Gary Summers

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Spider-Man: Across the Spider-Verse | ShotOnWhat?

Additional Re-Recording Mixer

Spider-Man: Across the Spider-Verse (2023)

Directed by: Joaquim Dos Santos, Kemp Powers, Justin K. Thompson

Edited by: Mike Andrews

Elemental | ShotOnWhat?

Re-recording Mixer - Rumored

Elemental (2023)

Directed by: Peter Sohn

Cinematography by: David Juan Bianchi, Jean-Claude Kalache

Edited by: Stephen Schaffer

Re-recording Mixer

Avatar: The Way of Water (2022)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: David Brenner, James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta VENICE Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon MK 18-55mm T2.9 Lens, Fujinon MK 50-135mm T2.9 Lens

Top Gun: Maverick | ShotOnWhat?

Re-recording Mixer: Skywalker Sound

Top Gun: Maverick (2022)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Eddie Hamilton

Cameras: Sony CineAlta VENICE Camera

Lenses: Sigma Lenses, Voigtländer Lenses, Zeiss Master Prime Lenses

Transformers: The Last Knight | ShotOnWhat?

Re-recording Mixer: Technicolor At Paramount

Transformers: The Last Knight (2017)

Directed by: Michael Bay

Cinematography by: Jonathan Sela

Edited by: Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Cameras: ALEXA IMAX Camera, ARRIFLEX 416 Camera, Red Epic Dragon Camera, Red Epic Helium Camera

Lenses: ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

13 Hours: The Secret Soldiers of Benghazi | ShotOnWhat?

Re-recording Mixer: Technicolor At Paramount

13 Hours: The Secret Soldiers of Benghazi (2016)

Directed by: Michael Bay

Cinematography by: Dion Beebe

Edited by: Michael McCusker, Pietro Scalia, Calvin Wimmer

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro HD Hero3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Accountant | ShotOnWhat?

Re-recording Mixer

The Accountant (2016)

Directed by: Gavin O'Connor

Cinematography by: Seamus McGarvey

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Pete's Dragon | ShotOnWhat?

Re-recording Mixer

Pete's Dragon (2016)

Directed by: David Lowery

Cinematography by: Bojan Bazelli

Edited by: Lisa Zeno Churgin

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Cooke Anamorphic/i Prime Lenses

Ice Age: Collision Course | ShotOnWhat?

Additional Re-recording Mixer

Ice Age: Collision Course (2016)

Directed by: Mike Thurmeier, Galen T. Chu

Cinematography by: Renato Falcão

Edited by: Erin Crackel, James Palumbo

Avengers: Age of Ultron | ShotOnWhat?

Additional Re-recording Mixer

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

A Most Violent Year | ShotOnWhat?

Re-recording Mixer

A Most Violent Year (2014)

Directed by: J.C. Chandor

Cinematography by: Bradford Young

Edited by: Ron Patane

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses

Editing System: Final Cut Pro Editing System

The Hobbit: The Battle of the Five Armies | ShotOnWhat?

Additional Re-recording Mixer

The Hobbit: The Battle of the Five Armies (2014)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Zeiss Ultra Prime Lenses

The Hobbit: The Desolation of Smaug | ShotOnWhat?

Additional Re-recording Mixer

The Hobbit: The Desolation of Smaug (2013)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: GoPro HD Hero3 Camera, Red Epic Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Monsters University | ShotOnWhat?

Re-recording Mixer

Monsters University (2013)

Directed by: Dan Scanlon

Edited by: Greg Snyder

Madagascar 3: Europe's Most Wanted | ShotOnWhat?

Re-recording Mixer

Madagascar 3: Europe's Most Wanted (2012)

Directed by: Eric Darnell, Tom McGrath, Conrad Vernon

Edited by: Nick Fletcher

Editing System: Avid Editing System

Alex Cross | ShotOnWhat?

Re-recording Mixer

Alex Cross (2012)

Directed by: Rob Cohen

Cinematography by: Ricardo Della Rosa

Edited by: Matthew Diezel, Thom Noble

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL3 Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

The Bourne Legacy | ShotOnWhat?

Re-recording Mixer

The Bourne Legacy (2012)

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Hobbit: An Unexpected Journey | ShotOnWhat?

Additional Sound Re-recording Mixer

The Hobbit: An Unexpected Journey (2012)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: Red Epic Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Good Deeds | ShotOnWhat?

Re-recording Mixer

Good Deeds (2012)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

Rio | ShotOnWhat?

Additional Re-recording Mixer

Rio (2011)

Directed by: Carlos Saldanha

Cinematography by: Renato Falcão

Edited by: Harry Hitner

Transformers: Dark of the Moon | ShotOnWhat?

Re-recording Mixer

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Warrior | ShotOnWhat?

Re-recording Mixer

Warrior (2011)

Directed by: Gavin O'Connor

Cinematography by: Masanobu Takayanagi

Edited by: Sean Albertson, Matt Chesse, John Gilroy, Aaron Marshall

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Editing System: Avid Editing System

Dream House | ShotOnWhat?

Re-recording Mixer

Dream House (2011)

Directed by: Jim Sheridan

Cinematography by: Caleb Deschanel

Edited by: Glen Scantlebury, Barbara Tulliver

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Madea's Big Happy Family | ShotOnWhat?

Re-recording Mixer

Madea's Big Happy Family (2011)

Directed by: Tyler Perry

Cinematography by: Toyomichi Kurita

Edited by: Maysie Hoy

For Colored Girls | ShotOnWhat?

Re-recording Mixer

For Colored Girls (2010)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Iron Man 2 | ShotOnWhat?

Additional Re-recording Mixer

Iron Man 2 (2010)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Richard Pearson

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Why Did I Get Married Too? | ShotOnWhat?

Re-recording Mixer

Why Did I Get Married Too? (2010)

Directed by: Tyler Perry

Cinematography by: Toyomichi Kurita

Edited by: Maysie Hoy

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Case 39 | ShotOnWhat?

Re-recording Mixer

Case 39 (2009)

Directed by: Christian Alvart

Cinematography by: Hagen Bogdanski

Edited by: Mark Goldblatt

Transformers: Revenge of the Fallen | ShotOnWhat?

Re-recording Mixer

Transformers: Revenge of the Fallen (2009)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Re-recording Mixer

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Meet the Browns | ShotOnWhat?

Re-recording Mixer

Meet the Browns (2008)

Directed by: Tyler Perry

Cinematography by: Sandi Sissel

Edited by: Maysie Hoy

City of Ember | ShotOnWhat?

Re-recording Mixer: Todd-AO West

City of Ember (2008)

Directed by: Gil Kenan

Cinematography by: Xavier Grobet

Edited by: Adam P. Scott, Zach Staenberg

The Mummy: Tomb of the Dragon Emperor | ShotOnWhat?

Re-recording Mixer

The Mummy: Tomb of the Dragon Emperor (2008)

Directed by: Rob Cohen

Cinematography by: Simon Duggan

Edited by: Kelly Matsumoto, Joel Negron

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Untraceable | ShotOnWhat?

Re-recording Mixer

Untraceable (2008)

Directed by: Gregory Hoblit

Cinematography by: Anastas N. Michos

Edited by: Gregory Plotkin, David Rosenbloom

Fracture | ShotOnWhat?

Re-recording Mixer

Fracture (2007)

Directed by: Gregory Hoblit

Cinematography by: Kramer Morgenthau

Edited by: David Rosenbloom

The Bourne Ultimatum | ShotOnWhat?

Sound Mixer

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Charlotte's Web | ShotOnWhat?

Re-recording Mixer

Charlotte's Web (2006)

Directed by: Gary Winick

Cinematography by: Seamus McGarvey

Edited by: Susan Littenberg, Sabrina Plisco

Cars | ShotOnWhat?

Re-recording Mixer

Cars (2006)

Directed by: John Lasseter, Joe Ranft

Cinematography by: Jeremy Lasky

Edited by: Ken Schretzmann

Roar: Lions of the Kalahari | ShotOnWhat?

Re-recording Mixer

Roar: Lions of the Kalahari (2005)

Directed by: Tim Liversedge

Edited by: Lori Petersen Waite

xXx: State of the Union | ShotOnWhat?

Re-recording Mixer

xXx: State of the Union (2005)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Mark Goldblatt, Todd E. Miller, Steven Rosenblum

Magnificent Desolation: Walking on the Moon 3D | ShotOnWhat?

Re-recording Mixer

Magnificent Desolation: Walking on the Moon 3D (2005)

Directed by: Mark Cowen

Cinematography by: Sean MacLeod Phillips

Edited by: Billy Schinski

Team America: World Police | ShotOnWhat?

Re-recording Mixer

Team America: World Police (2004)

Directed by: Trey Parker

Cinematography by: Bill Pope

Edited by: Thomas M. Vogt

Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera

Lenses: Panavision Lenses, Panavision Primo Close Focus Spherical Lenses

Sky Captain and the World of Tomorrow | ShotOnWhat?

Additional Re-recording Mixer

Sky Captain and the World of Tomorrow (2004)

Directed by: Kerry Conran

Cinematography by: Eric Adkins

Edited by: Sabrina Plisco

Cameras: Sony HDW-F900 Camera

Editing System: Final Cut Pro Editing System

Lara Croft Tomb Raider: The Cradle of Life | ShotOnWhat?

Re-recording Mixer

Lara Croft Tomb Raider: The Cradle of Life (2003)

Directed by: Jan de Bont

Cinematography by: David Tattersall

Edited by: Michael Kahn

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Ghosts of the Abyss | ShotOnWhat?

Re-recording Mixer

Ghosts of the Abyss (2003)

Directed by: James Cameron

Cinematography by: Vince Pace

Edited by: Ed W. Marsh, Sven Pape, John Refoua, David C. Cook

The Lord of the Rings: The Return of the King | ShotOnWhat?

Additional Re-recording Mixer

The Lord of the Rings: The Return of the King (2003)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jamie Selkirk

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Finding Nemo | ShotOnWhat?

Re-recording Mixer: Skywalker Sound

Finding Nemo (2003)

Directed by: Andrew Stanton, Lee Unkrich

Cinematography by: Sharon Calahan, Jeremy Lasky, Jericca Cleland

Edited by: David Ian Salter

Mystic River | ShotOnWhat?

Re-recording Mixer

Mystic River (2003)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Hart's War | ShotOnWhat?

Re-recording Mixer

Hart's War (2002)

Directed by: Gregory Hoblit

Cinematography by: Alar Kivilo

Edited by: David Rosenbloom

K-19: The Widowmaker | ShotOnWhat?

Re-recording Mixer

K-19: The Widowmaker (2002)

Directed by: Kathryn Bigelow

Cinematography by: Jeff Cronenweth

Edited by: Walter Murch

The Lord of the Rings: The Two Towers | ShotOnWhat?

Additional Re-recording Mixer

The Lord of the Rings: The Two Towers (2002)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Michael Horton

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera, Mitchell Cameras, Moviecam Compact Camera

Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses

The Mexican | ShotOnWhat?

Re-recording Mixer

The Mexican (2001)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Craig Wood

Cameras: Panavision Cameras

Jurassic Park III | ShotOnWhat?

Re-recording Mixer

Jurassic Park III (2001)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva

Monsters, Inc. | ShotOnWhat?

Re-recording Mixer

Monsters, Inc. (2001)

Directed by: Pete Docter, David Silverman, Lee Unkrich

Edited by: Robert Grahamjones, Jim Stewart

A.I. Artificial Intelligence | ShotOnWhat?

Additional Re-recording Mixer

A.I. Artificial Intelligence (2001)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Cameras

Lenses: ARRI / Zeiss Lenses

The Legend of Bagger Vance | ShotOnWhat?

Music Re-recording Mixer, Re-recording Mixer

The Legend of Bagger Vance (2000)

Directed by: Robert Redford

Cinematography by: Michael Ballhaus

Edited by: Hank Corwin

102 Dalmatians | ShotOnWhat?

Re-recording Mixer

102 Dalmatians (2000)

Directed by: Kevin Lima

Cinematography by: Adrian Biddle, Roger Pratt

Edited by: Gregory Perler

Toy Story 2 | ShotOnWhat?

Re-recording Mixer

Toy Story 2 (1999)

Directed by: John Lasseter, Ash Brannon, Lee Unkrich

Cinematography by: Sharon Calahan

Edited by: Edie Ichioka, David Ian Salter, Lee Unkrich

Komodo | ShotOnWhat?

Re-recording Mixer

Komodo (1999)

Directed by: Michael Lantieri

Cinematography by: David Burr

Edited by: Michael Fallavollita

The Haunting | ShotOnWhat?

Re-recording Mixer

The Haunting (1999)

Directed by: Jan de Bont

Cinematography by: Karl Walter Lindenlaub

Edited by: Michael Kahn

Cameras: Panavision Cameras, VistaVision Cameras

Lenses: Panavision Lenses

Titus | ShotOnWhat?

Re-recording Mixer: Skywalker Sound

Titus (1999)

Directed by: Julie Taymor

Cinematography by: Luciano Tovoli

Edited by: Françoise Bonnot

Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Lenses

Bicentennial Man | ShotOnWhat?

Re-recording Mixer

Bicentennial Man (1999)

Directed by: Chris Columbus

Cinematography by: Phil Meheux

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Classic Spherical Lenses

Stepmom | ShotOnWhat?

Re-recording Mixer

Stepmom (1998)

Directed by: Chris Columbus

Cinematography by: Donald McAlpine

Edited by: Neil Travis

A Bug's Life | ShotOnWhat?

Rerecording Mixer

A Bug's Life (1998)

Directed by: John Lasseter, Andrew Stanton

Cinematography by: Sharon Calahan

Edited by: Lee Unkrich

Saving Private Ryan | ShotOnWhat?

Re-recording Mixer

Saving Private Ryan (1998)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Moviola Editing System

Titanic | ShotOnWhat?

Re-recording Mixer: Music

Titanic (1997)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, James Cameron, Richard A. Harris

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Volcano | ShotOnWhat?

Re-recording Mixer

Volcano (1997)

Directed by: Mick Jackson

Cinematography by: Theo van de Sande

Edited by: Don Brochu, Michael Tronick

The Lost World: Jurassic Park | ShotOnWhat?

Re-recording Mixer

The Lost World: Jurassic Park (1997)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Mission: Impossible | ShotOnWhat?

Re-recording Mixer

Mission: Impossible (1996)

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Paul Hirsch

Cameras: Panavision Panaflex Camera, Wescam Cameras

Editing System: Lightworks Editing System

Hearst Castle: Building the Dream | ShotOnWhat?

Re-recording Mixer

Hearst Castle: Building the Dream (1996)

Directed by: Bruce Neibaur

Cinematography by: Matthew Williams

Edited by: Stephen L. Johnson

Cameras: Iwerks MSM 8870 Camera

Mars Attacks! | ShotOnWhat?

Re-recording Mixer

Mars Attacks! (1996)

Directed by: Tim Burton

Cinematography by: Peter Suschitzky

Edited by: Chris Lebenzon

James and the Giant Peach | ShotOnWhat?

Re-recording Mixer

James and the Giant Peach (1996)

Directed by: Henry Selick

Cinematography by: Pete Kozachik, Hiro Narita

Edited by: Stan Webb

Casper | ShotOnWhat?

Re-recording Mixer

Casper (1995)

Directed by: Brad Silberling

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Cameras: Panavision Cameras

Jumanji | ShotOnWhat?

Re-recording Mixer

Jumanji (1995)

Directed by: Joe Johnston

Cinematography by: Thomas E. Ackerman

Edited by: Robert Dalva

Cameras: Panavision Cameras

Miracle on 34th Street | ShotOnWhat?

Rerecording Mixer

Miracle on 34th Street (1994)

Directed by: Les Mayfield

Cinematography by: Julio Macat

Edited by: Raja Gosnell

Baby's Day Out | ShotOnWhat?

Re-recording Mixer

Baby's Day Out (1994)

Directed by: Patrick Read Johnson

Cinematography by: Thomas E. Ackerman

Edited by: David Rawlins

House of Cards | ShotOnWhat?

Re-recording Mixer

House of Cards (1993)

Directed by: Michael Lessac

Cinematography by: Victor Hammer

Edited by: Walter Murch

Jurassic Park | ShotOnWhat?

Re-recording Mixer

Jurassic Park (1993)

Directed by: Steven Spielberg

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses

Editing System: Steenbeck Editing System

Mrs. Doubtfire | ShotOnWhat?

Re-recording Mixer

Mrs. Doubtfire (1993)

Directed by: Chris Columbus

Cinematography by: Donald McAlpine

Edited by: Raja Gosnell

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

The Saint of Fort Washington | ShotOnWhat?

Re-recording Mixer

The Saint of Fort Washington (1993)

Directed by: Tim Hunter

Cinematography by: Frederick Elmes

Edited by: Howard E. Smith

Jennifer 8 | ShotOnWhat?

Re-recording Mixer

Jennifer 8 (1992)

Directed by: Bruce Robinson

Cinematography by: Conrad L. Hall

Edited by: Conrad Buff IV

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Backdraft | ShotOnWhat?

Re-recording Mixer

Backdraft (1991)

Directed by: Ron Howard

Cinematography by: Mikael Salomon

Edited by: Daniel P. Hanley, Mike Hill

The Addams Family | ShotOnWhat?

Re-recording Mixer: Skywalker Sound

The Addams Family (1991)

Directed by: Barry Sonnenfeld

Cinematography by: Owen Roizman

Edited by: Dede Allen, Jim Miller

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Terminator 2: Judgment Day | ShotOnWhat?

Re-recording Mixer: 1991 & 1993 Special Edition

Terminator 2: Judgment Day (1991)

Directed by: James Cameron

Cinematography by: Adam Greenberg

Edited by: Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

Rush | ShotOnWhat?

Re-recording Mixer

Rush (1991)

Directed by: Lili Fini Zanuck

Cinematography by: Kenneth MacMillan

Edited by: Mark Warner

Indiana Jones and the Last Crusade | ShotOnWhat?

Re-recording Mixer

Indiana Jones and the Last Crusade (1989)

Directed by: Steven Spielberg

Cinematography by: Douglas Slocombe

Edited by: Michael Kahn, George Lucas

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Always | ShotOnWhat?

Re-recording Mixer

Always (1989)

Directed by: Steven Spielberg

Cinematography by: Mikael Salomon

Edited by: Michael Kahn

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Willow | ShotOnWhat?

Re-recording Mixer

Willow (1988)

Directed by: Ron Howard

Cinematography by: Adrian Biddle

Edited by: Daniel P. Hanley, Mike Hill, Richard Hiscott

Cameras: Panavision Panaflex Gold Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses

Cocoon: The Return | ShotOnWhat?

Re-recording Mixer

Cocoon: The Return (1988)

Directed by: Daniel Petrie

Cinematography by: Tak Fujimoto

Edited by: Mark Warner

Spaceballs | ShotOnWhat?

Rerecording Mixer

Spaceballs (1987)

Directed by: Mel Brooks

Cinematography by: Nick McLean

Edited by: Conrad Buff IV

Cocoon | ShotOnWhat?

Special Sound Design By: Skywalker Sound

Cocoon (1985)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Indiana Jones and the Temple of Doom | ShotOnWhat?

Re-recording Mixer, Sound Effects Recordist

Indiana Jones and the Temple of Doom (1984)

Directed by: Steven Spielberg

Cinematography by: Douglas Slocombe

Edited by: Michael Kahn, George Lucas

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses

Star Wars: Episode VI - Return of the Jedi | ShotOnWhat?

Re-recording Mixer

Star Wars: Episode VI - Return of the Jedi (1983)

Directed by: Richard Marquand

Cinematography by: Alan Hume, Alec Mills

Edited by: Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera

Lenses: Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Raiders of the Lost Ark | ShotOnWhat?

Sound Effects Recording

Raiders of the Lost Ark (1981)

Directed by: Steven Spielberg

Cinematography by: Douglas Slocombe

Edited by: Michael Kahn, George Lucas

Cameras: ARRIFLEX 35 IIC Camera, Panavision Panaflex-X Camera

Lenses: Panavision C Series Anamorphic Lenses

Star Wars: Episode V - The Empire Strikes Back | ShotOnWhat?

Re-recording Mixer: Special Edition / Recording Technician, Sound Recordist

Star Wars: Episode V - The Empire Strikes Back (1980)

Directed by: Irvin Kershner

Cinematography by: Peter Suschitzky

Edited by: T.M. Christopher, Paul Hirsch, George Lucas, Marcia Lucas

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex-X Camera, Panavision Silent Reflex PSR Camera, Panavision Super PSR R-200

Lenses: Panavision C Series Anamorphic Lenses

Star Wars: Episode IV - A New Hope | ShotOnWhat?

Re-Recording Mixer: Special Edition

Star Wars: Episode IV - A New Hope (1977)

Directed by: George Lucas

Cinematography by: Gilbert Taylor

Edited by: Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas

Cameras: ARRIFLEX 35 III Camera, Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Super PSR R-200

Lenses: Panavision C Series Anamorphic Lenses

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