by: Ben Seresin

Edited by: Gina Hirsch, Paul Hirsch, Andrew Mondshein

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Greatest Showman | ShotOnWhat?

Sound Recordist

The Greatest Showman (2017)

Directed by: Michael Gracey

Cinematography by: Seamus McGarvey

Edited by: Tom Cross, Robert Duffy, Joe Hutshing, Michael McCusker, Jon Poll, Spencer Susser

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses, Panavision Super Speed Lenses

Logan | ShotOnWhat?

Sound Recordist

Logan (2017)

Directed by: James Mangold

Cinematography by: John Mathieson

Edited by: Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

A Cure for Wellness | ShotOnWhat?

Recordist

A Cure for Wellness (2016)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: Pete Beaudreau, Lance Pereira

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Kung Fu Panda 3 | ShotOnWhat?

Sound Recordist

Kung Fu Panda 3 (2016)

Directed by: Alessandro Carloni, Jennifer Yuh Nelson

Edited by: Clare Knight

Deadpool | ShotOnWhat?

Sound Recordist

Deadpool (2016)

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System

X-Men: Apocalypse | ShotOnWhat?

Sound Recordist

X-Men: Apocalypse (2016)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses

Spy | ShotOnWhat?

Sound Recordist

Spy (2015)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

The Gambler | ShotOnWhat?

Sound Recordist

The Gambler (2014)

Directed by: Rupert Wyatt

Cinematography by: Greig Fraser

Edited by: Pete Beaudreau

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Maze Runner | ShotOnWhat?

Sound Recordist

The Maze Runner (2014)

Directed by: Wes Ball

Cinematography by: Enrique Chediak

Edited by: Dan Zimmerman

Cameras: ARRI ALEXA Camera, Red Epic Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Wild | ShotOnWhat?

Sound Recordist

Wild (2014)

Directed by: Jean-Marc Vallée

Cinematography by: Yves Bélanger

Edited by: Martin Pensa, Jean-Marc Vallée

Cameras: ARRI ALEXA XT Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Super Speed Lenses

X-Men: Days of Future Past | ShotOnWhat?

Sound Recordist

X-Men: Days of Future Past (2014)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: ARRI / Fujinon Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses

The Internship | ShotOnWhat?

Sound Recordist

The Internship (2013)

Directed by: Shawn Levy

Cinematography by: Jonathan Brown

Edited by: Dean Zimmerman

Cameras: ARRI ALEXA Plus Camera

Ender's Game | ShotOnWhat?

Sound Recordist

Ender's Game (2013)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Lee Smith, Zach Staenberg

Cameras: Red Epic Camera

The Wolverine | ShotOnWhat?

Sound Recordist

The Wolverine (2013)

Directed by: James Mangold

Cinematography by: Ross Emery

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera

A Good Day to Die Hard | ShotOnWhat?

Sound Recordist

A Good Day to Die Hard (2013)

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Abraham Lincoln: Vampire Hunter | ShotOnWhat?

Sound Recordist

Abraham Lincoln: Vampire Hunter (2012)

Directed by: Timur Bekmambetov

Cinematography by: Caleb Deschanel

Edited by: William Hoy

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Phantom Flex Camera

Lenses: ARRI / Fujinon Lenses, Zeiss Ultra Prime Lenses

Prometheus | ShotOnWhat?

Sound Recordist

Prometheus (2012)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: ARRI ALEXA Camera, Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Life of Pi | ShotOnWhat?

Sound Recordist

Life of Pi (2012)

Directed by: Ang Lee

Cinematography by: Claudio Miranda

Edited by: Tim Squyres

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Hitchcock | ShotOnWhat?

Sound Recordist: Twentieth Century Fox Studios

Hitchcock (2012)

Directed by: Sacha Gervasi

Cinematography by: Jeff Cronenweth

Edited by: Pamela Martin

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

This Means War | ShotOnWhat?

Sound Recordist

This Means War (2012)

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Nicolas De Toth

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Mr. Popper's Penguins | ShotOnWhat?

Sound Recordist

Mr. Popper's Penguins (2011)

Directed by: Mark Waters

Cinematography by: Florian Ballhaus

Edited by: Bruce Green

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

War Horse | ShotOnWhat?

Recordist: 20th Century Fox

War Horse (2011)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Thor | ShotOnWhat?

Recordist

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Rise of the Planet of the Apes | ShotOnWhat?

Sound Stage Engineer

Rise of the Planet of the Apes (2011)

Directed by: Rupert Wyatt

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV, Mark Goldblatt

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

X: First Class | ShotOnWhat?

Sound Recordist

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

We Bought a Zoo | ShotOnWhat?

Sound Recordist

We Bought a Zoo (2011)

Directed by: Cameron Crowe

Cinematography by: Rodrigo Prieto

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera

Lenses: Zeiss Ultra Prime Lenses

Diary of a Wimpy Kid: Rodrick Rules | ShotOnWhat?

Sound Recordist

Diary of a Wimpy Kid: Rodrick Rules (2011)

Directed by: David Bowers

Cinematography by: Jack N. Green

Edited by: Troy Takaki

Cameras: Panavision Cameras

Tooth Fairy | ShotOnWhat?

Sound Recordist

Tooth Fairy (2010)

Directed by: Michael Lembeck

Cinematography by: David Tattersall

Edited by: David Finfer

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Diary of a Wimpy Kid | ShotOnWhat?

Sound Recordist

Diary of a Wimpy Kid (2010)

Directed by: Thor Freudenthal

Cinematography by: Jack N. Green

Edited by: Wendy Greene Bricmont

Cameras: Panavision Cameras

The Switch | ShotOnWhat?

Sound Recordist

The Switch (2010)

Directed by: Josh Gordon, Will Speck

Cinematography by: Jess Hall

Edited by: John Axelrad

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Iron Man 2 | ShotOnWhat?

Recordist

Iron Man 2 (2010)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Richard Pearson

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The A-Team | ShotOnWhat?

Sound Recordist

The A-Team (2010)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Dragonball: Evolution | ShotOnWhat?

Sound Recordist

Dragonball Evolution (2009)

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: Matt Friedman, Chris G. Willingham

Recordist: Howard Hawks Stage, Twentieth Century Fox

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Public Enemies | ShotOnWhat?

Sound Recordist

Public Enemies (2009)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Jeffrey Ford, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses: Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

Alvin and the Chipmunks: The Squeakquel | ShotOnWhat?

Sound Recordist

Alvin and the Chipmunks: The Squeakquel (2009)

Directed by: Betty Thomas

Cinematography by: Anthony B. Richmond

Edited by: Matt Friedman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses

All About Steve | ShotOnWhat?

Sound Recordist

All About Steve (2009)

Directed by: Phil Traill

Cinematography by: Tim Suhrstedt

Edited by: Rod Dean, Virginia Katz

Cameras: Panavision Cameras

X-Men Origins: Wolverine | ShotOnWhat?

Sound Recordist

X-Men Origins: Wolverine (2009)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Nicolas De Toth, Megan Gill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Night at the Museum: Battle of the Smithsonian | ShotOnWhat?

Sound Recordist

Night at the Museum: Battle of the Smithsonian (2009)

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

Star Trek | ShotOnWhat?

Recordist

Star Trek (2009)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System, Avid Editing System

Jumper | ShotOnWhat?

Sound Recordist

Jumper (2008)

Directed by: Doug Liman

Cinematography by: Barry Peterson

Edited by: Saar Klein, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Cameras, Red One Camera

The Spirit | ShotOnWhat?

Sound Recordist

The Spirit (2008)

Directed by: Frank Miller

Cinematography by: Bill Pope

Edited by: Gregory Nussbaum

What Happens in Vegas | ShotOnWhat?

Sound Recordist

What Happens in Vegas (2008)

Directed by: Tom Vaughan

Cinematography by: Matthew F. Leonetti

Edited by: Matt Friedman

Cameras: Panavision Cameras

Meet Dave | ShotOnWhat?

Sound Recordist

Meet Dave (2008)

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

3:10 to Yuma | ShotOnWhat?

Stage Recordist

3:10 to Yuma (2007)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Michael McCusker

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Pirates of the Caribbean: At World's End | ShotOnWhat?

Sound Recordist

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

The Seeker: The Dark Is Rising | ShotOnWhat?

Sound Recordist: Post-production

The Seeker: The Dark Is Rising (2007)

Directed by: David L. Cunningham

Cinematography by: Joel Ransom

Edited by: Geoffrey Rowland, Eric A. Sears

Cameras: Panavision Cameras

Amazing Grace | ShotOnWhat?

Sound Re-recording Recordist: John Ford Dubbing Theater

Amazing Grace (2006)

Directed by: Michael Apted

Cinematography by: Remi Adefarasin

Edited by: Rick Shaine

Cameras: ARRI Cameras

Pirates of the Caribbean: Dead Man's Chest | ShotOnWhat?

Stage Recordist

Pirates of the Caribbean: Dead Man's Chest (2006)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

For Your Consideration | ShotOnWhat?

Sound Recordist

For Your Consideration (2006)

Directed by: Christopher Guest

Cinematography by: Roberto Schaefer

Edited by: Robert Leighton

Cameras: Aaton XTR Prod Camera, Ultracam 35 Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Canon Lenses, Zeiss Lenses

A Good Year | ShotOnWhat?

Sound Recordist

A Good Year (2006)

Directed by: Ridley Scott

Cinematography by: Philippe Le Sourd

Edited by: Dody Dorn, Robb Sullivan

Cameras: ARRICAM Lite (LT) Camera

Lenses: Panavision Primo Primes Spherical Lenses

Night at the Museum | ShotOnWhat?

Sound Recordist

Night at the Museum (2006)

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Don Zimmerman

Electroma | ShotOnWhat?

Sound Recordist

Electroma (2006)

Directed by: Thomas Bangalter, Guy-Manuel De Homem-Christo

Cinematography by: Thomas Bangalter

Edited by: Cédric Hervet

X-Men: The Last Stand | ShotOnWhat?

Sound Recordist

X-Men: The Last Stand (2006)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Goldblatt, Mark Helfrich, Julia Wong

Lord of War | ShotOnWhat?

Sound Recordist

Lord of War (2005)

Directed by: Andrew Niccol

Cinematography by: Amir Mokri

Edited by: Zach Staenberg

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Kingdom of Heaven | ShotOnWhat?

Sound Recordist - Director's Cut

Kingdom of Heaven (2005)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

Walk the Line | ShotOnWhat?

Sound Recordist

Walk the Line (2005)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Michael McCusker

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Standard Primes (SP) Lenses

The Ring Two | ShotOnWhat?

Sound Recordist

The Ring Two (2005)

Directed by: Hideo Nakata

Cinematography by: Gabriel Beristain

Edited by: Michael N. Knue

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens

Hide and Seek | ShotOnWhat?

Sound Recordist

Hide and Seek (2005)

Directed by: John Polson

Cinematography by: Dariusz Wolski

Edited by: Jeffrey Ford

Fantastic Four | ShotOnWhat?

Sound Recordist

Fantastic Four (2005)

Directed by: Tim Story

Cinematography by: Oliver Wood

Edited by: William Hoy

The Weather Man | ShotOnWhat?

Sound Recordist

The Weather Man (2005)

Directed by: Gore Verbinski

Cinematography by: Phedon Papamichael

Edited by: Craig Wood

Cameras: Panavision Panaflex Millennium XL2 Camera

Get Rich or Die Tryin' | ShotOnWhat?

Sound Recordist

Get Rich or Die Tryin' (2005)

Directed by: Jim Sheridan

Cinematography by: Declan Quinn

Edited by: Roger Barton, Conrad Buff IV

Cameras: Panavision Cameras

I, Robot | ShotOnWhat?

Sound Recordist

I, Robot (2004)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: William Hoy, Richard Learoyd, Armen Minasian

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses

The Day After Tomorrow | ShotOnWhat?

Sound Recordist

The Day After Tomorrow (2004)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: David Brenner

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Editing System: Avid Editing System

Flight of the Phoenix | ShotOnWhat?

Sound Recordist

Flight of the Phoenix (2004)

Directed by: John Moore

Cinematography by: Brendan Galvin

Edited by: Don Zimmerman

The League of Extraordinary Gentlemen | ShotOnWhat?

Sound Recordist

The League of Extraordinary Gentlemen (2003)

Directed by: Stephen Norrington

Cinematography by: Dan Laustsen

Edited by: Paul Rubell

Cameras: Panavision Cameras

Lenses: Panavision Lenses

X2 | ShotOnWhat?

Sound Recordist

X2: X-Men United (2003)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

The Rundown | ShotOnWhat?

Sound Recordist

The Rundown (2003)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Richard Pearson

Master and Commander: The Far Side of the World | ShotOnWhat?

Sound Recordist

Master and Commander: The Far Side of the World (2003)

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Daredevil | ShotOnWhat?

Sound Recordist

Daredevil (2003)

Directed by: Mark Steven Johnson

Cinematography by: Ericson Core

Edited by: Armen Minasian, Dennis Virkler

Old School | ShotOnWhat?

Sound Recordist

Old School (2003)

Directed by: Todd Phillips

Cinematography by: Mark Irwin

Edited by: Michael Jablow

Ice Age | ShotOnWhat?

Sound Recordist

Ice Age (2002)

Directed by: Chris Wedge, Carlos Saldanha

Edited by: John Carnochan

Unfaithful | ShotOnWhat?

Sound Recordist

Unfaithful (2002)

Directed by: Adrian Lyne

Cinematography by: Peter Biziou

Edited by: Anne V. Coates

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

The Tuxedo | ShotOnWhat?

Sound Recordist

The Tuxedo (2002)

Directed by: Kevin Donovan

Cinematography by: Stephen F. Windon

Edited by: Craig Herring

From Hell | ShotOnWhat?

Sound Recordist

From Hell (2001)

Directed by: Albert Hughes, Allen Hughes

Cinematography by: Peter Deming

Edited by: George Bowers, Dan Lebental

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Hannibal | ShotOnWhat?

Sound Recordist

Hannibal (2001)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Dr. Dolittle 2 | ShotOnWhat?

Sound Recordist

Dr. Dolittle 2 (2001)

Directed by: Steve Carr

Cinematography by: Daryn Okada

Edited by: Craig Herring

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

What's the Worst That Could Happen? | ShotOnWhat?

Sound Recordist

What's the Worst That Could Happen? (2001)

Directed by: Sam Weisman

Cinematography by: Anastas N. Michos

Edited by: Garth Craven, Nick Moore

Cameras: Panavision Cameras

Vanilla Sky | ShotOnWhat?

Dubbing Recordist

Vanilla Sky (2001)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: Joe Hutshing, Mark Livolsi

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

Bedazzled | ShotOnWhat?

Recordist

Bedazzled (2000)

Directed by: Harold Ramis

Cinematography by: Bill Pope

Edited by: Craig Herring

Big Momma's House | ShotOnWhat?

Sound Recordist

Big Momma's House (2000)

Directed by: Raja Gosnell

Cinematography by: Michael D. O'Shea

Edited by: Kent Beyda, Bruce Green

Almost Famous | ShotOnWhat?

Sound Recordist

Almost Famous (2000)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: Joe Hutshing, Saar Klein

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Ravenous | ShotOnWhat?

Sound Recordist

Ravenous (1999)

Directed by: Antonia Bird

Cinematography by: Anthony B. Richmond

Edited by: Neil Farrell

Brokedown Palace | ShotOnWhat?

Sound Recordist

Brokedown Palace (1999)

Directed by: Jonathan Kaplan

Cinematography by: Newton Thomas Sigel

Edited by: Curtiss Clayton, Don Zimmerman

Forces of Nature | ShotOnWhat?

Re-recordist: Twentieth Century Fox Studios

Forces of Nature (1999)

Directed by: Bronwen Hughes

Cinematography by: Elliot Davis, David Stockton

Edited by: Craig Wood

Cameras: Panavision Cameras

Bulworth | ShotOnWhat?

Sound Recordist

Bulworth (1998)

Directed by: Warren Beatty

Cinematography by: Vittorio Storaro

Edited by: Robert C. Jones, Billy Weber

How Stella Got Her Groove Back | ShotOnWhat?

Sound Recordist

How Stella Got Her Groove Back (1998)

Directed by: Kevin Rodney Sullivan

Cinematography by: Jeffrey Jur

Edited by: George Bowers

A Walk in the Clouds | ShotOnWhat?

Sound Recordist

A Walk in the Clouds (1995)

Directed by: Alfonso Arau

Cinematography by: Emmanuel Lubezki

Edited by: Don Zimmerman

Speed | ShotOnWhat?

Sound Recordist

Speed (1994)

Directed by: Jan de Bont

Cinematography by: Andrzej Bartkowiak

Edited by: John Wright

Cameras: Beaumont Vista Vision Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Die Hard 2 | ShotOnWhat?

Sound Assistant

Die Hard 2 (1990)

Directed by: Renny Harlin

Cinematography by: Oliver Wood

Edited by: Stuart Baird, Robert A. Ferretti

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Blueberry Hill | ShotOnWhat?

Operator: Machine Room

Blueberry Hill (1988)

Directed by: Strathford Hamilton

Cinematography by: David Lewis

Edited by: Marcy Levitas Hamilton

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