Geoff Heron

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Star Wars: Episode IX - The Rise of Skywalker | ShotOnWhat?

Practical Effects Supervisor: 32Ten Studios

Star Wars: Episode IX - The Rise of Skywalker (2019)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Stefan Grube

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

The Other Side of the Wind | ShotOnWhat?

Special Effects Coordinator

The Other Side of the Wind (2018)

Directed by: Orson Welles

Cinematography by: Gary Graver

Edited by: Bob Murawski, Orson Welles

Cameras: Éclair NPR Camera

"13 Reasons Why" Tape 6, Side A | ShotOnWhat?

Special Effects Coordinator

'13 Reasons Why' Tape 6, Side A (2017)

Television Episode

Directed by: Jessica Yu

Cinematography by: Ivan Strasburg

Edited by: Matthew Ramsey

13 Reasons Why | ShotOnWhat?

Special Effects Coordinator - 12 Episodes, 2017

13 Reasons Why (2017)

Television Series

Directed by: Jessica Yu, Kyle Patrick Alvarez, Gregg Araki, Michael Morris, Kevin Dowling, Carl Franklin, Tom McCarthy, Helen Shaver, Kat Candler, Eliza Hittman, Karen Moncrieff, Aurora Guerrero, Bronwen Hughes, John T. Kretchmer

Cinematography by: Ivan Strasburg, Kevin Thompson, Cameron Duncan, Tommy Lohmann, Andrij Parekh, Marshall Adams

Edited by: Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox

Cameras: Panasonic VariCam 35

Lenses: Hawk V-Lite Vintage´74 Lens, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

"13 Reasons Why" Tape 6, Side B | ShotOnWhat?

Special Effects Coordinator

'13 Reasons Why' Tape 6, Side B (2017)

Television Episode

Directed by: Jessica Yu

Cinematography by: Ivan Strasburg

Edited by: Matthew Ramsey

"13 Reasons Why" Tape 5, Side A | ShotOnWhat?

Special Effects Coordinator

'13 Reasons Why' Tape 5, Side A (2017)

Television Episode

Directed by: Carl Franklin

Cinematography by: Ivan Strasburg

Edited by: Daniel Gabbe

"13 Reasons Why" Tape 5, Side B | ShotOnWhat?

Special Effects Coordinator

'13 Reasons Why' Tape 5, Side B (2017)

Television Episode

Directed by: Carl Franklin

Cinematography by: Ivan Strasburg

Edited by: Daniel Gabbe

"13 Reasons Why" Tape 4, Side B | ShotOnWhat?

Special Effects Coordinator

'13 Reasons Why' Tape 4, Side B (2017)

Television Episode

Directed by: Gregg Araki

Cinematography by: Ivan Strasburg

Edited by: Leo Trombetta

"13 Reasons Why" Tape 3, Side B | ShotOnWhat?

Special Effects Coordinator

'13 Reasons Why' Tape 3, Side B (2017)

Television Episode

Directed by: Kyle Patrick Alvarez

Cinematography by: Ivan Strasburg

Edited by: Matthew Ramsey

"13 Reasons Why" Tape 4, Side A | ShotOnWhat?

Special Effects Coordinator

'13 Reasons Why' Tape 4, Side A (2017)

Television Episode

Directed by: Gregg Araki

Cinematography by: Ivan Strasburg

Edited by: Leo Trombetta

"13 Reasons Why" Tape 1, Side B | ShotOnWhat?

Special Effects Coordinator

'13 Reasons Why' Tape 1, Side B (2017)

Television Episode

Directed by: Tom McCarthy

Cinematography by: Andrij Parekh

Edited by: Leo Trombetta

"13 Reasons Why" Tape 2, Side A | ShotOnWhat?

Special Effects Coordinator

'13 Reasons Why' Tape 2, Side A (2017)

Television Episode

Directed by: Helen Shaver

Cinematography by: Ivan Strasburg

Edited by: Daniel Gabbe

"13 Reasons Why" Tape 2, Side B | ShotOnWhat?

Special Effects Coordinator

'13 Reasons Why' Tape 2, Side B (2017)

Television Episode

Directed by: Helen Shaver

Cinematography by: Ivan Strasburg

Edited by: Daniel Gabbe

"13 Reasons Why" Tape 3, Side A | ShotOnWhat?

Special Effects Coordinator

'13 Reasons Why' Tape 3, Side A (2017)

Television Episode

Directed by: Kyle Patrick Alvarez

Cinematography by: Ivan Strasburg

Edited by: Matthew Ramsey

"13 Reasons Why" Tape 1, Side A | ShotOnWhat?

Special Effects Coordinator

'13 Reasons Why' Tape 1, Side A (2017)

Television Episode

Directed by: Tom McCarthy

Cinematography by: Andrij Parekh

Edited by: Leo Trombetta

Rogue One: A Star Wars Story | ShotOnWhat?

Practical Effects Supervisor: 32TEN Studios

Rogue One (2016)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser

Edited by: John Gilroy, Colin Goudie, Jabez Olssen

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision APO Panatar Lenses

Editing System: Avid Editing System

Jurassic World | ShotOnWhat?

Special Effects Coordinator: Northern California VFX Unit

Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

San Andreas | ShotOnWhat?

Special Effects Coordinator: San Francisco

San Andreas (2015)

Directed by: Brad Peyton

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Elysium | ShotOnWhat?

Practical Effects Supervisor: Kerner Optical

Elysium (2013)

Directed by: Neill Blomkamp

Cinematography by: Trent Opaloch

Edited by: Julian Clarke, Lee Smith

Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera

Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Lone Ranger | ShotOnWhat?

Special Effects Supervisor

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

Red Tails | ShotOnWhat?

Special Effects Supervisor: San Francisco

Red Tails (2012)

Directed by: Anthony Hemingway

Cinematography by: John B. Aronson

Edited by: Ben Burtt, Michael O'Halloran

Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

Big Miracle | ShotOnWhat?

Practical Effects Supervisor: Kerner Optical

Big Miracle (2012)

Directed by: Ken Kwapis

Cinematography by: John Bailey

Edited by: Cara Silverman

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C360 350 mm T4.0 Lens, Panavision Primo Anamorphic Lenses

The Avengers | ShotOnWhat?

Special Effects Technician

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Killers | ShotOnWhat?

Pyro Supervisor

Killers (2010)

Directed by: Robert Luketic

Cinematography by: Russell Carpenter

Edited by: Richard Francis-Bruce, Mary Jo Markey

Cameras: ARRIFLEX D-21 Camera

Lenses: Hawk V-Series Lenses

The Last Airbender | ShotOnWhat?

Practical Effects Supervisor: Kerner Optical / Practical Effects Technician: Kerner Optical

The Last Airbender (2010)

Directed by: M. Night Shyamalan

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Terminator Salvation | ShotOnWhat?

Practical Effects Supervisor: Kerner Optical / Special Effects Technician: Kerner Optical

Terminator Salvation (2009)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Conrad Buff IV

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Practical Effects Supervisor: Kerner Optical

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Eagle Eye | ShotOnWhat?

Model Unit Effects Supervisor: Kerner Optical

Eagle Eye (2008)

Directed by: D.J. Caruso

Cinematography by: Dariusz Wolski

Edited by: Jim Page

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Indiana Jones and the Kingdom of the Crystal Skull | ShotOnWhat?

Special Effects Supervisor: Kerner Optical

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Evan Almighty | ShotOnWhat?

Practical Effects Supervisor: Kerner Optical

Evan Almighty (2007)

Directed by: Tom Shadyac

Cinematography by: Ian Baker

Edited by: Scott Hill

Cameras: Panavision Cameras

Editing System: Lightworks Editing System

Transformers | ShotOnWhat?

Miniature Special Effects Supervisor: Kerner Optical

Transformers (2007)

Directed by: Michael Bay

Cinematography by: Mitchell Amundsen

Edited by: Tom Muldoon, Paul Rubell, Glen Scantlebury

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System

Pirates of the Caribbean: At World's End | ShotOnWhat?

Model Visual Effects: Kerner Optical

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Poseidon | ShotOnWhat?

Model Stagehand: ILM

Poseidon (2006)

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Peter Honess

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Pirates of the Caribbean: Dead Man's Chest | ShotOnWhat?

Models And Miniatures Unit Supervisor: ILM

Pirates of the Caribbean: Dead Man's Chest (2006)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Mission: Impossible III | ShotOnWhat?

Practical Effects Supervisor: Models, ILM

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

Harry Potter and the Goblet of Fire | ShotOnWhat?

Senior Special Effects Technician: ILM

Harry Potter and the Goblet of Fire (2005)

Directed by: Mike Newell

Cinematography by: Roger Pratt

Edited by: Mick Audsley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Canon Lenses, Cooke S4 Lenses, Zeiss Variable Prime Lenses

Jarhead | ShotOnWhat?

Practical Effects Supervisor

Jarhead (2005)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Walter Murch

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 IIIC Camera

Lenses: Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

xXx: State of the Union | ShotOnWhat?

Practical Effects Supervisor: ILM

xXx: State of the Union (2005)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Mark Goldblatt, Todd E. Miller, Steven Rosenblum

The Island | ShotOnWhat?

Practical Effects Supervisor: ILM

The Island (2005)

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

War of the Worlds | ShotOnWhat?

Practical Effects Supervisor: ILM

War of the Worlds (2005)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

A Series of Unfortunate Events | ShotOnWhat?

Lead Physical Effects: ILM

Lemony Snicket's A Series of Unfortunate Events (2004)

Directed by: Brad Silberling

Cinematography by: Emmanuel Lubezki

Edited by: Michael Kahn

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Core | ShotOnWhat?

Special Effects Technician

The Core (2003)

Directed by: Jon Amiel

Cinematography by: John Lindley

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Hulk | ShotOnWhat?

Practical Effects Supervisor: ILM

Hulk (2003)

Directed by: Ang Lee

Cinematography by: Frederick Elmes

Edited by: Tim Squyres

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke Panchro/i Classic Lenses, Cooke S4 Lenses

Once Upon a Time in Mexico | ShotOnWhat?

Special Effects Supervisor: Second Unit

Once Upon a Time in Mexico (2003)

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Cameras: Sony HDW-F900 Camera

Pirates of the Caribbean: The Curse of the Black Pearl | ShotOnWhat?

Stage/pyrotechnic Supervisor: ILM

Pirates of the Caribbean: The Curse of the Black Pearl (2003)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Arthur Schmidt, Craig Wood

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Daredevil | ShotOnWhat?

Special Effects Technician

Daredevil (2003)

Directed by: Mark Steven Johnson

Cinematography by: Ericson Core

Edited by: Armen Minasian, Dennis Virkler

Master and Commander: The Far Side of the World | ShotOnWhat?

Practical Effects Supervisor: ILM

Master and Commander: The Far Side of the World (2003)

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Star Wars: Episode II - Attack of the Clones | ShotOnWhat?

Special Effects Supervisor: ILM

Star Wars: Episode II - Attack of the Clones (2002)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, George Lucas

Cameras: Sony HDW-F900 Camera

Lenses: Panavision Primo Anamorphic Lenses

Minority Report | ShotOnWhat?

Key Pyro: ILM

Minority Report (2002)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

Jurassic Park III | ShotOnWhat?

Practical Effects Supervisor: ILM

Jurassic Park III (2001)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva

Pearl Harbor | ShotOnWhat?

Practical Effects Supervisor: ILM

Pearl Harbor (2001)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Planet of the Apes | ShotOnWhat?

Key Pyro: ILM

Planet of the Apes (2001)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Wild Wild West | ShotOnWhat?

Practical Effects Supervisor: ILM

Wild Wild West (1999)

Directed by: Barry Sonnenfeld

Cinematography by: Michael Ballhaus

Edited by: Jim Miller

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, VistaVision Cameras

Lenses: Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

Star Wars: Episode I - The Phantom Menace | ShotOnWhat?

Special Effects Supervisor: ILM

Star Wars: Episode I - The Phantom Menace (1999)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, Paul Martin Smith

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, Sony HDC-750 Camera

Lenses: Hawk C-Series Lenses

The Mummy | ShotOnWhat?

Pyro Technician: ILM

The Mummy (1999)

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Galaxy Quest | ShotOnWhat?

Lead Pyrotechnician: ILM, Practical Effects Supervisor: ILM

Galaxy Quest (1999)

Directed by: Dean Parisot

Cinematography by: Jerzy Zielinski

Edited by: Don Zimmerman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Snake Eyes | ShotOnWhat?

Chief Rigger And Pyro Technician: ILM

Snake Eyes (1998)

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Bill Pankow

Cameras: Moviecam Compact Camera, Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens

Editing System: Avid Editing System

Saving Private Ryan | ShotOnWhat?

Lead Effects Technician: ILM

Saving Private Ryan (1998)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Moviola Editing System

Deep Impact | ShotOnWhat?

Practical Effects Supervisor: ILM

Deep Impact (1998)

Directed by: Mimi Leder

Cinematography by: Dietrich Lohmann

Edited by: Paul Cichocki, David Rosenbloom

Cameras: ARRIFLEX 535 Camera

The Newton Boys | ShotOnWhat?

Special Effects Foreman

The Newton Boys (1998)

Directed by: Richard Linklater

Cinematography by: Peter James

Edited by: Sandra Adair

The Lost World: Jurassic Park | ShotOnWhat?

Mechanical Effects Supervisor

The Lost World: Jurassic Park (1997)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Men in Black | ShotOnWhat?

Practical Effects/pyro Supervisor: Saucer Crash Miniature And Blue Screen Unit

Men in Black (1997)

Directed by: Barry Sonnenfeld

Cinematography by: Donald Peterman

Edited by: Jim Miller

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Starship Troopers | ShotOnWhat?

Lead Pyrotechnician: Industrial Light & Magic

Starship Troopers (1997)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Caroline Ross

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Lenses

Daylight | ShotOnWhat?

Practical Effects Supervisor: ILM

Daylight (1996)

Directed by: Rob Cohen

Cinematography by: David Eggby

Edited by: Peter Amundson

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Lenses

Copycat | ShotOnWhat?

Special Effects Foreman

Copycat (1995)

Directed by: Jon Amiel

Cinematography by: László Kovács

Edited by: Jim Clark, Alan Heim

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Congo | ShotOnWhat?

Stage Technician: ILM

Congo (1995)

Directed by: Frank Marshall

Cinematography by: Allen Daviau

Edited by: Anne V. Coates

A Walk in the Clouds | ShotOnWhat?

Special Effects: Napa

A Walk in the Clouds (1995)

Directed by: Alfonso Arau

Cinematography by: Emmanuel Lubezki

Edited by: Don Zimmerman

The Meteor Man | ShotOnWhat?

Stage Technician

The Meteor Man (1993)

Directed by: Robert Townsend

Cinematography by: John A. Alonzo

Edited by: Adam Bernardi, Richard Candib, Robaire W. Estel, Andrew London, Pam Wise

Cameras: Panavision Panaflex Gold Camera

Mrs. Doubtfire | ShotOnWhat?

Special Effects, Stage Technician

Mrs. Doubtfire (1993)

Directed by: Chris Columbus

Cinematography by: Donald McAlpine

Edited by: Raja Gosnell

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Fire in the Sky | ShotOnWhat?

Special Effects Foreperson: Alien Sequence

Fire in the Sky (1993)

Directed by: Robert Lieberman

Cinematography by: Bill Pope

Edited by: Steve Mirkovich

Cameras: Panavision Cameras

Hook | ShotOnWhat?

Stage Department

Hook (1991)

Directed by: Steven Spielberg

Cinematography by: Dean Cundey

Edited by: Michael Kahn

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