Hans Zimmer

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Eddie Hamilton

Cameras: Sony CineAlta VENICE Camera

Composer, Music By

No Time to Die (2021)

| UK, USA

Directed by: Cary Joji Fukunaga

Cinematography by: Linus Sandgren

Edited by: Tom Cross, Elliot Graham

Cameras: Imax Cameras, Imax MSM 9802 Camera

Music By

The Unforgivable (2021)

Movie

Directed by: Nora Fingscheidt

Cinematography by: Guillermo Navarro

Edited by: Stephan Bechinger, Joe Walker

Cameras: Red Digital Cinema Cameras, Red Helium 8K Camera

Lenses: ARRI Lenses

Music By, Score Producer / Synthesizer Programmer

Wonder Woman 1984 (2020)

Movie

| USA, UK, Spain

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Richard Pearson

Composer

Dune (2020)

| USA, Hungary, Canada

Directed by: Denis Villeneuve

Cinematography by: Greig Fraser

Edited by: Joe Walker

Cameras: ARRI ALEXA LF, ARRI ALEXA Mini LF

Score Producer

'The Simpsons' I'm Just a Girl Who Can't Say D'oh (2019)

| USA

Directed by: Mike B. Anderson, Michael Polcino

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' The Girl on the Bus (2019)

| USA

Directed by: Chris Clements, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' E My Sports (2019)

| USA

Directed by: Mike B. Anderson, Rob Oliver

Edited by: Don Barrozo, Michael Bridge

Composer, Executive Music Producer

The Lion King (2019)

Movie

| USA, UK, South Africa

Directed by: Jon Favreau

Cinematography by: Caleb Deschanel

Edited by: Adam Gerstel, Mark Livolsi

Score Producer

'The Simpsons' D'oh Canada (2019)

| USA

Directed by: Mike B. Anderson, Matthew Nastuk

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' I'm Dancing as Fat as I Can (2019)

| USA

Directed by: Matthew Nastuk, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' Bart vs. Itchy & Scratchy (2019)

| USA

Directed by: Chris Clements, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' Woo-Hoo Dunnit? (2019)

| USA

Directed by: Mike B. Anderson, Steven Dean Moore

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' The Clown Stays in the Picture (2019)

| USA

Directed by: Timothy Bailey, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' Girl's in the Band (2019)

| USA

Directed by: Jennifer Moeller, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' Mad About the Toy (2019)

| USA

Directed by: Rob Oliver, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' Crystal Blue-Haired Persuasion (2019)

| USA

Directed by: Matthew Faughnan, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' I Want You (She's So Heavy) (2019)

| USA

Directed by: Mike B. Anderson, Steven Dean Moore

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' Bart's Not Dead (2018)

| USA

Directed by: Mike B. Anderson, Bob Anderson

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' No Good Read Goes Unpunished (2018)

Directed by: Mark Kirkland, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' Baby You Can't Drive My Car (2018)

| USA

Directed by: Mike B. Anderson, Timothy Bailey

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' Left Behind (2018)

Directed by: Mike B. Anderson, Lance Kramer

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' Homer is Where the Art Isn't (2018)

Directed by: Mike B. Anderson, Timothy Bailey

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' Daddicus Finch (2018)

| USA

Directed by: Mike B. Anderson, Steven Dean Moore

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' Heartbreak Hotel (2018)

| USA

Directed by: Mike B. Anderson, Steven Dean Moore

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' King Leer (2018)

Directed by: Mike B. Anderson, Chris Clements

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' From Russia Without Love (2018)

| USA

Directed by: Mike B. Anderson, Matthew Nastuk

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' Throw Grampa from the Dane (2018)

Directed by: Mike B. Anderson, Michael Polcino

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' 3 Scenes Plus a Tag from a Marriage (2018)

Directed by: Mike B. Anderson, Matthew Nastuk

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' 'Tis the 30th Season (2018)

| USA

Directed by: Mike B. Anderson, Lance Kramer

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' My Way or the Highway to Heaven (2018)

| USA

Directed by: Rob Oliver, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' Lisa Gets the Blues (2018)

Directed by: Bob Anderson, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' Haw-Haw Land (2018)

Directed by: Bob Anderson, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' Werking Mom (2018)

| USA

Directed by: Michael Polcino, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' Flanders' Ladder (2018)

Directed by: Mike B. Anderson, Matthew Nastuk

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' Fears of a Clown (2018)

Directed by: Mike B. Anderson, Steven Dean Moore

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' Treehouse of Horror XXIX (2018)

| USA

Directed by: Mike B. Anderson, Matthew Faughnan

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' Forgive and Regret (2018)

Directed by: Mike B. Anderson, Rob Oliver

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' Frink Gets Testy (2018)

Directed by: Mike B. Anderson, Chris Clements

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' Krusty the Clown (2018)

| USA

Directed by: Matthew Faughnan, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' Mr. Lisa's Opus (2017)

Directed by: Steven Dean Moore, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Composer: Theme Music

'Through the Wormhole' Is Gun Crime a Virus? (2017)

Cinematography by: Thomas S. Ciciura, Edward Done, Damon Hennessy, Kevin O'Brien, Steve Robson

Edited by: John Dentlinger, Freddy Harris, De'Shaun Humphrey, David Isser, Bryan King, David LaMattina, Lance Larson, Matt Raffaniello

Music By, Synth Programming

Blade Runner 2049 (2017)

| USA, UK, Hungary, Canada, Spain

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joe Walker

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

Score Producer

'The Simpsons' Grampy Can Ya Hear Me (2017)

Directed by: Mike B. Anderson, Bob Anderson

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' Gone Boy (2017)

Directed by: Rob Oliver, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' The Serfsons (2017)

Directed by: Mike B. Anderson, Rob Oliver, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Composer: Theme Music

'Through the Wormhole' Can We Hack the Planet? (2017)

Directed by: Jackson Merrick

Cinematography by: Andrew Begg, Wes Dorman, Mauricio Franco, David Goulding, Brandon Kelly, Steve Robson, Geordin Zee

Edited by: Bryan King, Lance Larson, Paul Marengo

Score Producer

'The Simpsons' The Old Blue Mayor She Ain't What She Used To Be (2017)

Directed by: Matthew Nastuk, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Score Producer

'The Simpsons' Springfield Splendor (2017)

Directed by: Mike B. Anderson, Matthew Faughnan, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Composer: Theme Music

'Through the Wormhole' Is the Force with Us? (2017)

Cinematography by: Edward Done, Wes Dorman, Joe Gabriel, Paul Neal, Steve Robson

Edited by: Lance Larson, Paul Marengo

Score Producer

'The Simpsons' Singin' in the Lane (2017)

Directed by: Mike B. Anderson, Michael Polcino

Edited by: Don Barrozo, Michael Bridge

Music By

Dunkirk (2017)

Cameras: Imax MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

| UK, Netherlands, France, USA

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Lenses: Hasselblad Lenses, Panavision 65mm Prime Lenses

Score Producer

'The Simpsons' Treehouse of Horror XXVIII (2017)

Directed by: Mike B. Anderson, Timothy Bailey

Edited by: Don Barrozo, Michael Bridge

Composer

Kung Fu Panda 3 (2016)

| China, USA

Directed by: Alessandro Carloni, Jennifer Yuh Nelson

Edited by: Clare Knight

Main Title Theme By, Music By

'Through the Wormhole' Are There More Than Two Sexes? (2016)

Cinematography by: Thomas S. Ciciura, Kris Denton, Wes Dorman, Alexa Ihrt, Rami Katzav, Steve Robson, Aaron Stecker, David Zapatka

Edited by: Freddy Harris, De'Shaun Humphrey, David Isser, Lance Larson, Paul Marengo, Matt Raffaniello

Composer

Batman v Superman: Dawn of Justice (2016)

Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, Imax MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

| USA

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: David Brenner

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Composer: Theme Music / Main Title Theme By, Music By

'Through the Wormhole' Is Privacy Dead? (2016)

Motion Picture, Television Series, Web Series

Cinematography by: Jason Longo, Tim Metzger, Kevin O'Brien, Oktay Ortabasi, Steve Robson, Dave Sanders, Rick Siegel

Edited by: Freddy Harris, De'Shaun Humphrey, David LaMattina, Matt Raffaniello

Opening Titles Theme - 9 Episodes, 2016

The Crown (2016)

| UK, USA

Directed by: Benjamin Caron, Philip Martin, Julian Jarrold, Stephen Daldry, Philippa Lowthorpe, Samuel Donovan, Jessica Hobbs, Christian Schwochow

Cinematography by: Adriano Goldman, Stuart Howell, Ole Bratt Birkeland, Frank Lamm, Fabian Wagner

Cameras: Sony Cameras, Sony Other Camera

Lenses: Cooke Lenses, Cooke Panchro/i Classic 135mm T2.8 Lens, Cooke Panchro/i Classic 21mm T2.2 Lens, Cooke Panchro/i Classic 27mm T2.2 Lens, Cooke Panchro/i Classic 65mm T2.4 Lens, Zeiss Lenses, Zeiss Supreme Prime Series Lenses

Composer: Theme Music, Music By

'Through the Wormhole' What Makes a Terrorist? (2016)

Cinematography by: Kris Denton, Joe Gabriel, David Goulding, Rami Katzav, Jason Longo, Tim Metzger, Kevin O'Brien, Oktay Ortabasi, Steve Robson

Edited by: John Dentlinger, Freddy Harris, De'Shaun Humphrey, Bryan King, David LaMattina, Matt Raffaniello

Composer: Theme Music

'Through the Wormhole' Can We All Become Geniuses (2016)

Cinematography by: Wes Dorman, Tim Knight, Paul Neal, Gilberto Nobrega, Kevin O'Brien, Steve Robson, G. Daniel Velazquez

Edited by: Bryan King, David LaMattina, Lance Larson

Executive Music Producer

Terminator Genisys (2015)

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Composer

'Through the Wormhole' Are We All Bigots? (2015)

Directed by: Anthony Lund

Cinematography by: Edward Done, Max Miller, Steve Robson, Mark Trottenberg, David Zapatka

Edited by: Lance Larson

Composer

Chappie (2015)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| South Africa, USA

Directed by: Neill Blomkamp

Cinematography by: Trent Opaloch

Edited by: Julian Clarke, Mark Goldblatt

Cameras: Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, Red Epic Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Composer

Winter's Tale (2014)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA

Directed by: Akiva Goldsman

Cinematography by: Caleb Deschanel

Edited by: Tim Squyres, Wayne Wahrman

Cameras: ARRI ALEXA Plus 4:3 Camera

Composer, Main Title Theme By

'Through the Wormhole' Is God an Alien Concept? (2014)

Directed by: Geoffrey Sharp

Cinematography by: Max Miller, Wade Muller, Dave Sanders, Esther Verkaik, David Zapatka

Edited by: Gillian McCarthy

Composer

Son of God (2014)

| USA

Directed by: Christopher Spencer

Cinematography by: Rob Goldie

Edited by: Robert Hall

Cameras: ARRI ALEXA Plus Camera

Lenses: ARRI / Fujinon Lenses

Composer

The Amazing Spider-Man 2 (2014)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Composer: Additional Music

Transformers: Age of Extinction (2014)

| USA, China, Hong Kong

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leica Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Composer, Composer: Theme Music

Interstellar (2014)

| USA, UK, Canada

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: Imax MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Executive Music Producer

Divergent (2014)

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses

| USA

Directed by: Neil Burger

Cinematography by: Alwin H. Küchler

Edited by: Richard Francis-Bruce, Nancy Richardson

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Composer, Main Title Theme By

'Through the Wormhole' Is Poverty Genetic? (2014)

Directed by: Kurt Sayenga

Cinematography by: David Goulding, Paul Huth, Jason Longo

Edited by: David LaMattina

Composer

Rush (2013)

| UK, Germany, USA

Directed by: Ron Howard

Cinematography by: Anthony Dod Mantle

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C300 Camera, GoPro HD Hero3 Camera, indieGS2K Camera, indiePOV Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Lenses, ARRI / Zeiss Lenses, Bausch & Lomb Lenses, Canon Lenses, Cooke Lenses, Cooke Speed Panchro Lenses, Kowa Lenses, Schneider Lenses, Zeiss Master Prime Lenses

Executive Music Producer

Hansel & Gretel: Witch Hunters (2013)

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses

| Germany, USA

Directed by: Tommy Wirkola

Cinematography by: Michael Bonvillain

Edited by: Jim Page

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera

Composer

12 Years a Slave (2013)

| USA, UK

Directed by: Steve McQueen

Cinematography by: Sean Bobbitt

Edited by: Joe Walker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Composer, Main Title Theme By

'Through the Wormhole' How Do Aliens Think (2013)

Directed by: David LaMattina

Cinematography by: David Baillie, Andrew Begg, Kris Denton, David Goulding, Steve Robson, Joel Schwartzberg, David Zapatka

Edited by: David LaMattina

Composer

Man of Steel (2013)

| USA, UK

Directed by: Zack Snyder

Cinematography by: Amir Mokri

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Composer, Main Title Theme By

'Through the Wormhole' Is There a God Particle? (2013)

Directed by: Geoffrey Sharp

Cinematography by: David Baillie, Aske Foss, Gary Henoch, Max Miller

Edited by: David LaMattina

Composer

The Lone Ranger (2013)

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

| USA

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Composer, Main Title Theme By

'Through the Wormhole' Is the Universe Alive? (2012)

Directed by: Laura Verklan

Cinematography by: David Baillie, Kris Denton, Wes Dorman, Stephen McCarthy, Paul Neal, Mark Trottenberg

Edited by: David Isser, Lance Larson

Music By

Madagascar 3: Europe's Most Wanted (2012)

| USA

Directed by: Eric Darnell, Tom McGrath, Conrad Vernon

Edited by: Nick Fletcher

Editing System: Avid Editing System

Composer, Main Title Theme By

'Through the Wormhole' Did We Invent God? (2012)

Directed by: James Younger

Cinematography by: David Baillie, Dave Bartlett, Kris Denton, Afshin Javadi, Chris Phillips, Steve Robson

Edited by: David Isser, Tim Wilsbach

Composer, Main Title Theme By

'Through the Wormhole' Can We Resurrect the Dead? (2012)

Directed by: Kurt Sayenga

Cinematography by: Kris Denton, Wes Dorman, David Goulding, Richard Kendrick, Jason Longo, Robin Probyn, Gordy Waterman

Edited by: David LaMattina

Composer, Main Title Theme By

'Through the Wormhole' Will We Survive First Contact? (2012)

Cinematography by: Andrew Begg, Kris Denton, John Lawrence, Jason Newfield, Chris Phillips, Mark Trottenberg

Edited by: Gillian McCarthy

Music Producer , Score Producer

Bullet to the Head (2012)

| USA

Directed by: Walter Hill

Cinematography by: Lloyd Ahern II

Edited by: Timothy Alverson

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Composer, Main Title Theme By

'Through the Wormhole' Will Eternity End? (2012)

Directed by: Geoffrey Sharp

Cinematography by: David Baillie, Wes Dorman, Evan Herrick, David Zapatka

Edited by: David Isser

Composer, Synth Programming

The Dark Knight Rises (2012)

Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, Imax MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

| UK, USA

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Composer, Main Title Theme By

'Through the Wormhole' What Is Nothing? (2012)

Cinematography by: David Baillie, Rupert Binsley, Kris Denton, Wes Dorman, Stephen McCarthy, Mark Trottenberg

Edited by: Lance Larson

Composer

The Longest Daycare (2012)

Short Film

| USA

Directed by: David Silverman

Edited by: Roger Injarusorn

Composer, Main Title Theme By

'Through the Wormhole' Mysteries of the Subconscious (2012)

Directed by: Laura Verklan

Cinematography by: Kris Denton, Grant Jordan, Scott Lakey, Cory Popp, David Zapatka

Edited by: David Isser

Composer, Main Title Theme By

'Through the Wormhole' Is There a Superior Race? (2012)

Directed by: Geoffrey Sharp

Cinematography by: Rolf Cutts, Kris Denton, David Goulding, Brendan Hubbard, Bill McMillin, Steve Robson, Joel Schwartzberg, Jon Tichota

Edited by: David Isser

Composer, Main Title Theme By

'Through the Wormhole' Can We Eliminate Evil? (2012)

Directed by: Kurt Sayenga

Cinematography by: David Baillie, Kris Denton, David Goulding, Sean Maxwell, Jason Newfield, Gordy Waterman, David Zapatka

Edited by: David LaMattina

Composer

Sherlock Holmes: A Game of Shadows (2011)

| USA, UK

Directed by: Guy Ritchie

Cinematography by: Philippe Rousselot

Edited by: James Herbert

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex Camera, Phantom HD Camera, Phantom HD Gold Camera

Composer

Kung Fu Panda 2 (2011)

| USA

Directed by: Jennifer Yuh Nelson

Edited by: Maryann Brandon, Clare Knight

Composer, Main Title Theme By

'Through the Wormhole' Is There a Sixth Sense? (2011)

Cinematography by: Wes Dorman, Stephen McCarthy, James Saligari, Dave Sanders, Gordy Waterman, Koen Wattez, Roelf-Jan Wentholt

Edited by: Gillian McCarthy

Main Title Theme By

'Through the Wormhole' Is There Life After Death? (2011)

Directed by: Kurt Sayenga

Cinematography by: Kris Denton, Wes Dorman, David Goulding, John Lawrence, Sid Lubitsch, Aaron Stecker

Edited by: Tricia Gorman, David Isser

Composer, Main Title Theme By

'Through the Wormhole' Can We Travel Faster Than Light? (2011)

Cinematography by: Kris Denton, Wes Dorman, David Goulding, Grant Jordan, Steve Robson, Joel Schwartzberg, Gordy Waterman, Hugo Zavala

Edited by: David Isser, Katie Smith

Composer

Rango (2011)

| USA, Brazil, UK

Directed by: Gore Verbinski

Cinematography by: Roger Deakins

Edited by: Craig Wood

Editing System: Avid Editing System

Main Title Theme By

'Through the Wormhole' Are There More Than 3 Dimensions? (2011)

Cinematography by: David Baillie

Edited by: David Isser

Composer, Main Title Theme By

'Through the Wormhole' How Does the Universe Work? (2011)

Directed by: Kurt Sayenga

Cinematography by: David Baillie, Bryan Gartman, Jason Longo, Josh Tallo

Edited by: Mark C. Baldwin, David Isser, Gillian McCarthy, Eric Potter

Composer, Composer: Theme Music / Score Producer

Pirates of the Caribbean: On Stranger Tides (2011)

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

| USA, UK

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Composer, Main Title Theme By

'Through the Wormhole' Does Time Really Exist? (2011)

Directed by: Kurt Sayenga

Cinematography by: David Baillie, Jerry Hattan, Paul Neal, Steve Robson, Dave Sanders, Joel Schwartzberg, Mark Trottenberg

Edited by: Tricia Gorman, David Isser

Composer, Main Title Theme By

'Through the Wormhole' What Do Aliens Look Like? (2011)

Cinematography by: Stephen McCarthy, Joel Schwartzberg, Joe Tolitano

Edited by: Adam Cook, David Isser

Composer, Featured Musician

The Dilemma (2011)

| USA

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Main Title Theme By

'Through the Wormhole' Are There Parallel Universes? (2011)

Cinematography by: David A. Wolf

Edited by: Gillian McCarthy, Eric Potter

Composer, Main Title Theme By

'Through the Wormhole' Is There an Edge to the Universe? (2011)

Cinematography by: Wes Dorman, Joel Schwartzberg

Edited by: David Isser

Composer, Main Title Theme By

'Through the Wormhole' Can We Live Forever? (2011)

Cinematography by: Sandra Chandler, Kris Denton, Wes Dorman, Steve Robson, Joel Schwartzberg, Josh Tallo

Edited by: Gillian McCarthy, Katie Smith

Composer, Synthesizer Programmer

Inception (2010)

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera

| USA, UK

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Main Title Theme By

'Through the Wormhole' Is Time Travel Possible? (2010)

Directed by: Kurt Sayenga

Cinematography by: David Baillie, Edward Done, Allan Palmer, Joel Schwartzberg

Edited by: Gina Vecchione

Composer - 24 Episodes, 2011-2016, Main Title Theme By / Composer: Theme Music - 35 Episodes, 2010-2017

Through the Wormhole (2010)

Television Series

| USA

Directed by: Kurt Sayenga, Geoffrey Sharp, Anthony Lund, David LaMattina, Laura Verklan, James Younger, David Isser, Jackson Merrick

Cinematography by: David Baillie, Wes Dorman, Steve Robson, Kris Denton, Joel Schwartzberg, David Goulding, David Zapatka, Dave Sanders, Jason Longo, Mark Trottenberg, Edward Done, Paul Neal, Stephen McCarthy, Gordy Waterman, Kevin O'Brien, Aaron Stecker, Andrew Begg, Rami Katzav, Max Miller, Randall Love, Roelf-Jan Wentholt, Grant Jordan, John Lawrence, Josh Tallo, Jason Newfield, Chris Phillips, Aske Foss, Thomas S. Ciciura, Joe Gabriel, Tim Metzger, Oktay Ortabasi, Mauricio Franco, Shawn Hiatt, Allan Palmer, Jon Shenk, Sandra Chandler, Bryan Gartman, Jerry Hattan, Sid Lubitsch, James Saligari, Joe Tolitano, Koen Wattez, David A. Wolf, Hugo Zavala, Dave Bartlett, Rupert Binsley, Rolf Cutts, Evan Herrick, Brendan Hubbard, Afshin Javadi, Richard Kendrick, Scott Lakey, Sean Maxwell, Bill McMillin, Cory Popp, Robin Probyn, Jon Tichota, Gary Henoch, Stan McMeekin, Paul Huth, Wade Muller, Esther Verkaik, Alexa Ihrt, Tim Knight, Gilberto Nobrega, Rick Siegel, G. Daniel Velazquez, Damon Hennessy, Brandon Kelly, Geordin Zee

Edited by: David Isser, David LaMattina, Lance Larson, Gillian McCarthy, Freddy Harris, De'Shaun Humphrey, Bryan King, Matt Raffaniello, Gina Vecchione, Paul Marengo, Tricia Gorman, Eric Potter, Katie Smith, Clay Zimmerman, John Dentlinger, Michael Mees, Mark C. Baldwin, Adam Cook, Tim Wilsbach

Cameras: Sony PMW-F3 Camera

Main Title Theme By

'Through the Wormhole' How Did We Get Here? (2010)

Cinematography by: Randall Love, Joel Schwartzberg

Edited by: David Isser

Composer

How Do You Know (2010)

| USA

Directed by: James L. Brooks

Cinematography by: Janusz Kaminski

Edited by: Richard Marks, Tracey Wadmore-Smith

Cameras: Panavision Panaflex Platinum Camera

Main Title Theme By

'Through the Wormhole' What Are We Really Made Of? (2010)

Directed by: Kurt Sayenga

Cinematography by: David Baillie, David Goulding

Edited by: Michael Mees, Gina Vecchione

Main Title Theme By

'Through the Wormhole' Is There a Creator? (2010)

Cinematography by: David Baillie, Shawn Hiatt, Dave Sanders

Edited by: Gillian McCarthy

Composer

Henri 4 (2010)

| Germany, France, Austria, Spain

Directed by: Jo Baier

Cinematography by: Gernot Roll

Edited by: Alexander Berner, Claus Wehlisch

Main Title Theme By

'Through the Wormhole' Are We Alone? (2010)

Cinematography by: Randall Love, Joel Schwartzberg, Jon Shenk

Edited by: Gina Vecchione

Composer, Music Producer

Sherlock Holmes (2009)

| USA, Germany, UK

Directed by: Guy Ritchie

Cinematography by: Philippe Rousselot

Edited by: James Herbert

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Phantom HD Camera, Silicon Imaging SI-2K Camera

Lenses: Panavision Primo Classic Spherical Lenses

Composer

Pirate Radio (2009)

| UK, France, Germany

Directed by: Richard Curtis

Cinematography by: Danny Cohen

Edited by: Emma E. Hickox

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Composer

It's Complicated (2009)

| USA, Japan

Directed by: Nancy Meyers

Cinematography by: John Toll

Edited by: Joe Hutshing, David Moritz

Executive Music Producer

2012 (2009)

| USA

Directed by: Roland Emmerich

Cinematography by: Dean Semler

Edited by: David Brenner, Peter S. Elliot

Cameras: Panavision Cameras, Panavision Genesis Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Composer: Additional Music

Transformers: Revenge of the Fallen (2009)

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Composer, Orchestrator

Frost/Nixon (2008)

| UK, France, USA

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill, Robert Komatsu

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses, Cooke Varotal Lenses

Editing System: Avid Editing System

Music Consultant

Vantage Point (2008)

| USA

Directed by: Pete Travis

Cinematography by: Amir Mokri

Edited by: Stuart Baird

Music By, Musician: Synthesizer , Musician: Synthesizer / Score Producer , Synthesizer Programmer

The Dark Knight (2008)

| USA, UK

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Executive Music Producer

Iron Man (2008)

Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses

| USA

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Editing System: Avid Editing System, Final Cut Pro Editing System

Composer

The Burning Plain (2008)

| USA, Argentina

Directed by: Guillermo Arriaga

Cinematography by: Robert Elswit

Edited by: Craig Wood

Cameras: Panavision Cameras

Composer

Kung Fu Panda (2008)

| USA

Directed by: Mark Osborne, John Stevenson

Cinematography by: Yong Duk Jhun

Edited by: Clare Knight

Executive Music Producer , Music Consultant

Babylon A.D. (2008)

| France, UK

Directed by: Mathieu Kassovitz

Cinematography by: Thierry Arbogast

Edited by: Benjamin Weill

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, ARRIFLEX 535 B Camera

Composer

Casi divas (2008)

| Mexico

Directed by: Issa López

Cinematography by: Carlos Aguilera

Edited by: Jorge García

Composer

Pirates of the Caribbean: At World's End (2007)

| USA

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Editing System: Avid Editing System

Music By

The Simpsons Movie (2007)

| USA

Directed by: David Silverman

Edited by: John Carnochan

Editing System: Final Cut Pro Editing System

Composer: Theme Music, Executive Score Producer

August Rush (2007)

| USA

Directed by: Kirsten Sheridan

Cinematography by: John Mathieson

Edited by: William Steinkamp

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Executive Music Producer

The Prestige (2006)

| USA, UK

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera, Spacecam Aerial Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Composer, Soloist: Piano

The Holiday (2006)

| USA

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Joe Hutshing

Cameras: Panavision Panaflex Platinum Camera

Composer

Pirates of the Caribbean: Dead Man's Chest (2006)

| USA

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Composer

The Da Vinci Code (2006)

| USA, Malta, France, UK

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Composer

The Weather Man (2005)

| USA, Germany

Directed by: Gore Verbinski

Cinematography by: Phedon Papamichael

Edited by: Craig Wood

Cameras: Panavision Panaflex Millennium XL2 Camera

Music Producer: Jordan & Ridley Scott Segment

All the Invisible Children (2005)

| France, Italy

Directed by: Mehdi Charef, Emir Kusturica, Spike Lee, Kátia Lund, Jordan Scott, Ridley Scott, Stefano Veneruso, John Woo

Cinematography by: Philippe Brelot, Cliff Charles, Changwei Gu, Toca Seabra, Vittorio Storaro, Jim Whitaker, Nianping Zeng, Michel Amathieu

Edited by: Barry Alexander Brown, Ugo De Rossi, Robert A. Ferretti, Yannick Kergoat, Claudio Misantoni, Estevan Santos, Dayn Williams, Svetolik Zajc

Composer: Themes

The Ring Two (2005)

| USA

Directed by: Hideo Nakata

Cinematography by: Gabriel Beristain

Edited by: Michael N. Knue

Score Producer

The Island (2005)

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

| USA

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Composer

Batman Begins (2005)

| USA, UK

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 435 Camera, Bell & Howell Cameras, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Composer

Shark Tale (2004)

| USA

Directed by: Bibo Bergeron, Vicky Jenson, Rob Letterman

Edited by: Nick Fletcher, Peter Lonsdale, John Venzon

Composer

Spanglish (2004)

| USA

Directed by: James L. Brooks

Cinematography by: John Seale

Edited by: Richard Marks, Tia Nolan

Composer

Thunderbirds (2004)

| UK, France, USA

Directed by: Jonathan Frakes

Cinematography by: Brendan Galvin

Edited by: Martin Walsh

Composer

King Arthur (2004)

| USA, UK, Ireland

Directed by: Antoine Fuqua

Cinematography by: Slawomir Idziak

Edited by: Conrad Buff IV, Jamie Pearson

Composer: Theme Music

Johnny English (2003)

| UK, France, USA

Directed by: Peter Howitt

Cinematography by: Remi Adefarasin

Edited by: Robin Sales

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Zeiss Lenses

Editing System: Lightworks Editing System

Composer

Tears of the Sun (2003)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: Conrad Buff IV, Christopher Holmes

Cameras: Panavision Cameras

Composer, Score Arranger / Score Programmer

The Last Samurai (2003)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA, New Zealand, Japan

Directed by: Edward Zwick

Cinematography by: John Toll

Edited by: Victor Du Bois, Steven Rosenblum

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera

Music Editor / Music Programmer / Score Producer / Soundtrack Producer

Pirates of the Caribbean: The Curse of the Black Pearl (2003)

| USA

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Arthur Schmidt, Craig Wood

Cameras: Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Composer

Something's Gotta Give (2003)

| USA

Directed by: Nancy Meyers

Cinematography by: Michael Ballhaus

Edited by: Joe Hutshing

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Zeiss Lenses

Composer, Music Arranger / Music Programmer

Matchstick Men (2003)

| USA, UK

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

Composer

Spirit: Stallion of the Cimarron (2002)

| USA

Directed by: Kelly Asbury, Lorna Cook

Edited by: Nick Fletcher, Clare Knight

Composer

The Ring (2002)

| USA

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: Craig Wood

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Super Speed Lenses

Editing System: Final Cut Pro Editing System

Composer, Conductor / Musician: Keyboards

Black Hawk Down (2001)

| USA, UK

Directed by: Ridley Scott

Cinematography by: Slawomir Idziak

Edited by: Pietro Scalia

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Composer

Riding in Cars with Boys (2001)

| USA

Directed by: Penny Marshall

Cinematography by: Miroslav Ondrícek

Edited by: Lawrence Jordan, Richard Marks

Composer

Hannibal (2001)

| USA, UK, Italy

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Composer

Pearl Harbor (2001)

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

| USA

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Original Music Producer

I Am Sam (2001)

| USA

Directed by: Jessie Nelson

Cinematography by: Elliot Davis

Edited by: Richard Chew

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Lightweight Zoom Lenses, Panavision Primo Classic Spherical Lenses

Musician: Guitar

Jason X (2001)

| Canada, USA

Directed by: James Isaac

Cinematography by: Derick V. Underschultz

Edited by: David Handman

Composer

The Pledge (2001)

| USA

Directed by: Sean Penn

Cinematography by: Chris Menges

Edited by: Jay Cassidy

Composer, Conductor / Musician

Mission: Impossible II (2000)

| USA, Germany

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Steven Kemper, Christian Wagner

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Composer

Gladiator (2000)

Lenses: Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

| USA, UK, Malta, Morocco

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Composer

Chill Factor (1999)

| USA

Directed by: Hugh Johnson

Cinematography by: David Gribble

Edited by: Pamela Power

Composer

The Last Days (1998)

Documentary

| USA

Directed by: James Moll

Cinematography by: Harris Done

Edited by: James Moll

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Composer

The Thin Red Line (1998)

Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens

| USA

Directed by: Terrence Malick

Cinematography by: John Toll

Edited by: Leslie Jones, Saar Klein, Billy Weber

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Editing System: Avid Editing System

Score

The Prince of Egypt (1998)

| USA

Directed by: Brenda Chapman, Steve Hickner, Simon Wells

Edited by: Nick Fletcher

Advisor: Sound

Deceiver (1997)

| USA

Directed by: Jonas Pate, Josh Pate

Cinematography by: Bill Butler

Edited by: Dan Lebental

Music Arranger , Music By

As Good as It Gets (1997)

| USA

Directed by: James L. Brooks

Cinematography by: John Bailey

Edited by: Richard Marks

Composer, Composer: Additional Music

Smilla's Sense of Snow (1997)

| Denmark, Germany, Sweden

Directed by: Bille August

Cinematography by: Jörgen Persson

Edited by: Janus Billeskov Jansen

Score Producer

Face/Off (1997)

| USA

Directed by: John Woo

Cinematography by: Oliver Wood

Edited by: Steven Kemper, Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Composer

The Peacemaker (1997)

| USA

Directed by: Mimi Leder

Cinematography by: Dietrich Lohmann

Edited by: David Rosenbloom

Score Producer

The Borrowers (1997)

| UK, USA

Directed by: Peter Hewitt

Cinematography by: Trevor Brooker, John Fenner

Edited by: David Freeman

Composer: Additional Music / Score Producer

White Squall (1996)

| USA, UK

Directed by: Ridley Scott

Cinematography by: Hugh Johnson

Edited by: Gerry Hambling

Composer, Score Arranger

Broken Arrow (1996)

| USA

Directed by: John Woo

Cinematography by: Peter Levy

Edited by: Joe Hutshing, Steve Mirkovich, John Wright

Cameras: Panavision Cameras

Composer, Music Producer / Score Arranger

The Rock (1996)

| USA

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Richard Francis-Bruce

Cameras: Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Score Producer

Twister (1996)

| USA

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Michael Kahn

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Generous Support And Guidance

The Whole Wide World (1996)

| USA

Directed by: Dan Ireland

Cinematography by: Claudio Rocha

Edited by: Luis Colina

Composer

The Fan (1996)

| USA

Directed by: Tony Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson, Christian Wagner

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Composer

Crimson Tide (1995)

| USA

Directed by: Tony Scott

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

Composer, Music Producer

Beyond Rangoon (1995)

| UK, USA

Directed by: John Boorman

Cinematography by: John Seale

Edited by: Ron Davis

Composer: Additional Music

Monkey Trouble (1994)

| Japan, USA

Directed by: Franco Amurri

Cinematography by: Luciano Tovoli

Edited by: Ray Lovejoy, Chris Peppe

Composer

Renaissance Man (1994)

| USA

Directed by: Penny Marshall

Cinematography by: Adam Greenberg

Edited by: George Bowers, Battle Davis

Composer

True Romance (1993)

| USA, France

Directed by: Tony Scott

Cinematography by: Jeffrey L. Kimball

Edited by: Michael Tronick, Christian Wagner

Composer

Point of No Return (1993)

| USA

Directed by: John Badham

Cinematography by: Michael W. Watkins

Edited by: Frank Morriss

Composer: Additional Music

Sniper (1993)

| USA, Peru

Directed by: Luis Llosa

Cinematography by: Bill Butler

Edited by: M. Scott Smith

Composer

Cool Runnings (1993)

| USA

Directed by: Jon Turteltaub

Cinematography by: Phedon Papamichael

Edited by: Bruce Green

Composer: Theme Music

Lifepod (1993)

Television Movie

| USA

Directed by: Ron Silver

Cinematography by: Robert Steadman

Edited by: Alan Baumgarten

Music By

Radio Flyer (1992)

| USA

Directed by: Richard Donner, David Mickey Evans

Cinematography by: László Kovács

Edited by: Stuart Baird, Dallas Puett

Cameras: Panavision Cameras

Composer

The Power of One (1992)

| Australia, France, USA

Directed by: John G. Avildsen

Cinematography by: Dean Semler

Edited by: John G. Avildsen, Trevor Jolly

Composer

A League of Their Own (1992)

| USA

Directed by: Penny Marshall

Cinematography by: Miroslav Ondrícek

Edited by: Adam Bernardi, George Bowers

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Composer, Music Arranger / Musician

Toys (1992)

| USA

Directed by: Barry Levinson

Cinematography by: Adam Greenberg

Edited by: Stu Linder

Composer

Thelma & Louise (1991)

| USA, UK, France

Directed by: Ridley Scott

Cinematography by: Adrian Biddle

Edited by: Thom Noble

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Composer

Regarding Henry (1991)

| USA

Directed by: Mike Nichols

Cinematography by: Giuseppe Rotunno

Edited by: Sam O'Steen

Cameras: Panavision Cameras

Composer

Backdraft (1991)

| USA

Directed by: Ron Howard

Cinematography by: Mikael Salomon

Edited by: Daniel P. Hanley, Mike Hill

Composer

Where Sleeping Dogs Lie (1991)

| USA

Directed by: Charles Finch

Cinematography by: Miles Cook

Edited by: Gene M. Gamache, B.J. Sears

Credit Only

Chicago Joe and the Showgirl (1990)

| UK

Directed by: Bernard Rose

Cinematography by: Mike Southon

Edited by: Dan Rae

Composer

Pacific Heights (1990)

| USA

Directed by: John Schlesinger

Cinematography by: Amir Mokri

Edited by: Steven Ramirez, Mark Warner

Cameras: ARRI Cameras

Composer

Bird on a Wire (1990)

| USA

Directed by: John Badham

Cinematography by: Robert Primes

Edited by: Frank Morriss, Dallas Puett

Composer

Green Card (1990)

| France, Australia, USA

Directed by: Peter Weir

Cinematography by: Geoffrey Simpson

Edited by: William M. Anderson

Composer

Days of Thunder (1990)

| USA

Directed by: Tony Scott

Cinematography by: Ward Russell

Edited by: Robert C. Jones, Chris Lebenzon, Bert Lovitt, Michael Tronick, Stuart Waks, Billy Weber

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Score Producer - 43 Episodes, 2017-2019

The Simpsons (1989)

Television Series

| USA

Edited by: Don Barrozo, Michael Bridge, Mark McJimsey, Lee Harting, Brian K. Roberts, Kurtis Kunsak, Ric Eisman, Jennifer Dolce, Tony Hayman, Ian Z. Schiff

Music Composed By

Driving Miss Daisy (1989)

| USA

Directed by: Bruce Beresford

Cinematography by: Peter James

Edited by: Mark Warner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Composer

Black Rain (1989)

| USA, Japan

Directed by: Ridley Scott

Cinematography by: Jan de Bont

Edited by: Tom Rolf

Cameras: Beaulieu Cameras, Panavision Cameras

Lenses: Panavision Lenses

Composer

Taffin (1988)

| UK, Ireland, USA

Directed by: Francis Megahy

Cinematography by: Paul Beeson

Edited by: Peter Tanner

Composer

Paperhouse (1988)

| UK

Directed by: Bernard Rose

Cinematography by: Mike Southon

Edited by: Dan Rae

Composer

Rain Man (1988)

| USA

Directed by: Barry Levinson

Cinematography by: John Seale

Edited by: Stu Linder

Cameras: Panavision Panaflex Camera

Composer

The Fruit Machine (1988)

| UK

Directed by: Philip Saville

Cinematography by: Dick Pope

Edited by: Richard Bedford

Music Producer: London

The Last Emperor (1987)

| UK, Italy, China, France

Directed by: Bernardo Bertolucci

Cinematography by: Vittorio Storaro

Edited by: Gabriella Cristiani

Cameras: ARRIFLEX 35 BL Camera

Lenses: Technovision Lenses

Composer: Additional Music

Castaway (1986)