Christopher Anderson-Bazzoli

119 Titles

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The Last Duel | ShotOnWhat?

Music Copyist

The Last Duel (2021)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses

Shazam! | ShotOnWhat?

Music Preparation

Shazam! (2019)

Directed by: David F. Sandberg

Cinematography by: Maxime Alexandre

Edited by: Michel Aller

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Zeiss Master Prime Lenses

The Lion King | ShotOnWhat?

Orchestrator

The Lion King (2019)

Directed by: Jon Favreau

Cinematography by: Caleb Deschanel

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA 65 Camera

Us | ShotOnWhat?

Music Preparation

Us (2019)

Directed by: Jordan Peele

Cinematography by: Mike Gioulakis

Edited by: Nicholas Monsour

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

Green Book | ShotOnWhat?

Music Preparation

Green Book (2018)

Directed by: Peter Farrelly

Cinematography by: Sean Porter

Edited by: Patrick J. Don Vito

Cameras: ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses

Bao | ShotOnWhat?

Music Preparation

Bao (2018)

Directed by: Domee Shi

Cinematography by: Patrick Lin, Ian Megibben

Edited by: Katherine Ringgold

Christopher Robin | ShotOnWhat?

Music Preparation

Christopher Robin (2018)

Directed by: Marc Forster

Cinematography by: Matthias Koenigswieser

Edited by: Matt Chesse

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Incredibles 2 | ShotOnWhat?

Music Preparation

Incredibles 2 (2018)

Directed by: Brad Bird

Cinematography by: Mahyar Abousaeedi, Erik Smitt

Edited by: Stephen Schaffer

Ralph Breaks the Internet | ShotOnWhat?

Music Preparation

Ralph Breaks the Internet (2018)

Directed by: Phil Johnston, Rich Moore

Cinematography by: Nathan Warner

Edited by: Jeremy Milton, Fabienne Rawley

The Predator | ShotOnWhat?

Music Preparation

The Predator (2018)

Directed by: Shane Black

Cinematography by: Larry Fong

Edited by: Harry B. Miller III

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Panavision Ultra Speed MKII Lenses

Bad Times at the El Royale | ShotOnWhat?

Music Preparation

Bad Times at the El Royale (2018)

Directed by: Drew Goddard

Cinematography by: Seamus McGarvey

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Music Preparation

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

Dunkirk | ShotOnWhat?

Music Preparation

Dunkirk (2017)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

War for the Planet of the Apes | ShotOnWhat?

Music Preparation

War for the Planet of the Apes (2017)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses

Spider-Man: Homecoming | ShotOnWhat?

Music Preparation

Spider-Man: Homecoming (2017)

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Battle of the Sexes | ShotOnWhat?

Music Preparation

Battle of the Sexes (2017)

Directed by: Jonathan Dayton, Valerie Faris

Cinematography by: Linus Sandgren

Edited by: Pamela Martin

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux HR Zoom Lenses, Canon CN-E Series Lenses, Canon K35 Prime Lenses, Kowa Lenses

Coco | ShotOnWhat?

Music Preparation

Coco (2017)

Directed by: Lee Unkrich, Adrian Molina

Edited by: Steve Bloom, Lee Unkrich

Geostorm | ShotOnWhat?

Music Preparation

Geostorm (2017)

Directed by: Dean Devlin

Cinematography by: Roberto Schaefer

Edited by: Chris Lebenzon, John Refoua, Ron Rosen

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Transformers: The Last Knight | ShotOnWhat?

Batman v Superman: Dawn of Justice | ShotOnWhat?

Music Preparation

Batman v Superman: Dawn of Justice (2016)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: David Brenner

Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Zootopia | ShotOnWhat?

Music Preparation

Zootopia (2016)

Directed by: Byron Howard, Rich Moore, Jared Bush

Cinematography by: Nathan Warner

Edited by: Jeremy Milton, Fabienne Rawley

Rogue One: A Star Wars Story | ShotOnWhat?

Music Preparation

Rogue One (2016)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser

Edited by: John Gilroy, Colin Goudie, Jabez Olssen

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision APO Panatar Lenses

Editing System: Avid Editing System

Keanu | ShotOnWhat?

Music Preparation

Keanu (2016)

Directed by: Peter Atencio

Cinematography by: Jas Shelton

Edited by: Nicholas Monsour

Cameras: ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses: Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Suicide Squad | ShotOnWhat?

Music Preparation

Suicide Squad (2016)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Star Trek Beyond | ShotOnWhat?

Music Preparation

Star Trek Beyond (2016)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Live by Night | ShotOnWhat?

Music Preparation

Live by Night (2016)

Directed by: Ben Affleck

Cinematography by: Robert Richardson

Edited by: William Goldenberg

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision Super Panavision 70 Series Lenses

The Accountant | ShotOnWhat?

Music Preparation

The Accountant (2016)

Directed by: Gavin O'Connor

Cinematography by: Seamus McGarvey

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Jurassic World | ShotOnWhat?

Music Preparation

Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

Tomorrowland | ShotOnWhat?

Music Preparation

Tomorrowland (2015)

Directed by: Brad Bird

Cinematography by: Claudio Miranda

Edited by: Walter Murch, Craig Wood

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

The Big Short | ShotOnWhat?

Music Preparation

The Big Short (2015)

Directed by: Adam McKay

Cinematography by: Barry Ackroyd

Edited by: Hank Corwin

Cameras: ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Inside Out | ShotOnWhat?

Music Preparation

Inside Out (2015)

Directed by: Pete Docter, Ronnie Del Carmen

Edited by: Kevin Nolting

Straight Outta Compton | ShotOnWhat?

Music Preparation

Straight Outta Compton (2015)

Directed by: F. Gary Gray

Cinematography by: Matthew Libatique

Edited by: Billy Fox, Michael Tronick

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Cooke Anamorphic/i Prime Lenses, Fujinon Alura Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses

300: Rise of an Empire | ShotOnWhat?

Music Preparation

300: Rise of an Empire (2014)

Directed by: Noam Murro

Cinematography by: Simon Duggan

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

Transformers: Age of Extinction | ShotOnWhat?

Music Preparation

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Winter's Tale | ShotOnWhat?

Music Preparation

Winter's Tale (2014)

Directed by: Akiva Goldsman

Cinematography by: Caleb Deschanel

Edited by: Tim Squyres, Wayne Wahrman

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Interstellar | ShotOnWhat?

Music Preparation

Interstellar (2014)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

This Is Where I Leave You | ShotOnWhat?

Music Preparation

This Is Where I Leave You (2014)

Directed by: Shawn Levy

Cinematography by: Terry Stacey

Edited by: Dean Zimmerman

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Big Hero 6 | ShotOnWhat?

Music Preparation

Big Hero 6 (2014)

Directed by: Don Hall, Chris Williams

Cinematography by: Rob Dressel

Edited by: Tim Mertens

Star Trek Into Darkness | ShotOnWhat?

Music Preparation

Star Trek Into Darkness (2013)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The Lone Ranger | ShotOnWhat?

Music Preparation

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

Despicable Me 2 | ShotOnWhat?

Music Preparation

Despicable Me 2 (2013)

Directed by: Pierre Coffin, Chris Renaud

Edited by: Gregory Perler

Captain Phillips | ShotOnWhat?

Music Preparation

Captain Phillips (2013)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

The Best Man Holiday | ShotOnWhat?

Music Preparation

The Best Man Holiday (2013)

Directed by: Malcolm D. Lee

Cinematography by: Greg Gardiner

Edited by: Paul Millspaugh

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Battleship | ShotOnWhat?

Music Preparation

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

John Carter | ShotOnWhat?

Music Preparation

John Carter (2012)

Directed by: Andrew Stanton

Cinematography by: Dan Mindel

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Apple Final Cut Pro 7

The Dark Knight Rises | ShotOnWhat?

Music Preparation

The Dark Knight Rises (2012)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Safe House | ShotOnWhat?

Percussion Preparation

Safe House (2012)

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Jack Reacher | ShotOnWhat?

Music Preparation

Jack Reacher (2012)

Directed by: Christopher McQuarrie

Cinematography by: Caleb Deschanel

Edited by: Kevin Stitt

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Wreck-It Ralph | ShotOnWhat?

Music Preparation

Wreck-It Ralph (2012)

Directed by: Rich Moore

Cinematography by: Rob Dressel

Edited by: Tim Mertens

I Am Number Four | ShotOnWhat?

Music Preparation

I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Cowboys & Aliens | ShotOnWhat?

Music Preparation

Cowboys & Aliens (2011)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

A Little Bit of Heaven | ShotOnWhat?

Music Preparation

A Little Bit of Heaven (2011)

Directed by: Nicole Kassell

Cinematography by: Russell Carpenter

Edited by: Stephen A. Rotter

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Super 8 | ShotOnWhat?

Music Preparation

Super 8 (2011)

Directed by: J.J. Abrams

Cinematography by: Larry Fong

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses

Editing System: Avid Editing System

Your Highness | ShotOnWhat?

Music Preparation

Your Highness (2011)

Directed by: David Gordon Green

Cinematography by: Tim Orr

Edited by: Craig Alpert

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Transformers: Dark of the Moon | ShotOnWhat?

Music Preparation

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Mission: Impossible - Ghost Protocol | ShotOnWhat?

Music Preparation

Mission: Impossible - Ghost Protocol (2011)

Directed by: Brad Bird

Cinematography by: Robert Elswit

Edited by: Paul Hirsch

Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

TRON | ShotOnWhat?

Music Preparation

Tron (2010)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: James Haygood

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Inception | ShotOnWhat?

The Sorcerer's Apprentice | ShotOnWhat?

Music Preparation

The Sorcerer's Apprentice (2010)

Directed by: Jon Turteltaub

Cinematography by: Bojan Bazelli

Edited by: William Goldenberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Prince of Persia: The Sands of Time | ShotOnWhat?

Music Preparation

Prince of Persia: The Sands of Time (2010)

Directed by: Mike Newell

Cinematography by: John Seale

Edited by: Mick Audsley, Michael Kahn, Martin Walsh

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

The Town | ShotOnWhat?

Music Preparation

The Town (2010)

Directed by: Ben Affleck

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

How Do You Know | ShotOnWhat?

Music Preparation

How Do You Know (2010)

Directed by: James L. Brooks

Cinematography by: Janusz Kaminski

Edited by: Richard Marks, Tracey Wadmore-Smith

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Secretariat | ShotOnWhat?

Music Preparation

Secretariat (2010)

Directed by: Randall Wallace

Cinematography by: Dean Semler

Edited by: John Wright

Cameras: ARRIFLEX 435 Camera, Olympus PEN E-P1 Camera, Pan-Arri 435 Camera, Panavision Genesis Camera, Phantom HD Camera

Lenses: Panavision Primo Anamorphic Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Life as We Know It | ShotOnWhat?

Music Preparation

Life as We Know It (2010)

Directed by: Greg Berlanti

Cinematography by: Andrew Dunn

Edited by: Jim Page

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Race to Witch Mountain | ShotOnWhat?

Music Preparation

Race to Witch Mountain (2009)

Directed by: Andy Fickman

Cinematography by: Greg Gardiner

Edited by: David Rennie

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

The Taking of Pelham 1 2 3 | ShotOnWhat?

Music Preparation

The Taking of Pelham 123 (2009)

Directed by: Tony Scott

Cinematography by: Tobias A. Schliessler

Edited by: Chris Lebenzon

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

12 Rounds | ShotOnWhat?

Music Preparation

12 Rounds (2009)

Directed by: Renny Harlin

Cinematography by: David Boyd

Edited by: Brian Berdan

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

G-Force | ShotOnWhat?

Music Preparation

G-Force (2009)

Directed by: Hoyt Yeatman

Cinematography by: Bojan Bazelli

Edited by: Mark Goldblatt, Jason Hellmann

Up | ShotOnWhat?

Music Preparation

Up (2009)

Directed by: Pete Docter, Bob Peterson

Cinematography by: Patrick Lin

Edited by: Kevin Nolting

Body of Lies | ShotOnWhat?

Music Preparation

Body of Lies (2008)

Directed by: Ridley Scott

Cinematography by: Alexander Witt

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Get Smart | ShotOnWhat?

Music Preparation

Get Smart (2008)

Directed by: Peter Segal

Cinematography by: Dean Semler

Edited by: Richard Pearson

Cameras: Panavision Genesis Camera, Panavision Panastar Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

College Road Trip | ShotOnWhat?

Music Preparation

College Road Trip (2008)

Directed by: Roger Kumble

Cinematography by: Theo van de Sande

Edited by: Roger Bondelli

Illegal Tender | ShotOnWhat?

Music Preparation

Illegal Tender (2007)

Directed by: Franc. Reyes

Cinematography by: Frank Byers

Edited by: Tony Ciccone

Hot Rod | ShotOnWhat?

Music Preparation

Hot Rod (2007)

Directed by: Akiva Schaffer

Cinematography by: Andrew Dunn

Edited by: Malcolm Campbell

The Invisible | ShotOnWhat?

Music Preparation

The Invisible (2007)

Directed by: David S. Goyer

Cinematography by: Gabriel Beristain

Edited by: Conrad Smart

The Number 23 | ShotOnWhat?

Music Preparation

The Number 23 (2007)

Directed by: Joel Schumacher

Cinematography by: Matthew Libatique

Edited by: Mark Stevens

Gone Baby Gone | ShotOnWhat?

Music Preparation

Gone Baby Gone (2007)

Directed by: Ben Affleck

Cinematography by: John Toll

Edited by: William Goldenberg

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Enchanted | ShotOnWhat?

Music Preparation

Enchanted (2007)

Directed by: Kevin Lima

Cinematography by: Don Burgess

Edited by: Gregory Perler, Stephen A. Rotter

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Transformers | ShotOnWhat?

Wild Hogs | ShotOnWhat?

Music Preparation

Wild Hogs (2007)

Directed by: Walt Becker

Cinematography by: Robbie Greenberg

Edited by: Christopher Greenbury, Stuart H. Pappé

Cameras: Panavision Cameras

Pirates of the Caribbean: At World's End | ShotOnWhat?

Music Preparation

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Disturbia | ShotOnWhat?

Music Preparation

Disturbia (2007)

Directed by: D.J. Caruso

Cinematography by: Rogier Stoffers

Edited by: Jim Page

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Wind Chill | ShotOnWhat?

Music Preparation

Wind Chill (2007)

Directed by: Gregory Jacobs

Cinematography by: Dan Laustsen

Edited by: Lee Percy

National Treasure: Book of Secrets | ShotOnWhat?

Music Preparation

National Treasure: Book of Secrets (2007)

Directed by: Jon Turteltaub

Cinematography by: Amir Mokri, John Schwartzman

Edited by: William Goldenberg, David Rennie

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Lars and the Real Girl | ShotOnWhat?

Music Preparation

Lars and the Real Girl (2007)

Directed by: Craig Gillespie

Cinematography by: Adam Kimmel

Edited by: Tatiana S. Riegel

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

The Game Plan | ShotOnWhat?

Music Preparation

The Game Plan (2007)

Directed by: Andy Fickman

Cinematography by: Greg Gardiner

Edited by: Michael Jablow

Cameras: Panavision Cameras

The Simpsons Movie | ShotOnWhat?

Music Preparation

The Simpsons Movie (2007)

Directed by: David Silverman

Edited by: John Carnochan

Editing System: Final Cut Pro Editing System

Ratatouille | ShotOnWhat?

Music Preparation

Ratatouille (2007)

Directed by: Brad Bird, Jan Pinkava

Cinematography by: Robert Anderson

Edited by: Darren T. Holmes

The Santa Clause 3: The Escape Clause | ShotOnWhat?

Music Preparation

The Santa Clause 3: The Escape Clause (2006)

Directed by: Michael Lembeck

Cinematography by: Robbie Greenberg

Edited by: David Finfer

The Good Shepherd | ShotOnWhat?

Music Preparation

The Good Shepherd (2006)

Directed by: Robert De Niro

Cinematography by: Robert Richardson

Edited by: Tariq Anwar

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Lightworks Editing System

The Shaggy Dog | ShotOnWhat?

Music Preparation

The Shaggy Dog (2006)

Directed by: Brian Robbins

Cinematography by: Gabriel Beristain

Edited by: Ned Bastille

The Prestige | ShotOnWhat?

Music Preparation

The Prestige (2006)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera, Spacecam Aerial Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Smokin' Aces | ShotOnWhat?

Music Preparation

Smokin' Aces (2006)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Robert Frazen

Mission: Impossible III | ShotOnWhat?

Music Preparation

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

Glory Road | ShotOnWhat?

Music Preparation

Glory Road (2006)

Directed by: James Gartner

Cinematography by: Jeffrey L. Kimball, John Toon

Edited by: Jason Hellmann, John Wright

Snakes on a Plane | ShotOnWhat?

Music Preparation

Snakes on a Plane (2006)

Directed by: David R. Ellis

Cinematography by: Adam Greenberg

Edited by: Howard E. Smith

Eight Below | ShotOnWhat?

Music Preparation

Eight Below (2006)

Directed by: Frank Marshall

Cinematography by: Don Burgess

Edited by: Christopher Rouse

The Great Raid | ShotOnWhat?

Music Preparation

The Great Raid (2005)

Directed by: John Dahl

Cinematography by: Peter Menzies Jr.

Edited by: Scott Chestnut, Pietro Scalia

The Amityville Horror | ShotOnWhat?

Music Preparation

The Amityville Horror (2005)

Directed by: Andrew Douglas

Cinematography by: Peter Lyons Collister

Edited by: Roger Barton, Christian Wagner

The Family Stone | ShotOnWhat?

Music Preparation

The Family Stone (2005)

Directed by: Thomas Bezucha

Cinematography by: Jonathan Brown

Edited by: Jeffrey Ford

Dark Water | ShotOnWhat?

Music Preparation

Dark Water (2005)

Directed by: Walter Salles

Cinematography by: Affonso Beato

Edited by: Daniel Rezende

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Sky High | ShotOnWhat?

Music Preparation

Sky High (2005)

Directed by: Mike Mitchell

Cinematography by: Shelly Johnson

Edited by: Peter Amundson

The Pacifier | ShotOnWhat?

Music Preparation

The Pacifier (2005)

Directed by: Adam Shankman

Cinematography by: Peter James

Edited by: Christopher Greenbury

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Coach Carter | ShotOnWhat?

Music Preparation

Coach Carter (2005)

Directed by: Thomas Carter

Cinematography by: Sharone Meir

Edited by: Peter E. Berger

The Alamo | ShotOnWhat?

Music Preparation

The Alamo (2004)

Directed by: John Lee Hancock

Cinematography by: Dean Semler

Edited by: Eric L. Beason

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Life Aquatic with Steve Zissou | ShotOnWhat?

Music Preparation

The Life Aquatic with Steve Zissou (2004)

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: David Moritz

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

National Treasure | ShotOnWhat?

Music Preparation

National Treasure (2004)

Directed by: Jon Turteltaub

Cinematography by: Caleb Deschanel

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision Primo Primes Spherical Lenses

Ladder 49 | ShotOnWhat?

Music Preparation

Ladder 49 (2004)

Directed by: Jay Russell

Cinematography by: James L. Carter

Edited by: Bud S. Smith, M. Scott Smith

Confessions of a Teenage Drama Queen | ShotOnWhat?

Music Preparation

Confessions of a Teenage Drama Queen (2004)

Directed by: Sara Sugarman

Cinematography by: Stephen H. Burum

Edited by: Anita Brandt Burgoyne

The Incredibles | ShotOnWhat?

Music Preparation

The Incredibles (2004)

Directed by: Brad Bird

Cinematography by: Andrew Jimenez, Patrick Lin, Janet Lucroy

Edited by: Stephen Schaffer

Pirates of the Caribbean: The Curse of the Black Pearl | ShotOnWhat?

Music Preparation

Pirates of the Caribbean: The Curse of the Black Pearl (2003)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Arthur Schmidt, Craig Wood

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Bad Boys II | ShotOnWhat?

Music Preparation

Bad Boys II (2003)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

Freaky Friday | ShotOnWhat?

Music Preparation

Freaky Friday (2003)

Directed by: Mark Waters

Cinematography by: Oliver Wood

Edited by: Bruce Green

Bringing Down the House | ShotOnWhat?

Music Preparation

Bringing Down the House (2003)

Directed by: Adam Shankman

Cinematography by: Julio Macat

Edited by: Gerald B. Greenberg

The Santa Clause 2 | ShotOnWhat?

Music Preparation

The Santa Clause 2 (2002)

Directed by: Michael Lembeck

Cinematography by: Adam Greenberg

Edited by: David Finfer

Tuck Everlasting | ShotOnWhat?

Music Preparation

Tuck Everlasting (2002)

Directed by: Jay Russell

Cinematography by: James L. Carter

Edited by: Jay Cassidy

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Bubble Boy | ShotOnWhat?

Music Preparation

Bubble Boy (2001)

Directed by: Blair Hayes

Cinematography by: Jerzy Zielinski

Edited by: Pamela Martin

Revolution OS | ShotOnWhat?

Composer

Revolution OS (2001)

Directed by: J.T.S. Moore

Cinematography by: J.T.S. Moore

Edited by: J.T.S. Moore

Max Keeble's Big Move | ShotOnWhat?

Music Preparation

Max Keeble's Big Move (2001)

Directed by: Tim Hill

Cinematography by: Arthur Albert

Edited by: Tony Lombardo, Peck Prior

Cameras: Moviecam Compact Camera

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