Color Timer
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Color Timer
Limitless (2011)
Directed by: Neil Burger
Cinematography by: Jo Willems
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Color Timer
Crazy, Stupid, Love. (2011)
Cinematography by: Andrew Dunn
Edited by: Lee Haxall
Cameras: Panavision Panaflex Platinum Camera
Color Timer
Inception (2010)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Color Timer
The Book of Eli (2010)
Cinematography by: Don Burgess
Edited by: Cindy Mollo
Cameras: Red One Camera
Film Color Timer
Unthinkable (2010)
Directed by: Gregor Jordan
Cinematography by: Oliver Stapleton
Edited by: Scott Chestnut
Film Color Timer
Ninja Assassin (2009)
Directed by: James McTeigue
Cinematography by: Karl Walter Lindenlaub
Lenses: Zeiss Master Prime Lenses
Film Color Timer
Where the Wild Things Are (2009)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Editing System: Final Cut Pro Editing System
Film Color Timer
The Hangover (2009)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Debra Neil-Fisher
Color Timer
Tenderness (2009)
Directed by: John Polson
Cinematography by: Tom Stern
Cameras: Panavision Cameras
Color Timer
Yes Man (2008)
Directed by: Peyton Reed
Cinematography by: Robert D. Yeoman
Edited by: Craig Alpert
Cameras: Panavision Cameras
Color Timer
The Dark Knight (2008)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
Film Color Timer
Speed Racer (2008)
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Film Color Timer
The Curious Case of Benjamin Button (2008)
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Color Timer
The Reaping (2007)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Colby Parker Jr.
Film Color Timer
Ocean's Thirteen (2007)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Color Timer
American Gangster (2007)
Directed by: Ridley Scott
Cinematography by: Harris Savides
Edited by: Pietro Scalia
Editing System: Avid Editing System
Color Timer
Breach (2007)
Directed by: Billy Ray
Cinematography by: Tak Fujimoto
Edited by: Jeffrey Ford
Cameras: Panavision Cameras
Film Color Timer
The Darjeeling Limited (2007)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Cameras: Panavision Cameras
Color Timer
Material Girls (2006)
Directed by: Martha Coolidge
Cinematography by: Johnny E. Jensen
Edited by: Steven Cohen
Color Timer
Superman Returns (2006)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Panavision Genesis Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Color Timer
The Prestige (2006)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Film Color Timer
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Color Timer
Hollywoodland (2006)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Michael Berenbaum
Color Timer: Technicolor
Akeelah and the Bee (2006)
Directed by: Doug Atchison
Cinematography by: M. David Mullen
Edited by: Glenn Farr
Color Timer
Rumor Has It... (2005)
Directed by: Rob Reiner
Cinematography by: Peter Deming
Edited by: Robert Leighton
Color Timer
The Prize Winner of Defiance, Ohio (2005)
Directed by: Jane Anderson
Cinematography by: Jonathan Freeman
Edited by: Robert Dalva
Color Timer
House of Wax (2005)
Directed by: Jaume Collet-Serra
Cinematography by: Stephen F. Windon
Edited by: Joel Negron
Color Timer
The Game of Their Lives (2005)
Directed by: David Anspaugh
Cinematography by: Johnny E. Jensen
Film Color Timer
V for Vendetta (2005)
Directed by: James McTeigue
Cinematography by: Adrian Biddle
Edited by: Martin Walsh
Color Timer
Before Sunset (2004)
Directed by: Richard Linklater
Cinematography by: Lee Daniel
Edited by: Sandra Adair
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Color Timer
National Treasure (2004)
Directed by: Jon Turteltaub
Cinematography by: Caleb Deschanel
Edited by: William Goldenberg
Color Timer
Anchorman: The Legend of Ron Burgundy (2004)
Directed by: Adam McKay
Cinematography by: Thomas E. Ackerman
Edited by: Brent White
Color Timer
Confessions of a Teenage Drama Queen (2004)
Directed by: Sara Sugarman
Cinematography by: Stephen H. Burum
Edited by: Anita Brandt Burgoyne
Color Timer
Hidalgo (2004)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Color Timer
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Color Timer
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Color Timer
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Color Timer
Bringing Down the House (2003)
Directed by: Adam Shankman
Cinematography by: Julio Macat
Edited by: Gerald B. Greenberg
Color Timer
Two Weeks Notice (2002)
Directed by: Marc Lawrence
Cinematography by: László Kovács
Edited by: Susan E. Morse
Color Timer
The Time Machine (2002)
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Color Timer
A Walk to Remember (2002)
Directed by: Adam Shankman
Cinematography by: Julio Macat
Edited by: Emma E. Hickox
Cameras: ARRI Cameras
Color Timer
Showtime (2002)
Directed by: Tom Dey
Cinematography by: Thomas Kloss
Edited by: Billy Weber
Color Timer
Eight Legged Freaks (2002)
Directed by: Ellory Elkayem
Cinematography by: John S. Bartley
Edited by: David Siegel
Color Timer
Ballistic: Ecks vs. Sever (2002)
Directed by: Wych Kaosayananda
Cinematography by: Julio Macat
Lenses: Cooke S4 Lenses
Color Timer
Scooby-Doo (2002)
Directed by: Raja Gosnell
Cinematography by: David Eggby
Edited by: Kent Beyda
Cameras: Panavision Cameras
Color Timer
The Princess Diaries (2001)
Directed by: Garry Marshall
Cinematography by: Karl Walter Lindenlaub
Edited by: Bruce Green
Color Timer
Hearts in Atlantis (2001)
Directed by: Scott Hicks
Cinematography by: Piotr Sobocinski
Edited by: Pip Karmel
Color Timer
The Wedding Planner (2001)
Directed by: Adam Shankman
Cinematography by: Julio Macat
Edited by: Lisa Zeno Churgin
Color Timer
The Last Castle (2001)
Directed by: Rod Lurie
Cinematography by: Shelly Johnson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Color Timer
The Majestic (2001)
Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Jim Page
Color Timer
Rock Star (2001)
Directed by: Stephen Herek
Cinematography by: Ueli Steiger
Edited by: Trudy Ship
Cameras: Panavision Cameras
Color Timer
Almost Famous (2000)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Color Timer
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Color Timer
The Family Man (2000)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Color Timer
Pay It Forward (2000)
Directed by: Mimi Leder
Cinematography by: Oliver Stapleton
Edited by: David Rosenbloom
Cameras: Panavision Cameras
Color Timer
The Perfect Storm (2000)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Color Timer
The Patriot (2000)
Directed by: Roland Emmerich
Cinematography by: Caleb Deschanel
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Color Timer
The Haunting (1999)
Directed by: Jan de Bont
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael Kahn
Cameras: Panavision Cameras, VistaVision Cameras
Lenses: Panavision Lenses
Color Timer
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
Color Timer
The Matrix (1999)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Color Timer
Being John Malkovich (1999)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Edited by: Eric Zumbrunnen
Lenses: Cooke S4 Lenses
Color Timer
The Other Sister (1999)
Directed by: Garry Marshall
Cinematography by: Dante Spinotti
Edited by: Bruce Green
Color Timer
The Green Mile (1999)
Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Richard Francis-Bruce
Cameras: Panavision Panaflex Platinum Camera
Color Timer
Anna and the King (1999)
Directed by: Andy Tennant
Cinematography by: Caleb Deschanel
Edited by: Roger Bondelli
Cameras: Panavision Cameras
Color Timer
The Thin Red Line (1998)
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Color Timer
Great Expectations (1998)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Edited by: Steven Weisberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Color Timer
Dangerous Beauty (1998)
Directed by: Marshall Herskovitz
Cinematography by: Bojan Bazelli
Color Timer
The Big Lebowski (1998)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera
Color Timer
The Faculty (1998)
Directed by: Robert Rodriguez
Cinematography by: Enrique Chediak
Edited by: Robert Rodriguez
Cameras: Panavision Cameras
Color Timer
Simon Birch (1998)
Directed by: Mark Steven Johnson
Cinematography by: Aaron Schneider
Edited by: David Finfer
Cameras: Panavision Cameras
Color Timer
Kundun (1997)
Directed by: Martin Scorsese
Cinematography by: Roger Deakins
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 535 B Camera
Color Timer
L.A. Confidential (1997)
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Peter Honess
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Color Timer
The Game (1997)
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: James Haygood
Color Timer
Air Force One (1997)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Color Timer
Alien Resurrection (1997)
Directed by: Jean-Pierre Jeunet
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Color Timer
Rosewood (1997)
Directed by: John Singleton
Cinematography by: Johnny E. Jensen
Edited by: Bruce Cannon
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Color Timer
Anna Karenina (1997)
Directed by: Bernard Rose
Cinematography by: Daryn Okada
Edited by: Victor Du Bois
Color Timer
RocketMan (1997)
Directed by: Stuart Gillard
Cinematography by: Steven Poster
Edited by: William D. Gordean
Color Timer
I Know What You Did Last Summer (1997)
Directed by: Jim Gillespie
Cinematography by: Denis Crossan
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
Color Timer
The Rock (1996)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Edited by: Richard Francis-Bruce
Color Timer
Fly Away Home (1996)
Directed by: Carroll Ballard
Cinematography by: Caleb Deschanel
Edited by: Nicholas C. Smith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Color Timer
Sleepers (1996)
Directed by: Barry Levinson
Cinematography by: Michael Ballhaus
Edited by: Stu Linder
Color Timer
Mars Attacks! (1996)
Directed by: Tim Burton
Cinematography by: Peter Suschitzky
Edited by: Chris Lebenzon
Color Timer
Lone Star (1996)
Directed by: John Sayles
Cinematography by: Stuart Dryburgh
Edited by: John Sayles
Color Timer
SubUrbia (1996)
Directed by: Richard Linklater
Cinematography by: Lee Daniel
Edited by: Sandra Adair
Color Timer
Barb Wire (1996)
Directed by: David Hogan
Cinematography by: Rick Bota
Edited by: Peter Schink
Color Timer
Heaven's Prisoners (1996)
Directed by: Phil Joanou
Cinematography by: Harris Savides
Edited by: William Steinkamp
Color Timer
My Fellow Americans (1996)
Directed by: Peter Segal
Cinematography by: Julio Macat
Edited by: William Kerr
Color Timer
Jack (1996)
Directed by: Francis Ford Coppola
Cinematography by: John Toll
Edited by: Barry Malkin
Cameras: Panavision Cameras
Color Timer
Home for the Holidays (1995)
Directed by: Jodie Foster
Cinematography by: Lajos Koltai
Edited by: Lynzee Klingman
Color Timer
Bad Boys (1995)
Directed by: Michael Bay
Cinematography by: Howard Atherton
Edited by: Christian Wagner
Color Timer
Moonlight and Valentino (1995)
Directed by: David Anspaugh
Cinematography by: Julio Macat
Edited by: David Rosenbloom
Color Timer
While You Were Sleeping (1995)
Directed by: Jon Turteltaub
Cinematography by: Phedon Papamichael
Edited by: Bruce Green
Color Timer
Mr. Holland's Opus (1995)
Directed by: Stephen Herek
Cinematography by: Oliver Wood
Edited by: Trudy Ship
Color Timer
Desperado (1995)
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
Color Timer
The Quick and the Dead (1995)
Directed by: Sam Raimi
Cinematography by: Dante Spinotti
Edited by: Pietro Scalia
Color Timer
Jumanji (1995)
Directed by: Joe Johnston
Cinematography by: Thomas E. Ackerman
Edited by: Robert Dalva
Cameras: Panavision Cameras
Color Timer
The Shawshank Redemption (1994)
Directed by: Frank Darabont
Cinematography by: Roger Deakins
Edited by: Richard Francis-Bruce
Lenses: ARRI / Zeiss Lenses
Color Timer
My Father the Hero (1994)
Directed by: Steve Miner
Cinematography by: Daryn Okada
Edited by: Marshall Harvey
Color Timer
Silent Fall (1994)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Ian Crafford
Color Timer
Police Academy: Mission to Moscow (1994)
Directed by: Alan Metter
Cinematography by: Ian Jones
Color Timer
Legends of the Fall (1994)
Directed by: Edward Zwick
Cinematography by: John Toll
Edited by: Steven Rosenblum
Cameras: Panavision Panaflex Gold II Camera
Lenses: Canon Lenses, Panavision Lenses
Color Timer
Immortal Beloved (1994)
Directed by: Bernard Rose
Cinematography by: Peter Suschitzky
Edited by: Dan Rae
Color Timer
Squanto: A Warrior's Tale (1994)
Directed by: Xavier Koller
Cinematography by: Robbie Greenberg
Color Timer
It Could Happen to You (1994)
Directed by: Andrew Bergman
Cinematography by: Caleb Deschanel
Edited by: Barry Malkin
Color Timer
Natural Born Killers (1994)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Color Timer
Guarding Tess (1994)
Directed by: Hugh Wilson
Cinematography by: Brian J. Reynolds
Edited by: Sidney Levin
Color Timer
The Air Up There (1994)
Directed by: Paul Michael Glaser
Cinematography by: Dick Pope
Cameras: Panavision Cameras
Color Timer
Dennis the Menace (1993)
Directed by: Nick Castle
Cinematography by: Thomas E. Ackerman
Edited by: Alan Heim
Color Timer
Poetic Justice (1993)
Directed by: John Singleton
Cinematography by: Peter Lyons Collister
Edited by: Bruce Cannon
Color Timer
Geronimo: An American Legend (1993)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Color Timer
Son in Law (1993)
Directed by: Steve Rash
Cinematography by: Peter Deming
Edited by: Dennis M. Hill
Color Timer
Cool Runnings (1993)
Directed by: Jon Turteltaub
Cinematography by: Phedon Papamichael
Edited by: Bruce Green
Color Timer
Free Willy (1993)
Directed by: Simon Wincer
Cinematography by: Robbie Greenberg
Edited by: O. Nicholas Brown
Color Timer
Rudy (1993)
Directed by: David Anspaugh
Cinematography by: Oliver Wood
Edited by: David Rosenbloom
Color Timer
Look Who's Talking Now (1993)
Directed by: Tom Ropelewski
Cinematography by: Oliver Stapleton
Color Timer
Silent Tongue (1993)
Directed by: Sam Shepard
Cinematography by: Jack Conroy
Edited by: Bill Yahraus
Color Timer
The Secret Garden (1993)
Directed by: Agnieszka Holland
Cinematography by: Roger Deakins
Edited by: Isabelle Lorente
Cameras: Panavision Cameras
Color Timer
Trespass (1992)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Freeman A. Davies
Color Timer
Home Alone 2: Lost in New York (1992)
Directed by: Chris Columbus
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Cameras: Panavision Panaflex Platinum Camera
Color Timer
Far and Away (1992)
Directed by: Ron Howard
Cinematography by: Mikael Salomon
Cameras: ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses, Zeiss Lenses
Color Timer
Death Becomes Her (1992)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Color Timer
The Silence of the Lambs (1991)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Craig McKay
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Color Timer
Mystery Date (1991)
Directed by: Jonathan Wacks
Cinematography by: Oliver Wood
Edited by: Tina Hirsch
Color Timer
Thelma & Louise (1991)
Directed by: Ridley Scott
Cinematography by: Adrian Biddle
Edited by: Thom Noble
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Color Timer
The People Under the Stairs (1991)
Directed by: Wes Craven
Cinematography by: Sandi Sissel
Edited by: James Coblentz
Color Timer
Double Impact (1991)
Directed by: Sheldon Lettich
Cinematography by: Richard H. Kline
Edited by: Mark Conte
Color Timer
The Super (1991)
Directed by: Rod Daniel
Cinematography by: Bruce Surtees
Edited by: Jack Hofstra
Color Timer
Mortal Thoughts (1991)
Directed by: Alan Rudolph
Cinematography by: Elliot Davis
Edited by: Tom Walls
Color Timer
JFK (1991)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Lenses: Panavision E35 35 mm T2.0 Lens
Editing System: K.E.M. Editing System
Color Timer
The Hot Spot (1990)
Directed by: Dennis Hopper
Cinematography by: Ueli Steiger
Edited by: Wende Phifer Mate
Color Timer
Southern Comfort (1981)
Directed by: Walter Hill
Cinematography by: Andrew Laszlo
Edited by: Freeman A. Davies
