Re-recording Mixer
Barbie (2023)
Directed by: Greta Gerwig
Cinematography by: Rodrigo Prieto
Edited by: Nick Houy
Cameras: ARRI ALEXA 65 Camera
Re-recording Mixer
Oppenheimer (2023)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Jennifer Lame
Cameras: ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Re-recording Mixer
Tenet (2020)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Jennifer Lame
Cameras: ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Re-recording Mixer
Shazam! (2019)
Directed by: David F. Sandberg
Cinematography by: Maxime Alexandre
Edited by: Michel Aller
Lenses: Zeiss Master Prime Lenses
Re-recording Mixer: Sony Pictures
6 Underground (2019)
Directed by: Michael Bay
Cinematography by: Bojan Bazelli
Re-recording Mixer
The Girl in the Spider's Web (2018)
Directed by: Fede Alvarez
Cinematography by: Pedro Luque
Edited by: Tatiana S. Riegel
Re-recording Mixer
Spider-Man: Homecoming (2017)
Directed by: Jon Watts
Cinematography by: Salvatore Totino
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Re-recording Mixer
Ben-Hur (2016)
Directed by: Timur Bekmambetov
Cinematography by: Oliver Wood
Editing System: Avid Editing System
Re-recording Mixer
How to Be Single (2016)
Directed by: Christian Ditter
Cinematography by: Christian Rein
Edited by: Tia Nolan
Re-recording Mixer
Miracles from Heaven (2016)
Directed by: Patricia Riggen
Cinematography by: Checco Varese
Edited by: Emma E. Hickox
Cameras: ARRI Cameras
Lenses: ARRI Lenses
Re-recording Mixer
The 5th Wave (2016)
Directed by: J Blakeson
Cinematography by: Enrique Chediak
Edited by: Paul Rubell
Cameras: ARRI ALEXA XT Plus Camera
Re-recording Mixer
Passengers (2016)
Directed by: Morten Tyldum
Cinematography by: Rodrigo Prieto
Edited by: Maryann Brandon
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision Primo 70 Lenses
Re-recording Mixer
The Edge of Seventeen (2016)
Directed by: Kelly Fremon Craig
Cinematography by: Doug Emmett
Edited by: Tracey Wadmore-Smith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Hacksaw Ridge (2016)
Directed by: Mel Gibson
Cinematography by: Simon Duggan
Edited by: John Gilbert
Re-recording Mixer
Pitch Perfect 2 (2015)
Directed by: Elizabeth Banks
Cinematography by: Jim Denault
Edited by: Craig Alpert
Cameras: ARRI ALEXA Plus Camera
Re-recording Mixer
The November Man (2014)
Directed by: Roger Donaldson
Cinematography by: Romain Lacourbas
Edited by: John Gilbert
Cameras: ARRI ALEXA Plus Camera
Lenses: Hawk V-Lite Vintage´74 Lens
Re-recording Mixer
No Good Deed (2014)
Directed by: Sam Miller
Cinematography by: Michael Barrett
Cameras: Sony CineAlta F65 Camera
Additional Re-recording Mixer
47 Ronin (2013)
Directed by: Carl Rinsch
Cinematography by: John Mathieson
Edited by: Stuart Baird
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Re-recording Mixer
Snitch (2013)
Directed by: Ric Roman Waugh
Cinematography by: Dana Gonzales
Edited by: Jonathan Chibnall
Cameras: Red Epic Camera
Re-recording Mixer
Identity Thief (2013)
Directed by: Seth Gordon
Cinematography by: Javier Aguirresarobe
Edited by: Peter Teschner
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Re-recording Mixer
The Hangover Part III (2013)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Sound Supervisor
The Purge (2013)
Directed by: James DeMonaco
Cinematography by: Jacques Jouffret
Edited by: Peter Gvozdas
Cameras: ARRI ALEXA Plus Camera
Editing System: Avid Editing System
Re-recording Mixer / Sound Supervisor
Last Vegas (2013)
Directed by: Jon Turteltaub
Cinematography by: David Hennings
Edited by: David Rennie
Cameras: ARRI ALEXA Camera
Re-recording Mixer
Get the Gringo (2012)
Directed by: Adrian Grunberg
Cinematography by: Benoît Debie
Edited by: Steven Rosenblum
Cameras: Red One MX Camera
Lenses: Hawk V-Lite Lenses
Re-recording Mixer
Pitch Perfect (2012)
Directed by: Jason Moore
Cinematography by: Julio Macat
Edited by: Lisa Zeno Churgin
Cameras: ARRI ALEXA Camera
Re-recording Mixer
American Reunion (2012)
Cinematography by: Daryn Okada
Edited by: Jeff Betancourt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Re-recording Mixer
Darling Companion (2012)
Directed by: Lawrence Kasdan
Cinematography by: Michael McDonough
Edited by: Carol Littleton
Re-recording Mixer
Big Mommas: Like Father, Like Son (2011)
Directed by: John Whitesell
Cinematography by: Anthony B. Richmond
Edited by: Priscilla Nedd-Friendly
Re-recording Mixer
Season of the Witch (2011)
Directed by: Dominic Sena
Cinematography by: Amir Mokri
Re-recording Mixer
The Muppets (2011)
Directed by: James Bobin
Cinematography by: Don Burgess
Edited by: James Thomas
Cameras: Red Epic Camera, Red One MX Camera
Sound Mixer
The Sorcerer's Apprentice (2010)
Directed by: Jon Turteltaub
Cinematography by: Bojan Bazelli
Edited by: William Goldenberg
Re-recording Mixer
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Additional Re-recording Mixer
The Back-up Plan (2010)
Directed by: Alan Poul
Cinematography by: Xavier Grobet
Edited by: Priscilla Nedd-Friendly
Re-recording Mixer
A Nightmare on Elm Street (2010)
Directed by: Samuel Bayer
Cinematography by: Jeff Cutter
Edited by: Glen Scantlebury
Re-recording Mixer
Secretariat (2010)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: John Wright
Re-recording Mixer
Unstoppable (2010)
Directed by: Tony Scott
Cinematography by: Ben Seresin
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Sound Mixer
Public Enemies (2009)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Re-recording Mixer
Hotel for Dogs (2009)
Directed by: Thor Freudenthal
Cinematography by: Michael Grady
Edited by: Sheldon Kahn
Re-recording Mixer
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Mentor: Sound
Kavi (2009)
Directed by: Gregg Helvey
Cinematography by: John Harrison
Edited by: Chris Witt
Re-recording Mixer
The Ruins (2008)
Directed by: Carter Smith
Cinematography by: Darius Khondji
Edited by: Jeff Betancourt
Re-recording Mixer
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Re-recording Mixer
The Life Before Her Eyes (2007)
Directed by: Vadim Perelman
Cinematography by: Pawel Edelman
Re-recording Mixer
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Supervising Sound Mixer
The Da Vinci Code (2006)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Re-recording Mixer
RV (2006)
Directed by: Barry Sonnenfeld
Cinematography by: Fred Murphy
Edited by: Kevin Tent
Sound Mixer
Apocalypto (2006)
Directed by: Mel Gibson
Cinematography by: Dean Semler
Edited by: John Wright
Supervising Sound Mixer
The Pursuit of Happyness (2006)
Directed by: Gabriele Muccino
Cinematography by: Phedon Papamichael
Edited by: Hughes Winborne
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Supervising Sound Mixer
Talladega Nights: The Ballad of Ricky Bobby (2006)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Supervising Sound Mixer
Bewitched (2005)
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Tia Nolan
Re-recording Mixer
The Island (2005)
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Supervising Sound Mixer
Memoirs of a Geisha (2005)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Pietro Scalia
Supervising Sound Mixer
Man on Fire (2004)
Directed by: Tony Scott
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer , Supervising Sound Mixer
National Treasure (2004)
Directed by: Jon Turteltaub
Cinematography by: Caleb Deschanel
Edited by: William Goldenberg
Supervising Sound Mixer
King Arthur (2004)
Directed by: Antoine Fuqua
Cinematography by: Slawomir Idziak
Sound Mixer
The Passion of the Christ (2004)
Directed by: Mel Gibson
Cinematography by: Caleb Deschanel
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Re-recording Mixer
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Supervising Sound Mixer
House of Sand and Fog (2003)
Directed by: Vadim Perelman
Cinematography by: Roger Deakins
Edited by: Lisa Zeno Churgin
Lenses: Cooke S4 Lenses
Supervising Sound Mixer
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Re-recording Mixer / Supervising Sound Mixer
Bad Boys II (2003)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Re-recording Mixer
The Hunted (2003)
Directed by: William Friedkin
Cinematography by: Caleb Deschanel
Edited by: Augie Hess
Supervising Sound Mixer
Big Fish (2003)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Kangaroo Jack (2003)
Directed by: David McNally
Cinematography by: Peter Menzies Jr.
Cameras: Panavision Cameras
Re-recording Mixer
Dragonfly (2002)
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Don Zimmerman
Re-recording Mixer
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Re-recording Mixer
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Re-recording Sound Mixer
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Re-recording Mixer
Spy Game (2001)
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Coyote Ugly (2000)
Directed by: David McNally
Cinematography by: Amir Mokri
Edited by: William Goldenberg
Re-recording Mixer
Gone in 60 Seconds (2000)
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Re-recording Mixer
Little Nicky (2000)
Directed by: Steven Brill
Cinematography by: Theo van de Sande
Edited by: Jeff Gourson
Cameras: Panavision Cameras
Re-recording Mixer
The Patriot (2000)
Directed by: Roland Emmerich
Cinematography by: Caleb Deschanel
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Wild Wild West (1999)
Directed by: Barry Sonnenfeld
Cinematography by: Michael Ballhaus
Edited by: Jim Miller
Re-recording Mixer
At First Sight (1999)
Directed by: Irwin Winkler
Cinematography by: John Seale
Edited by: Julie Monroe
Re-recording Mixer
Enemy of the State (1998)
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Chris Lebenzon
Re-recording Mixer
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Re-recording Mixer
The Mask of Zorro (1998)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Thom Noble
Lenses: Cooke Lenses
Re-recording Mixer
Lolita (1997)
Directed by: Adrian Lyne
Cinematography by: Howard Atherton
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Re-recording Mixer
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
Rerecording Mixer
Speed 2: Cruise Control (1997)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Alan Cody
Re-recording Mixer
Con Air (1997)
Directed by: Simon West
Cinematography by: David Tattersall
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Lightworks Editing System
Re-recording Mixer
The Rock (1996)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Edited by: Richard Francis-Bruce
Re-recording Mixer
Twister (1996)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Michael Kahn
Re-recording Mixer
The Juror (1996)
Directed by: Brian Gibson
Cinematography by: Jamie Anderson
Edited by: Robert M. Reitano
Re-recording Mixer
The Mirror Has Two Faces (1996)
Directed by: Barbra Streisand
Edited by: Jeff Werner
Cameras: Panavision Panaflex Camera
Re-recording Mixer
Ghosts of Mississippi (1996)
Directed by: Rob Reiner
Cinematography by: John Seale
Edited by: Robert Leighton
Re-recording Mixer
Bad Boys (1995)
Directed by: Michael Bay
Cinematography by: Howard Atherton
Edited by: Christian Wagner
Re-recording Mixer
Hideaway (1995)
Directed by: Brett Leonard
Cinematography by: Gale Tattersall
Edited by: B.J. Sears
Re-recording Mixer
Congo (1995)
Directed by: Frank Marshall
Cinematography by: Allen Daviau
Edited by: Anne V. Coates
Re-recording Mixer
Crimson Tide (1995)
Directed by: Tony Scott
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Gold II Camera
Re-recording Mixer
The Net (1995)
Directed by: Irwin Winkler
Cinematography by: Jack N. Green
Edited by: Richard Halsey
Re-recording Mixer
The American President (1995)
Directed by: Rob Reiner
Cinematography by: John Seale
Edited by: Robert Leighton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Speechless (1994)
Directed by: Ron Underwood
Cinematography by: Donald Peterman
Edited by: Richard Francis-Bruce
Re-recording Mixer: Sony Pictures Studios
City Slickers II: The Legend of Curly's Gold (1994)
Directed by: Paul Weiland
Cinematography by: Adrian Biddle
Re-recording Mixer
Wyatt Earp (1994)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Re-recording Mixer
North (1994)
Directed by: Rob Reiner
Cinematography by: Adam Greenberg
Edited by: Robert Leighton
Re-recording Mixer: Skywalker Sound
True Romance (1993)
Directed by: Tony Scott
Cinematography by: Jeffrey L. Kimball
Re-recording Mixer
In the Line of Fire (1993)
Directed by: Wolfgang Petersen
Cinematography by: John Bailey
Edited by: Anne V. Coates
Re-recording Mixer
Undercover Blues (1993)
Directed by: Herbert Ross
Cinematography by: Donald E. Thorin
Edited by: Priscilla Nedd-Friendly
Additional Re-recording: Skywalker Sound
Trespass (1992)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Freeman A. Davies
Re-recording Mixer: Skywalker Sound
A Few Good Men (1992)
Directed by: Rob Reiner
Cinematography by: Robert Richardson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Unlawful Entry (1992)
Directed by: Jonathan Kaplan
Cinematography by: Jamie Anderson
Edited by: Curtiss Clayton
Re-recording Mixer
Love Field (1992)
Directed by: Jonathan Kaplan
Cinematography by: Ralf D. Bode
Edited by: Jane Kurson
Re-recording Mixer: Skywalker Sound
Thunderheart (1992)
Directed by: Michael Apted
Cinematography by: Roger Deakins
Edited by: Ian Crafford
Cameras: ARRI Cameras
Re-recording Mixer
Raising Cain (1992)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Cameras
Re-recording Mixer
City Slickers (1991)
Directed by: Ron Underwood
Cinematography by: Dean Semler
Edited by: O. Nicholas Brown
Re-recording Mixer
Grand Canyon (1991)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Cameras: Panavision Panaflex Gold Camera
Re-recording Mixer
Ricochet (1991)
Directed by: Russell Mulcahy
Cinematography by: Peter Levy
Edited by: Peter Honess
Re-recording Mixer
Talent for the Game (1991)
Directed by: Robert M. Young
Cinematography by: Curtis Clark
Edited by: Arthur Coburn
Cameras: Panavision Cameras
Re-recording Mixer
Days of Thunder (1990)
Directed by: Tony Scott
Cinematography by: Ward Russell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
The First Power (1990)
Directed by: Robert Resnikoff
Cinematography by: Theo van de Sande
Edited by: Michael Bloecher
Re-recording Mixer
Tremors (1990)
Directed by: Ron Underwood
Cinematography by: Alexander Gruszynski
Edited by: O. Nicholas Brown
Re-recording Mixer: Skywalker Sound South
Misery (1990)
Directed by: Rob Reiner
Cinematography by: Barry Sonnenfeld
Edited by: Robert Leighton
Re-recording Mixer
Blue Steel (1990)
Directed by: Kathryn Bigelow
Cinematography by: Amir Mokri
Edited by: Lee Percy
Sound Mixer
I Love You to Death (1990)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Anne V. Coates
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Re-recording Mixer
Triumph of the Spirit (1989)
Directed by: Robert M. Young
Cinematography by: Curtis Clark
Re-recording Mixer
Field of Dreams (1989)
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Edited by: Ian Crafford
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Re-recording Mixer
Black Rain (1989)
Directed by: Ridley Scott
Cinematography by: Jan de Bont
Edited by: Tom Rolf
Cameras: Beaulieu Cameras, Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Cousins (1989)
Directed by: Joel Schumacher
Cinematography by: Ralf D. Bode
Edited by: Robert Brown
Re-recording Mixer
Beetlejuice (1988)
Directed by: Tim Burton
Cinematography by: Thomas E. Ackerman
Edited by: Jane Kurson
Re-recording Mixer
The Accidental Tourist (1988)
Directed by: Lawrence Kasdan
Cinematography by: John Bailey
Edited by: Carol Littleton
Re-recording Mixer
Hot to Trot (1988)
Directed by: Michael Dinner
Cinematography by: Victor J. Kemper
Cameras: Panavision Panaflex Gold Camera
Re-recording Mixer
The Running Man (1987)
Directed by: Paul Michael Glaser
Cinematography by: Thomas Del Ruth
Re-recording Mixer
Beverly Hills Cop II (1987)
Directed by: Tony Scott
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Jumpin' Jack Flash (1986)
Directed by: Penny Marshall
Cinematography by: Matthew F. Leonetti
Edited by: Mark Goldblatt
Re-recording Mixer
Little Shop of Horrors (1986)
Directed by: Frank Oz
Cinematography by: Robert Paynter
Re-recording Mixer
Tai-Pan (1986)
Directed by: Daryl Duke
Cinematography by: Jack Cardiff
Edited by: Antony Gibbs
Re-recording Mixer
Blue City (1986)
Directed by: Michelle Manning
Cinematography by: Steven Poster
Edited by: Ross Albert
Re-recording Mixer
Top Gun (1986)
Directed by: Tony Scott
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Re-recording Mixer
Crossroads (1986)
Directed by: Walter Hill
Cinematography by: John Bailey
Edited by: Freeman A. Davies
Cameras: Panavision Cameras
Re-recording Mixer
Silverado (1985)
Directed by: Lawrence Kasdan
Cinematography by: John Bailey
Edited by: Carol Littleton
Re-recording Mixer
Secret Admirer (1985)
Directed by: David Greenwalt
Cinematography by: Victor J. Kemper
Edited by: Dennis Virkler
Re-recording Mixer
Rambo: First Blood Part II (1985)
Directed by: George P. Cosmatos
Cinematography by: Jack Cardiff
Re-recording Mixer
A Chorus Line (1985)
Directed by: Richard Attenborough
Cinematography by: Ronnie Taylor
Edited by: John Bloom
Re-recording Mixer
Gremlins (1984)
Directed by: Joe Dante
Cinematography by: John Hora
Edited by: Tina Hirsch
Re-recording Mixer
Starman (1984)
Directed by: John Carpenter
Cinematography by: Donald M. Morgan
Edited by: Marion Rothman
Re-recording Mixer
Firestarter (1984)
Directed by: Mark L. Lester
Cinematography by: Giuseppe Ruzzolini
Re-recording Mixer
Dune (1984)
Directed by: David Lynch
Cinematography by: Freddie Francis
Edited by: Antony Gibbs
Re-recording Mixer
Terms of Endearment (1983)
Directed by: James L. Brooks
Cinematography by: Andrzej Bartkowiak
Edited by: Richard Marks
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Re-recording Mixer
The Big Chill (1983)
Directed by: Lawrence Kasdan
Cinematography by: John Bailey
Edited by: Carol Littleton
Re-recording Mixer
Breathless (1983)
Directed by: Jim McBride
Cinematography by: Richard H. Kline
Edited by: Robert Estrin
Re-recording Mixer
Airplane II: The Sequel (1982)
Directed by: Ken Finkleman
Cinematography by: Joseph F. Biroc
Re-recording Mixer
Human Highway (1982)
Cinematography by: David Myers
Edited by: James Beshears
Cameras: Panavision Cameras
Re-recording Mixer
Dead Men Don't Wear Plaid (1982)
Directed by: Carl Reiner
Cinematography by: Michael Chapman
Edited by: Bud Molin
Cameras: Panavision Cameras
Re-recording Mixer
Poltergeist (1982)
Directed by: Tobe Hooper
Cinematography by: Matthew F. Leonetti
Edited by: Michael Kahn
Cameras: Ultracam 35 Camera
Sound Dubbing Technician
Raiders of the Lost Ark (1981)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Recording Technician
Star Wars: Episode V - The Empire Strikes Back (1980)
Directed by: Irvin Kershner
Cinematography by: Peter Suschitzky
