Re-recording Mixer
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Re-recording Mixer
Jack the Giant Slayer (2013)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Re-recording Mixer
Out of the Furnace (2013)
Directed by: Scott Cooper
Cinematography by: Masanobu Takayanagi
Edited by: David Rosenbloom
Editing System: Avid Editing System
Re-recording Mixer
Joyful Noise (2012)
Directed by: Todd Graff
Cinematography by: David Boyd
Edited by: Kathryn Himoff
Additional Re-recording Mixer
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Re-recording Mixer
For Greater Glory: The True Story of Cristiada (2012)
Directed by: Dean Wright
Cinematography by: Eduardo Martínez Solares
Cameras: ARRIFLEX 435 Camera
Lenses: Zeiss Lenses
Re-recording Mixer
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Re-recording Mixer
The Rite (2011)
Directed by: Mikael Håfström
Cinematography by: Ben Davis
Edited by: David Rosenbloom
Re-recording Mixer
Percy Jackson & the Olympians: The Lightning Thief (2010)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Peter Honess
Re-recording Mixer
Country Strong (2010)
Directed by: Shana Feste
Cinematography by: John Bailey
Re-recording Mixer
The Last Airbender (2010)
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
Re-recording Mixer
How Do You Know (2010)
Directed by: James L. Brooks
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Let Me In (2010)
Directed by: Matt Reeves
Cinematography by: Greig Fraser
Edited by: Stan Salfas
Re-recording Mixer
Bandslam (2009)
Directed by: Todd Graff
Cinematography by: Eric Steelberg
Edited by: John Gilbert
Cameras: Panavision Cameras
Re-recording Mixer
2012 (2009)
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Re-recording Mixer
Seven Pounds (2008)
Directed by: Gabriele Muccino
Cinematography by: Philippe Le Sourd
Edited by: Hughes Winborne
Cameras: Panavision Cameras
Re-recording Mixer
Speed Racer (2008)
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Re-recording Mixer
Fool's Gold (2008)
Directed by: Andy Tennant
Cinematography by: Don Burgess
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Re-recording Mixer
The Great Debaters (2007)
Directed by: Denzel Washington
Cinematography by: Philippe Rousselot
Re-recording Mixer
I Am Legend (2007)
Directed by: Francis Lawrence
Cinematography by: Andrew Lesnie
Edited by: Wayne Wahrman
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Lenses
Score Mixer
We Own the Night (2007)
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
Re-recording Mixer
Hairspray (2007)
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Michael Tronick
Re-recording Mixer
Payback: Straight Up (2006)
Directed by: Brian Helgeland
Cinematography by: Ericson Core
Edited by: Kevin Stitt
Re-recording Mixer
Lords of Dogtown (2005)
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Supervising Sound Mixer
Stealth (2005)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Edited by: Stephen E. Rivkin
Re-recording Mixer
Coach Carter (2005)
Directed by: Thomas Carter
Cinematography by: Sharone Meir
Edited by: Peter E. Berger
Re-recording Mixer , Supervising Sound Mixer
Elizabethtown (2005)
Directed by: Cameron Crowe
Cinematography by: John Toll
Edited by: David Moritz
Supervising Sound Mixer
Memoirs of a Geisha (2005)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Pietro Scalia
Re-recording Mixer
Friday Night Lights (2004)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Re-recording Mixer
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Re-recording Mixer
The Girl Next Door (2004)
Directed by: Luke Greenfield
Cinematography by: Jamie Anderson
Edited by: Mark Livolsi
Re-recording Mixer
The Big Bounce (2004)
Directed by: George Armitage
Cinematography by: Jeffrey L. Kimball
Re-recording Mixer
Starsky & Hutch (2004)
Directed by: Todd Phillips
Cinematography by: Barry Peterson
Edited by: Leslie Jones
Re-recording Mixer
The Ladykillers (2004)
Cinematography by: Roger Deakins
Editing System: Final Cut Pro Editing System
Music Re-recording Mixer
Troy (2004)
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
Re-recording Mixer
Lara Croft Tomb Raider: The Cradle of Life (2003)
Directed by: Jan de Bont
Cinematography by: David Tattersall
Edited by: Michael Kahn
Supervising Sound Mixer
Peter Pan (2003)
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Re-recording Mixer
2 Fast 2 Furious (2003)
Directed by: John Singleton
Cinematography by: Matthew F. Leonetti
Lenses: Cooke S4 Lenses
Re-recording Mixer
Harry Potter and the Chamber of Secrets (2002)
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
Re-recording Mixer
Blue Crush (2002)
Directed by: John Stockwell
Cinematography by: David Hennings
Edited by: Emma E. Hickox
Re-recording Mixer
Undercover Brother (2002)
Directed by: Malcolm D. Lee
Cinematography by: Tom Priestley Jr.
Edited by: William Kerr
Re-recording Mixer
Star Wars: Episode II - Attack of the Clones (2002)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDW-F900 Camera
Re-recording Mixer
Enemy at the Gates (2001)
Directed by: Jean-Jacques Annaud
Cinematography by: Robert Fraisse
Re-recording Mixer
Vanilla Sky (2001)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Panaflex Gold Camera
Re-recording Mixer
K-PAX (2001)
Directed by: Iain Softley
Cinematography by: John Mathieson
Edited by: Craig McKay
Re-recording Mixer
Almost Famous (2000)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
The Flintstones in Viva Rock Vegas (2000)
Directed by: Brian Levant
Cinematography by: Jamie Anderson
Edited by: Kent Beyda
Re-recording Mixer
The Family Man (2000)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Re-recording Mixer
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Re-recording Mixer
Go (1999)
Directed by: Doug Liman
Cinematography by: Doug Liman
Edited by: Stephen Mirrione
Re-recording Mixer
The Mummy (1999)
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Edited by: Bob Ducsay
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Virus (1999)
Directed by: John Bruno
Cinematography by: David Eggby
Edited by: M. Scott Smith
Re-recording Mixer: Skywalker Sound
Snow Falling on Cedars (1999)
Directed by: Scott Hicks
Cinematography by: Robert Richardson
Edited by: Hank Corwin
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Mystery Men (1999)
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
Re-recording Mixer
Psycho (1998)
Directed by: Gus Van Sant
Cinematography by: Christopher Doyle
Edited by: Amy E. Duddleston
Re-recording Mixer
Turbulence (1997)
Directed by: Robert Butler
Cinematography by: Lloyd Ahern II
Edited by: John Duffy
Re-recording Mixer
My Best Friend's Wedding (1997)
Directed by: P.J. Hogan
Cinematography by: László Kovács
Cameras: Panavision Panaflex Camera
Re-recording Mixer
Air Force One (1997)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Re-recording Mixer
Alien Resurrection (1997)
Directed by: Jean-Pierre Jeunet
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Re-recording Mixer
Fly Away Home (1996)
Directed by: Carroll Ballard
Cinematography by: Caleb Deschanel
Edited by: Nicholas C. Smith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Flipper (1996)
Directed by: Alan Shapiro
Cinematography by: Bill Butler
Edited by: Peck Prior
Re-recording Mixer
Jerry Maguire (1996)
Directed by: Cameron Crowe
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Re-recording Mixer
Matilda (1996)
Directed by: Danny DeVito
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
The Truth About Cats & Dogs (1996)
Directed by: Michael Lehmann
Cinematography by: Robert Brinkmann
Edited by: Stephen Semel
Cameras: ARRIFLEX 535 Camera
Re-recording Mixer
Bad Boys (1995)
Directed by: Michael Bay
Cinematography by: Howard Atherton
Edited by: Christian Wagner
Re-Recording Mixer
Hideaway (1995)
Directed by: Brett Leonard
Cinematography by: Gale Tattersall
Edited by: B.J. Sears
Re-recording Mixer
Congo (1995)
Directed by: Frank Marshall
Cinematography by: Allen Daviau
Edited by: Anne V. Coates
Re-recording Mixer
Crimson Tide (1995)
Directed by: Tony Scott
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Gold II Camera
Re-recording Mixer
The Net (1995)
Directed by: Irwin Winkler
Cinematography by: Jack N. Green
Edited by: Richard Halsey
Re-recording Mixer
The American President (1995)
Directed by: Rob Reiner
Cinematography by: John Seale
Edited by: Robert Leighton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Speechless (1994)
Directed by: Ron Underwood
Cinematography by: Donald Peterman
Edited by: Richard Francis-Bruce
Re-recording Mixer: Sony Pictures Studios
City Slickers II: The Legend of Curly's Gold (1994)
Directed by: Paul Weiland
Cinematography by: Adrian Biddle
Re-recording Mixer
Wyatt Earp (1994)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Re-recording Mixer
North (1994)
Directed by: Rob Reiner
Cinematography by: Adam Greenberg
Edited by: Robert Leighton
Re-recording Mixer
My Girl 2 (1994)
Directed by: Howard Zieff
Cinematography by: Paul Elliott
Edited by: Wendy Greene Bricmont
Re-recording Mixer: Skywalker Sound
True Romance (1993)
Directed by: Tony Scott
Cinematography by: Jeffrey L. Kimball
Re-recording Mixer
In the Line of Fire (1993)
Directed by: Wolfgang Petersen
Cinematography by: John Bailey
Edited by: Anne V. Coates
Re-recording Mixer
Undercover Blues (1993)
Directed by: Herbert Ross
Cinematography by: Donald E. Thorin
Edited by: Priscilla Nedd-Friendly
Re-recording Mixer: Skywalker Sound
A Few Good Men (1992)
Directed by: Rob Reiner
Cinematography by: Robert Richardson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Love Field (1992)
Directed by: Jonathan Kaplan
Cinematography by: Ralf D. Bode
Edited by: Jane Kurson
Re-recording Mixer: Skywalker Sound
Thunderheart (1992)
Directed by: Michael Apted
Cinematography by: Roger Deakins
Edited by: Ian Crafford
Cameras: ARRI Cameras
Re-recording Mixer
Raising Cain (1992)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Cameras
Re-recording Mixer
City Slickers (1991)
Directed by: Ron Underwood
Cinematography by: Dean Semler
Edited by: O. Nicholas Brown
Re-recording Mixer
Grand Canyon (1991)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Cameras: Panavision Panaflex Gold Camera
Re-Recording Mixer
Guilty by Suspicion (1991)
Directed by: Irwin Winkler
Cinematography by: Michael Ballhaus
Edited by: Priscilla Nedd-Friendly
Re-recording Mixer
Ricochet (1991)
Directed by: Russell Mulcahy
Cinematography by: Peter Levy
Edited by: Peter Honess
Re-recording Mixer
Teenage Mutant Ninja Turtles II: The Secret of the Ooze (1991)
Directed by: Michael Pressman
Cinematography by: Shelly Johnson
Re-recording Mixer
Talent for the Game (1991)
Directed by: Robert M. Young
Cinematography by: Curtis Clark
Edited by: Arthur Coburn
Cameras: Panavision Cameras
Re-recording Mixer
The Godfather Part III (1990)
Directed by: Francis Ford Coppola
Cinematography by: Gordon Willis
Re-recording Mixer
Days of Thunder (1990)
Directed by: Tony Scott
Cinematography by: Ward Russell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
The First Power (1990)
Directed by: Robert Resnikoff
Cinematography by: Theo van de Sande
Edited by: Michael Bloecher
Re-recording Mixer: Skywalker Sound South
Misery (1990)
Directed by: Rob Reiner
Cinematography by: Barry Sonnenfeld
Edited by: Robert Leighton
Re-recording Mixer: Warner Hollywood Studios
Sibling Rivalry (1990)
Directed by: Carl Reiner
Cinematography by: Reynaldo Villalobos
Edited by: Bud Molin
Sound Mixer
I Love You to Death (1990)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Anne V. Coates
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Re-recording Mixer
Gremlins 2: The New Batch (1990)
Directed by: Joe Dante
Cinematography by: John Hora
Edited by: Kent Beyda
Re-recording Mixer
Field of Dreams (1989)
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Edited by: Ian Crafford
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Re-recording Mixer
Cousins (1989)
Directed by: Joel Schumacher
Cinematography by: Ralf D. Bode
Edited by: Robert Brown
Re-recording Mixer
Great Balls of Fire! (1989)
Directed by: Jim McBride
Cinematography by: Affonso Beato
Cameras: Panavision Cameras
Re-recording Mixer
Mississippi Burning (1988)
Directed by: Alan Parker
Cinematography by: Peter Biziou
Edited by: Gerry Hambling
Re-recording Mixer
The Naked Gun: From the Files of Police Squad! (1988)
Directed by: David Zucker
Cinematography by: Robert M. Stevens
Edited by: Michael Jablow
Re-recording Mixer
The Accidental Tourist (1988)
Directed by: Lawrence Kasdan
Cinematography by: John Bailey
Edited by: Carol Littleton
Re-recording Mixer
Hot to Trot (1988)
Directed by: Michael Dinner
Cinematography by: Victor J. Kemper
Cameras: Panavision Panaflex Gold Camera
Re-recording Mixer
The Running Man (1987)
Directed by: Paul Michael Glaser
Cinematography by: Thomas Del Ruth
Re-recording Mixer
Baby Boom (1987)
Directed by: Charles Shyer
Cinematography by: William A. Fraker
Edited by: Lynzee Klingman
Cameras: Panavision Cameras
Re-recording Mixer
Beverly Hills Cop II (1987)
Directed by: Tony Scott
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Rerecording Mixer
Overboard (1987)
Directed by: Garry Marshall
Cinematography by: John A. Alonzo
Cameras: Panavision Cameras
Re-recording Mixer
Jumpin' Jack Flash (1986)
Directed by: Penny Marshall
Cinematography by: Matthew F. Leonetti
Edited by: Mark Goldblatt
Re-recording Mixer
Top Gun (1986)
Directed by: Tony Scott
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Re-recording Mixer
About Last Night... (1986)
Directed by: Edward Zwick
Cinematography by: Andrew Dintenfass
Edited by: Harry Keramidas
Cameras: Panavision Cameras
Re-recording Mixer
Cobra (1986)
Directed by: George P. Cosmatos
Cinematography by: Ric Waite
Cameras: Panavision Cameras
Re-recording Mixer
Crossroads (1986)
Directed by: Walter Hill
Cinematography by: John Bailey
Edited by: Freeman A. Davies
Cameras: Panavision Cameras
Re-recording Mixer
Silverado (1985)
Directed by: Lawrence Kasdan
Cinematography by: John Bailey
Edited by: Carol Littleton
Re-recording Mixer
Lost in America (1985)
Directed by: Albert Brooks
Cinematography by: Eric Saarinen
Edited by: David Finfer
Cameras: Panavision Panaflex Gold Camera
Re-recording Mixer
Secret Admirer (1985)
Directed by: David Greenwalt
Cinematography by: Victor J. Kemper
Edited by: Dennis Virkler
Re-recording Mixer
Rambo: First Blood Part II (1985)
Directed by: George P. Cosmatos
Cinematography by: Jack Cardiff
Dubbing Mixer
Cavegirl (1985)
Directed by: David Oliver Pfeil
Cinematography by: David Oliver Pfeil
Edited by: Robert Field
Cameras: ARRI Cameras
Re-recording Mixer
Beverly Hills Cop (1984)
Directed by: Martin Brest
Cinematography by: Bruce Surtees
Re-recording Mixer
Gremlins (1984)
Directed by: Joe Dante
Cinematography by: John Hora
Edited by: Tina Hirsch
Re-recording Mixer
The River Rat (1984)
Directed by: Thomas Rickman
Cinematography by: Jan Kiesser
Edited by: Steve Mirkovich
Re-recording Mixer
Best Defense (1984)
Directed by: Willard Huyck
Cinematography by: Donald Peterman
Edited by: Sidney Wolinsky
Cameras: Panavision Cameras
Re-recording Mixer
Gorky Park (1983)
Directed by: Michael Apted
Cinematography by: Ralf D. Bode
Edited by: Dennis Virkler
Cameras: ARRI ARRIFLEX Series Cameras, J-D-C Camera
Re-recording Mixer
Terms of Endearment (1983)
Directed by: James L. Brooks
Cinematography by: Andrzej Bartkowiak
Edited by: Richard Marks
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Music Re-recordist
Lone Wolf McQuade (1983)
Directed by: Steve Carver
Cinematography by: Roger Shearman
Edited by: Anthony Redman
Re-recording Mixer
The Big Chill (1983)
Directed by: Lawrence Kasdan
Cinematography by: John Bailey
Edited by: Carol Littleton
Re-recording Mixer
Breathless (1983)
Directed by: Jim McBride
Cinematography by: Richard H. Kline
Edited by: Robert Estrin
Re-recording Mixer
Class (1983)
Directed by: Lewis John Carlino
Cinematography by: Ric Waite
Cameras: Panavision Cameras
Sound Re-recording Engineer
Rocky III (1982)
Directed by: Sylvester Stallone
Cinematography by: Bill Butler
Re-recording Mixer
Airplane II: The Sequel (1982)
Directed by: Ken Finkleman
Cinematography by: Joseph F. Biroc
Re-recording Mixer
Jekyll and Hyde... Together Again (1982)
Directed by: Jerry Belson
Cinematography by: Philip H. Lathrop
Edited by: Billy Weber
Re-recording Mixer - 2002 Special Version
E.T. the Extra-Terrestrial (1982)
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Carol Littleton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Human Highway (1982)
Cinematography by: David Myers
Edited by: James Beshears
Cameras: Panavision Cameras
Sound Re-recording
The Cannonball Run (1981)
Directed by: Hal Needham
Cinematography by: Michael C. Butler
Re-recording Mixer
Southern Comfort (1981)
Directed by: Walter Hill
Cinematography by: Andrew Laszlo
Edited by: Freeman A. Davies
Re-recording Mixer
Sharky's Machine (1981)
Directed by: Burt Reynolds
Cinematography by: William A. Fraker
Sound Re-recording
Smokey and the Bandit II (1980)
Directed by: Hal Needham
Cinematography by: Michael C. Butler
Sound Post-production Mixer
Xanadu (1980)
Directed by: Robert Greenwald
Cinematography by: Victor J. Kemper
Edited by: Dennis Virkler
Music Mixer
Night of the Juggler (1980)
Cinematography by: Victor J. Kemper
Edited by: Argyle Nelson Jr.
Re-recording Mixer
Inside Moves (1980)
Directed by: Richard Donner
Cinematography by: László Kovács
Edited by: Frank Morriss
Cameras: Panavision Cameras
Re-recording Mixer
Rocky II (1979)
Directed by: Sylvester Stallone
Cinematography by: Bill Butler
Edited by: Stanford C. Allen
Re-recording Mixer - 2 Episodes, 1979
The Sacketts (1979)
Directed by: Robert Totten
Cinematography by: Jack Whitman
Edited by: Howard A. Smith
Re-recording Mixer
A Man, a Woman and a Bank (1979)
Directed by: Noel Black
Cinematography by: Jack Cardiff
Edited by: Carl Kress
Re-recording Mixer
...and justice for all. (1979)
Directed by: Norman Jewison
Cinematography by: Victor J. Kemper
Edited by: John F. Burnett
Cameras: Panavision Cameras
Re-recording Mixer
Being There (1979)
Directed by: Hal Ashby
Cinematography by: Caleb Deschanel
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Re-recording Mixer
'The Sacketts' Part II (1979)
Directed by: Robert Totten
Cinematography by: Jack Whitman
Edited by: Howard A. Smith
Re-recording Mixer
'The Sacketts' Part I (1979)
Directed by: Robert Totten
Cinematography by: Jack Whitman
Edited by: Howard A. Smith