Jon Null

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The Killer | ShotOnWhat?

Head Of Production

The Killer (2023)

Directed by: David Fincher

Cinematography by: Erik Messerschmidt

Edited by: Kirk Baxter

Cameras: Red Komodo Camera, Red Komodo-X Camera, Red V-Raptor Camera, Red V-Raptor XL Camera

Lenses: Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

Editing System: Adobe Premiere Editing System

Elemental | ShotOnWhat?

Head Of Production

Elemental (2023)

Directed by: Peter Sohn

Cinematography by: David Juan Bianchi, Jean-Claude Kalache

Edited by: Stephen Schaffer

Guardians of the Galaxy Vol. 3 | ShotOnWhat?

Head Of Production

Guardians of the Galaxy Vol. 3 (2023)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Greg D'Auria, Fred Raskin

Cameras: Red Digital Cinema Cameras, Red Komodo Camera, Red Monstro 8K Camera, Red V-Raptor Camera

Lenses: Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses

Indiana Jones and the Dial of Destiny | ShotOnWhat?

Head Of Production

Indiana Jones and the Dial of Destiny (2023)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Top Gun: Maverick | ShotOnWhat?

Head Of Production: Skywalker Sound

Top Gun: Maverick (2022)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Eddie Hamilton

Cameras: Sony CineAlta VENICE Camera

Lenses: Sigma Lenses, Voigtländer Lenses, Zeiss Master Prime Lenses

Argentina, 1985 | ShotOnWhat?

Head Of Production

Argentina, 1985 (2022)

Directed by: Santiago Mitre

Cinematography by: Javier Julia

Edited by: Andrés Pepe Estrada

Cameras: ARRI ALEXA Mini LF Camera

Lenses: ARRI Signature Prime Lenses, Canon FD Series Lenses

Black Panther: Wakanda Forever | ShotOnWhat?

Head Of Production: Skywalker Sound

Black Panther: Wakanda Forever (2022)

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Cameras: Sony CineAlta VENICE Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

The Fabelmans | ShotOnWhat?

Head Of Production

The Fabelmans (2022)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Mini LF Camera, ARRIFLEX 16ST Camera, ARRIFLEX 416 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Glass Onion | ShotOnWhat?

Head Of Production

Glass Onion (2022)

Directed by: Rian Johnson

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Zeiss Supreme Prime Series Lenses

Turning Red | ShotOnWhat?

Head Of Production

Turning Red (2022)

Directed by: Domee Shi

Cinematography by: Mahyar Abousaeedi, Jonathan Pytko

Edited by: Steve Bloom, Nicholas C. Smith

West Side Story | ShotOnWhat?

Head Of Production

West Side Story (2021)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Come Away | ShotOnWhat?

Head Of Production

Come Away (2020)

Directed by: Brenda Chapman

Cinematography by: Jules O'Loughlin

Edited by: Dody Dorn

Mank | ShotOnWhat?

Head Of Production

Mank (2020)

Directed by: David Fincher

Cinematography by: Erik Messerschmidt

Edited by: Kirk Baxter

Cameras: Red Digital Cinema Cameras

Lenses: Leitz Summilux-C Series Lenses

Toy Story 4 | ShotOnWhat?

Head Of Production

Toy Story 4 (2019)

Directed by: Josh Cooley

Cinematography by: Jean-Claude Kalache, Patrick Lin

Edited by: Axel Geddes

Avengers: Endgame | ShotOnWhat?

Head Of Production

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Ad Astra | ShotOnWhat?

Head Of Production

Ad Astra (2019)

Directed by: James Gray

Cinematography by: Hoyte Van Hoytema

Edited by: John Axelrad, Lee Haugen

Cameras: Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera

Lenses: CamTec Astra Master Prime Series Lenses, Zeiss Master Prime Lenses

A Hidden Life | ShotOnWhat?

Head Of Production: Skywalker Sound

A Hidden Life (2019)

Directed by: Terrence Malick

Cinematography by: Jörg Widmer

Edited by: Rehman Nizar Ali, Joe Gleason, Sebastian Jones

Cameras: Red Epic Dragon Camera

Lenses: Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

The Lion King | ShotOnWhat?

Head Of Production

The Lion King (2019)

Directed by: Jon Favreau

Cinematography by: Caleb Deschanel

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA 65 Camera

Knives Out | ShotOnWhat?

Head Of Production

Knives Out (2019)

Directed by: Rian Johnson

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Panavision Silent Reflex PSR Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses

Star Wars: Episode IX - The Rise of Skywalker | ShotOnWhat?

Head Of Production

Star Wars: Episode IX - The Rise of Skywalker (2019)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Stefan Grube

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

Avengers: Infinity War | ShotOnWhat?

Head Of Production

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Black Panther | ShotOnWhat?

Head Of Production

Black Panther (2018)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Incredibles 2 | ShotOnWhat?

Head Of Production

Incredibles 2 (2018)

Directed by: Brad Bird

Cinematography by: Mahyar Abousaeedi, Erik Smitt

Edited by: Stephen Schaffer

Ralph Breaks the Internet | ShotOnWhat?

Head Of Production: Skywalker Sound

Ralph Breaks the Internet (2018)

Directed by: Phil Johnston, Rich Moore

Cinematography by: Nathan Warner

Edited by: Jeremy Milton, Fabienne Rawley

Ready Player One | ShotOnWhat?

Head Of Production: Skywalker Sound Executive Staff

Ready Player One (2018)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

Solo: A Star Wars Story | ShotOnWhat?

Head Of Production

Solo: A Star Wars Story (2018)

Directed by: Ron Howard

Cinematography by: Bradford Young

Edited by: Pietro Scalia

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: ARRI Rental Prime DNA Lenses, CamTec Falcon Full Frame Lenses, Zeiss Super Speed Lenses

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Head Of Production: Executive Staff, Skywalker Sound, Head Of Production: Skywalker Sound Executive Staff

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Head Of Production

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

The Book of Henry | ShotOnWhat?

Head Of Production: Skywalker Sound Executive Staff

The Book of Henry (2017)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Lenses

Columbus | ShotOnWhat?

Head Of Production: Skywalker Sound Executive Staff

Columbus (2017)

Directed by: Kogonada

Cinematography by: Elisha Christian

Edited by: Kogonada

Cameras: ARRI ALEXA Mini Camera

Lenses: Cooke S4 Lenses

Thor: Ragnarok | ShotOnWhat?

Head Of Production: Skywalker Sound

Thor: Ragnarok (2017)

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

Coco | ShotOnWhat?

Head Of Production

Coco (2017)

Directed by: Lee Unkrich, Adrian Molina

Edited by: Steve Bloom, Lee Unkrich

The Post | ShotOnWhat?

Head Of Production

The Post (2017)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Only the Brave | ShotOnWhat?

Executive Staff: Skywalker Sound

Only the Brave (2017)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Billy Fox

Cameras: Sony CineAlta F65 Camera

Lenses: Fujinon Premier Lenses, Zeiss Master Prime Lenses

Star Wars: Episode VIII - The Last Jedi | ShotOnWhat?

Captain America: Civil War | ShotOnWhat?

Head Of Production: Skywalker Sound

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Allegiant | ShotOnWhat?

Head Of Production: Skywalker Sound

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Zootopia | ShotOnWhat?

Head Of Production: Skywalker Sound Executive Staff

Zootopia (2016)

Directed by: Byron Howard, Rich Moore, Jared Bush

Cinematography by: Nathan Warner

Edited by: Jeremy Milton, Fabienne Rawley

Rogue One: A Star Wars Story | ShotOnWhat?

Skywalker Sound Executive Staff

Rogue One (2016)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser

Edited by: John Gilroy, Colin Goudie, Jabez Olssen

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision APO Panatar Lenses

Editing System: Avid Editing System

Doctor Strange | ShotOnWhat?

Head Of Production

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Finding Dory | ShotOnWhat?

Head Of Production

Finding Dory (2016)

Directed by: Andrew Stanton, Angus MacLane

Cinematography by: Jeremy Lasky

Edited by: Axel Geddes

The BFG | ShotOnWhat?

Head Of Production: Executive Staff, Skywalker Sound

The BFG (2016)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision Primo Primes Spherical Lenses

Star Wars: The Force Awakens | ShotOnWhat?

Avengers: Age of Ultron | ShotOnWhat?

Head Of Production

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Crimson Peak | ShotOnWhat?

Head Of Production: For Skywalker Sound

Crimson Peak (2015)

Directed by: Guillermo del Toro

Cinematography by: Dan Laustsen

Edited by: Bernat Vilaplana

Cameras: ARRI ALEXA XT Camera

Bridge of Spies | ShotOnWhat?

Head Of Production: Skywalker Sound Executive Staff

Bridge of Spies (2015)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Editing System: Avid Editing System

Inside Out | ShotOnWhat?

Head Of Production: Skywalker Sound

Inside Out (2015)

Directed by: Pete Docter, Ronnie Del Carmen

Edited by: Kevin Nolting

Racing Extinction | ShotOnWhat?

Head Of Production: Skywalker Sound Executive Staff

Racing Extinction (2015)

Directed by: Louie Psihoyos

Cinematography by: John Behrens, Shawn Heinrichs, Sean Kirby, Petr Stepanek

Edited by: Geoffrey Richman, Lyman Smith, Jason Zeldes

Krisha | ShotOnWhat?

Head Of Production: Skywalker Sound Executive Staff

Krisha (2015)

Directed by: Trey Edward Shults

Cinematography by: Drew Daniels

Edited by: Trey Edward Shults

Cameras: Red Epic Camera, Red Scarlet Camera

Captain America: The Winter Soldier | ShotOnWhat?

Head Of Production: Skywalker

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Guardians of the Galaxy | ShotOnWhat?

Head Of Production

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

The Raid 2 | ShotOnWhat?

Director Of Production: Skywalker Sound Staff

The Raid 2 (2014)

Directed by: Gareth Evans

Cinematography by: Matt Flannery, Dimas Imam Subhono

Edited by: Gareth Evans

Cameras: GoPro HD Hero3 Camera, Red Epic Camera, Red Scarlet Camera

Lenses: Zeiss Ultra Prime Lenses

A Most Violent Year | ShotOnWhat?

Head Of Production: SkyWalker

A Most Violent Year (2014)

Directed by: J.C. Chandor

Cinematography by: Bradford Young

Edited by: Ron Patane

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Big Hero 6 | ShotOnWhat?

Head Of Production: Skywalker Sound Executive Staff

Big Hero 6 (2014)

Directed by: Don Hall, Chris Williams

Cinematography by: Rob Dressel

Edited by: Tim Mertens

The Boxtrolls | ShotOnWhat?

Head Of Production: Skywalker Sound Staff

The Boxtrolls (2014)

Directed by: Graham Annable, Anthony Stacchi

Cinematography by: John Ashlee Prat

Edited by: Edie Ichioka

Cameras: Canon EOS-5D Mark III Camera

I Origins | ShotOnWhat?

Director Of Production: Skywalker Sound

I Origins (2014)

Directed by: Mike Cahill

Cinematography by: Markus Förderer

Edited by: Mike Cahill

Cameras: Red Epic Camera

The Croods | ShotOnWhat?

Adr Group / Supervising Sound Editor

The Croods (2013)

Directed by: Kirk DeMicco, Chris Sanders

Cinematography by: Yong Duk Jhun

Edited by: Darren T. Holmes

Epic | ShotOnWhat?

Additional Voices

Epic (2013)

Directed by: Chris Wedge

Cinematography by: Renato Falcão

Edited by: Andy Keir

Now You See Me | ShotOnWhat?

Supervising Sound Editor

Now You See Me (2013)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

Enough Said | ShotOnWhat?

Voice Cast

Enough Said (2013)

Directed by: Nicole Holofcener

Cinematography by: Xavier Grobet

Edited by: Robert Frazen

Cameras: ARRI ALEXA Studio Camera

Lenses: Leitz Summilux-C Series Lenses

John Carter | ShotOnWhat?

Supervising Sound Editor

John Carter (2012)

Directed by: Andrew Stanton

Cinematography by: Dan Mindel

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Apple Final Cut Pro 7

Lincoln | ShotOnWhat?

Dialogue/adr Supervisor

Lincoln (2012)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

War Horse | ShotOnWhat?

Adr Supervisor, Supervising Dialogue/adr Editor

War Horse (2011)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

TRON | ShotOnWhat?

Supervising Foley Editor

Tron (2010)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: James Haygood

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Conspirator | ShotOnWhat?

Adr Supervisor / Dialogue/adr Supervisor

The Conspirator (2010)

Directed by: Robert Redford

Cinematography by: Newton Thomas Sigel

Edited by: Craig McKay

Alice in Wonderland | ShotOnWhat?

Supervising Foley Editor

Alice in Wonderland (2010)

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

How to Train Your Dragon | ShotOnWhat?

Supervising Sound Editor

How to Train Your Dragon (2010)

Directed by: Dean DeBlois, Chris Sanders

Cinematography by: Gil Zimmerman

Edited by: Maryann Brandon, Darren T. Holmes

Leaves of Grass | ShotOnWhat?

Dialogue/adr Editor / Supervising Sound Editor

Leaves of Grass (2009)

Directed by: Tim Blake Nelson

Cinematography by: Roberto Schaefer

Edited by: Michelle Botticelli

Cameras: Red One Camera

Lenses: Angenieux Lenses, Cooke Lenses, Zeiss Lenses

Up | ShotOnWhat?

Foley Editor

Up (2009)

Directed by: Pete Docter, Bob Peterson

Cinematography by: Patrick Lin

Edited by: Kevin Nolting

Indiana Jones and the Kingdom of the Crystal Skull | ShotOnWhat?

Foreigns Supervisor

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Valkyrie | ShotOnWhat?

Foreigns Supervisor

Valkyrie (2008)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: John Ottman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

City of Ember | ShotOnWhat?

Dialogue/adr/foley Supervisor

City of Ember (2008)

Directed by: Gil Kenan

Cinematography by: Xavier Grobet

Edited by: Adam P. Scott, Zach Staenberg

Lions for Lambs | ShotOnWhat?

Foreigns Supervisor

Lions for Lambs (2007)

Directed by: Robert Redford

Cinematography by: Philippe Rousselot

Edited by: Joe Hutshing

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Enchanted | ShotOnWhat?

Dialogue/adr Supervising Editor

Enchanted (2007)

Directed by: Kevin Lima

Cinematography by: Don Burgess

Edited by: Gregory Perler, Stephen A. Rotter

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

We Own the Night | ShotOnWhat?

Dialog/adr Editor

We Own the Night (2007)

Directed by: James Gray

Cinematography by: Joaquín Baca-Asay

Edited by: John Axelrad

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses

Beowulf | ShotOnWhat?

Foreigns Supervisor , Supervising Dialogue & Adr Editor

Beowulf (2007)

Directed by: Robert Zemeckis

Cinematography by: Robert Presley

Edited by: Jeremiah O'Driscoll

Eragon | ShotOnWhat?

Dialogue/adr Supervising Editor

Eragon (2006)

Directed by: Stefen Fangmeier

Cinematography by: Hugh Johnson

Edited by: Roger Barton, Masahiro Hirakubo, Chris Lebenzon

Cars | ShotOnWhat?

Foley Editor: Supervising

Cars (2006)

Directed by: John Lasseter, Joe Ranft

Cinematography by: Jeremy Lasky

Edited by: Ken Schretzmann

Monster House | ShotOnWhat?

Dialogue/adr Supervising Editor

Monster House (2006)

Directed by: Gil Kenan

Cinematography by: Xavier Grobet

Edited by: Fabienne Rawley, Adam P. Scott

The Weather Man | ShotOnWhat?

Supervising Foley Editor

The Weather Man (2005)

Directed by: Gore Verbinski

Cinematography by: Phedon Papamichael

Edited by: Craig Wood

Cameras: Panavision Panaflex Millennium XL2 Camera

xXx: State of the Union | ShotOnWhat?

Foley Editor

xXx: State of the Union (2005)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Mark Goldblatt, Todd E. Miller, Steven Rosenblum

The Matador | ShotOnWhat?

Foley Editor

The Matador (2005)

Directed by: Richard Shepard

Cinematography by: David Tattersall

Edited by: Carole Kravetz Aykanian

Munich | ShotOnWhat?

Foreigns Supervisor

Munich (2005)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Editing System: Moviola Editing System

Rent | ShotOnWhat?

Supervising Foley Editor

Rent (2005)

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Richard Pearson

The Village | ShotOnWhat?

Foley Editor

The Village (2004)

Directed by: M. Night Shyamalan

Cinematography by: Roger Deakins

Edited by: Christopher Tellefsen

Cameras: ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

The Polar Express | ShotOnWhat?

Adr Editor / Dialogue Editor

The Polar Express (2004)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess, Robert Presley

Edited by: R. Orlando Duenas, Jeremiah O'Driscoll

Shrek 2 | ShotOnWhat?

Foley Editor

Shrek 2 (2004)

Directed by: Andrew Adamson, Kelly Asbury, Conrad Vernon

Edited by: Mike Andrews, Sim Evan-Jones

Peter Pan | ShotOnWhat?

Foley Editor

Peter Pan (2003)

Directed by: P.J. Hogan

Cinematography by: Donald McAlpine

Edited by: Garth Craven, Michael Kahn

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The Recruit | ShotOnWhat?

Foley Editor , Foley Supervisor

The Recruit (2003)

Directed by: Roger Donaldson

Cinematography by: Stuart Dryburgh

Edited by: David Rosenbloom

Ghosts of the Abyss | ShotOnWhat?

Dialogue Editor

Ghosts of the Abyss (2003)

Directed by: James Cameron

Cinematography by: Vince Pace

Edited by: Ed W. Marsh, Sven Pape, John Refoua, David C. Cook

Punch-Drunk Love | ShotOnWhat?

Dialogue Editor

Punch-Drunk Love (2002)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Leslie Jones

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Minority Report | ShotOnWhat?

Foley Editor: Skywalker Sound

Minority Report (2002)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

O | ShotOnWhat?

Dialogue Editor

O (2001)

Directed by: Tim Blake Nelson

Cinematography by: Russell Lee Fine

Edited by: Kate Sanford

Monkeybone | ShotOnWhat?

Fx/foley Editor: Skywalker Sound

Monkeybone (2001)

Directed by: Henry Selick

Cinematography by: Andrew Dunn

Edited by: Jon Poll, Nicholas C. Smith, Mark Warner

Bandits | ShotOnWhat?

Dialogue Editor

Bandits (2001)

Directed by: Barry Levinson

Cinematography by: Dante Spinotti

Edited by: Stu Linder

A.I. Artificial Intelligence | ShotOnWhat?

Foley Editor

A.I. Artificial Intelligence (2001)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Cameras

Lenses: ARRI / Zeiss Lenses

The Mexican | ShotOnWhat?

Foley Editor

The Mexican (2001)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Craig Wood

Cameras: Panavision Cameras

Monsters, Inc. | ShotOnWhat?

Adr Editor

Monsters, Inc. (2001)

Directed by: Pete Docter, David Silverman, Lee Unkrich

Edited by: Robert Grahamjones, Jim Stewart

What Lies Beneath | ShotOnWhat?

Foley Editor

What Lies Beneath (2000)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

The Yards | ShotOnWhat?

Foley Editor

The Yards (2000)

Directed by: James Gray

Cinematography by: Harris Savides

Edited by: Jeffrey Ford

102 Dalmatians | ShotOnWhat?

Dialogue Editor

102 Dalmatians (2000)

Directed by: Kevin Lima

Cinematography by: Adrian Biddle, Roger Pratt

Edited by: Gregory Perler

The Haunting | ShotOnWhat?

Dialogue Editor

The Haunting (1999)

Directed by: Jan de Bont

Cinematography by: Karl Walter Lindenlaub

Edited by: Michael Kahn

Cameras: Panavision Cameras, VistaVision Cameras

Lenses: Panavision Lenses

Bicentennial Man | ShotOnWhat?

Dialogue Editor

Bicentennial Man (1999)

Directed by: Chris Columbus

Cinematography by: Phil Meheux

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Classic Spherical Lenses

Office Space | ShotOnWhat?

Dialogue Editor

Office Space (1999)

Directed by: Mike Judge

Cinematography by: Tim Suhrstedt

Edited by: David Rennie

Dogma | ShotOnWhat?

Sound Conforming Editor

Dogma (1999)

Directed by: Kevin Smith

Cinematography by: Robert D. Yeoman

Edited by: Scott Mosier, Kevin Smith

Toy Story 2 | ShotOnWhat?

Dialogue Editor

Toy Story 2 (1999)

Directed by: John Lasseter, Ash Brannon, Lee Unkrich

Cinematography by: Sharon Calahan

Edited by: Edie Ichioka, David Ian Salter, Lee Unkrich

Stepmom | ShotOnWhat?

Assistant Sound Editor

Stepmom (1998)

Directed by: Chris Columbus

Cinematography by: Donald McAlpine

Edited by: Neil Travis

Great Expectations | ShotOnWhat?

Assistant Sound Editor

Great Expectations (1998)

Directed by: Alfonso Cuarón

Cinematography by: Emmanuel Lubezki

Edited by: Steven Weisberg

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Sphere | ShotOnWhat?

Assistant Sound Effects Editor

Sphere (1998)

Directed by: Barry Levinson

Cinematography by: Adam Greenberg

Edited by: Stu Linder

A Bug's Life | ShotOnWhat?

Adr Assistant Editor

A Bug's Life (1998)

Directed by: John Lasseter, Andrew Stanton

Cinematography by: Sharon Calahan

Edited by: Lee Unkrich

Titanic | ShotOnWhat?

Supervising Assistant Adr Editor / Supervising Sound Editor: 6.1-channel Remix

Titanic (1997)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, James Cameron, Richard A. Harris

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

James and the Giant Peach | ShotOnWhat?

Assistant Adr Editor

James and the Giant Peach (1996)

Directed by: Henry Selick

Cinematography by: Pete Kozachik, Hiro Narita

Edited by: Stan Webb

Romeo + Juliet | ShotOnWhat?

Assistant Sound Editor: Skywalker Sound

Romeo + Juliet (1996)

Directed by: Baz Luhrmann

Cinematography by: Donald McAlpine

Edited by: Jill Bilcock

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Species | ShotOnWhat?

First Assistant Editor

Species (1995)

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV

Johnny Mnemonic | ShotOnWhat?

Apprentice Sound Effects Editor

Johnny Mnemonic (1995)

Directed by: Robert Longo

Cinematography by: François Protat

Edited by: Ronald Sanders

Jumanji | ShotOnWhat?

Assistant Sound Editor

Jumanji (1995)

Directed by: Joe Johnston

Cinematography by: Thomas E. Ackerman

Edited by: Robert Dalva

Cameras: Panavision Cameras

Terminator 2: Judgment Day | ShotOnWhat?

Supervising Assistant Sound Editor: 5.1 EX & ES Remixes

Terminator 2: Judgment Day (1991)

Directed by: James Cameron

Cinematography by: Adam Greenberg

Edited by: Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

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