Special Effects Technician
Guardians of the Galaxy Vol. 2 (2017)
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Special Effects Technician
Bright (2017)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision Lenses
Special Effects Technician
Batman v Superman: Dawn of Justice (2016)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: David Brenner
Special Effects Technician
Suicide Squad (2016)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Special Effects Technician
Star Trek Beyond (2016)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Foam Runner: Alterian
The SpongeBob Movie: Sponge Out of Water (2015)
Cinematography by: Phil Meheux
Edited by: David Ian Salter
Cameras: ARRI ALEXA Camera
Foam Latex Suits, Special Effects Technician
Crimson Peak (2015)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Bernat Vilaplana
Cameras: ARRI ALEXA XT Camera
Makeup Effects Crew, Special Effects Technician
Green Room (2015)
Directed by: Jeremy Saulnier
Cinematography by: Sean Porter
Edited by: Julia Bloch
Cameras: ARRI ALEXA Camera
Lenses: Cooke Lenses, Cooke Speed Panchro Lenses
Special Effects Technician
300: Rise of an Empire (2014)
Directed by: Noam Murro
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Special Effects Technician: Specialty Costumes
The Amazing Spider-Man 2 (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Special Effects Technician: Specialty Costumes
X-Men: Days of Future Past (2014)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Special Effects Technician
Winter's Tale (2014)
Directed by: Akiva Goldsman
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA Plus 4:3 Camera
Special Effects Technician: Smith FX
Xi you ji: Da nao tian gong (2014)
Directed by: Soi Cheang
Edited by: Ka-Fai Cheung
Cameras: Red One MX Camera
Special Effects Technician
St. Vincent (2014)
Directed by: Theodore Melfi
Cinematography by: John Lindley
Editing System: Avid Editing System
Creature Crew: Spectral Motion Inc.
Hansel & Gretel: Witch Hunters (2013)
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Special Makeup Effects Technician
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Special Effects Technician: Specialty Costumes
After Earth (2013)
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Special Effects Technician: Specialty Costumes
Man of Steel (2013)
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
Special Effects Technician
Riddick (2013)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Tracy Adams
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Special Makeup Effects Technician
Scary Movie 5 (2013)
Cinematography by: Steven Douglas Smith
Edited by: Sam Seig
Cameras: ARRI ALEXA Camera
Special Effects Technician: Specialty Costumes
Ender's Game (2013)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Cameras: Red Epic Camera
Special Effects Technician: Specialty Costumes, Special Makeup Effects Technician
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Prosthetic Effects Artist
The Dictator (2012)
Directed by: Larry Charles
Cinematography by: Lawrence Sher
Creature Crew
The Apparition (2012)
Directed by: Todd Lincoln
Cinematography by: Daniel Pearl
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Special Effects Technician
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Special Effects Technician
The Three Stooges (2012)
Cinematography by: Matthew F. Leonetti
Edited by: Sam Seig
Special Effects Technician
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Special Effects Technician
Men in Black 3 (2012)
Directed by: Barry Sonnenfeld
Cinematography by: Bill Pope
Edited by: Don Zimmerman
Special Makeup Effects Technician
Looper (2012)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Special Makeup Effects Technician
Argo (2012)
Directed by: Ben Affleck
Cinematography by: Rodrigo Prieto
Edited by: William Goldenberg
Prosthetic Department Supervisor: Spectal Motion Inc.
X: First Class (2011)
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Special Makeup Effects
There Be Dragons (2011)
Directed by: Roland Joffé
Cinematography by: Gabriel Beristain
Edited by: Richard Nord
Special Effects Makeup Technician: Jerry Constantine LLC
Creature (2011)
Directed by: Fred Andrews
Cinematography by: Christopher Faloona
Edited by: Chris Conlee
Special Effects Technician
The Green Hornet (2011)
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Special Effects Makeup Technician
Horrible Bosses (2011)
Directed by: Seth Gordon
Cinematography by: David Hennings
Edited by: Peter Teschner
Cameras: Panavision Genesis Camera
Special Effects Technician
Zookeeper (2011)
Directed by: Frank Coraci
Cinematography by: Michael Barrett
Edited by: Scott Hill
Cameras: Panavision Genesis Camera
Silicone Prosthetic Supervisor: Spctral Motion, Inc.
Big Mommas: Like Father, Like Son (2011)
Directed by: John Whitesell
Cinematography by: Anthony B. Richmond
Edited by: Priscilla Nedd-Friendly
Specialty Costume Crew: Film Illusions
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Creature Foam Department Head: Spectral Motion
Your Highness (2011)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Creature Foam Department Head: Spectral Motion
Attack the Block (2011)
Directed by: Joe Cornish
Cinematography by: Thomas Townend
Edited by: Jonathan Amos
Lenses: Cooke S4 Lenses
Special Effects Crew: Spectral Motion, Inc.
Don't Be Afraid of the Dark (2010)
Directed by: Troy Nixey
Cinematography by: Oliver Stapleton
Edited by: Jill Bilcock
Special Effects Technician
Little Fockers (2010)
Directed by: Paul Weitz
Cinematography by: Remi Adefarasin
Cameras: ARRI Cameras
Specialty Costumes
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Special Effects Technician
Black Swan (2010)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses: Zeiss Ultra 16 Lenses
Editing System: Avid Editing System
Special Effects Makeup Technician
127 Hours (2010)
Directed by: Danny Boyle
Edited by: Jon Harris
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, IDT / Redlake Y5 Camera, Moviecam Compact MK2 Camera, Moviecam Superlight Camera, Silicon Imaging SI-2K Mini Camera
Editing System: Avid Editing System
Special Effects Technician
The Wolfman (2010)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Special Makeup Effects Crew: Prosthetic Renaissance, Inc.
The Tempest (2010)
Directed by: Julie Taymor
Cinematography by: Stuart Dryburgh
Edited by: Françoise Bonnot
Cameras: ARRICAM Lite (LT) Camera
Makeup Effects: Christien Tinsley's Tinsley Studio
Jonah Hex (2010)
Directed by: Jimmy Hayward
Cinematography by: Mitchell Amundsen
Special Makeup Effects
'Grey's Anatomy' How Insensitive (2010)
Directed by: Tom Verica
Cinematography by: Herbert Davis
Edited by: David Greenspan
Prosthetic Department Supervisor/speciality Costumes
Land of the Lost (2009)
Directed by: Brad Silberling
Cinematography by: Dion Beebe
Edited by: Peter Teschner
Cameras: Panavision Cameras
Special Makeup Effects Technician
Dance Flick (2009)
Directed by: Damien Dante Wayans
Cinematography by: Mark Irwin
Edited by: Scott Hill
Cameras: Moviecam Compact Camera
Foam Runner
Friday the 13th (2009)
Directed by: Marcus Nispel
Cinematography by: Daniel Pearl
Edited by: Ken Blackwell
Prosthetic Department Supervisor, Prosthetic Makeup Conceptual Artist
Blood: The Last Vampire (2009)
Directed by: Chris Nahon
Cinematography by: Hang-Sang Poon
Edited by: Marco Cavé
Cameras: ARRI Cameras, ARRIFLEX 435 Xtreme Camera
Special Effects Technician
Old Dogs (2009)
Directed by: Walt Becker
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Prosthetic Department Supervisor/speciality Costumes
Hellboy II: The Golden Army (2008)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Makeup Effects Technician
Tropic Thunder (2008)
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Foam Department Supervisor: Mike Elizalde's Spectral Motion
One Missed Call (2008)
Directed by: Eric Valette
Cinematography by: Glen MacPherson
Edited by: Steve Mirkovich
Special Makeup Crew: Spectral Motion
The Happening (2008)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Specialty Costumes , Supervisor: Spectral Motion, Inc.
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Special Effects Technician
Walk Hard: The Dewey Cox Story (2007)
Directed by: Jake Kasdan
Cinematography by: Uta Briesewitz
Cameras: Panavision Genesis Camera
Special Effects Technician
I Now Pronounce You Chuck & Larry (2007)
Directed by: Dennis Dugan
Cinematography by: Dean Semler
Edited by: Jeff Gourson
Cameras: Panavision Genesis Camera
Prosthetic Supervisor: Spectral Motion, Inc.
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Prosthetic Department Supervisor/speciality Costumes: Spectral Motion Inc.
Lady in the Water (2006)
Directed by: M. Night Shyamalan
Cinematography by: Christopher Doyle
Edited by: Barbara Tulliver
Foam Department Supervisor: Smith FX
300 (2006)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
Makeup Appliance Department Supervisor: Rick Baker/Cinovation Studio
Cursed (2005)
Directed by: Wes Craven
Cinematography by: Robert McLachlan
Foam Department Supervisor: Spectral Motion Inc.
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Special Makeup Effects - 1 Episode, 2010
Grey's Anatomy (2005)
Directed by: Rob Corn, Kevin McKidd, Debbie Allen, Chandra Wilson, Allison Liddi-Brown, Jeannot Szwarc, Tony Phelan, Nicole Rubio, Michael W. Watkins, Tom Verica, Bill D'Elia, Mark Jackson, Peter Horton, Jeff Melman, Jessica Yu, Edward Ornelas, Stephen Cragg, Linda Klein, Daniel Minahan, Julie Anne Robinson, James Frawley, Michael Pressman, Ron Underwood, Geary McLeod, Adam Davidson, Wendey Stanzler, Randy Zisk, Michael Grossman, Steve Robin, Chris Hayden, Jesse Williams, Pete Chatmon, Mark Tinker, Susan Vaill, David Greenspan, Rob Greenlea, Bobby Roth, Zetna Fuentes, Kevin Rodney Sullivan, Michael Medico, Tony Goldwyn, Adam Arkin, Seith Mann, Christopher Misiano, Greg Yaitanes, Eric Stoltz, Rob Hardy, Cherie Nowlan, Eric Laneuville, Jann Turner, Cecilie A. Mosli, Ellen Pompeo, Nzingha Stewart, Sydney Freeland, Daniel Willis, Michael Watkins, Amyn Kaderali, Sarah Pia Anderson, Scott Brazil, John David Coles, Michael Dinner, Lesli Linka Glatter, Darnell Martin, Tricia Brock, Dan Lerner, David Paymer, Tamra Davis, Bethany Rooney, Joanna Kerns, Arlene Sanford, John Terlesky, Daniel Attias, Robert Berlinger, Rob Bailey, Donna Deitch, Laura Innes, Jesse Bochco, Paul McCrane, Thomas J. Wright, Charlotte Brändström, Victoria Mahoney, Denzel Washington, Oliver Bokelberg, Lisa Leone, Louis Venosta, Krista Vernoff, Gregory T. Evans, Deborah Pratt, Lindsay Cohen, Giacomo Gianniotti, Morenike Joela Evans, Kim Raver
Cinematography by: Herbert Davis, Alicia Robbins, Steven G. Fracol, Byron Shah, Tim Suhrstedt, Jeanne Tyson, Carlos González, Ross Riege, Robert LaBonge, Christian Sebaldt, Adam Kane, Walt Fraser, Oliver Bokelberg, Daryn Okada, Jeffrey Jur, Mark Jackson, John Simmons
Edited by: Susan Vaill, Joe Mitacek, Edward Ornelas, David Greenspan, Chad Mochrie, Jason Joseph, Meghan Robertson, Vanessa Delgado, Dan Rovetto, Justin Chinn, Briana London, Kathleen Latlip, Gregory Cusumano, Matthew Ramsey, Brandi Bradburn, Bjørn T. Myrholt, Victor Du Bois, Katherine Skjerping, Roger Nygard, Sarah Boyd, Stacy Katzman, Julia Grove, Heidi Scharfe, Philip Fowler, Karoliina Tuovinen, Tom Costain, Kyle Bond, Dino DeLorenzo, Aimee Jennings, Juan Soto
Foam Department Supervisor: Spectral Motion Inc. / Makeup Appliance Department Supervisor: Rick Baker/Cinovation Studio
Hellboy (2004)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Peter Amundson
Special Makeup Effects Technican: Rick Baker/Cinovation Studio
Intolerable Cruelty (2003)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 Camera
Editing System: Final Cut Pro Editing System
Foam Latex Supervisor: Cinovation, Head Of Foam Appliance Department: Cinovation
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Foam Latex Technician: Cinovation
The Ring (2002)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Edited by: Craig Wood
Editing System: Final Cut Pro Editing System
Foam Department Supervisor
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Head Of Foam Appliance Department: Cinovation Studios
Nutty Professor II: The Klumps (2000)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: William Kerr
Head Of Foam Appliance Department: Cinovation
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Foam Department Supervisor: Cinovation Studios
Wild Wild West (1999)
Directed by: Barry Sonnenfeld
Cinematography by: Michael Ballhaus
Edited by: Jim Miller
Foam Department Supervisor: Cinovation Studios
Life (1999)
Directed by: Ted Demme
Cinematography by: Geoffrey Simpson
Edited by: Jeffrey Wolf
Effects Supervisor: Cannom Creations / Puppeteer: "Pearl"
Blade (1998)
Directed by: Stephen Norrington
Cinematography by: Theo van de Sande
Edited by: Paul Rubell
Cameras: Moviecam Compact Camera
Special Effects Technician: Cannom Creations Inc.
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Special Effects: Cannom Creations
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Key Makeup Effects Artist: Cannom Creations
8 Heads in a Duffel Bag (1997)
Directed by: Tom Schulman
Cinematography by: Adam Holender
Edited by: David Holden
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Effects Technician: Cannom Creations
A Simple Wish (1997)
Directed by: Michael Ritchie
Cinematography by: Ralf D. Bode
Edited by: William S. Scharf
Special Effects Technician: Cannom Creations
Steel (1997)
Directed by: Kenneth Johnson
Cinematography by: Mark Irwin
Edited by: John F. Link
Laboratory Technician
The Associate (1996)
Directed by: Donald Petrie
Cinematography by: Alex Nepomniaschy
Edited by: Bonnie Koehler
Lab Technician: Cannom Creations
Space Truckers (1996)
Directed by: Stuart Gordon
Cinematography by: Mac Ahlberg
Edited by: John Victor Smith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Lab Technician, Special Effects Technician: Cannom Creations
Thinner (1996)
Directed by: Tom Holland
Cinematography by: Kees Van Oostrum
Effects Technician: Cannom Creations Inc.
Jingle All the Way (1996)
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Foam Runner / Special Effects Technician: Cannom Creations
The Puppet Masters (1994)
Directed by: Stuart Orme
Cinematography by: Clive Tickner
Edited by: William Goldenberg
Makeup Effects Crew: Cannom Creations
The Mask (1994)
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Edited by: Arthur Coburn
Cameras: Panavision Panaflex Series Cameras
Lenses: Zeiss Lenses
Special Effects Technician: Cannom Creations
The Shadow (1994)
Directed by: Russell Mulcahy
Cinematography by: Stephen H. Burum
Edited by: Peter Honess
Roboteam Crew: Rob Bottin
RoboCop 3 (1993)
Directed by: Fred Dekker
Cinematography by: Gary B. Kibbe
Edited by: Bert Lovitt
Crew: Cannom Creations
Mrs. Doubtfire (1993)
Directed by: Chris Columbus
Cinematography by: Donald McAlpine
Edited by: Raja Gosnell
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Crew: Cannom Creations
The Man Without a Face (1993)
Directed by: Mel Gibson
Cinematography by: Donald McAlpine
Edited by: Antony Gibbs
Special Effects Technician: Cannom Creations
Batman Returns (1992)
Directed by: Tim Burton
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Gold II Camera
Special Effects Technician: Cannom Creations
Forever Young (1992)
Directed by: Steve Miner
Cinematography by: Russell Boyd
Edited by: Jon Poll
Special Effects Technician: Cannom Creations
Hoffa (1992)
Directed by: Danny DeVito
Cinematography by: Stephen H. Burum
Special Effects Technician: Rob Bottin Productions
Basic Instinct (1992)
Directed by: Paul Verhoeven
Cinematography by: Jan de Bont
Edited by: Frank J. Urioste
Cameras: Panavision Panaflex Camera
Special Makeup Effects Assistant
Dracula (1992)
Directed by: Francis Ford Coppola
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 535 Camera
Special Effects Technician: Rob Bottin Productions
Bugsy (1991)
Directed by: Barry Levinson
Cinematography by: Allen Daviau
Special Effects Technician: Cannom Creations
Hook (1991)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Special Makeup Effects Technician: Cannom Creations Inc
Highlander II: The Quickening (1991)
Directed by: Russell Mulcahy
Cinematography by: Phil Meheux
Special Effects Technician: Robert Short Productions
Joe Versus the Volcano (1990)
Directed by: John Patrick Shanley
Cinematography by: Stephen Goldblatt
Production Crew: Rob Bottin
RoboCop 2 (1990)
Directed by: Irvin Kershner
Cinematography by: Mark Irwin
Effects Crew: The Bottin Effects Crew / Special Effects Technician: Rob Bottin Productions
Total Recall (1990)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Cameras: ARRIFLEX Camera
Lenses: Zeiss Lenses
Makeup Artist: Robert Short Makeup Effects Crew , Special Effects Technician: Robert Short Productions
Little Monsters (1989)
Directed by: Richard Greenberg
Cinematography by: Dick Bush
Edited by: Patrick McMahon
Foam Latex Technician
Back to the Future Part II (1989)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
