Foley Recording Mixer
Dune (2021)
Directed by: Denis Villeneuve
Cinematography by: Greig Fraser
Edited by: Joe Walker
Foley Recording Mixer
Bombshell (2019)
Directed by: Jay Roach
Cinematography by: Barry Ackroyd
Edited by: Jon Poll
Cameras: ARRI ALEXA Mini Camera
Foley Mixer
Marriage Story (2019)
Directed by: Noah Baumbach
Cinematography by: Robbie Ryan
Edited by: Jennifer Lame
Foley Mixer
21 Bridges (2019)
Directed by: Brian Kirk
Cinematography by: Paul Cameron
Edited by: Tim Murrell
Foley Recording Mixer
The Lighthouse (2019)
Directed by: Robert Eggers
Cinematography by: Jarin Blaschke
Edited by: Louise Ford
Lenses: Bausch & Lomb Lenses, Pathé Lenses
Foley Recording Mixer
Ford v Ferrari (2019)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Cameras: ARRI ALEXA LF Camera
Foley Mixer
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Foley Recording Mixer
'Vikings' A Simple Story (2018)
Directed by: Daniel Grou
Cinematography by: Peter Robertson
Foley Recording Mixer
'Vikings' Moments of Vision (2018)
Directed by: Daniel Grou
Cinematography by: Peter Robertson
Edited by: Aaron Marshall
Foley Recording Mixer
'Vikings' The Joke (2018)
Directed by: Jeff Woolnough
Cinematography by: Peter Robertson
Foley Recording Mixer
Love, Simon (2018)
Directed by: Greg Berlanti
Cinematography by: John Guleserian
Edited by: Harry Jierjian
Cameras: ARRI ALEXA XT Camera
Foley Recording Mixer
Creed II (2018)
Directed by: Steven Caple Jr.
Cinematography by: Kramer Morgenthau
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Foley Recording Mixer
The Hate U Give (2018)
Directed by: George Tillman Jr.
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Millennium DXL2 Camera
Foley Recording Mixer
'Vikings' The Prisoner (2017)
Directed by: Ciaran Donnelly
Edited by: Aaron Marshall
Foley Recording Mixer
'Vikings' The Message (2017)
Directed by: Ciaran Donnelly
Cinematography by: Suzie Lavelle
Foley Recording Mixer
'Vikings' The Plan (2017)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Foley Recording Mixer
'Vikings' Homeland (2017)
Directed by: Steve Saint Leger
Edited by: Aaron Marshall
Foley Mixer
Blade Runner 2049 (2017)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera
Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Foley Recording Mixer
The Greatest Showman (2017)
Directed by: Michael Gracey
Cinematography by: Seamus McGarvey
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Foley Recording Mixer
Hail, Caesar! (2016)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Adobe Premiere Editing System
Foley Recording Mixer
'Vikings' All His Angels (2016)
Directed by: Ciaran Donnelly
Cinematography by: Owen McPolin
Edited by: Aaron Marshall
Foley Recording Mixer
'Vikings' Two Journeys (2016)
Directed by: Sarah Harding
Cinematography by: Owen McPolin
Edited by: Tad Seaborn
Foley Recording Mixer
'Vikings' In the Uncertain Hour Before the Morning (2016)
Directed by: Sarah Harding
Cinematography by: Owen McPolin
Edited by: Don Cassidy
Foley Recording Mixer
'Vikings' The Vision (2016)
Directed by: Daniel Grou
Cinematography by: Owen McPolin
Foley Mixer
'Vikings' The Outsider (2016)
Directed by: Daniel Grou
Cinematography by: Owen McPolin
Edited by: Tad Seaborn
Foley Recording Mixer
'Vikings' Death All 'Round (2016)
Directed by: Jeff Woolnough
Cinematography by: Owen McPolin
Edited by: Aaron Marshall
Foley Recording Mixer
'Vikings' The Last Ship (2016)
Directed by: Jeff Woolnough
Cinematography by: Owen McPolin
Edited by: Don Cassidy
Foley Recording Mixer
'Vikings' Portage (2016)
Directed by: Ken Girotti
Edited by: Christopher Donaldson
Foley Recording Mixer
'Vikings' The Profit and the Loss (2016)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Recording Mixer
'Vikings' What Might Have Been (2016)
Directed by: Ken Girotti
Edited by: Tad Seaborn
Foley Recording Mixer
'Vikings' Promised (2016)
Directed by: Helen Shaver
Edited by: Christopher Donaldson
Foley Recording Mixer
'Vikings' Kill the Queen (2016)
Directed by: Ciaran Donnelly
Cinematography by: P.J. Dillon
Foley Recording Mixer
'Vikings' A Good Treason (2016)
Directed by: Ciaran Donnelly
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Recording Mixer
Christine (2016)
Movie
Directed by: Antonio Campos
Cinematography by: Joe Anderson
Edited by: Sofía Subercaseaux
Cameras: ARRI ALEXA Camera
Foley Recording Mixer
The Accountant (2016)
Directed by: Gavin O'Connor
Cinematography by: Seamus McGarvey
Edited by: Richard Pearson
Foley Recording Mixer
Chappie (2015)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Foley Recording Mixer
Trainwreck (2015)
Directed by: Judd Apatow
Cinematography by: Jody Lee Lipes
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke 5/i Lenses
Foley Recording Mixer
The Intern (2015)
Directed by: Nancy Meyers
Cinematography by: Stephen Goldblatt
Edited by: Robert Leighton
Cameras: ARRI ALEXA XT Camera
Foley Recording Mixer
The Big Short (2015)
Directed by: Adam McKay
Cinematography by: Barry Ackroyd
Edited by: Hank Corwin
Foley Recording Mixer
Joy (2015)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Lenses: Zeiss Ultra Prime Lenses
Foley Recording Mixer
'Penny Dreadful' And They Were Enemies (2015)
Directed by: Brian Kirk
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Recording Mixer
'Penny Dreadful' And Hell Itself My Only Foe (2015)
Directed by: Brian Kirk
Cinematography by: P.J. Dillon
Edited by: Geoff Ashenhurst
Foley Recording Mixer
'Penny Dreadful' Memento Mori (2015)
Directed by: Kari Skogland
Cinematography by: Nigel Willoughby
Edited by: Christopher Donaldson
Foley Recording Mixer
'Penny Dreadful' Little Scorpion (2015)
Directed by: Brian Kirk
Cinematography by: Nigel Willoughby
Edited by: Geoff Ashenhurst
Foley Recording Mixer
'Penny Dreadful' Glorious Horrors (2015)
Directed by: James Hawes
Cinematography by: Owen McPolin
Edited by: Michele Conroy
Foley Recording Mixer
'Penny Dreadful' Above the Vaulted Sky (2015)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Aaron Marshall
Foley Recording Mixer
'Penny Dreadful' Evil Spirits in Heavenly Places (2015)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Christopher Donaldson
Foley Recording Mixer
'Penny Dreadful' The Nightcomers (2015)
Directed by: Brian Kirk
Cinematography by: Nigel Willoughby
Edited by: Geoff Ashenhurst
Foley Recording Mixer
'Penny Dreadful' Verbis Diablo (2015)
Directed by: James Hawes
Cinematography by: Owen McPolin
Edited by: Michele Conroy
Foley Recording Mixer
'Penny Dreadful' Fresh Hell (2015)
Directed by: James Hawes
Cinematography by: Owen McPolin
Edited by: Michele Conroy
Foley Recording Mixer
'Vikings' The Dead (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Foley Recording Mixer
'Vikings' Breaking Point (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Recording Mixer
'Vikings' To the Gates! (2015)
Directed by: Kelly Makin
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Foley Recording Mixer
'Vikings' Paris (2015)
Directed by: Kelly Makin
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Recording Mixer
'Vikings' Warrior's Fate (2015)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Recording Mixer
'Vikings' Scarred (2015)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Foley Recording Mixer
'Vikings' The Usurper (2015)
Directed by: Helen Shaver
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Recording Mixer
'Vikings' Born Again (2015)
Directed by: Helen Shaver
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Foley Recording Mixer
'Vikings' The Wanderer (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Foley Recording Mixer
'Vikings' Mercenary (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Mixer
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Foley Recording Mixer
Transcendence (2014)
Directed by: Wally Pfister
Cinematography by: Jess Hall
Edited by: David Rosenbloom
Foley Recording Mixer
The Fault in Our Stars (2014)
Directed by: Josh Boone
Cinematography by: Ben Richardson
Edited by: Robb Sullivan
Cameras: ARRI ALEXA XT Camera
Foley Recording Mixer - 10 Episodes, 2015
Penny Dreadful (2014)
Directed by: Damon Thomas, James Hawes, Brian Kirk, Paco Cabezas, J.A. Bayona, Coky Giedroyc, Dearbhla Walsh, Kari Skogland, Toa Fraser
Edited by: Michele Conroy, Christopher Donaldson, Geoff Ashenhurst, Aaron Marshall, Jaume Martí, Bernat Vilaplana, Gareth C. Scales
Cameras: ARRI ALEXA Camera
Foley Mixer: Recording, Footsteps Post-Production Sound, Inc.
A Most Violent Year (2014)
Directed by: J.C. Chandor
Cinematography by: Bradford Young
Edited by: Ron Patane
Editing System: Final Cut Pro Editing System
Foley Recording Mixer
Nightcrawler (2014)
Directed by: Dan Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Foley Recording Mixer
'Vikings' The Lord's Prayer (2014)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Foley Recording Mixer
'Vikings' The Choice (2014)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Recording Mixer
'Vikings' Boneless (2014)
Directed by: Kari Skogland
Cinematography by: P.J. Dillon
Foley Recording Mixer
'Vikings' Blood Eagle (2014)
Directed by: Kari Skogland
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Recording Mixer
'Vikings' Unforgiven (2014)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Foley Recording Mixer
'Vikings' Answers in Blood (2014)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Recording Mixer
'Vikings' Eye for an Eye (2014)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Foley Recording Mixer
'Vikings' Treachery (2014)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Recording Mixer
'Vikings' Invasion (2014)
Directed by: Ciaran Donnelly
Cinematography by: P.J. Dillon
Foley Recording Mixer
'Vikings' Brother's War (2014)
Directed by: Ciaran Donnelly
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Recording Mixer
Jack the Giant Slayer (2013)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Foley Recording Mixer
Riddick (2013)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Tracy Adams
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Foley Recording Mixer
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Foley Re-recording Mixer
42 (2013)
Directed by: Brian Helgeland
Cinematography by: Don Burgess
Cameras: Red Epic Camera
Editing System: Avid Editing System
Foley Recording Mixer
All Is Lost (2013)
Directed by: J.C. Chandor
Edited by: Pete Beaudreau
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Foley Recording Mixer
Enough Said (2013)
Directed by: Nicole Holofcener
Cinematography by: Xavier Grobet
Edited by: Robert Frazen
Cameras: ARRI ALEXA Studio Camera
Lenses: Leitz Summilux-C Series Lenses
Foley Recording Mixer
American Hustle (2013)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Foley Recording Mixer
Anchorman 2: The Legend Continues (2013)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Cameras: ARRI ALEXA Camera
Foley Recording Mixer / Foley Mixer - 53 Episodes, 2013-2018
Vikings (2013)
Directed by: Ciaran Donnelly, Ken Girotti, Steve Saint Leger, Jeff Woolnough, Daniel Grou, Helen Shaver, David Wellington, Johan Renck, David Frazee, Kari Skogland, Kelly Makin, Sarah Harding, Ben Bolt, Anthony Karkosza, Joshua Zimmerman, Karla Braun, Katheryn Winnick
Edited by: Aaron Marshall, Tad Seaborn, Don Cassidy, Dan Briceno, Michele Conroy, Christopher Donaldson
Lenses: Panavision Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Foley Recording Mixer
'Vikings' A King's Ransom (2013)
Directed by: Ken Girotti
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Foley Recording Mixer
'Vikings' Sacrifice (2013)
Directed by: Ken Girotti
Cinematography by: John S. Bartley
Edited by: Michele Conroy
Foley Recording Mixer
'Vikings' All Change (2013)
Directed by: Ken Girotti
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Foley Recording Mixer
'Vikings' Burial of the Dead (2013)
Directed by: Ciaran Donnelly
Cinematography by: John S. Bartley
Foley Recording Mixer
'Vikings' Raid (2013)
Directed by: Ciaran Donnelly
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Foley Recording Mixer
'Vikings' Trial (2013)
Directed by: Ciaran Donnelly
Cinematography by: John S. Bartley
Edited by: Michele Conroy
Foley Recording Mixer
'Vikings' Dispossessed (2013)
Directed by: Johan Renck
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Foley Recording Mixer
'Vikings' Wrath of the Northmen (2013)
Directed by: Johan Renck
Cinematography by: John S. Bartley
Edited by: Michele Conroy
Foley Recording Mixer
'Vikings' Rites of Passage (2013)
Directed by: Johan Renck
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Foley Mixer
Mud (2012)
Directed by: Jeff Nichols
Cinematography by: Adam Stone
Edited by: Julie Monroe
Foley Recording Mixer
To the Wonder (2012)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Foley Recording Mixer
Midnight's Children (2012)
Directed by: Deepa Mehta
Cinematography by: Giles Nuttgens
Edited by: Colin Monie
Foley Mixer
The Campaign (2012)
Directed by: Jay Roach
Cinematography by: Jim Denault
Cameras: ARRI ALEXA Camera
Foley Mixer
The Odd Life of Timothy Green (2012)
Directed by: Peter Hedges
Cinematography by: John Toll
Edited by: Andrew Mondshein
Foley Mixer , Foley Re-recording Mixer
Hemingway & Gellhorn (2012)
Directed by: Philip Kaufman
Cinematography by: Rogier Stoffers
Edited by: Walter Murch
Cameras: ARRI ALEXA Camera
Editing System: Final Cut Pro Editing System
Foley Recording Mixer
If I Were You (2012)
Directed by: Joan Carr-Wiggin
Cinematography by: Bruce Worrall
Foley Recording Mixer
Antiviral (2012)
Directed by: Brandon Cronenberg
Cinematography by: Karim Hussain
Edited by: Matthew Hannam
Cameras: ARRI ALEXA Camera
Foley Recording Mixer
Wanderlust (2012)
Directed by: David Wain
Cinematography by: Michael Bonvillain
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Foley Recording Mixer
People Like Us (2012)
Directed by: Alex Kurtzman
Cinematography by: Salvatore Totino
Edited by: Robert Leighton
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Foley Recording Mixer
The Five-Year Engagement (2012)
Directed by: Nicholas Stoller
Cinematography by: Javier Aguirresarobe
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Foley Recording Mixer
This Is 40 (2012)
Directed by: Judd Apatow
Cinematography by: Phedon Papamichael
Cameras: ARRI ALEXA Camera
Foley Mixer
Flight (2012)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Foley Recording Mixer
New Year's Eve (2011)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Michael Tronick
Cameras: ARRI ALEXA Camera
Foley Recording Mixer
Drive Angry (2011)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Foley Recording Mixer
The Rum Diary (2011)
Directed by: Bruce Robinson
Cinematography by: Dariusz Wolski
Edited by: Carol Littleton
Lenses: Zeiss Ultra Prime Lenses
Foley Recording Mixer
Ecstasy (2011)
Directed by: Lux
Cinematography by: Harris Charalambous
Edited by: Luc Arinov Dulguime
Foley Recording Mixer
Take Me Home Tonight (2011)
Directed by: Michael Dowse
Cinematography by: Terry Stacey
Edited by: Lee Haxall
Foley Recording Mixer
Born to Be Wild (2011)
Directed by: David Lickley
Cinematography by: David Douglas
Edited by: Beth Spiegel
Foley Recording Mixer
In the Land of Blood and Honey (2011)
Directed by: Angelina Jolie
Cinematography by: Dean Semler
Edited by: Patricia Rommel
Foley Recording Mixer
Thin Ice (2011)
Directed by: Jill Sprecher
Cinematography by: Dick Pope
Edited by: Lee Percy
Foley Recording Mixer
The Tree of Life (2011)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera
Editing System: Avid Editing System
Foley Recording Mixer
The Rite (2011)
Directed by: Mikael Håfström
Cinematography by: Ben Davis
Edited by: David Rosenbloom
Foley Recording Mixer
A Dangerous Method (2011)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Cooke S4 Lenses
Foley Mixer
The Help (2011)
Directed by: Tate Taylor
Cinematography by: Stephen Goldblatt
Edited by: Hughes Winborne
Foley Recording Mixer
Warrior (2011)
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
Foley Recording Mixer
Get Him to the Greek (2010)
Directed by: Nicholas Stoller
Cinematography by: Robert D. Yeoman
Cameras: Panavision Cameras
Foley Recording Mixer
Going the Distance (2010)
Directed by: Nanette Burstein
Cinematography by: Eric Steelberg
Edited by: Peter Teschner
Foley Recording Mixer
Hubble 3D (2010)
Directed by: Toni Myers
Cinematography by: James Neihouse
Edited by: Toni Myers
Foley Recording Mixer
The Conspirator (2010)
Directed by: Robert Redford
Cinematography by: Newton Thomas Sigel
Edited by: Craig McKay
Foley Recording Mixer
Alice in Wonderland (2010)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Foley Recording Mixer
Charlie St. Cloud (2010)
Directed by: Burr Steers
Cinematography by: Enrique Chediak
Edited by: Padraic McKinley
Lenses: Hawk V-Series Lenses
Foley Mixer
Let Me In (2010)
Directed by: Matt Reeves
Cinematography by: Greig Fraser
Edited by: Stan Salfas
Foley Recording Mixer
Dinner for Schmucks (2010)
Directed by: Jay Roach
Cinematography by: Jim Denault
Editing System: Avid Editing System
Foley Recording Mixer
The Road (2009)
Directed by: John Hillcoat
Cinematography by: Javier Aguirresarobe
Edited by: Jon Gregory
Cameras: ARRICAM Lite (LT) Camera
Foley Recording Mixer
Funny People (2009)
Directed by: Judd Apatow
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Platinum Camera
Foley Recording Mixer
Journey to Mecca (2009)
Directed by: Bruce Neibaur
Cinematography by: Matthew Williams
Edited by: Jean-Marie Drot
Cameras: IMAX MSM 9802 Camera
Foley Recording Mixer
Chloe (2009)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Foley Recording Mixer
Under the Sea 3D (2009)
Directed by: Howard Hall
Cinematography by: Howard Hall
Edited by: Toni Myers
Cameras: IMAX Cameras
Foley Recording Mixer
Ghosts of Girlfriends Past (2009)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Foley Mixer
A Single Man (2009)
Directed by: Tom Ford
Cinematography by: Eduard Grau
Edited by: Joan Sobel
Foley Recording Mixer
The Men Who Stare at Goats (2009)
Directed by: Grant Heslov
Cinematography by: Robert Elswit
Edited by: Tatiana S. Riegel
Cameras: Panavision Panaflex Platinum Camera
Foley Recording Mixer
Cairo Time (2009)
Directed by: Ruba Nadda
Cinematography by: Luc Montpellier
Edited by: Teresa Hannigan
Foley Mixer
The Messenger (2009)
Directed by: Oren Moverman
Cinematography by: Bobby Bukowski
Edited by: Alex Hall
Cameras: ARRICAM Lite (LT) Camera
Foley Recording Mixer
Forgetting Sarah Marshall (2008)
Directed by: Nicholas Stoller
Cinematography by: Russ T. Alsobrook
Edited by: William Kerr
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Recording Mixer
Nothing Like the Holidays (2008)
Directed by: Alfredo Rodriguez de Villa
Cinematography by: Scott Kevan
Foley Recording Mixer
Inkheart (2008)
Directed by: Iain Softley
Cinematography by: Roger Pratt
Edited by: Martin Walsh
Cameras: Panavision Panaflex Platinum Camera
Foley Recording Mixer
The Spiderwick Chronicles (2008)
Directed by: Mark Waters
Cinematography by: Caleb Deschanel
Edited by: Michael Kahn
Foley Recording Mixer
Traitor (2008)
Directed by: Jeffrey Nachmanoff
Cinematography by: James M. Muro
Edited by: Billy Fox
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Final Cut Pro Editing System
Foley Recording Mixer
Passchendaele (2008)
Directed by: Paul Gross
Cinematography by: Gregory Middleton
Edited by: David Wharnsby
Foley Recording Mixer
Flash of Genius (2008)
Directed by: Marc Abraham
Cinematography by: Dante Spinotti
Edited by: Jill Savitt
Foley Recording Mixer
Cloverfield (2008)
Directed by: Matt Reeves
Cinematography by: Michael Bonvillain
Edited by: Kevin Stitt
Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses: Canon Lenses, Zeiss DigiPrime Lenses
Foley Mixer
Milk (2008)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Elliot Graham
Foley Recording Mixer
I'm Not There (2007)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: Jay Rabinowitz
Cameras: Aaton LTR Camera, Moviecam Compact Camera
Foley Recording Mixer
Across the Universe (2007)
Directed by: Julie Taymor
Cinematography by: Bruno Delbonnel
Edited by: Françoise Bonnot
Cameras: ARRI Cameras, Panavision Cameras
Lenses: Panavision Lenses
Foley Recording Mixer
Before the Rains (2007)
Directed by: Santosh Sivan
Cinematography by: Santosh Sivan
Foley Recording Mixer
We Own the Night (2007)
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
Foley Recording Mixer
Charlie Bartlett (2007)
Directed by: Jon Poll
Cinematography by: Paul Sarossy
Edited by: Alan Baumgarten
Foley Recording Mixer
Knocked Up (2007)
Directed by: Judd Apatow
Cinematography by: Eric Alan Edwards
Cameras: Panavision Cameras
Foley Recording Mixer
Eastern Promises (2007)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Zeiss Master Prime Lenses
Foley Recording Mixer
Nancy Drew (2007)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Foley Recording Mixer
Beerfest (2006)
Directed by: Jay Chandrasekhar
Cinematography by: Frank G. DeMarco
Edited by: Lee Haxall
Foley Recording Mixer
Silent Hill (2006)
Directed by: Christophe Gans
Cinematography by: Dan Laustsen
Edited by: Sébastien Prangère
Foley Recording Mixer
A Prairie Home Companion (2006)
Directed by: Robert Altman
Cinematography by: Edward Lachman
Edited by: Jacob Craycroft
Cameras: Sony HDW-F900 Camera
Lenses: Fujinon Lenses
Foley Recording Mixer / Re-recording Mixer
Deep Sea (2006)
Directed by: Howard Hall
Cinematography by: Howard Hall
Foley Recording Mixer
A History of Violence (2005)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Recording Mixer
The 40-Year-Old Virgin (2005)
Directed by: Judd Apatow
Cinematography by: Jack N. Green
Edited by: Brent White
Foley Mixer
Bewitched (2005)
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Tia Nolan
Foley Recording Mixer
Where the Truth Lies (2005)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Cameras: Panavision Panaflex Platinum Camera
Foley Recording Mixer
Taking Lives (2004)
Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Anne V. Coates
Foley Recording Mixer
Friday Night Lights (2004)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Foley Recording Mixer
The Life Aquatic with Steve Zissou (2004)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: David Moritz
Foley Recording Mixer
Along Came Polly (2004)
Directed by: John Hamburg
Cinematography by: Seamus McGarvey
Foley Recording Mixer
NASCAR: The IMAX Experience (2004)
Directed by: Simon Wincer
Cinematography by: James Neihouse
Edited by: Terry Blythe
Foley Recording Mixer
Christmas with the Kranks (2004)
Directed by: Joe Roth
Cinematography by: Don Burgess
Edited by: Nick Moore
Foley Recording Mixer
Being Julia (2004)
Directed by: István Szabó
Cinematography by: Lajos Koltai
Edited by: Susan Shipton
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke Varotal Lenses
Foley Recording Mixer
Dodgeball: A True Underdog Story (2004)
Directed by: Rawson Marshall Thurber
Cinematography by: Jerzy Zielinski
Cameras: Panavision Cameras
Foley Mixer
After the Sunset (2004)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Cameras: ARRICAM Lite (LT) Camera, Panavision Cameras
Foley Recording Mixer
Volcanoes of the Deep Sea (2003)
Directed by: Stephen Low
Cinematography by: William Reeve
Edited by: James Lahti
Foley Recording Mixer
The Rundown (2003)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Richard Pearson
Foley Recording Mixer / Re-recording Mixer
The Statement (2003)
Directed by: Norman Jewison
Cinematography by: Kevin Jewison
Foley Mixer
Timeline (2003)
Directed by: Richard Donner
Cinematography by: Caleb Deschanel
Edited by: Richard Marks
Foley Recording Mixer / Location Foley Recording Mixer
The Company (2003)
Directed by: Robert Altman
Cinematography by: Andrew Dunn
Edited by: Geraldine Peroni
Foley Mixer
The Lizzie McGuire Movie (2003)
Directed by: Jim Fall
Cinematography by: Jerzy Zielinski
Edited by: Margaret Goodspeed
Cameras: Panavision Cameras
Foley Mixer
Red Dragon (2002)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Foley Recording Mixer / Re-recording Mixer
Space Station 3D (2002)
Directed by: Toni Myers
Cinematography by: James Neihouse
Edited by: Toni Myers
Foley Mixer
Austin Powers in Goldmember (2002)
Directed by: Jay Roach
Cinematography by: Peter Deming
Foley Recording Mixer
Reign of Fire (2002)
Directed by: Rob Bowman
Cinematography by: Adrian Biddle
Cameras: Panavision Cameras
Foley Recording Mixer
The Guys (2002)
Directed by: Jim Simpson
Cinematography by: Maryse Alberti
Edited by: Sarah Flack
Cameras: Aaton Cameras, Panavision Cameras
Foley Recording Mixer
China: The Panda Adventure (2001)
Directed by: Robert M. Young
Cinematography by: Reed Smoot
Edited by: Jonathan P. Shaw
Foley Recording Mixer
Ali (2001)
Directed by: Michael Mann
Cinematography by: Emmanuel Lubezki
Foley Recording Mixer
Formula 51 (2001)
Directed by: Ronny Yu
Cinematography by: Hang-Sang Poon
Edited by: David Wu
Cameras: Moviecam Cameras
Foley Recording Mixer
Dungeons & Dragons (2000)
Directed by: Courtney Solomon
Cinematography by: Douglas Milsome
Edited by: Caroline Ross
Foley Mixer
The Family Man (2000)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Foley Recording Mixer / Foley Recordist
Meet the Parents (2000)
Directed by: Jay Roach
Cinematography by: Peter James
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
The Hurricane (1999)
Directed by: Norman Jewison
Cinematography by: Roger Deakins
Edited by: Stephen E. Rivkin
Lenses: Cooke S4 Lenses
Re-recording Mixer
The Big Hit (1998)
Directed by: Kirk Wong
Cinematography by: Danny Nowak
Cameras: Panavision Panaflex Platinum Camera
Additional Sound Re-recording Mixer
Knock Off (1998)
Directed by: Hark Tsui
Cinematography by: Arthur Wong
Re-recording Mixer
Johnny Mnemonic (1995)
Directed by: Robert Longo
Cinematography by: François Protat
Edited by: Ronald Sanders
Re-recording Mixer
Hidden Assassin (1995)
Directed by: Ted Kotcheff
Cinematography by: Fernando Argüelles
Edited by: Ralph Brunjes
Re-recording Mixer
Only You (1994)
Directed by: Norman Jewison
Cinematography by: Sven Nykvist
Edited by: Stephen E. Rivkin
Additional Re-recording Mixer
Stargate (1994)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Recording Mixer / Re-recording Mixer / Re-recording
Into the Deep (1994)
Directed by: Howard Hall
Cinematography by: Noel Archambault
Edited by: Barbara Kerr
Re-recording Mixer
The Chase (1994)
Directed by: Adam Rifkin
Cinematography by: Alan Jones
Edited by: Peter Schink
Re-recording Mixer
M. Butterfly (1993)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Re-recording Mixer
Universal Soldier (1992)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael J. Duthie
Re-recording Mixer
The Harvest (1992)
Directed by: David Marconi
Cinematography by: Emmanuel Lubezki
Edited by: Carlos Puente
Cameras: Panavision Cameras
Re-recording Mixer
The Object of Beauty (1991)
Directed by: Michael Lindsay-Hogg
Cinematography by: David Watkin
Edited by: Ruth Foster
Re-recording Mixer
The Long Walk Home (1990)
Directed by: Richard Pearce
Cinematography by: Roger Deakins
Edited by: Bill Yahraus
Re-recording Mixer
Red Blooded American Girl (1990)
Directed by: David Blyth
Cinematography by: Ludek Bogner
Edited by: Nick Rotundo
Re-recording Mixer
Physical Evidence (1989)
Directed by: Michael Crichton
Cinematography by: John A. Alonzo
Edited by: Glenn Farr
Foley Recording Mixer
The Last Winter (1989)
Directed by: Aaron Kim Johnston
Cinematography by: Ian Elkin
Edited by: Lara Mazur
Re-recording Mixer
Millennium (1989)
Directed by: Michael Anderson
Cinematography by: Rene Ohashi
Edited by: Ron Wisman
Foley Recording Mixer
Murder One (1988)
Directed by: Graeme Campbell
Cinematography by: Ludek Bogner
Edited by: Michael McMahon
Re-recording Mixer
Dead Ringers (1988)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Foley Recording Mixer , Sound Re-recording
Rolling Vengeance (1987)
Directed by: Steven Hilliard Stern
Cinematography by: Laszlo George
Edited by: Ron Wisman
Foley Recording Mixer
The Big Easy (1986)
Directed by: Jim McBride
Cinematography by: Affonso Beato
Edited by: Mia Goldman
Adr Recordist / Foley Recording Mixer
The Fly (1986)
Directed by: David Cronenberg
Cinematography by: Mark Irwin
Edited by: Ronald Sanders
Cameras: ARRIFLEX Camera
Foley Recording Mixer , Re-recording Mixer
One Magic Christmas (1985)
Directed by: Phillip Borsos
Cinematography by: Frank Tidy
Edited by: Sidney Wolinsky
Cameras: Panavision Cameras
Foley Recording Mixer / Re-recording Mixer
Follow That Bird (1985)
Directed by: Ken Kwapis
Cinematography by: Curtis Clark
Adr Recording Mixer
Mrs. Soffel (1984)
Directed by: Gillian Armstrong
Cinematography by: Russell Boyd
Edited by: Nicholas Beauman
Adr Recording Mixer
Police Academy (1984)
Directed by: Hugh Wilson
Cinematography by: Michael D. Margulies
Re-recording Mixer
Hambone and Hillie (1983)
Directed by: Roy Watts
Cinematography by: Jon Kranhouse
Edited by: R.J. Kizer
Adr Recordist
The Dead Zone (1983)
Directed by: David Cronenberg
Cinematography by: Mark Irwin
Edited by: Ronald Sanders
Adr Recording Mixer / Foley Recording Mixer
A Christmas Story (1983)
Directed by: Bob Clark
Cinematography by: Reginald H. Morris
Edited by: Stan Cole
Foley Mixer
TRON (1982)
Directed by: Steven Lisberger
Cinematography by: Bruce Logan
Edited by: Jeff Gourson
Lenses: Panavision Lenses
Re-recording Mixer
The Incubus (1982)
Directed by: John Hough
Cinematography by: Albert J. Dunk
Edited by: George Appleby
Sound Re-recordist
Harry Tracy: The Last of the Wild Bunch (1982)
Directed by: William A. Graham
Cinematography by: Allen Daviau
Edited by: Ron Wisman
Cameras: Panavision Cameras
Foley Recording Mixer
Visiting Hours (1982)
Directed by: Jean-Claude Lord
Cinematography by: René Verzier
Cameras: Panavision Cameras
Foley Recording Mixer / Re-recording Mixer
Quest for Fire (1981)
Directed by: Jean-Jacques Annaud
Cinematography by: Claude Agostini
Edited by: Yves Langlois
Foley Recording Mixer
Porky's (1981)
Directed by: Bob Clark
Cinematography by: Reginald H. Morris
Edited by: Stan Cole
Foley Recording Mixer
Death Ship (1980)
Directed by: Alvin Rakoff
Cinematography by: René Verzier
Edited by: Mike Campbell
Sound Recordist
The Changeling (1980)
Directed by: Peter Medak
Cinematography by: John Coquillon
Edited by: Lilla Pedersen
Cameras: Panavision Cameras
Foley Recording Mixer
Search and Destroy (1979)
Directed by: William Fruet
Cinematography by: René Verzier
Edited by: Donald Ginsberg
Foley Recording Mixer
Murder by Decree (1979)
Directed by: Bob Clark
Cinematography by: Reginald H. Morris
Edited by: Stan Cole
Foley Recording Mixer
City on Fire (1979)
Directed by: Alvin Rakoff
Cinematography by: René Verzier
Cameras: Panavision Cameras
Adr Recordist
The Brood (1979)
Directed by: David Cronenberg
Cinematography by: Mark Irwin
Edited by: Alan Collins
Lenses: Panavision Lenses
Foley Recording Mixer
Rituals (1977)
Directed by: Peter Carter
Cinematography by: René Verzier
Edited by: George Appleby
