Chris Jargo

101 Titles

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Skyscraper | ShotOnWhat?

Adr Editor

Skyscraper (2018)

Directed by: Rawson Marshall Thurber

Cinematography by: Robert Elswit

Edited by: Julian Clarke, Michael L. Sale

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Ghost in the Shell | ShotOnWhat?

Supervising Adr Editor: Formosa Group

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

X-Men: Apocalypse | ShotOnWhat?

Adr Editor

X-Men: Apocalypse (2016)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses

Star Trek Beyond | ShotOnWhat?

Adr Editor

Star Trek Beyond (2016)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Child 44 | ShotOnWhat?

Supervising Adr Editor

Child 44 (2015)

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Pietro Scalia, Dylan Tichenor

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk Anamorphic Lenses

San Andreas | ShotOnWhat?

Adr Supervisor

San Andreas (2015)

Directed by: Brad Peyton

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Spectre | ShotOnWhat?

Adr Supervisor / Dialogue Supervisor

Spectre (2015)

Directed by: Sam Mendes

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Into the Storm | ShotOnWhat?

Adr Supervisor / Dialogue Supervisor

Into the Storm (2014)

Directed by: Steven Quale

Cinematography by: Brian Pearson

Edited by: Eric A. Sears

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

RoboCop | ShotOnWhat?

Dialogue/adr Supervisor

RoboCop (2014)

Directed by: José Padilha

Cinematography by: Lula Carvalho

Edited by: Peter McNulty, Daniel Rezende

Cameras: ARRI ALEXA Camera, Red Epic Camera

Dracula Untold | ShotOnWhat?

Adr Supervisor

Dracula Untold (2014)

Directed by: Gary Shore

Cinematography by: John Schwartzman

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

John Wick | ShotOnWhat?

A.d.r. Editor

John Wick (2014)

Directed by: Chad Stahelski, David Leitch

Cinematography by: Jonathan Sela

Edited by: Elísabet Ronaldsdóttir

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: Cooke S4 Lenses, Hawk V-Lite Vintage´74 Lens

Hansel & Gretel: Witch Hunters | ShotOnWhat?

Dialogue/adr Supervisor

Hansel & Gretel: Witch Hunters (2013)

Directed by: Tommy Wirkola

Cinematography by: Michael Bonvillain

Edited by: Jim Page

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses

Furious 6 | ShotOnWhat?

Adr Editor

Furious 6 (2013)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Bourne Legacy | ShotOnWhat?

Supervising Adr Editor

The Bourne Legacy (2012)

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Safe House | ShotOnWhat?

Supervising Adr Editor

Safe House (2012)

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Skyfall | ShotOnWhat?

Supervising Adr Editor

Skyfall (2012)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Stuart Baird

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Guilt Trip | ShotOnWhat?

Supervising Adr Editor

The Guilt Trip (2012)

Directed by: Anne Fletcher

Cinematography by: Oliver Stapleton

Edited by: Dana E. Glauberman, Priscilla Nedd-Friendly

Cameras: ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

I Am Number Four | ShotOnWhat?

Dialogue/adr Supervisor

I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Green Lantern | ShotOnWhat?

Supervising Dialogue Adr Editor

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Fast Five | ShotOnWhat?

Adr Editor

Fast Five (2011)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Fred Raskin, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

What's Your Number? | ShotOnWhat?

Dialogue/adr Supervisor

What's Your Number? (2011)

Directed by: Mark Mylod

Cinematography by: James M. Muro

Edited by: Julie Monroe

Final Destination 5 | ShotOnWhat?

Adr Editor

Final Destination 5 (2011)

Directed by: Steven Quale

Cinematography by: Brian Pearson

Edited by: Eric A. Sears

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Love Ranch | ShotOnWhat?

Supervising Adr Editor

Love Ranch (2010)

Directed by: Taylor Hackford

Cinematography by: Kieran McGuigan

Edited by: Paul Hirsch

Robin Hood | ShotOnWhat?

Adr Editor

Robin Hood (2010)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera

Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

London Boulevard | ShotOnWhat?

Supervising Adr Editor

London Boulevard (2010)

Directed by: William Monahan

Cinematography by: Chris Menges

Edited by: Dody Dorn, Robb Sullivan

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Wolfman | ShotOnWhat?

Adr Editor

The Wolfman (2010)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Walter Murch, Dennis Virkler, Mark Goldblatt

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Life as We Know It | ShotOnWhat?

Supervising Adr Editor

Life as We Know It (2010)

Directed by: Greg Berlanti

Cinematography by: Andrew Dunn

Edited by: Jim Page

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

G.I. Joe: The Rise of Cobra | ShotOnWhat?

Adr Supervisor / Dialogue Supervisor

G.I. Joe: The Rise of Cobra (2009)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

Body of Lies | ShotOnWhat?

Supervising Adr Editor

Body of Lies (2008)

Directed by: Ridley Scott

Cinematography by: Alexander Witt

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Eagle Eye | ShotOnWhat?

Adr Supervisor

Eagle Eye (2008)

Directed by: D.J. Caruso

Cinematography by: Dariusz Wolski

Edited by: Jim Page

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

27 Dresses | ShotOnWhat?

Adr Supervisor

27 Dresses (2008)

Directed by: Anne Fletcher

Cinematography by: Peter James

Edited by: Priscilla Nedd-Friendly

License to Wed | ShotOnWhat?

Adr Editor / Dialogue Editor

License to Wed (2007)

Directed by: Ken Kwapis

Cinematography by: John Bailey

Edited by: Kathryn Himoff

American Gangster | ShotOnWhat?

Supervising Adr Editor

American Gangster (2007)

Directed by: Ridley Scott

Cinematography by: Harris Savides

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Things We Lost in the Fire | ShotOnWhat?

Adr Editor

Things We Lost in the Fire (2007)

Directed by: Susanne Bier

Cinematography by: Tom Stern

Edited by: Pernille Bech Christensen, Bruce Cannon

Next | ShotOnWhat?

Adr Editor

Next (2007)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Christian Wagner

The Bourne Ultimatum | ShotOnWhat?

Adr Editor

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Slipstream | ShotOnWhat?

Adr Editor

Slipstream (2007)

Directed by: Anthony Hopkins

Cinematography by: Dante Spinotti

Edited by: Michael R. Miller

A Good Year | ShotOnWhat?

Supervising Adr Editor

A Good Year (2006)

Directed by: Ridley Scott

Cinematography by: Philippe Le Sourd

Edited by: Dody Dorn, Robb Sullivan

Cameras: ARRICAM Lite (LT) Camera

Lenses: Panavision Primo Primes Spherical Lenses

Blood Diamond | ShotOnWhat?

Adr Editor

Blood Diamond (2006)

Directed by: Edward Zwick

Cinematography by: Eduardo Serra

Edited by: Steven Rosenblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses

Poseidon | ShotOnWhat?

Adr Editor

Poseidon (2006)

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Peter Honess

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Eight Below | ShotOnWhat?

Supervising Adr Editor

Eight Below (2006)

Directed by: Frank Marshall

Cinematography by: Don Burgess

Edited by: Christopher Rouse

Step Up | ShotOnWhat?

Adr Supervisor

Step Up (2006)

Directed by: Anne Fletcher

Cinematography by: Michael Seresin

Edited by: Nancy Richardson

Cameras: ARRICAM Studio (ST) Camera

Lenses: Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

xXx: State of the Union | ShotOnWhat?

Adr Editor

xXx: State of the Union (2005)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Mark Goldblatt, Todd E. Miller, Steven Rosenblum

Flightplan | ShotOnWhat?

Adr Supervisor

Flightplan (2005)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

The Big White | ShotOnWhat?

Adr Supervisor

The Big White (2005)

Directed by: Mark Mylod

Cinematography by: James Glennon

Edited by: Julie Monroe

Wedding Crashers | ShotOnWhat?

Adr Editor

Wedding Crashers (2005)

Directed by: David Dobkin

Cinematography by: Julio Macat

Edited by: Mark Livolsi

The Island | ShotOnWhat?

Supervising Adr Editor

The Island (2005)

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The Last Shot | ShotOnWhat?

Adr Editor

The Last Shot (2004)

Directed by: Jeff Nathanson

Cinematography by: John Lindley

Edited by: David Rosenbloom

Troy | ShotOnWhat?

Dialogue Editor: Director's Cut

Troy (2004)

Directed by: Wolfgang Petersen

Cinematography by: Roger Pratt

Edited by: Peter Honess

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Cooke S4 Lenses

The Bourne Supremacy | ShotOnWhat?

Adr Editor

The Bourne Supremacy (2004)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Richard Pearson, Christopher Rouse

Cameras: ARRI Cameras

Ray | ShotOnWhat?

Supervising Adr Supervisor

Ray (2004)

Directed by: Taylor Hackford

Cinematography by: Pawel Edelman

Edited by: Paul Hirsch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Cinetal Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

Beyond Borders | ShotOnWhat?

Adr Supervisor

Beyond Borders (2003)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Nicholas Beauman

High Tension | ShotOnWhat?

Sound Effects Editor: United States Version

High Tension (2003)

Directed by: Alexandre Aja

Cinematography by: Maxime Alexandre

Edited by: Baxter, Al Rundle, Sophie Vermersch

Matchstick Men | ShotOnWhat?

Adr Supervisor

Matchstick Men (2003)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

Seabiscuit | ShotOnWhat?

Adr Supervisor

Seabiscuit (2003)

Directed by: Gary Ross

Cinematography by: John Schwartzman

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Bourne Identity | ShotOnWhat?

Adr Editor

The Bourne Identity (2002)

Directed by: Doug Liman

Cinematography by: Oliver Wood

Edited by: Saar Klein

Cameras: Aaton 35-III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

"The Sopranos" Eloise | ShotOnWhat?

Adr Supervisor

'The Sopranos' Eloise (2002)

Television Episode

Directed by: James Hayman

Cinematography by: Alik Sakharov

Edited by: William B. Stich, Lynne Whitlock

"The Sopranos" The Strong, Silent Type | ShotOnWhat?

Adr Supervisor

'The Sopranos' The Strong, Silent Type (2002)

Television Episode

Directed by: Alan Taylor

Cinematography by: Alik Sakharov

Edited by: Sidney Wolinsky

"The Sopranos" Whoever Did This | ShotOnWhat?

Adr Supervisor

'The Sopranos' Whoever Did This (2002)

Television Episode

Directed by: Timothy Van Patten

Cinematography by: Phil Abraham

Edited by: William B. Stich

"The Sopranos" Mergers and Acquisitions | ShotOnWhat?

Adr Supervisor

'The Sopranos' Mergers and Acquisitions (2002)

Television Episode

Directed by: Daniel Attias

Cinematography by: Phil Abraham

Edited by: Sidney Wolinsky

"The Sopranos" Watching Too Much Television | ShotOnWhat?

Adr Supervisor

'The Sopranos' Watching Too Much Television (2002)

Television Episode

Directed by: John Patterson

Cinematography by: Alik Sakharov

Edited by: Conrad M. Gonzalez

"The Sopranos" Everybody Hurts | ShotOnWhat?

Adr Supervisor

'The Sopranos' Everybody Hurts (2002)

Television Episode

Directed by: Steve Buscemi

Cinematography by: Alik Sakharov

Edited by: William B. Stich

Black Hawk Down | ShotOnWhat?

Supervising Adr Editor

Black Hawk Down (2001)

Directed by: Ridley Scott

Cinematography by: Slawomir Idziak

Edited by: Pietro Scalia

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Evolution | ShotOnWhat?

Supervising Adr Editor

Evolution (2001)

Directed by: Ivan Reitman

Cinematography by: Michael Chapman

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Cameras: Panavision Cameras

Shrek | ShotOnWhat?

Adr Supervisor / Dialogue Supervisor

Shrek (2001)

Directed by: Andrew Adamson, Vicky Jenson

Edited by: Sim Evan-Jones

Proof of Life | ShotOnWhat?

Adr Supervisor

Proof of Life (2000)

Directed by: Taylor Hackford

Cinematography by: Slawomir Idziak

Edited by: Sheldon Kahn, John Smith

Mission to Mars | ShotOnWhat?

Supervising Adr Editor

Mission to Mars (2000)

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Paul Hirsch

The 6th Day | ShotOnWhat?

Adr Supervisor

The 6th Day (2000)

Directed by: Roger Spottiswoode

Cinematography by: Pierre Mignot

Edited by: Michel Arcand, Mark Conte, Dominique Fortin

Gladiator | ShotOnWhat?

Supervising Adr Editor

Gladiator (2000)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

The Patriot | ShotOnWhat?

Supervising Adr Editor

The Patriot (2000)

Directed by: Roland Emmerich

Cinematography by: Caleb Deschanel

Edited by: David Brenner, Christopher Holmes, Julie Monroe

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Inspector Gadget | ShotOnWhat?

Adr Supervisor

Inspector Gadget (1999)

Directed by: David Kellogg

Cinematography by: Adam Greenberg

Edited by: Alan Cody, Thom Noble, Gerald B. Greenberg

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Virus | ShotOnWhat?

Supervising Adr Editor

Virus (1999)

Directed by: John Bruno

Cinematography by: David Eggby

Edited by: M. Scott Smith

The Sopranos | ShotOnWhat?

Adr Supervisor - 6 Episodes, 2002

The Sopranos (1999)

Television Series

Cinematography by: Phil Abraham, Alik Sakharov, William Coleman

Edited by: Sidney Wolinsky, William B. Stich, Conrad M. Gonzalez, Lynne Whitlock, Michael Ruscio, Tammis Chandler, Joanna Cappuccilli Lovetti

Cameras: Panavision Panaflex Series Cameras

Lenses: Panavision Lenses

What Dreams May Come | ShotOnWhat?

Adr Supervisor

What Dreams May Come (1998)

Directed by: Vincent Ward

Cinematography by: Eduardo Serra

Edited by: David Brenner, Maysie Hoy

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

A Civil Action | ShotOnWhat?

Adr Supervisor: Los Angeles

A Civil Action (1998)

Directed by: Steven Zaillian

Cinematography by: Conrad L. Hall

Edited by: Wayne Wahrman

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Godzilla | ShotOnWhat?

Adr Supervisor

Godzilla (1998)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Peter Amundson, David Siegel

The Negotiator | ShotOnWhat?

Adr Editor

The Negotiator (1998)

Directed by: F. Gary Gray

Cinematography by: Russell Carpenter

Edited by: Christian Wagner

Cameras: Panavision Cameras

The Relic | ShotOnWhat?

Adr Editor

The Relic (1997)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Steven Kemper

Vegas Vacation | ShotOnWhat?

Sound Effects Editor

Vegas Vacation (1997)

Directed by: Stephen Kessler

Cinematography by: William A. Fraker

Edited by: Seth Flaum

Cameras: Panavision Cameras

The Associate | ShotOnWhat?

Adr Editor

The Associate (1996)

Directed by: Donald Petrie

Cinematography by: Alex Nepomniaschy

Edited by: Bonnie Koehler

The Long Kiss Goodnight | ShotOnWhat?

Adr Editor

The Long Kiss Goodnight (1996)

Directed by: Renny Harlin

Cinematography by: Guillermo Navarro

Edited by: William Goldenberg

Jerry Maguire | ShotOnWhat?

Supervising Adr Editor

Jerry Maguire (1996)

Directed by: Cameron Crowe

Cinematography by: Janusz Kaminski

Edited by: Joe Hutshing, David Moritz

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Editing System: Lightworks Editing System

Congo | ShotOnWhat?

Adr Editor

Congo (1995)

Directed by: Frank Marshall

Cinematography by: Allen Daviau

Edited by: Anne V. Coates

Mr. Holland's Opus | ShotOnWhat?

Adr Editor

Mr. Holland's Opus (1995)

Directed by: Stephen Herek

Cinematography by: Oliver Wood

Edited by: Trudy Ship

Fair Game | ShotOnWhat?

Adr Editor

Fair Game (1995)

Directed by: Andrew Sipes

Cinematography by: Richard Bowen

Edited by: David Finfer, Steven Kemper, Christian Wagner

Cameras: Panavision Cameras

Nixon | ShotOnWhat?

Adr Editor

Nixon (1995)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Brian Berdan, Hank Corwin

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Immortal Beloved | ShotOnWhat?

Adr Supervisor

Immortal Beloved (1994)

Directed by: Bernard Rose

Cinematography by: Peter Suschitzky

Edited by: Dan Rae

Iron Will | ShotOnWhat?

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Iron Will (1994)

Directed by: Charles Haid

Cinematography by: William Wages

Edited by: Andrew Doerfer

True Lies | ShotOnWhat?

Adr Editor

True Lies (1994)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Beaumont Vista Vision Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

The Cowboy Way | ShotOnWhat?

Supervising Adr Editor

The Cowboy Way (1994)

Directed by: Gregg Champion

Cinematography by: Dean Semler

Edited by: Michael Tronick

Sliver | ShotOnWhat?

Supervising Adr Editor

Sliver (1993)

Directed by: Phillip Noyce

Cinematography by: Vilmos Zsigmond

Edited by: Richard Francis-Bruce, William Hoy, Bert Lovitt

Mother's Boys | ShotOnWhat?

Supervising Adr Editor

Mother's Boys (1993)

Directed by: Yves Simoneau

Cinematography by: Elliot Davis

Edited by: Michael D. Ornstein

The Firm | ShotOnWhat?

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The Firm (1993)

Directed by: Sydney Pollack

Cinematography by: John Seale

Edited by: Fredric Steinkamp, William Steinkamp

Cameras: Panavision Cameras

The Crush | ShotOnWhat?

Adr Editor

The Crush (1993)

Directed by: Alan Shapiro

Cinematography by: Bruce Surtees

Edited by: Ian Crafford

Hook | ShotOnWhat?

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Hook (1991)

Directed by: Steven Spielberg

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Harley Davidson and the Marlboro Man | ShotOnWhat?

Adr Supervisor

Harley Davidson and the Marlboro Man (1991)

Directed by: Simon Wincer

Cinematography by: David Eggby

Edited by: Corky Ehlers

Cameras: Panavision Cameras

Teenage Mutant Ninja Turtles II: The Secret of the Ooze | ShotOnWhat?

Adr Editor

Teenage Mutant Ninja Turtles II: The Secret of the Ooze (1991)

Directed by: Michael Pressman

Cinematography by: Shelly Johnson

Edited by: Steve Mirkovich, John Wright

Pretty Woman | ShotOnWhat?

Adr Editor

Pretty Woman (1990)

Directed by: Garry Marshall

Cinematography by: Charles Minsky

Edited by: Raja Gosnell, Priscilla Nedd-Friendly

Marked for Death | ShotOnWhat?

Adr Editor

Marked for Death (1990)

Directed by: Dwight H. Little

Cinematography by: Ric Waite

Edited by: O. Nicholas Brown

Solar Crisis | ShotOnWhat?

Adr Editor

Solar Crisis (1990)

Directed by: Richard C. Sarafian, Alan Smithee

Cinematography by: Russell Carpenter

Edited by: Richard Trevor

Cameras: Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses

Dances with Wolves | ShotOnWhat?

Adr Editor

Dances with Wolves (1990)

Directed by: Kevin Costner

Cinematography by: Dean Semler

Edited by: William Hoy, Chip Masamitsu, Steve Potter, Neil Travis

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Lean on Me | ShotOnWhat?

Dialogue Editor

Lean on Me (1989)

Directed by: John G. Avildsen

Cinematography by: Victor Hammer

Edited by: John G. Avildsen, John Carter

Shoot to Kill | ShotOnWhat?

Sound Editor

Shoot to Kill (1988)

Directed by: Roger Spottiswoode

Cinematography by: Michael Chapman

Edited by: George Bowers, Garth Craven

Sister, Sister | ShotOnWhat?

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Sister, Sister (1987)

Directed by: Bill Condon

Cinematography by: Stephen M. Katz

Edited by: Virginia Katz

Planes, Trains & Automobiles | ShotOnWhat?

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Planes, Trains & Automobiles (1987)

Directed by: John Hughes

Cinematography by: Donald Peterman

Edited by: Paul Hirsch

Cameras: Panavision Cameras

Wallenberg: A Hero's Story | ShotOnWhat?

Adr Editor

Wallenberg: A Hero's Story (1985)

Television Movie

Directed by: Lamont Johnson

Cinematography by: Charles Correll

Edited by: Paul LaMastra

Blackout | ShotOnWhat?

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Blackout (1985)

Motion Picture, Television Movie

Directed by: Douglas Hickox

Cinematography by: Tak Fujimoto

Edited by: Michael Brown

Cameras: Panavision Cameras

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