Executive Producer
Wind River (2017)
Directed by: Taylor Sheridan
Cinematography by: Ben Richardson
Edited by: Gary Roach
Executive Producer
Sing Street (2016)
Directed by: John Carney
Cinematography by: Yaron Orbach
Cameras: ARRICAM Lite (LT) Camera, Red Epic Camera
Executive Producer
Crouching Tiger, Hidden Dragon: Sword of Destiny (2016)
Directed by: Woo-Ping Yuen
Cinematography by: Newton Thomas Sigel
Edited by: Jeff Betancourt
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Executive Producer
Hands of Stone (2016)
Directed by: Jonathan Jakubowicz
Cinematography by: M.I. Littin-Menz
Edited by: Ethan Maniquis
Cameras: ARRI ALEXA Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Executive Producer
The Hateful Eight (2015)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Editing System: Avid Editing System
Executive Producer
Southpaw (2015)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: John Refoua
Executive Producer
Carol (2015)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: Affonso Gonçalves
Cameras: ARRIFLEX 416 Camera
Executive Producer
Jane Got a Gun (2015)
Directed by: Gavin O'Connor
Cinematography by: Mandy Walker
Edited by: Alan Cody
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Executive Producer
Sin City: A Dame to Kill For (2014)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: ARRI ALEXA M Camera
Lenses: Fujinon Premier Lenses
Editing System: Avid Editing System
Executive Producer
Vampire Academy (2014)
Directed by: Mark Waters
Cinematography by: Tony Pierce-Roberts
Edited by: Chris Gill
Cameras: ARRI ALEXA Camera
Executive Producer
The Giver (2014)
Directed by: Phillip Noyce
Cinematography by: Ross Emery
Edited by: Barry Alexander Brown
Cameras: ARRI ALEXA XT Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Executive Producer
St. Vincent (2014)
Directed by: Theodore Melfi
Cinematography by: John Lindley
Editing System: Avid Editing System
Executive Producer
Marco Polo (2014)
Directed by: Daniel Minahan, David Petrarca, Alik Sakharov, John Maybury, Joachim Rønning, Espen Sandberg, Jon Amiel, James McTeigue
Edited by: Michael Berenbaum, Malcolm Jamieson, Erica Freed Marker, William Henry, Andy Keir, Allyson C. Johnson, Elizabeth Kling, Martin Nicholson, Barbara Tulliver
Cameras: Sony PMW-F55 Camera
Executive Producer
Big Eyes (2014)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: JC Bond
Editing System: Avid Editing System
Executive Producer
Paddington (2014)
Directed by: Paul King
Cinematography by: Erik Wilson
Edited by: Mark Everson
Cameras: ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera
Lenses: Cooke S4 Lenses
Executive Producer
Fruitvale Station (2013)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Cameras: ARRIFLEX 416 Camera
Lenses: Zeiss Ultra 16 Lenses
Executive Producer
Dark Skies (2013)
Directed by: Scott Stewart
Cinematography by: David Boyd
Edited by: Peter Gvozdas
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo Zoom Lenses
Executive Producer
Ain't Them Bodies Saints (2013)
Directed by: David Lowery
Cinematography by: Bradford Young
Executive Producer
Scary Movie 5 (2013)
Cinematography by: Steven Douglas Smith
Edited by: Sam Seig
Cameras: ARRI ALEXA Camera
Executive Producer
August: Osage County (2013)
Directed by: John Wells
Cinematography by: Adriano Goldman
Edited by: Stephen Mirrione
Executive Producer
Mandela: Long Walk to Freedom (2013)
Directed by: Justin Chadwick
Cinematography by: Lol Crawley
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Executive Producer
The Sapphires (2012)
Directed by: Wayne Blair
Cinematography by: Warwick Thornton
Edited by: Dany Cooper
Executive Producer
Django Unchained (2012)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Executive Producer
Silver Linings Playbook (2012)
Directed by: David O. Russell
Cinematography by: Masanobu Takayanagi
Executive Producer
Scream 4 (2011)
Directed by: Wes Craven
Cinematography by: Peter Deming
Edited by: Peter McNulty
Cameras: Panavision Cameras
Executive Producer
Apollo 18 (2011)
Directed by: Gonzalo López-Gallego
Cinematography by: José David Montero
Edited by: Patrick Lussier
Cameras: ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera
Lenses: Panavision Primo Digital Lenses
Producer
My Week with Marilyn (2011)
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Adam Recht
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Executive Producer
W.E. (2011)
Directed by: Madonna
Cinematography by: Hagen Bogdanski
Edited by: Danny Tull
Lenses: Zeiss Ultra Prime Lenses
Executive Producer
Spy Kids 4: All the Time in the World (2011)
Directed by: Robert Rodriguez
Edited by: Dan Zimmerman
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo Zoom Lenses
Executive Producer
I Don't Know How She Does It (2011)
Directed by: Douglas McGrath
Cinematography by: Stuart Dryburgh
Edited by: Camilla Toniolo
Executive Producer
The Fighter (2010)
Directed by: David O. Russell
Cinematography by: Hoyte Van Hoytema
Edited by: Pamela Martin
Executive Producer
Piranha 3D (2010)
Directed by: Alexandre Aja
Cinematography by: John R. Leonetti
Edited by: Baxter
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Executive Producer
All Good Things (2010)
Directed by: Andrew Jarecki
Cinematography by: Michael Seresin
Executive Producer
The King's Speech (2010)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Executive Producer
Halloween II (2009)
Directed by: Rob Zombie
Cinematography by: Brandon Trost
Cameras: ARRI Cameras
Co-executive Producer
Nowhere Boy (2009)
Directed by: Sam Taylor-Johnson
Cinematography by: Seamus McGarvey
Edited by: Lisa Gunning
Executive Producer
Inglourious Basterds (2009)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Executive Producer
Youth in Revolt (2009)
Directed by: Miguel Arteta
Cinematography by: Chuy Chávez
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Executive Producer
Zack and Miri Make a Porno (2008)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Executive Producer
Soul Men (2008)
Directed by: Malcolm D. Lee
Cinematography by: Matthew F. Leonetti
Executive Producer
The Reader (2008)
Directed by: Stephen Daldry
Edited by: Claire Simpson
Lenses: Zeiss Master Prime Lenses
Executive Producer
Rambo (2008)
Directed by: Sylvester Stallone
Cinematography by: Glen MacPherson
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Ultra Prime Lenses
Executive Producer
Superhero Movie (2008)
Directed by: Craig Mazin
Cinematography by: Thomas E. Ackerman
Cameras: ARRI Cameras
Executive Producer
The Great Debaters (2007)
Directed by: Denzel Washington
Cinematography by: Philippe Rousselot
Executive Producer
Halloween (2007)
Directed by: Rob Zombie
Cinematography by: Phil Parmet
Edited by: Glenn Garland
Executive Producer
Death Proof (2007)
Directed by: Quentin Tarantino
Cinematography by: Quentin Tarantino
Edited by: Sally Menke
Executive Producer
Grindhouse (2007)
Executive Producer
Planet Terror (2007)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Executive Producer
1408 (2007)
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Edited by: Peter Boyle
Executive Producer
The Mist (2007)
Directed by: Frank Darabont
Cinematography by: Rohn Schmidt
Edited by: Hunter M. Via
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Executive Producer
Awake (2007)
Directed by: Joby Harold
Cinematography by: Russell Carpenter
Edited by: Craig McKay
Executive Producer
The Last Legion (2007)
Directed by: Doug Lefler
Cinematography by: Marco Pontecorvo
Edited by: Simon Cozens
Executive Producer
The Nanny Diaries (2007)
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Executive Producer
Miss Potter (2006)
Directed by: Chris Noonan
Cinematography by: Andrew Dunn
Edited by: Robin Sales
Executive Producer
Scary Movie 4 (2006)
Directed by: David Zucker
Cinematography by: Thomas E. Ackerman
Cameras: Panavision Genesis Camera
Executive Producer
Clerks II (2006)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Executive Producer
School for Scoundrels (2006)
Directed by: Todd Phillips
Cinematography by: Jonathan Brown
Executive Producer
Breaking and Entering (2006)
Directed by: Anthony Minghella
Cinematography by: Benoît Delhomme
Edited by: Lisa Gunning
Lenses: Zeiss Ultra Prime Lenses
Executive Producer
The Prophecy: Forsaken (2005)
Directed by: Joel Soisson
Cinematography by: Gabriel Kosuth
Edited by: Kirk M. Morri
Executive Producer
Venom (2005)
Directed by: Jim Gillespie
Cinematography by: Steve Mason
Edited by: Paul Martin Smith
Executive Producer
Sin City (2005)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDC-F950 Camera, Sony Other Camera
Editing System: Avid Editing System
Executive Producer
The Brothers Grimm (2005)
Directed by: Terry Gilliam
Cinematography by: Newton Thomas Sigel
Edited by: Lesley Walker
Executive Producer
Proof (2005)
Directed by: John Madden
Cinematography by: Alwin H. Küchler
Edited by: Mick Audsley
Editing System: Lightworks Editing System
Executive Producer
The Adventures of Sharkboy and Lavagirl 3-D (2005)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Executive Producer
Kill Bill: Vol. 2 (2004)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Executive Producer
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Executive Producer
Finding Neverland (2004)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Editing System: Avid Editing System
Executive Producer
Shall We Dance (2004)
Directed by: Peter Chelsom
Cinematography by: John de Borman
Cameras: ARRI Cameras
Executive Producer
Cold Mountain (2003)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Editing System: Final Cut Pro Editing System
Executive Producer
The Lord of the Rings: The Return of the King (2003)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Executive Producer
My Boss's Daughter (2003)
Directed by: David Zucker
Cinematography by: Martin McGrath
Executive Producer
Spy Kids 3-D: Game Over (2003)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Co-producer
Master and Commander: The Far Side of the World (2003)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Co-executive Producer
Bad Santa (2003)
Directed by: Terry Zwigoff
Cinematography by: Jamie Anderson
Edited by: Robert Hoffman
Executive Producer
Ice Bound (2003)
Directed by: Roger Spottiswoode
Cinematography by: Pierre Mignot
Edited by: Dominique Fortin
Executive Producer
The Human Stain (2003)
Directed by: Robert Benton
Cinematography by: Jean-Yves Escoffier
Edited by: Christopher Tellefsen
Executive Producer
Kill Bill: Vol. 1 (2003)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Executive Producer
Full Frontal (2002)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Sarah Flack
Cameras: Canon XL1S Camera
Editing System: Final Cut Pro Editing System
Executive Producer
Chicago (2002)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Martin Walsh
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Lightworks Editing System
Executive Producer
Equilibrium (2002)
Directed by: Kurt Wimmer
Cinematography by: Dion Beebe
Lenses: Panavision Lenses
Executive Producer
Spy Kids 2: Island of Lost Dreams (2002)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDW-F900 Camera
Executive Producer
The Lord of the Rings: The Two Towers (2002)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Michael Horton
Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses
Executive Producer
Below (2002)
Directed by: David Twohy
Cinematography by: Ian Wilson
Edited by: Martin Hunter
Producer
Gangs of New York (2002)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Executive Producer
Jay and Silent Bob Strike Back (2001)
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
Executive Producer
The Others (2001)
Directed by: Alejandro Amenábar
Cinematography by: Javier Aguirresarobe
Edited by: Nacho Ruiz Capillas
Executive Producer
Spy Kids (2001)
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
Executive Producer
The Shipping News (2001)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein
Executive Producer
Scary Movie 2 (2001)
Directed by: Keenen Ivory Wayans
Cinematography by: Steven Bernstein
Executive Producer
Daddy and Them (2001)
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Sally Menke
Cameras: Panavision Cameras
Executive Producer
Iris (2001)
Directed by: Richard Eyre
Cinematography by: Roger Pratt
Edited by: Martin Walsh
Executive Producer
Kate & Leopold (2001)
Directed by: James Mangold
Cinematography by: Stuart Dryburgh
Edited by: David Brenner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Executive Producer
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Executive Producer
Hellraiser: Inferno (2000)
Directed by: Scott Derrickson
Cinematography by: Nathan Hope
Edited by: Kirk M. Morri
Executive Producer
Scary Movie (2000)
Directed by: Keenen Ivory Wayans
Cinematography by: Francis Kenny
Edited by: Mark Helfrich
Executive Producer
The Yards (2000)
Directed by: James Gray
Cinematography by: Harris Savides
Edited by: Jeffrey Ford
Executive Producer
Scream 3 (2000)
Directed by: Wes Craven
Cinematography by: Peter Deming
Edited by: Patrick Lussier
Executive Producer
About Adam (2000)
Directed by: Gerard Stembridge
Cinematography by: Bruno de Keyzer
Edited by: Mary Finlay
Executive Producer
Love's Labour's Lost (2000)
Directed by: Kenneth Branagh
Cinematography by: Alex Thomson
Executive Producer
Reindeer Games (2000)
Directed by: John Frankenheimer
Cinematography by: Alan Caso
Cameras: Panavision Cameras, Spacecam Aerial Cameras
Producer
Malèna (2000)
Directed by: Giuseppe Tornatore
Cinematography by: Lajos Koltai
Edited by: Massimo Quaglia
Cameras: Panavision Cameras
Executive Producer
Chocolat (2000)
Directed by: Lasse Hallström
Cinematography by: Roger Pratt
Edited by: Andrew Mondshein
Executive Producer
The Cider House Rules (1999)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Lisa Zeno Churgin
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Executive Producer
She's All That (1999)
Directed by: Robert Iscove
Cinematography by: Francis Kenny
Edited by: Casey O. Rohrs
Executive Producer
Teaching Mrs. Tingle (1999)
Directed by: Kevin Williamson
Cinematography by: Jerzy Zielinski
Edited by: Debra Neil-Fisher
Executive Producer
Music of the Heart (1999)
Directed by: Wes Craven
Cinematography by: Peter Deming
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Executive Producer
Holy Smoke (1999)
Directed by: Jane Campion
Cinematography by: Dion Beebe
Edited by: Veronika Jenet
Executive Producer
Outside Providence (1999)
Directed by: Michael Corrente
Cinematography by: Richard Crudo
Edited by: Kate Sanford
Cameras: Panavision Panaflex Camera
Co-executive Producer
Halloween H20: 20 Years Later (1998)
Directed by: Steve Miner
Cinematography by: Daryn Okada
Edited by: Patrick Lussier
Executive Producer
Playing by Heart (1998)
Directed by: Willard Carroll
Cinematography by: Vilmos Zsigmond
Edited by: Pietro Scalia
Cameras: Panavision Panaflex Platinum Camera
Executive Producer
54 (1998)
Directed by: Mark Christopher
Cinematography by: Alexander Gruszynski
Edited by: Lee Percy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Executive Producer
Velvet Goldmine (1998)
Directed by: Todd Haynes
Cinematography by: Maryse Alberti
Edited by: James Lyons
Cameras: Aaton Cameras, Panavision Panaflex Gold Camera
Executive Producer
Senseless (1998)
Directed by: Penelope Spheeris
Cinematography by: Daryn Okada
Edited by: Ross Albert
Executive Producer
Phantoms (1998)
Directed by: Joe Chappelle
Cinematography by: Richard Clabaugh
Edited by: Randy Bricker
Co-executive Producer
B. Monkey (1998)
Directed by: Michael Radford
Cinematography by: Ashley Rowe
Edited by: Joëlle Hache
Producer
Shakespeare in Love (1998)
Directed by: John Madden
Cinematography by: Richard Greatrex
Edited by: David Gamble
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Variable Prime Lenses
Executive Producer
A Price Above Rubies (1998)
Directed by: Boaz Yakin
Cinematography by: Adam Holender
Edited by: Arthur Coburn
Executive Producer
Rounders (1998)
Directed by: John Dahl
Cinematography by: Jean-Yves Escoffier
Edited by: Scott Chestnut
Executive Producer
The Faculty (1998)
Directed by: Robert Rodriguez
Cinematography by: Enrique Chediak
Edited by: Robert Rodriguez
Cameras: Panavision Cameras
Executive Producer
Wide Awake (1998)
Directed by: M. Night Shyamalan
Cinematography by: Adam Holender
Edited by: Andrew Mondshein
Cameras: Panavision Cameras
Co-executive Producer
Little Voice (1998)
Directed by: Mark Herman
Cinematography by: Andy Collins
Edited by: Michael Ellis
Executive Producer
Jackie Brown (1997)
Directed by: Quentin Tarantino
Cinematography by: Guillermo Navarro
Edited by: Sally Menke
Cameras: Moviecam Compact Camera
Lenses: Zeiss Super Speed Lenses
Executive Producer
The Wings of the Dove (1997)
Directed by: Iain Softley
Cinematography by: Eduardo Serra
Edited by: Tariq Anwar
Cameras: ARRIFLEX 535 Camera
Lenses: Zeiss Super Speed Lenses
Executive Producer
Scream 2 (1997)
Directed by: Wes Craven
Cinematography by: Peter Deming
Edited by: Patrick Lussier
Executive Producer
Cop Land (1997)
Directed by: James Mangold
Cinematography by: Eric Alan Edwards
Edited by: Craig McKay
Executive Producer
Good Will Hunting (1997)
Directed by: Gus Van Sant
Cinematography by: Jean-Yves Escoffier
Edited by: Pietro Scalia
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Sam Rizzo
An Alan Smithee Film: Burn Hollywood Burn (1997)
Cinematography by: Reynaldo Villalobos
Edited by: L. James Langlois
Executive Producer
Robinson Crusoe (1997)
Cinematography by: David Connell
Edited by: Sue Blainey, Richard Bracken, Tod Scott Brody, Gregg Featherman, Keith Reamer, Kevin Stitt, David Zieff
Co-executive Producer
She's So Lovely (1997)
Directed by: Nick Cassavetes
Cinematography by: Thierry Arbogast
Edited by: Petra von Oelffen
Executive Producer
Emma (1996)
Directed by: Douglas McGrath
Cinematography by: Ian Wilson
Edited by: Lesley Walker
Cameras: Moviecam Compact Camera
Co-executive Producer
Jane Eyre (1996)
Directed by: Franco Zeffirelli
Cinematography by: David Watkin
Edited by: Richard Marden
Executive Producer
Scream (1996)
Directed by: Wes Craven
Cinematography by: Mark Irwin
Edited by: Patrick Lussier
Cameras: Moviecam Compact Camera
Lenses: Clairmont Anamorphic Lenses
Editing System: Lightworks Editing System
Executive Producer
Beautiful Girls (1996)
Directed by: Ted Demme
Cinematography by: Adam Kimmel
Edited by: Jeffrey Wolf
Executive Producer
The Pallbearer (1996)
Directed by: Matt Reeves
Cinematography by: Robert Elswit
Edited by: Stan Salfas
Executive Producer, Executive Soundtrack Producer
The Crow: City of Angels (1996)
Directed by: Tim Pope
Cinematography by: Jean-Yves Escoffier
Executive Producer
The English Patient (1996)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Executive Producer
Blue in the Face (1995)
Cinematography by: Adam Holender
Edited by: Christopher Tellefsen
Executive Producer
Things to Do in Denver When You're Dead (1995)
Directed by: Gary Fleder
Cinematography by: Elliot Davis
Edited by: Richard Marks
Co-producer
Restoration (1995)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
Executive Producer
The Crossing Guard (1995)
Directed by: Sean Penn
Cinematography by: Vilmos Zsigmond
Edited by: Jay Cassidy
Cameras: Panavision Cameras
Co-executive Producer
Pulp Fiction (1994)
Directed by: Quentin Tarantino
Cinematography by: Andrzej Sekula
Edited by: Sally Menke
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses
Editing System: Lightworks Editing System
Executive Producer
Mother's Boys (1993)
Directed by: Yves Simoneau
Cinematography by: Elliot Davis
Edited by: Michael D. Ornstein
Editor: U.S Theatrical Release
Farewell My Concubine (1993)
Directed by: Kaige Chen
Cinematography by: Changwei Gu
Edited by: Xiaonan Pei
Cameras: ARRIFLEX Camera
Executive Producer
The Night We Never Met (1993)
Directed by: Warren Leight
Cinematography by: John Thomas
Edited by: Camilla Toniolo
Cameras: Panavision Cameras
Executive Producer
Map of the Human Heart (1992)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Co-executive Producer
Crossing the Line (1990)
Directed by: David Leland
Cinematography by: Ian Wilson
Edited by: George Akers
Co-executive Producer
The Lemon Sisters (1989)
Directed by: Joyce Chopra
Cinematography by: Bobby Byrne
Director, Executive Music Producer, Producer, Written By
Playing for Keeps (1986)
Cinematography by: Eric Van Haren Noman
Created By, Original Story, Producer
The Burning (1981)
Directed by: Tony Maylam
Cinematography by: Harvey Harrison
Edited by: Jack Sholder
