Christopher Assells

133 Titles

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Gods of Egypt | ShotOnWhat?

Additional Sound Fx Editor

Gods of Egypt (2016)

Directed by: Alex Proyas

Cinematography by: Peter Menzies Jr.

Edited by: Richard Learoyd

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo 70 Lenses

Child 44 | ShotOnWhat?

Sound Designer

Child 44 (2015)

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Pietro Scalia, Dylan Tichenor

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk Anamorphic Lenses

San Andreas | ShotOnWhat?

Sound Effects Editor

San Andreas (2015)

Directed by: Brad Peyton

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Spectre | ShotOnWhat?

Sound Designer

Spectre (2015)

Directed by: Sam Mendes

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Into the Storm | ShotOnWhat?

Sound Designer

Into the Storm (2014)

Directed by: Steven Quale

Cinematography by: Brian Pearson

Edited by: Eric A. Sears

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Purge: Anarchy | ShotOnWhat?

Sound Effects Editor

The Purge: Anarchy (2014)

Directed by: James DeMonaco

Cinematography by: Jacques Jouffret

Edited by: Vince Filippone, Todd E. Miller

Cameras: ARRI ALEXA XT Camera

Editing System: Avid Editing System

Dracula Untold | ShotOnWhat?

Sound Designer

Dracula Untold (2014)

Directed by: Gary Shore

Cinematography by: John Schwartzman

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Selma | ShotOnWhat?

Sound Effects Editor

Selma (2014)

Directed by: Ava DuVernay

Cinematography by: Bradford Young

Edited by: Spencer Averick

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Hawk V-Plus Lenses, Hawk V-Series Lenses

Hansel & Gretel: Witch Hunters | ShotOnWhat?

Sound Designer

Hansel & Gretel: Witch Hunters (2013)

Directed by: Tommy Wirkola

Cinematography by: Michael Bonvillain

Edited by: Jim Page

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses

Temptation: Confessions of a Marriage Counselor | ShotOnWhat?

Sound Effects Editor

Temptation: Confessions of a Marriage Counselor (2013)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

The Best Man Holiday | ShotOnWhat?

Sound Effects Editor

The Best Man Holiday (2013)

Directed by: Malcolm D. Lee

Cinematography by: Greg Gardiner

Edited by: Paul Millspaugh

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Hunger Games | ShotOnWhat?

Sound Editor

The Hunger Games (2012)

Directed by: Gary Ross

Cinematography by: Tom Stern

Edited by: Christopher S. Capp, Stephen Mirrione, Juliette Welfling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Bourne Legacy | ShotOnWhat?

Sound Designer

The Bourne Legacy (2012)

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Safe House | ShotOnWhat?

Sound Designer

Safe House (2012)

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Skyfall | ShotOnWhat?

Sound Designer

Skyfall (2012)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Stuart Baird

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Guilt Trip | ShotOnWhat?

Sound Designer

The Guilt Trip (2012)

Directed by: Anne Fletcher

Cinematography by: Oliver Stapleton

Edited by: Dana E. Glauberman, Priscilla Nedd-Friendly

Cameras: ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

I Am Number Four | ShotOnWhat?

Sound Effects Editor

I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Green Lantern | ShotOnWhat?

Sound Designer

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

The Green Hornet | ShotOnWhat?

Sound Effects Editor

The Green Hornet (2011)

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Footloose | ShotOnWhat?

Sound Effects Editor

Footloose (2011)

Directed by: Craig Brewer

Cinematography by: Amy Vincent

Edited by: Billy Fox

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Fright Night | ShotOnWhat?

Sound Effects Editor

Fright Night (2011)

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Season of the Witch | ShotOnWhat?

Sound Designer

Season of the Witch (2011)

Directed by: Dominic Sena

Cinematography by: Amir Mokri

Edited by: Bob Ducsay, Mark Helfrich, Dan Zimmerman

Abduction | ShotOnWhat?

Sound Effects Editor

Abduction (2011)

Directed by: John Singleton

Cinematography by: Peter Menzies Jr.

Edited by: Bruce Cannon

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Next Three Days | ShotOnWhat?

Sound Effects Editor

The Next Three Days (2010)

Directed by: Paul Haggis

Cinematography by: Stéphane Fontaine

Edited by: Jo Francis

Cameras: Aaton Penelope Camera, ARRICAM Lite (LT) Camera

Love Ranch | ShotOnWhat?

Sound Effects Editor

Love Ranch (2010)

Directed by: Taylor Hackford

Cinematography by: Kieran McGuigan

Edited by: Paul Hirsch

Robin Hood | ShotOnWhat?

Sound Effects Editor

Robin Hood (2010)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera

Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Wolfman | ShotOnWhat?

Sound Effects Editor

The Wolfman (2010)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Walter Murch, Dennis Virkler, Mark Goldblatt

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Unstoppable | ShotOnWhat?

Sound Effects Editor

Unstoppable (2010)

Directed by: Tony Scott

Cinematography by: Ben Seresin

Edited by: Robert Duffy, Chris Lebenzon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Wall Street: Money Never Sleeps | ShotOnWhat?

Sound Effects Editor

Wall Street: Money Never Sleeps (2010)

Directed by: Oliver Stone

Cinematography by: Rodrigo Prieto

Edited by: David Brenner, Julie Monroe

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Zeiss Master Prime Lenses

G.I. Joe: The Rise of Cobra | ShotOnWhat?

Sound Effects Editor

G.I. Joe: The Rise of Cobra (2009)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

Law Abiding Citizen | ShotOnWhat?

Sound Effects Editor

Law Abiding Citizen (2009)

Directed by: F. Gary Gray

Cinematography by: Jonathan Sela

Edited by: Tariq Anwar

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses

Never Back Down | ShotOnWhat?

Sound Editor

Never Back Down (2008)

Directed by: Jeff Wadlow

Cinematography by: Lukas Ettlin

Edited by: Victor Du Bois, Debra Beth Weinfeld

Body of Lies | ShotOnWhat?

Sound Effects Editor

Body of Lies (2008)

Directed by: Ridley Scott

Cinematography by: Alexander Witt

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Eagle Eye | ShotOnWhat?

Sound Effects Editor

Eagle Eye (2008)

Directed by: D.J. Caruso

Cinematography by: Dariusz Wolski

Edited by: Jim Page

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

27 Dresses | ShotOnWhat?

Sound Effects Editor

27 Dresses (2008)

Directed by: Anne Fletcher

Cinematography by: Peter James

Edited by: Priscilla Nedd-Friendly

Defiance | ShotOnWhat?

Sound Editor

Defiance (2008)

Directed by: Edward Zwick

Cinematography by: Eduardo Serra

Edited by: Steven Rosenblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Nobel Son | ShotOnWhat?

Sound Effects Editor

Nobel Son (2007)

Directed by: Randall Miller

Cinematography by: Mike Ozier

Edited by: Randall Miller

Death Proof | ShotOnWhat?

Sound Effects Editor

Death Proof (2007)

Directed by: Quentin Tarantino

Cinematography by: Quentin Tarantino

Edited by: Sally Menke

Grindhouse | ShotOnWhat?

Sound Effects Editor

Grindhouse (2007)

Directed by: Robert Rodriguez, Eli Roth, Quentin Tarantino, Edgar Wright, Rob Zombie

Cinematography by: Milan Chadima, Jess Hall, Phil Parmet, Robert Rodriguez, Quentin Tarantino

Edited by: Glenn Garland, Ethan Maniquis, Sally Menke, Robert Rodriguez

Code Name: The Cleaner | ShotOnWhat?

Foley Editor

Code Name: The Cleaner (2007)

Directed by: Les Mayfield

Cinematography by: David Franco

Edited by: Michael Matzdorff

American Gangster | ShotOnWhat?

Sound Effects Editor

American Gangster (2007)

Directed by: Ridley Scott

Cinematography by: Harris Savides

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Things We Lost in the Fire | ShotOnWhat?

Sound Effects Editor

Things We Lost in the Fire (2007)

Directed by: Susanne Bier

Cinematography by: Tom Stern

Edited by: Pernille Bech Christensen, Bruce Cannon

The Bourne Ultimatum | ShotOnWhat?

Sound Effects Editor

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Why Did I Get Married? | ShotOnWhat?

Sound Editor

Why Did I Get Married? (2007)

Directed by: Tyler Perry

Cinematography by: Toyomichi Kurita

Edited by: Maysie Hoy

Slipstream | ShotOnWhat?

Sound Effects Editor

Slipstream (2007)

Directed by: Anthony Hopkins

Cinematography by: Dante Spinotti

Edited by: Michael R. Miller

The Benchwarmers | ShotOnWhat?

Sound Effects Editor

The Benchwarmers (2006)

Directed by: Dennis Dugan

Cinematography by: Thomas E. Ackerman

Edited by: Peck Prior, Sandy S. Solowitz

A Good Year | ShotOnWhat?

Sound Effects Editor

A Good Year (2006)

Directed by: Ridley Scott

Cinematography by: Philippe Le Sourd

Edited by: Dody Dorn, Robb Sullivan

Cameras: ARRICAM Lite (LT) Camera

Lenses: Panavision Primo Primes Spherical Lenses

Blood Diamond | ShotOnWhat?

Sound Effects Editor

Blood Diamond (2006)

Directed by: Edward Zwick

Cinematography by: Eduardo Serra

Edited by: Steven Rosenblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses

The Texas Chainsaw Massacre: The Beginning | ShotOnWhat?

Sound Effects Editor

The Texas Chainsaw Massacre: The Beginning (2006)

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Jonathan Chibnall, Jim May, Joel Negron

Eight Below | ShotOnWhat?

Sound Effects Editor

Eight Below (2006)

Directed by: Frank Marshall

Cinematography by: Don Burgess

Edited by: Christopher Rouse

Step Up | ShotOnWhat?

Sound Effects Editor

Step Up (2006)

Directed by: Anne Fletcher

Cinematography by: Michael Seresin

Edited by: Nancy Richardson

Cameras: ARRICAM Studio (ST) Camera

Lenses: Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

The Skeleton Key | ShotOnWhat?

Sound Effects Editor

The Skeleton Key (2005)

Directed by: Iain Softley

Cinematography by: Dan Mindel

Edited by: Joe Hutshing

Kingdom of Heaven | ShotOnWhat?

Sound Editor - Director's Cut

Kingdom of Heaven (2005)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

The Big White | ShotOnWhat?

Sound Effects Editor

The Big White (2005)

Directed by: Mark Mylod

Cinematography by: James Glennon

Edited by: Julie Monroe

The Island | ShotOnWhat?

Sound Effects Editor

The Island (2005)

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The Producers | ShotOnWhat?

Sound Effects Editor

The Producers (2005)

Directed by: Susan Stroman

Cinematography by: John Bailey, Charles Minsky

Edited by: Steven Weisberg

The Clearing | ShotOnWhat?

Sound Effects Editor

The Clearing (2004)

Directed by: Pieter Jan Brugge

Cinematography by: Denis Lenoir

Edited by: Kevin Tent

Van Helsing | ShotOnWhat?

Sound Effects Editor

Van Helsing (2004)

Directed by: Stephen Sommers

Cinematography by: Allen Daviau

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Troy | ShotOnWhat?

Sound Effects Editor: Director's Cut

Troy (2004)

Directed by: Wolfgang Petersen

Cinematography by: Roger Pratt

Edited by: Peter Honess

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Cooke S4 Lenses

The Bourne Supremacy | ShotOnWhat?

Sound Effects Editor

The Bourne Supremacy (2004)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Richard Pearson, Christopher Rouse

Cameras: ARRI Cameras

Ray | ShotOnWhat?

Sound Effects Editor

Ray (2004)

Directed by: Taylor Hackford

Cinematography by: Pawel Edelman

Edited by: Paul Hirsch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Cinetal Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

The Butterfly Effect | ShotOnWhat?

Sound Effects Editor

The Butterfly Effect (2004)

Directed by: Eric Bress, J. Mackye Gruber

Cinematography by: Matthew F. Leonetti

Edited by: Peter Amundson

Beyond Borders | ShotOnWhat?

Sound Effects Editor

Beyond Borders (2003)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Nicholas Beauman

Paycheck | ShotOnWhat?

Sound Effects Editor

Paycheck (2003)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Christopher Rouse, Kevin Stitt

The Last Samurai | ShotOnWhat?

Sound Effects Editor

The Last Samurai (2003)

Directed by: Edward Zwick

Cinematography by: John Toll

Edited by: Victor Du Bois, Steven Rosenblum

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Matchstick Men | ShotOnWhat?

Sound Effects Editor

Matchstick Men (2003)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

Seabiscuit | ShotOnWhat?

Sound Effects Editor

Seabiscuit (2003)

Directed by: Gary Ross

Cinematography by: John Schwartzman

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Windtalkers | ShotOnWhat?

Sound Effects Editor: Director's Cut

Windtalkers (2002)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Jeff Gullo, Steven Kemper, Tom Rolf

The Bourne Identity | ShotOnWhat?

Sound Effects Editor

The Bourne Identity (2002)

Directed by: Doug Liman

Cinematography by: Oliver Wood

Edited by: Saar Klein

Eight Legged Freaks | ShotOnWhat?

Sound Effects Editor

Eight Legged Freaks (2002)

Directed by: Ellory Elkayem

Cinematography by: John S. Bartley

Edited by: David Siegel

Scooby-Doo | ShotOnWhat?

Sound Effects Editor

Scooby-Doo (2002)

Directed by: Raja Gosnell

Cinematography by: David Eggby

Edited by: Kent Beyda

Cameras: Panavision Cameras

Hannibal | ShotOnWhat?

Sound Effects Editor

Hannibal (2001)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Black Hawk Down | ShotOnWhat?

Sound Effects Editor

Black Hawk Down (2001)

Directed by: Ridley Scott

Cinematography by: Slawomir Idziak

Edited by: Pietro Scalia

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Evolution | ShotOnWhat?

Sound Effects Editor

Evolution (2001)

Directed by: Ivan Reitman

Cinematography by: Michael Chapman

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Cameras: Panavision Cameras

Proof of Life | ShotOnWhat?

Sound Effects Editor

Proof of Life (2000)

Directed by: Taylor Hackford

Cinematography by: Slawomir Idziak

Edited by: Sheldon Kahn, John Smith

Gladiator | ShotOnWhat?

Sound Effects Editor

Gladiator (2000)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

Bait | ShotOnWhat?

Supervising Sound Effects Editor

Bait (2000)

Directed by: Antoine Fuqua

Cinematography by: Tobias A. Schliessler

Edited by: Alan Edward Bell

Cameras: Panavision Cameras

The Patriot | ShotOnWhat?

Sound Effects Editor

The Patriot (2000)

Directed by: Roland Emmerich

Cinematography by: Caleb Deschanel

Edited by: David Brenner, Christopher Holmes, Julie Monroe

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Inspector Gadget | ShotOnWhat?

Sound Effects Editor

Inspector Gadget (1999)

Directed by: David Kellogg

Cinematography by: Adam Greenberg

Edited by: Alan Cody, Thom Noble, Gerald B. Greenberg

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

End of Days | ShotOnWhat?

Sound Editor / Sound Effects Editor

End of Days (1999)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Jeff Gullo, Steven Kemper

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Tarzan | ShotOnWhat?

Sound Editor

Tarzan (1999)

Directed by: Chris Buck, Kevin Lima

Edited by: Gregory Perler

A Civil Action | ShotOnWhat?

Sound Effects Editor: Los Angeles

A Civil Action (1998)

Directed by: Steven Zaillian

Cinematography by: Conrad L. Hall

Edited by: Wayne Wahrman

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Godzilla | ShotOnWhat?

Sound Effects Editor

Godzilla (1998)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Peter Amundson, David Siegel

Dangerous Beauty | ShotOnWhat?

Sound Effects Editor

Dangerous Beauty (1998)

Directed by: Marshall Herskovitz

Cinematography by: Bojan Bazelli

Edited by: Arthur Coburn, Steven Rosenblum

Urban Legend | ShotOnWhat?

Sound Editor

Urban Legend (1998)

Directed by: Jamie Blanks

Cinematography by: James Chressanthis

Edited by: Jay Cassidy

The Replacement Killers | ShotOnWhat?

Sound Editor

The Replacement Killers (1998)

Directed by: Antoine Fuqua

Cinematography by: Peter Lyons Collister

Edited by: Jay Cassidy

Wrongfully Accused | ShotOnWhat?

Sound Effects Editor

Wrongfully Accused (1998)

Directed by: Pat Proft

Cinematography by: Glen MacPherson

Edited by: James R. Symons

Mulan | ShotOnWhat?

Sound Editor

Mulan (1998)

Directed by: Tony Bancroft, Barry Cook

Edited by: Michael Kelly

The Prince of Egypt | ShotOnWhat?

Sound Editor

The Prince of Egypt (1998)

Directed by: Brenda Chapman, Steve Hickner, Simon Wells

Edited by: Nick Fletcher

Air Force One | ShotOnWhat?

Sound Effects Editor

Air Force One (1997)

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: Richard Francis-Bruce

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Variable Prime Lenses

The Relic | ShotOnWhat?

Adr Editor

The Relic (1997)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Steven Kemper

Flubber | ShotOnWhat?

Sound Effects Editor

Flubber (1997)

Directed by: Les Mayfield

Cinematography by: Dean Cundey

Edited by: Harvey Rosenstock, Michael A. Stevenson

Cameras: Panavision Cameras

Face/Off | ShotOnWhat?

Sound Effects Editor

Face/Off (1997)

Directed by: John Woo

Cinematography by: Oliver Wood

Edited by: Steven Kemper, Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

The Ghost and the Darkness | ShotOnWhat?

Dialogue Editor

The Ghost and the Darkness (1996)

Directed by: Stephen Hopkins

Cinematography by: Vilmos Zsigmond

Edited by: Roger Bondelli, Robert Brown, Steve Mirkovich, Bert Lovitt

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Associate | ShotOnWhat?

Dialogue Editor

The Associate (1996)

Directed by: Donald Petrie

Cinematography by: Alex Nepomniaschy

Edited by: Bonnie Koehler

Albino Alligator | ShotOnWhat?

Sound Effects Editor

Albino Alligator (1996)

Directed by: Kevin Spacey

Cinematography by: Mark Plummer

Edited by: Jay Cassidy

The Substitute | ShotOnWhat?

Sound Effects Editor

The Substitute (1996)

Directed by: Robert Mandel

Cinematography by: Bruce Surtees

Edited by: Alex Mackie

Soul of the Game | ShotOnWhat?

Dialogue Editor

Soul of the Game (1996)

Television Movie

Directed by: Kevin Rodney Sullivan

Cinematography by: Sandi Sissel

Edited by: Victor Du Bois

Courage Under Fire | ShotOnWhat?

Effects Editor

Courage Under Fire (1996)

Directed by: Edward Zwick

Cinematography by: Roger Deakins

Edited by: Steven Rosenblum

My Fellow Americans | ShotOnWhat?

Sound Editor

My Fellow Americans (1996)

Directed by: Peter Segal

Cinematography by: Julio Macat

Edited by: William Kerr

Heat | ShotOnWhat?

Sound Effects Editor

Heat (1995)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Pasquale Buba, William Goldenberg, Dov Hoenig, Tom Rolf

Cameras: Cine SL-35 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Cutthroat Island | ShotOnWhat?

Sound Effects Editor

Cutthroat Island (1995)

Directed by: Renny Harlin

Cinematography by: Peter Levy

Edited by: Derek Brechin, Florent Retz, Frank J. Urioste, Ralph E. Winters, Bert Lovitt

Outbreak | ShotOnWhat?

Sound Effects Editor

Outbreak (1995)

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: William Hoy, Lynzee Klingman, Stephen E. Rivkin, Neil Travis

Braveheart | ShotOnWhat?

Sound Effects Editor

Braveheart (1995)

Directed by: Mel Gibson

Cinematography by: John Toll

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

The Crossing Guard | ShotOnWhat?

Sound Effects Editor

The Crossing Guard (1995)

Directed by: Sean Penn

Cinematography by: Vilmos Zsigmond

Edited by: Jay Cassidy

Cameras: Panavision Cameras

Fair Game | ShotOnWhat?

Sound Effects Editor

Fair Game (1995)

Directed by: Andrew Sipes

Cinematography by: Richard Bowen

Edited by: David Finfer, Steven Kemper, Christian Wagner

Cameras: Panavision Cameras

Chasers | ShotOnWhat?

Sound Effects Editor

Chasers (1994)

Directed by: Dennis Hopper

Cinematography by: Ueli Steiger

Edited by: Christian Wagner

Junior | ShotOnWhat?

Sound Effects Editor

Junior (1994)

Directed by: Ivan Reitman

Cinematography by: Adam Greenberg

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Legends of the Fall | ShotOnWhat?

Sound Effects Editor

Legends of the Fall (1994)

Directed by: Edward Zwick

Cinematography by: John Toll

Edited by: Steven Rosenblum

The Crow | ShotOnWhat?

Sound Effects Editor

The Crow (1994)

Directed by: Alex Proyas

Cinematography by: Dariusz Wolski

Edited by: Dov Hoenig, M. Scott Smith

Color of Night | ShotOnWhat?

Sound Effects Editor

Color of Night (1994)

Directed by: Richard Rush

Cinematography by: Dietrich Lohmann

Edited by: Jack Hofstra, Thom Noble

True Lies | ShotOnWhat?

Sound Effects Editor

True Lies (1994)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron

Dennis the Menace | ShotOnWhat?

Dialogue Editor

Dennis the Menace (1993)

Directed by: Nick Castle

Cinematography by: Thomas E. Ackerman

Edited by: Alan Heim

Homeward Bound: The Incredible Journey | ShotOnWhat?

Dialogue Editor

Homeward Bound: The Incredible Journey (1993)

Directed by: Duwayne Dunham

Cinematography by: Reed Smoot

Edited by: Jonathan P. Shaw

Alive | ShotOnWhat?

Dialogue Editor

Alive (1993)

Directed by: Frank Marshall

Cinematography by: Peter James

Edited by: William Goldenberg, Michael Kahn

A Far Off Place | ShotOnWhat?

Dialogue Editor, Sound Effects Editor

A Far Off Place (1993)

Directed by: Mikael Salomon

Cinematography by: Juan Ruiz Anchía

Edited by: Ray Lovejoy

Cameras: Panavision Panaflex Camera

Lenses: Panavision Primo Anamorphic Lenses

Wrestling Ernest Hemingway | ShotOnWhat?

Sound Editor

Wrestling Ernest Hemingway (1993)

Directed by: Randa Haines

Cinematography by: Lajos Koltai

Edited by: Paul Hirsch

In the Line of Fire | ShotOnWhat?

Dialogue Editor

In the Line of Fire (1993)

Directed by: Wolfgang Petersen

Cinematography by: John Bailey

Edited by: Anne V. Coates

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex-X Camera

Lenses: Panavision Primo Anamorphic Lenses

Stop! Or My Mom Will Shoot | ShotOnWhat?

Sound Editor

Stop! Or My Mom Will Shoot (1992)

Directed by: Roger Spottiswoode

Cinematography by: Frank Tidy

Edited by: Mark Conte, Lois Freeman-Fox

Stay Tuned | ShotOnWhat?

Sound Effects Editor

Stay Tuned (1992)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Peter E. Berger

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Class Act | ShotOnWhat?

Sound Effects Editor

Class Act (1992)

Directed by: Randall Miller

Cinematography by: Francis Kenny

Edited by: John F. Burnett, Richard Leeman

Pure Country | ShotOnWhat?

Sound Effects Editor

Pure Country (1992)

Directed by: Christopher Cain

Cinematography by: Richard Bowen

Edited by: Jack Hofstra

The Last of the Mohicans | ShotOnWhat?

Sound Effects Editor

The Last of the Mohicans (1992)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Dov Hoenig, Arthur Schmidt

Cameras: Panavision Cameras

Shattered | ShotOnWhat?

Sound Effects Editor

Shattered (1991)

Directed by: Wolfgang Petersen

Cinematography by: László Kovács

Edited by: Glenn Farr, Hannes Nikel

Dutch | ShotOnWhat?

Sound Effects Editor

Dutch (1991)

Directed by: Peter Faiman

Cinematography by: Charles Minsky

Edited by: Adam Bernardi, Paul Hirsch, Rick Shaine

Wild Hearts Can't Be Broken | ShotOnWhat?

Sound Editor

Wild Hearts Can't Be Broken (1991)

Directed by: Steve Miner

Cinematography by: Daryn Okada

Edited by: Jon Poll

The Super | ShotOnWhat?

Sound Effects Editor

The Super (1991)

Directed by: Rod Daniel

Cinematography by: Bruce Surtees

Edited by: Jack Hofstra

Only the Lonely | ShotOnWhat?

Sound Editor

Only the Lonely (1991)

Directed by: Chris Columbus

Cinematography by: Julio Macat

Edited by: Raja Gosnell, Peter Teschner

Curly Sue | ShotOnWhat?

Dialogue Editor

Curly Sue (1991)

Directed by: John Hughes

Cinematography by: Jeffrey L. Kimball

Edited by: Peck Prior, Harvey Rosenstock

Cameras: Panavision Cameras

JFK | ShotOnWhat?

Dialogue Editor

JFK (1991)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Joe Hutshing, Pietro Scalia

Cameras: ARRIFLEX 16SR Camera, Panavision Panaflex Gold Camera

Lenses: Panavision E35 35 mm T2.0 Lens

Editing System: K.E.M. Editing System

UHF | ShotOnWhat?

Sound Editor

UHF (1989)

Directed by: Jay Levey

Cinematography by: David Lewis

Edited by: Dennis M. O'Connor

Prancer | ShotOnWhat?

Sound Editor

Prancer (1989)

Directed by: John D. Hancock

Cinematography by: Misha Suslov

Edited by: Dennis M. O'Connor, John Rosenberg

Blade Runner | ShotOnWhat?

Sound Effects Editor - 2007 Final Cut Version

Blade Runner (1982)

Directed by: Ridley Scott

Cinematography by: Jordan Cronenweth

Edited by: Marsha Nakashima, Terry Rawlings

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Super Speed Lenses

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