Foley Artist
Beau Is Afraid (2023)
Directed by: Ari Aster
Cinematography by: Pawel Pogorzelski
Edited by: Lucian Johnston
Cameras: Sony CineAlta VENICE Camera
Foley Artist: C5, Inc., Radio Sound Effects
Killers of the Flower Moon (2023)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses
Editing System: Lightworks Editing System
Foley Artist
Greyhound (2020)
Directed by: Aaron Schneider
Cinematography by: Shelly Johnson
Cameras: Panavision Millennium DXL Camera
Foley Artist
Gemini Man (2019)
Directed by: Ang Lee
Cinematography by: Dion Beebe
Edited by: Tim Squyres
Cameras: ARRI ALEXA XT M Camera, Phantom Flex4K Camera
Lenses: Leitz Summilux-C Series Lenses
Foley Artist
The Irishman (2019)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras
Editing System: Lightworks Editing System
Foley Artist
Dragged Across Concrete (2018)
Directed by: S. Craig Zahler
Cinematography by: Benji Bakshi
Edited by: Greg D'Auria
Cameras: Red Helium (Weapon) 8K
Lenses: Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 28 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens
Foley Artist
BlacKkKlansman (2018)
Directed by: Spike Lee
Cinematography by: Chayse Irvin
Edited by: Barry Alexander Brown
Foley Artist
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Foley Artist
A Quiet Place (2018)
Directed by: John Krasinski
Cinematography by: Charlotte Bruus Christensen
Edited by: Christopher Tellefsen
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
Foley Artist
Ocean's Eight (2018)
Directed by: Gary Ross
Cinematography by: Eigil Bryld
Edited by: Juliette Welfling
Foley Artist
Hold the Dark (2018)
Directed by: Jeremy Saulnier
Cinematography by: Magnus Nordenhof Jønck
Edited by: Julia Bloch
Cameras: Red Epic Dragon Camera
Lenses: Hawk V-Plus Lenses
Foley Artist
Hail, Caesar! (2016)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Adobe Premiere Editing System
Foley Artist - 10 Episodes, 2016
Vinyl (2016)
Directed by: Allen Coulter, Jon S. Baird, S.J. Clarkson, Carl Franklin, Nicole Kassell, Mark Romanek, Martin Scorsese, Peter Sollett
Cameras: Sony PMW-F55 Camera
Foley Artist
Crouching Tiger, Hidden Dragon: Sword of Destiny (2016)
Directed by: Woo-Ping Yuen
Cinematography by: Newton Thomas Sigel
Edited by: Jeff Betancourt
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Foley Artist
'Vinyl' Alibi (2016)
Directed by: Allen Coulter
Cinematography by: Reed Morano
Edited by: Tim Streeto
Foley Artist
'Vinyl' Rock and Roll Queen (2016)
Directed by: Carl Franklin
Cinematography by: David Franco
Foley Artist
'Vinyl' The King and I (2016)
Directed by: Allen Coulter
Cinematography by: David Franco
Edited by: Kate Sanford
Foley Artist
'Vinyl' He in Racist Fire (2016)
Directed by: Peter Sollett
Cinematography by: David Franco
Edited by: Kate Sanford
Foley Artist
'Vinyl' The Racket (2016)
Directed by: S.J. Clarkson
Cinematography by: Reed Morano
Edited by: Tim Streeto
Foley Artist
'Vinyl' Whispered Secrets (2016)
Directed by: Mark Romanek
Cinematography by: David Franco
Edited by: Kate Sanford
Foley Artist
'Vinyl' Yesterday Once More (2016)
Directed by: Allen Coulter
Cinematography by: Reed Morano
Edited by: Tim Streeto
Foley Artist
'Vinyl' Pilot (2016)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: David Tedeschi
Foley Artist
Run All Night (2015)
Directed by: Jaume Collet-Serra
Cinematography by: Martin Ruhe
Edited by: Dirk Westervelt
Foley Artist
Spotlight (2015)
Directed by: Tom McCarthy
Cinematography by: Masanobu Takayanagi
Edited by: Tom McArdle
Cameras: ARRI ALEXA XT Camera
Foley Artist
Anomalisa (2015)
Cinematography by: Joe Passarelli
Edited by: Garret Elkins
Cameras: Canon EOS-7D Camera
Foley Artist
Jane Got a Gun (2015)
Directed by: Gavin O'Connor
Cinematography by: Mandy Walker
Edited by: Alan Cody
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Foley Artist
Focus (2015)
Cinematography by: Xavier Grobet
Edited by: Jan Kovac
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Editing System: Final Cut Pro Editing System
Foley Artist
Winter's Tale (2014)
Directed by: Akiva Goldsman
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA Plus 4:3 Camera
Foley Artist
Into the Woods (2014)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Cameras: ARRI ALEXA XT Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Foley Artist
The Giver (2014)
Directed by: Phillip Noyce
Cinematography by: Ross Emery
Edited by: Barry Alexander Brown
Cameras: ARRI ALEXA XT Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Foley Artist
Foxcatcher (2014)
Directed by: Bennett Miller
Cinematography by: Greig Fraser
Editing System: Avid Editing System
Foley Artist
Non-Stop (2014)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Jim May
Foley Artist
St. Vincent (2014)
Directed by: Theodore Melfi
Cinematography by: John Lindley
Editing System: Avid Editing System
Foley Artist
This Is Where I Leave You (2014)
Directed by: Shawn Levy
Cinematography by: Terry Stacey
Edited by: Dean Zimmerman
Cameras: ARRI ALEXA XT Camera
Foley Artist
The Drop (2014)
Directed by: Michaël R. Roskam
Cinematography by: Nicolas Karakatsanis
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Foley Artist
Top Five (2014)
Directed by: Chris Rock
Cinematography by: Manuel Alberto Claro
Edited by: Anne McCabe
Foley Artist
Gods Behaving Badly (2013)
Directed by: Marc Turtletaub
Cinematography by: Tak Fujimoto
Cameras: ARRI ALEXA Camera
Foley Artist
Admission (2013)
Directed by: Paul Weitz
Cinematography by: Declan Quinn
Edited by: Joan Sobel
Cameras: ARRI ALEXA Studio Camera
Foley Artist
The Wolf of Wall Street (2013)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Foley Artist
The Secret Life of Walter Mitty (2013)
Directed by: Ben Stiller
Cinematography by: Stuart Dryburgh
Edited by: Greg Hayden
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Foley Artist
Inside Llewyn Davis (2013)
Cinematography by: Bruno Delbonnel
Cameras: ARRICAM Lite (LT) Camera
Editing System: Adobe Premiere Editing System, Final Cut Pro Editing System
Foley Artist
The Fifth Estate (2013)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Foley Artist
'Boardwalk Empire' White Horse Pike (2013)
Directed by: Jake Paltrow
Cinematography by: William Coleman
Edited by: Tim Streeto
Foley Artist
Red Hook Summer (2012)
Directed by: Spike Lee
Cinematography by: Kerwin DeVonish
Edited by: Hye Mee Na
Cameras: Sony PMW-F3 Camera
Foley Artist
Being Flynn (2012)
Directed by: Paul Weitz
Cinematography by: Declan Quinn
Edited by: Joan Sobel
Foley Artist
Premium Rush (2012)
Directed by: David Koepp
Cinematography by: Mitchell Amundsen
Foley Artist
Hope Springs (2012)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Steven Weisberg
Cameras: ARRI ALEXA Camera
Foley Artist
The We and the I (2012)
Directed by: Michel Gondry
Cinematography by: Alex Disenhof
Edited by: Jeff Buchanan
Foley Artist
Cloned: The Recreator Chronicles (2012)
Directed by: Gregory Orr
Cinematography by: David Tumblety
Edited by: Scott Martin
Cameras: Red One Camera
Foley Artist
Life of Pi (2012)
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Foley Artist
'Boardwalk Empire' Bone for Tuna (2012)
Directed by: Jeremy Podeswa
Cinematography by: David Franco
Edited by: Kate Sanford
Foley Artist
'Boardwalk Empire' Blue Bell Boy (2012)
Directed by: Kari Skogland
Cinematography by: William Coleman
Edited by: Tim Streeto
Foley Artist
'Boardwalk Empire' Ging Gang Goolie (2012)
Directed by: Ed Bianchi
Cinematography by: William Coleman
Edited by: Tim Streeto
Foley Artist
'Boardwalk Empire' Sunday Best (2012)
Directed by: Allen Coulter
Cinematography by: David Franco
Edited by: Kate Sanford
Foley Artist
'Boardwalk Empire' The Milkmaid's Lot (2012)
Directed by: Ed Bianchi
Cinematography by: David Franco
Edited by: Kate Sanford
Foley Artist
'Boardwalk Empire' A Man, a Plan... (2012)
Directed by: Jeremy Podeswa
Cinematography by: William Coleman
Edited by: Tim Streeto
Foley Artist
'Boardwalk Empire' Two Imposters (2012)
Directed by: Allen Coulter
Cinematography by: David Franco
Edited by: Kate Sanford
Foley Artist
'Boardwalk Empire' Margate Sands (2012)
Directed by: Timothy Van Patten
Cinematography by: William Coleman
Edited by: Tim Streeto
Foley Artist
Limitless (2011)
Directed by: Neil Burger
Cinematography by: Jo Willems
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Foley Artist
The Big Year (2011)
Directed by: David Frankel
Cinematography by: Lawrence Sher
Edited by: Mark Livolsi
Foley Artist
Extremely Loud & Incredibly Close (2011)
Directed by: Stephen Daldry
Cinematography by: Chris Menges
Edited by: Claire Simpson
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System, Final Cut Pro Editing System
Foley Artist
Win Win (2011)
Directed by: Tom McCarthy
Cinematography by: Oliver Bokelberg
Edited by: Tom McArdle
Foley Artist
The Son of No One (2011)
Directed by: Dito Montiel
Cinematography by: Benoît Delhomme
Edited by: Jake Pushinsky
Foley Artist
I Don't Know How She Does It (2011)
Directed by: Douglas McGrath
Cinematography by: Stuart Dryburgh
Edited by: Camilla Toniolo
Foley Artist
Hugo (2011)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Foley Artist
Trespass (2011)
Directed by: Joel Schumacher
Cinematography by: Andrzej Bartkowiak
Edited by: Bill Pankow
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Foley Artist
The Sitter (2011)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Foley Artist
'Boardwalk Empire' 21 (2011)
Directed by: Timothy Van Patten
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Foley Artist
'Boardwalk Empire' A Dangerous Maid (2011)
Directed by: Susanna White
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Foley Artist
'Boardwalk Empire' Gimcrack and Bunkum (2011)
Directed by: Timothy Van Patten
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Foley Artist
'Boardwalk Empire' The Age of Reason (2011)
Directed by: Jeremy Podeswa
Cinematography by: David Franco
Edited by: Tim Streeto
Foley Artist
'Boardwalk Empire' Battle of the Century (2011)
Directed by: Brad Anderson
Cinematography by: William Coleman
Edited by: Kate Sanford
Foley Artist
'Boardwalk Empire' Under God's Power She Flourishes (2011)
Directed by: Allen Coulter
Cinematography by: William Coleman
Edited by: Kate Sanford
Foley Artist
The Romantics (2010)
Directed by: Galt Niederhoffer
Cinematography by: Sam Levy
Edited by: Jacob Craycroft
Foley Artist
Salt (2010)
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
Foley Artist
Morning Glory (2010)
Directed by: Roger Michell
Cinematography by: Alwin H. Küchler
Editing System: Avid Editing System
Foley Artist
MacGruber (2010)
Directed by: Jorma Taccone
Cinematography by: Brandon Trost
Edited by: Jamie Gross
Foley Artist
Rabbit Hole (2010)
Directed by: John Cameron Mitchell
Cinematography by: Frank G. DeMarco
Edited by: Joe Klotz
Cameras: Red One Camera
Foley Artist
When in Rome (2010)
Directed by: Mark Steven Johnson
Cinematography by: John Bailey
Foley Artist
Greenberg (2010)
Directed by: Noah Baumbach
Cinematography by: Harris Savides
Edited by: Tim Streeto
Foley Artist
Shutter Island (2010)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Foley Artist
True Grit (2010)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Foley Artist
The Tempest (2010)
Directed by: Julie Taymor
Cinematography by: Stuart Dryburgh
Edited by: Françoise Bonnot
Cameras: ARRICAM Lite (LT) Camera
Foley Artist
It's Kind of a Funny Story (2010)
Cinematography by: Andrij Parekh
Edited by: Anna Boden
Foley Artist
Jack Goes Boating (2010)
Directed by: Philip Seymour Hoffman
Cinematography by: W. Mott Hupfel III
Edited by: Brian A. Kates
Lenses: Cooke S4 Lenses
Foley Artist
The Bounty Hunter (2010)
Directed by: Andy Tennant
Cinematography by: Oliver Bokelberg
Edited by: Troy Takaki
Foley Artist - 18 Episodes, 2010-2013
Boardwalk Empire (2010)
Directed by: Timothy Van Patten, Allen Coulter, Jeremy Podeswa, Ed Bianchi, Brad Anderson, Alik Sakharov, Jake Paltrow, Simon Cellan Jones, Brian Kirk, Martin Scorsese, Alan Taylor, David Petrarca, Susanna White, Kari Skogland
Cinematography by: William Coleman, David Franco, Jonathan Freeman, Kramer Morgenthau, Stuart Dryburgh, Eric Moynier
Foley Artist
'Boardwalk Empire' Boardwalk Empire (2010)
Directed by: Martin Scorsese
Cinematography by: Stuart Dryburgh
Edited by: Sidney Wolinsky
Foley Artist
'Boardwalk Empire' Broadway Limited (2010)
Directed by: Timothy Van Patten
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Foley Artist
'Boardwalk Empire' Anastasia (2010)
Directed by: Jeremy Podeswa
Cinematography by: Kramer Morgenthau
Edited by: Tim Streeto
Foley Artist
After.Life (2009)
Directed by: Agnieszka Wojtowicz-Vosloo
Cinematography by: Anastas N. Michos
Edited by: Niven Howie
Foley Artist
Handsome Harry (2009)
Directed by: Bette Gordon
Cinematography by: Nigel Bluck
Edited by: Keiko Deguchi
Foley Artist
A Serious Man (2009)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Foley Artist
Away We Go (2009)
Directed by: Sam Mendes
Cinematography by: Ellen Kuras
Edited by: Sarah Flack
Foley Artist
Taking Woodstock (2009)
Directed by: Ang Lee
Cinematography by: Eric Gautier
Edited by: Tim Squyres
Foley Artist
Spion van Oranje (2009)
Directed by: Tim Oliehoek
Cinematography by: Rolf Dekens
Edited by: Peter Alderliesten
Foley Artist
Bandslam (2009)
Directed by: Todd Graff
Cinematography by: Eric Steelberg
Edited by: John Gilbert
Cameras: Panavision Cameras
Foley Artist
Julie & Julia (2009)
Directed by: Nora Ephron
Cinematography by: Stephen Goldblatt
Edited by: Richard Marks
Foley Artist
Shine a Light (2008)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: David Tedeschi
Foley Artist
What Just Happened (2008)
Directed by: Barry Levinson
Cinematography by: Stéphane Fontaine
Edited by: Hank Corwin
Cameras: Aaton 35-III Camera, ARRICAM Lite (LT) Camera
Editing System: Avid Editing System
Foley Artist
Synecdoche, New York (2008)
Directed by: Charlie Kaufman
Cinematography by: Frederick Elmes
Edited by: Robert Frazen
Foley Artist
Rachel Getting Married (2008)
Directed by: Jonathan Demme
Cinematography by: Declan Quinn
Edited by: Tim Squyres
Cameras: Sony HDW-F900R Camera
Foley Artist
Marley & Me (2008)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Ultra Prime Lenses
Foley Artist
Be Kind Rewind (2008)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Jeff Buchanan
Foley Artist
Miracle at St. Anna (2008)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Foley Artist
Stop-Loss (2008)
Directed by: Kimberly Peirce
Cinematography by: Chris Menges
Edited by: Claire Simpson
Foley Artist
The Happening (2008)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Foley Artist
The Reader (2008)
Directed by: Stephen Daldry
Edited by: Claire Simpson
Lenses: Zeiss Master Prime Lenses
Foley Artist
Doubt (2008)
Directed by: John Patrick Shanley
Cinematography by: Roger Deakins
Edited by: Dylan Tichenor
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Foley Artist
Honeydripper (2007)
Directed by: John Sayles
Cinematography by: Dick Pope
Edited by: John Sayles
Foley Artist
Reservation Road (2007)
Directed by: Terry George
Cinematography by: John Lindley
Edited by: Naomi Geraghty
Foley Artist
Hot Rod (2007)
Directed by: Akiva Schaffer
Cinematography by: Andrew Dunn
Edited by: Malcolm Campbell
Foley Artist
Across the Universe (2007)
Directed by: Julie Taymor
Cinematography by: Bruno Delbonnel
Edited by: Françoise Bonnot
Cameras: ARRI Cameras, Panavision Cameras
Lenses: Panavision Lenses
Foley Artist
The Brave One (2007)
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Edited by: Tony Lawson
Cameras: Panavision Panaflex Camera
Foley Artist
Awake (2007)
Directed by: Joby Harold
Cinematography by: Russell Carpenter
Edited by: Craig McKay
Foley Artist
The Savages (2007)
Directed by: Tamara Jenkins
Cinematography by: W. Mott Hupfel III
Edited by: Brian A. Kates
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke S4 Lenses
Foley Artist
Charlie Wilson's War (2007)
Directed by: Mike Nichols
Cinematography by: Stephen Goldblatt
Foley Artist
Lust, Caution (2007)
Directed by: Ang Lee
Cinematography by: Rodrigo Prieto
Edited by: Tim Squyres
Foley Artist
Margot at the Wedding (2007)
Directed by: Noah Baumbach
Cinematography by: Harris Savides
Edited by: Carol Littleton
Cameras: ARRICAM Lite (LT) Camera
Foley Artist
The Visitor (2007)
Directed by: Tom McCarthy
Cinematography by: Oliver Bokelberg
Edited by: Tom McArdle
Cameras: ARRICAM Lite (LT) Camera
Foley Artist
Failure to Launch (2006)
Directed by: Tom Dey
Cinematography by: Claudio Miranda
Edited by: Steven Rosenblum
Foley Artist
The Good Shepherd (2006)
Directed by: Robert De Niro
Cinematography by: Robert Richardson
Edited by: Tariq Anwar
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Foley Artist
The Departed (2006)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Editing System: Lightworks Editing System
Foley Artist
Fur: An Imaginary Portrait of Diane Arbus (2006)
Directed by: Steven Shainberg
Cinematography by: Bill Pope
Foley Artist
Inside Man (2006)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Foley Artist
The Devil Wears Prada (2006)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Studio (ST) Camera
Foley Artist
The Night Listener (2006)
Directed by: Patrick Stettner
Cinematography by: Lisa Rinzler
Edited by: Andy Keir
Foley Artist
Hollywoodland (2006)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Michael Berenbaum
Foley Artist
Brokeback Mountain (2005)
Directed by: Ang Lee
Cinematography by: Rodrigo Prieto
Lenses: Cooke S4 Lenses
Foley Artist
Capote (2005)
Directed by: Bennett Miller
Cinematography by: Adam Kimmel
Edited by: Christopher Tellefsen
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Foley Artist
Everything Is Illuminated (2005)
Directed by: Liev Schreiber
Cinematography by: Matthew Libatique
Foley Artist
The Ice Harvest (2005)
Directed by: Harold Ramis
Cinematography by: Alar Kivilo
Edited by: Lee Percy
Foley Artist
Because of Winn-Dixie (2005)
Directed by: Wayne Wang
Cinematography by: Karl Walter Lindenlaub
Edited by: Deirdre Slevin
Foley Artist
Cinderella Man (2005)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Foley Artist
The Notorious Bettie Page (2005)
Directed by: Mary Harron
Cinematography by: W. Mott Hupfel III
Edited by: Tricia Cooke
Foley Artist
North Country (2005)
Directed by: Niki Caro
Cinematography by: Chris Menges
Edited by: David Coulson
Foley Artist
The New World (2005)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Foley Artist
Eternal Sunshine of the Spotless Mind (2004)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Valdís Óskarsdóttir
Cameras: ARRICAM Lite (LT) Camera
Foley Artist
Maria Full of Grace (2004)
Directed by: Joshua Marston
Cinematography by: Jim Denault
Lenses: Cooke S4 Lenses
Foley Artist
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Foley Artist
The Manchurian Candidate (2004)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Foley Artist
The Stepford Wives (2004)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Jay Rabinowitz
Foley Artist
Vanity Fair (2004)
Directed by: Mira Nair
Cinematography by: Declan Quinn
Edited by: Allyson C. Johnson
Foley Artist
The Ladykillers (2004)
Cinematography by: Roger Deakins
Editing System: Final Cut Pro Editing System
Foley Artist
Intolerable Cruelty (2003)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 Camera
Editing System: Final Cut Pro Editing System
Foley Artist
Hulk (2003)
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
Cameras: ARRIFLEX 535 B Camera
Foley Artist
The Human Stain (2003)
Directed by: Robert Benton
Cinematography by: Jean-Yves Escoffier
Edited by: Christopher Tellefsen
Foley Artist
Frida (2002)
Directed by: Julie Taymor
Cinematography by: Rodrigo Prieto
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Foley Artist
Murder by Numbers (2002)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Foley Artist
The Truth About Charlie (2002)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Foley Artist
Gangs of New York (2002)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Foley Artist
25th Hour (2002)
Directed by: Spike Lee
Cinematography by: Rodrigo Prieto
Edited by: Barry Alexander Brown
Lenses: Zeiss Ultra Prime Lenses
Foley Artist
Hedwig and the Angry Inch (2001)
Directed by: John Cameron Mitchell
Cinematography by: Frank G. DeMarco
Edited by: Andrew Marcus
Foley Artist
The Score (2001)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Richard Pearson
Foley Artist
No Such Thing (2001)
Directed by: Hal Hartley
Cinematography by: Michael Spiller
Edited by: Steve Hamilton
Foley Artist
The Man Who Wasn't There (2001)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Foley Artist
Sidewalks of New York (2001)
Directed by: Edward Burns
Cinematography by: Frank Prinzi
Edited by: David Greenwald
Foley Artist
Wit (2001)
Directed by: Mike Nichols
Cinematography by: Seamus McGarvey
Edited by: John Bloom
Foley Artist
The Safety of Objects (2001)
Directed by: Rose Troche
Cinematography by: Enrique Chediak
Edited by: Geraldine Peroni
Foley Artist
Y Tu Mamá También (2001)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Lenses: Zeiss Super Speed Lenses
Foley Artist
Crouching Tiger, Hidden Dragon (2000)
Directed by: Ang Lee
Cinematography by: Peter Pau
Edited by: Tim Squyres
Cameras: ARRIFLEX 435 ES Camera
Lenses: Zeiss Lenses
Foley Artist
Before Night Falls (2000)
Directed by: Julian Schnabel
Edited by: Michael Berenbaum
Cameras: ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Super Speed Lenses
Foley Artist
O Brother, Where Art Thou? (2000)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Additional Foley: New York
American Psycho (2000)
Directed by: Mary Harron
Cinematography by: Andrzej Sekula
Edited by: Andrew Marcus
Foley Artist
Bamboozled (2000)
Directed by: Spike Lee
Cinematography by: Ellen Kuras
Edited by: Samuel D. Pollard
Foley Artist
What Planet Are You From? (2000)
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Richard Marks
Cameras: Panavision Cameras
Foley Artist
Bowfinger (1999)
Directed by: Frank Oz
Cinematography by: Ueli Steiger
Edited by: Richard Pearson
Foley Artist
Summer of Sam (1999)
Directed by: Spike Lee
Cinematography by: Ellen Kuras
Edited by: Barry Alexander Brown
Foley Artist
Titus (1999)
Directed by: Julie Taymor
Cinematography by: Luciano Tovoli
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Foley Artist
Wild Wild West (1999)
Directed by: Barry Sonnenfeld
Cinematography by: Michael Ballhaus
Edited by: Jim Miller
Foley Artist
Gloria (1999)
Directed by: Sidney Lumet
Cinematography by: David Watkin
Edited by: Tom Swartwout
Foley Artist
The Deep End of the Ocean (1999)
Directed by: Ulu Grosbard
Cinematography by: Stephen Goldblatt
Edited by: John Bloom
Foley Artist
Sweet and Lowdown (1999)
Directed by: Woody Allen
Cinematography by: Fei Zhao
Edited by: Alisa Lepselter
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Artist
Bringing Out the Dead (1999)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Foley Artist
Limbo (1999)
Directed by: John Sayles
Cinematography by: Haskell Wexler
Edited by: John Sayles
Foley Artist
The Impostors (1998)
Directed by: Stanley Tucci
Cinematography by: Ken Kelsch
Edited by: Suzy Elmiger
Foley Artist
You've Got Mail (1998)
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Richard Marks
Foley Artist
Celebrity (1998)
Directed by: Woody Allen
Cinematography by: Sven Nykvist
Edited by: Susan E. Morse
Foley Artist
Primary Colors (1998)
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Arthur Schmidt
Cameras: ARRIFLEX Camera
Foley Artist
Practical Magic (1998)
Directed by: Griffin Dunne
Cinematography by: Andrew Dunn
Edited by: Elizabeth Kling
Foley Artist
Dark Harbor (1998)
Directed by: Adam Coleman Howard
Cinematography by: Walt Lloyd
Edited by: Annette Davey
Foley Artist
Beloved (1998)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Artist
The Object of My Affection (1998)
Directed by: Nicholas Hytner
Cinematography by: Oliver Stapleton
Edited by: Tariq Anwar
Foley Artist
The Big Lebowski (1998)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera
Foley Artist
Desperate Measures (1998)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Cameras: Panavision Panaflex Platinum Camera
Foley Artist
Kundun (1997)
Directed by: Martin Scorsese
Cinematography by: Roger Deakins
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 535 B Camera
Foley Artist
The Ice Storm (1997)
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
Foley Artist
Cop Land (1997)
Directed by: James Mangold
Cinematography by: Eric Alan Edwards
Edited by: Craig McKay
Foley Artist
Deconstructing Harry (1997)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Foley Artist
Men in Black (1997)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Edited by: Jim Miller
Foley Artist
Surviving Picasso (1996)
Directed by: James Ivory
Cinematography by: Tony Pierce-Roberts
Edited by: Andrew Marcus
Foley Artist
Everyone Says I Love You (1996)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Foley Artist
Girl 6 (1996)
Directed by: Spike Lee
Cinematography by: Malik Hassan Sayeed
Edited by: Samuel D. Pollard
Foley Artist
No Way Home (1996)
Directed by: Buddy Giovinazzo
Cinematography by: Claudia Raschke
Edited by: Stanley Warnow
Foley Artist
Before and After (1996)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Foley Artist
Lone Star (1996)
Directed by: John Sayles
Cinematography by: Stuart Dryburgh
Edited by: John Sayles
Foley Artist
Matilda (1996)
Directed by: Danny DeVito
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Platinum Camera
Foley Artist
The Mirror Has Two Faces (1996)
Directed by: Barbra Streisand
Edited by: Jeff Werner
Cameras: Panavision Panaflex Camera
Foley Artist
The Birdcage (1996)
Directed by: Mike Nichols
Cinematography by: Emmanuel Lubezki
Edited by: Arthur Schmidt
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Artist
Blue in the Face (1995)
Cinematography by: Adam Holender
Edited by: Christopher Tellefsen
Foley Artist
Dead Man (1995)
Directed by: Jim Jarmusch
Cinematography by: Robby Müller
Edited by: Jay Rabinowitz
Foley Artist
Casino (1995)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Foley Artist
Clockers (1995)
Directed by: Spike Lee
Cinematography by: Malik Hassan Sayeed
Edited by: Sam Pollard
Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera
Foley Artist
The Indian in the Cupboard (1995)
Directed by: Frank Oz
Cinematography by: Russell Carpenter
Edited by: Ian Crafford
Foley Artist
Kiss of Death (1995)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Cameras: Panavision Cameras
Foley Artist
Bullets Over Broadway (1994)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Foley Artist
Amateur (1994)
Directed by: Hal Hartley
Cinematography by: Michael Spiller
Edited by: Steve Hamilton
Cameras: Panavision Panaflex Gold Camera
Foley Artist
Wolf (1994)
Directed by: Mike Nichols
Cinematography by: Giuseppe Rotunno
Edited by: Sam O'Steen
Foley Artist
Imaginary Crimes (1994)
Directed by: Anthony Drazan
Cinematography by: John J. Campbell
Edited by: Elizabeth Kling
Foley Artist
Mrs. Parker and the Vicious Circle (1994)
Directed by: Alan Rudolph
Cinematography by: Jan Kiesser
Edited by: Suzy Elmiger
Foley Artist
It Could Happen to You (1994)
Directed by: Andrew Bergman
Cinematography by: Caleb Deschanel
Edited by: Barry Malkin
Foley Walker
The Hudsucker Proxy (1994)
Cinematography by: Roger Deakins
Edited by: Thom Noble
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Foley Artist
The Pelican Brief (1993)
Directed by: Alan J. Pakula
Cinematography by: Stephen Goldblatt
Editing System: Lightworks Editing System
Foley Artist
Life with Mikey (1993)
Directed by: James Lapine
Cinematography by: Rob Hahn
Edited by: Robert Leighton
Foley Walker
Household Saints (1993)
Directed by: Nancy Savoca
Cinematography by: Bobby Bukowski
Edited by: Elizabeth Kling
Foley Artist
The Age of Innocence (1993)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Foley Artist
For Love or Money (1993)
Directed by: Barry Sonnenfeld
Cinematography by: Oliver Wood
Edited by: Jim Miller
Foley Artist
Consenting Adults (1992)
Directed by: Alan J. Pakula
Cinematography by: Stephen Goldblatt
Edited by: Sam O'Steen
Cameras: Panavision Panaflex Platinum Camera
Foley Artist
Shining Through (1992)
Directed by: David Seltzer
Cinematography by: Jan de Bont
Edited by: Craig McKay
Foley Artist
Passion Fish (1992)
Directed by: John Sayles
Cinematography by: Roger Deakins
Edited by: John Sayles
Foley Artist
The Silence of the Lambs (1991)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Craig McKay
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Foley Artist
Jungle Fever (1991)
Directed by: Spike Lee
Cinematography by: Ernest R. Dickerson
Edited by: Samuel D. Pollard
Foley Walker
Mississippi Masala (1991)
Directed by: Mira Nair
Cinematography by: Edward Lachman
Edited by: Roberto Silvi
Foley Artist
The Man in the Moon (1991)
Directed by: Robert Mulligan
Cinematography by: Freddie Francis
Edited by: Trudy Ship
Foley Artist
Mo' Better Blues (1990)
Directed by: Spike Lee
Cinematography by: Ernest R. Dickerson
Edited by: Samuel D. Pollard
Cameras: ARRIFLEX 35 BL4 Camera
Lenses: Zeiss Super Speed Lenses
Foley Artist
Goodfellas (1990)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 35 BL4s Camera
Lenses: Zeiss Lenses
Editing System: Lightworks Editing System
Foley Artist
Presumed Innocent (1990)
Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Edited by: Evan A. Lottman
Foley Artist
Do the Right Thing (1989)
Directed by: Spike Lee
Cinematography by: Ernest R. Dickerson
Edited by: Barry Alexander Brown
Foley Artist
Mystery Train (1989)
Directed by: Jim Jarmusch
Cinematography by: Robby Müller
Edited by: Melody London
Foley Artist
Family Business (1989)
Directed by: Sidney Lumet
Cinematography by: Andrzej Bartkowiak
Edited by: Andrew Mondshein
Foley Artist
Little Monsters (1989)
Directed by: Richard Greenberg
Cinematography by: Dick Bush
Edited by: Patrick McMahon
Foley Artist
Crimes and Misdemeanors (1989)
Directed by: Woody Allen
Cinematography by: Sven Nykvist
Edited by: Susan E. Morse
Cameras: Panavision Cameras
Foley Artist
Second Sight (1989)
Directed by: Joel Zwick
Cinematography by: Dana Christiaansen
Edited by: David Ray
Cameras: Panavision Cameras
Foley Artist
Casualties of War (1989)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Bill Pankow
Foley Artist
She-Devil (1989)
Directed by: Susan Seidelman
Cinematography by: Oliver Stapleton
Edited by: Craig McKay
Cameras: Panavision Cameras
Foley Artist
Another Woman (1988)
Directed by: Woody Allen
Cinematography by: Sven Nykvist
Edited by: Susan E. Morse
Foley Artist
School Daze (1988)
Directed by: Spike Lee
Cinematography by: Ernest R. Dickerson
Edited by: Barry Alexander Brown
Foley Artist
The Accused (1988)
Directed by: Jonathan Kaplan
Cinematography by: Ralf D. Bode
Cameras: Panavision Cameras
Foley Artist
Running on Empty (1988)
Directed by: Sidney Lumet
Cinematography by: Gerry Fisher
Edited by: Andrew Mondshein
Foley Artist
Radio Days (1987)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Foley Artist
Orphans (1987)
Directed by: Alan J. Pakula
Cinematography by: Donald McAlpine
Edited by: Evan A. Lottman
Foley Artist
House of Games (1987)
Directed by: David Mamet
Cinematography by: Juan Ruiz Anchía
Edited by: Trudy Ship
Foley Artist
White Water Summer (1987)
Directed by: Jeff Bleckner
Cinematography by: John Alcott
Edited by: David Ray
Foley Artist
Dead of Winter (1987)
Directed by: Arthur Penn
Cinematography by: Jan Weincke
Edited by: Rick Shaine
Cameras: Panavision Cameras
Foley Artist
September (1987)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Cameras: Panavision Cameras
Foley Artist
Nadine (1987)
Directed by: Robert Benton
Cinematography by: Néstor Almendros
Edited by: Sam O'Steen
Cameras: ARRIFLEX 35 BL4 Camera
Lenses: Zeiss Lenses
Foley Artist
Belizaire the Cajun (1986)
Directed by: Glen Pitre
Cinematography by: Richard Bowen
Edited by: Paul Trejo
Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Foley Artist
Hannah and Her Sisters (1986)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Foley Artist
Heartburn (1986)
Directed by: Mike Nichols
Cinematography by: Néstor Almendros
Edited by: Sam O'Steen
Foley Artist
Maximum Overdrive (1986)
Directed by: Stephen King
Cinematography by: Armando Nannuzzi
Edited by: Evan A. Lottman
Foley Artist
Peggy Sue Got Married (1986)
Directed by: Francis Ford Coppola
Cinematography by: Jordan Cronenweth
Edited by: Barry Malkin
Foley Artist
Power (1986)
Directed by: Sidney Lumet
Cinematography by: Andrzej Bartkowiak
Edited by: Andrew Mondshein
Cameras: Panavision Cameras
Foley Artist
The Color of Money (1986)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Cameras: ARRI Cameras
Foley Artist
The Morning After (1986)
Directed by: Sidney Lumet
Cinematography by: Andrzej Bartkowiak
Edited by: Joel Goodman
Foley Artist
After Hours (1985)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Foley Artist
Silver Bullet (1985)
Directed by: Daniel Attias
Cinematography by: Armando Nannuzzi
Edited by: Daniel Loewenthal
Foley Artist
The Purple Rose of Cairo (1985)
Directed by: Woody Allen
Cinematography by: Gordon Willis
Edited by: Susan E. Morse
Cameras: Panavision Cameras
Foley Artist
Desperately Seeking Susan (1985)
Directed by: Susan Seidelman
Cinematography by: Edward Lachman
Edited by: Andrew Mondshein
Foley Artist
Finnegan Begin Again (1985)
Directed by: Joan Micklin Silver
Cinematography by: Robby Müller
Edited by: Jay Freund
Cameras: ARRIFLEX 35 BL4s Camera
Foley Artist
Places in the Heart (1984)
Directed by: Robert Benton
Cinematography by: Néstor Almendros
Edited by: Carol Littleton
Foley Artist
Broadway Danny Rose (1984)
Directed by: Woody Allen
Cinematography by: Gordon Willis
Edited by: Susan E. Morse
Foley Artist
The Muppets Take Manhattan (1984)
Directed by: Frank Oz
Cinematography by: Robert Paynter
Edited by: Evan A. Lottman
Foley Artist
C.H.U.D. (1984)
Directed by: Douglas Cheek
Cinematography by: Peter Stein
Edited by: Claire Simpson
Cameras: Panavision Cameras
Apprentice Sound Editor
Sophie's Choice (1982)
Directed by: Alan J. Pakula
Cinematography by: Néstor Almendros
Edited by: Evan A. Lottman
