Aerial Director Of Photography
The Batman (2022)
Directed by: Matt Reeves
Cinematography by: Greig Fraser
Drone Camera Operator
The Fabelmans (2022)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Camera Operator
F9 (2021)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Lenses: Tokina Vista Cinema Prime Lenses
Drone Camera Operator
No Time to Die (2021)
Directed by: Cary Joji Fukunaga
Cinematography by: Linus Sandgren
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Aerial Director Of Photography
Sonic the Hedgehog (2020)
Directed by: Jeff Fowler
Cinematography by: Stephen F. Windon
Lenses: Leitz Summilux-C Series Lenses
Aerial Director Of Photography
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Aerial Director Of Photography
Baby Driver (2017)
Directed by: Edgar Wright
Cinematography by: Bill Pope
Aerial Director Of Photography
Geostorm (2017)
Directed by: Dean Devlin
Cinematography by: Roberto Schaefer
Cameras: Red Epic Dragon Camera
Aerial Director Of Photography
The 5th Wave (2016)
Directed by: J Blakeson
Cinematography by: Enrique Chediak
Edited by: Paul Rubell
Cameras: ARRI ALEXA XT Plus Camera
Aerial Director Of Photography
Jason Bourne (2016)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Aerial Director Of Photography
Suicide Squad (2016)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Aerial Director Of Photography
Star Trek Beyond (2016)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Aerial Director Of Photography: Second Unit
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Director Of Photography: Aerial Unit
'True Detective' Omega Station (2015)
Directed by: John Crowley
Cinematography by: Nigel Bluck
Director Of Photography: Aerial Unit
'True Detective' Black Maps and Motel Rooms (2015)
Directed by: Daniel Attias
Cinematography by: Nigel Bluck
Edited by: Chris Figler
Director Of Photography: Aerial Unit
'True Detective' Church in Ruins (2015)
Directed by: Miguel Sapochnik
Cinematography by: Nigel Bluck
Director Of Photography: Aerial Unit
'True Detective' Other Lives (2015)
Directed by: John Crowley
Cinematography by: Nigel Bluck
Edited by: Chris Figler
Director Of Photography: Aerial Unit
'True Detective' Down Will Come (2015)
Directed by: Jeremy Podeswa
Cinematography by: Nigel Bluck
Director Of Photography: Aerial Unit
'True Detective' Night Finds You (2015)
Directed by: Justin Lin
Cinematography by: Nigel Bluck
Edited by: Alex Hall
Director Of Photography: Aerial Unit
'True Detective' Maybe Tomorrow (2015)
Directed by: Janus Metz
Cinematography by: Nigel Bluck
Edited by: Chris Figler
Director Of Photography: Aerial Unit
'True Detective' The Western Book of the Dead (2015)
Directed by: Justin Lin
Cinematography by: Nigel Bluck
Edited by: Alex Hall
Aerial Cinematographer: Second Unit
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Aerial Director Of Photography: Splinter Unit, Vancouver
RoboCop (2014)
Directed by: José Padilha
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Camera, Red Epic Camera
Aerial Director Of Photography
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Aerial Director Of Photography
Transcendence (2014)
Directed by: Wally Pfister
Cinematography by: Jess Hall
Edited by: David Rosenbloom
Director Of Photography: Aerial Unit - 8 Episodes, 2015
True Detective (2014)
Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik
Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Aerial Director Of Photography
John Wick (2014)
Cinematography by: Jonathan Sela
Edited by: Elísabet Ronaldsdóttir
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Aerial Director Of Photography
The Judge (2014)
Directed by: David Dobkin
Cinematography by: Janusz Kaminski
Edited by: Mark Livolsi
Aerial Director Of Photography
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Aerial Director Of Photography
The Last Stand (2013)
Directed by: Jee-woon Kim
Cinematography by: Ji-yong Kim
Edited by: Steven Kemper
Cameras: ARRI ALEXA Plus Camera
Aerial Director Of Photography / Edge Arm Camera Operator
Furious 6 (2013)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Aerial Director Of Photography
The Heat (2013)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Editing System: Avid Editing System
Aerial Director Of Photography
We're the Millers (2013)
Directed by: Rawson Marshall Thurber
Cinematography by: Barry Peterson
Edited by: Michael L. Sale
Cameras: ARRI ALEXA Camera
Aerial Director Of Photography
Out of the Furnace (2013)
Directed by: Scott Cooper
Cinematography by: Masanobu Takayanagi
Edited by: David Rosenbloom
Editing System: Avid Editing System
Aerial Director Of Photography
Mud (2012)
Directed by: Jeff Nichols
Cinematography by: Adam Stone
Edited by: Julie Monroe
Aerial Director Of Photography
Premium Rush (2012)
Directed by: David Koepp
Cinematography by: Mitchell Amundsen
Edge Head Operator
Argo (2012)
Directed by: Ben Affleck
Cinematography by: Rodrigo Prieto
Edited by: William Goldenberg
Aerial Director Of Photography
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Aerial Director Of Photography
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Aerial Director Of Photography
That's My Boy (2012)
Directed by: Sean Anders
Cinematography by: Brandon Trost
Edited by: Tom Costain
Aerial Director Of Photography
People Like Us (2012)
Directed by: Alex Kurtzman
Cinematography by: Salvatore Totino
Edited by: Robert Leighton
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Director Of Photography: Spacecam
Promised Land (2012)
Directed by: Gus Van Sant
Cinematography by: Linus Sandgren
Edited by: Billy Rich
Lenses: Hawk V-Lite Lenses
Klauscam Operator
Chasing Mavericks (2012)
Cinematography by: Bill Pope
Edited by: John Gilbert
Cameras: ARRI ALEXA Camera, Red Epic Camera
Aerial Director Of Photography
New Year's Eve (2011)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Michael Tronick
Cameras: ARRI ALEXA Camera
Aerial Director Of Photography
Fast Five (2011)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Aerial Director Of Photography
Bridesmaids (2011)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Aerial Director Of Photography
Something Borrowed (2011)
Directed by: Luke Greenfield
Cinematography by: Charles Minsky
Edited by: John Axelrad
Aerial Director Of Photography
Final Destination 5 (2011)
Directed by: Steven Quale
Cinematography by: Brian Pearson
Edited by: Eric A. Sears
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Aerial Director Of Photography
The Dilemma (2011)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Aerial Director Of Photography
Arthur (2011)
Directed by: Jason Winer
Cinematography by: Uta Briesewitz
Edited by: Brent White
Aerial Director Of Photography
Salt (2010)
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
Aerial Director Of Photography
Takers (2010)
Directed by: John Luessenhop
Cinematography by: Michael Barrett
Edited by: Armen Minasian
Aerial Director Of Photography: Indonesia
Eat Pray Love (2010)
Directed by: Ryan Murphy
Cinematography by: Robert Richardson
Edited by: Bradley Buecker
Editing System: Final Cut Pro Editing System
Aerial Director Of Photography
Tron (2010)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: James Haygood
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Editing System: Avid Editing System
Aerial Director Of Photography
Skyline (2010)
Cinematography by: Michael Watson
Edited by: Nicholas Wayman-Harris
Cameras: Red One MX Camera
Aerial Director Of Photography
The Big Bang (2010)
Directed by: Tony Krantz
Cinematography by: Shelly Johnson
Edited by: Fred Raskin
Aerial Director Of Photography
My Name Is Khan (2010)
Directed by: Karan Johar
Cinematography by: Ravi K. Chandran
Edited by: Deepa Bhatia
Aerial Director Of Photography
The Book of Eli (2010)
Cinematography by: Don Burgess
Edited by: Cindy Mollo
Cameras: Red One Camera
Aerial Director Of Photography
Shutter Island (2010)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Aerial Director Of Photography
It's Complicated (2009)
Directed by: Nancy Meyers
Cinematography by: John Toll
Aerial Director Of Photography: Second Unit
Surrogates (2009)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Director Of Photography: Jamaica/Hawaii
A Perfect Getaway (2009)
Directed by: David Twohy
Cinematography by: Mark Plummer
Edited by: Tracy Adams
Aerial Camera Operator: Second Unit
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Aerial Director Of Photography
Kambakkht Ishq (2009)
Directed by: Sabir Khan
Cinematography by: Vikas Sivaraman
Aerial Director Of Photography
The Incredible Hulk (2008)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Aerial Director Of Photography
21 (2008)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Edited by: Elliot Graham
Cameras: Pan-Arri 435 Camera, Panavision Genesis Camera
Camera Operator: SpaceCam
Uncertainty (2008)
Cinematography by: Rain Li
Edited by: Paul Zucker
Cameras: ARRIFLEX D-20 Camera
Aerial Director Of Photography: New Zealand
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Aerial Director Of Photography
Death Race (2008)
Directed by: Paul W.S. Anderson
Cinematography by: Scott Kevan
Edited by: Niven Howie
Aerial Director Of Photography: New York
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Aerial Director Of Photography
The Invisible (2007)
Directed by: David S. Goyer
Cinematography by: Gabriel Beristain
Edited by: Conrad Smart
Aerial Director Of Photography
Shooter (2007)
Directed by: Antoine Fuqua
Cinematography by: Peter Menzies Jr.
Spacecam Operator
Resident Evil: Extinction (2007)
Directed by: Russell Mulcahy
Cinematography by: David Johnson
Edited by: Niven Howie
Director Of Photography: Aerial Unit
The Nanny Diaries (2007)
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Aerial Director Of Photography
Miami Vice (2006)
Directed by: Michael Mann
Cinematography by: Dion Beebe
Cameras: Thomson Viper Camera
Aerial Director Of Photography
The Shaggy Dog (2006)
Directed by: Brian Robbins
Cinematography by: Gabriel Beristain
Edited by: Ned Bastille
Aerial Director Of Photography
RV (2006)
Directed by: Barry Sonnenfeld
Cinematography by: Fred Murphy
Edited by: Kevin Tent
Camera Operator: Spacecam
Talladega Nights: The Ballad of Ricky Bobby (2006)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator: Spacecam
Four Brothers (2005)
Directed by: John Singleton
Cinematography by: Peter Menzies Jr.
Aerial Director Of Photography
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Camera Operator: SpaceCam
Collateral (2004)
Directed by: Michael Mann
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
Editing System: Avid Editing System
Camera Operator: SpaceCam
Spartan (2004)
Directed by: David Mamet
Cinematography by: Juan Ruiz Anchía
Edited by: Barbara Tulliver
Camera Operator: SpaceCam
Ladder 49 (2004)
Directed by: Jay Russell
Cinematography by: James L. Carter
Camera Operator: SpaceCam
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Camera Operator: SpaceCam
Hidalgo (2004)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Camera Operator: SpaceCam
S.W.A.T. (2003)
Directed by: Clark Johnson
Cinematography by: Gabriel Beristain
Edited by: Michael Tronick
Camera Operator: SpaceCam
Charlie's Angels: Full Throttle (2003)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Wayne Wahrman
Camera Operator: Spacecam
Dreamcatcher (2003)
Directed by: Lawrence Kasdan
Cinematography by: John Seale
Camera Operator: SpaceCam
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Camera Operator: SpaceCam
Kangaroo Jack (2003)
Directed by: David McNally
Cinematography by: Peter Menzies Jr.
Cameras: Panavision Cameras
Camera Operator: SpaceCam
K-19: The Widowmaker (2002)
Directed by: Kathryn Bigelow
Cinematography by: Jeff Cronenweth
Edited by: Walter Murch
Camera Operator: Spacecam
Scooby-Doo (2002)
Directed by: Raja Gosnell
Cinematography by: David Eggby
Edited by: Kent Beyda
Cameras: Panavision Cameras
Camera Operator: Spacecam
Exit Wounds (2001)
Directed by: Andrzej Bartkowiak
Cinematography by: Glen MacPherson
Edited by: Derek Brechin
Camera Operator: SpaceCam
The Last Castle (2001)
Directed by: Rod Lurie
Cinematography by: Shelly Johnson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator: SpaceCam
Jurassic Park III (2001)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Camera Operator: SpaceCam
Charlie's Angels (2000)
Directed by: McG
Cinematography by: Russell Carpenter
Camera Operator: SpaceCam, Aerial Unit
The Kid (2000)
Directed by: Jon Turteltaub
Cinematography by: Peter Menzies Jr.
Camera Operator: SpaceCam
Gladiator (2000)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Camera Operator: Wescam Camera
The General's Daughter (1999)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Edited by: Glen Scantlebury
Camera Operator: SpaceCam
The 13th Warrior (1999)
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator: Spacecam
10 Things I Hate About You (1999)
Directed by: Gil Junger
Cinematography by: Mark Irwin
Edited by: O. Nicholas Brown
Cameras: Moviecam Compact Camera
Camera Operator: SpaceCam
Bringing Out the Dead (1999)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Camera Operator: SpaceCam
Mickey Blue Eyes (1999)
Directed by: Kelly Makin
Cinematography by: Donald E. Thorin
Edited by: David Freeman
Camera Operator: Wescam Camera
What Dreams May Come (1998)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Camera Operator: SpaceCam
Permanent Midnight (1998)
Directed by: David Veloz
Cinematography by: Robert D. Yeoman
Aerial Cameraman: Wescam
Firestorm (1998)
Directed by: Dean Semler
Cinematography by: Stephen F. Windon
Edited by: Jack Hofstra
Camera Operator: Spacecam
The Postman (1997)
Directed by: Kevin Costner
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
Camera Operator: Wescam Camera, Halifax Contemporary Shoot
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Camera Operator: SpaceCam
Red Corner (1997)
Directed by: Jon Avnet
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter E. Berger
Camera Operator: Wescam Camera
U Turn (1997)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Camera Operator: Wescam, San Francisco
Homeward Bound II: Lost in San Francisco (1996)
Directed by: David R. Ellis
Cinematography by: Jack Conroy
Camera Operator: Wescam Camera
Judge Dredd (1995)
Directed by: Danny Cannon
Cinematography by: Adrian Biddle
Camera Operator: Wescam Camera
Apollo 13 (1995)
Directed by: Ron Howard
Cinematography by: Dean Cundey
Camera Operator: Wescam Camera
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Camera Operator: Wescam
Far from Home: The Adventures of Yellow Dog (1995)
Directed by: Phillip Borsos
Cinematography by: James Gardner
Edited by: Sidney Wolinsky
Camera Operator: Wescam, Aerial Unit
Congo (1995)
Directed by: Frank Marshall
Cinematography by: Allen Daviau
Edited by: Anne V. Coates
Camera Operator: Wescam Camera
Terminal Velocity (1994)
Directed by: Deran Sarafian
Cinematography by: Oliver Wood
Wescam Technician: Aerial Unit
Basic Instinct (1992)
Directed by: Paul Verhoeven
Cinematography by: Jan de Bont
Edited by: Frank J. Urioste
Cameras: Panavision Panaflex Camera
