Craig S. Jaeger

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Child 44 | ShotOnWhat?

Foley Editor

Child 44 (2015)

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Pietro Scalia, Dylan Tichenor

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk Anamorphic Lenses

The Bourne Legacy | ShotOnWhat?

Supervising Foley Editor

The Bourne Legacy (2012)

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Skyfall | ShotOnWhat?

Supervising Foley Editor

Skyfall (2012)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Stuart Baird

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Safe House | ShotOnWhat?

Supervising Foley Editor

Safe House (2012)

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Guilt Trip | ShotOnWhat?

Supervising Foley Editor

The Guilt Trip (2012)

Directed by: Anne Fletcher

Cinematography by: Oliver Stapleton

Edited by: Dana E. Glauberman, Priscilla Nedd-Friendly

Cameras: ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

What's Your Number? | ShotOnWhat?

Supervising Foley Editor

What's Your Number? (2011)

Directed by: Mark Mylod

Cinematography by: James M. Muro

Edited by: Julie Monroe

I Am Number Four | ShotOnWhat?

Supervising Foley Editor

I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Green Lantern | ShotOnWhat?

Sound Effects Editor

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

The Green Hornet | ShotOnWhat?

Foley Editor

The Green Hornet (2011)

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Tourist | ShotOnWhat?

Foley Editor

The Tourist (2010)

Directed by: Florian Henckel von Donnersmarck

Cinematography by: John Seale

Edited by: Joe Hutshing, Patricia Rommel

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Love Ranch | ShotOnWhat?

Supervising Foley Editor

Love Ranch (2010)

Directed by: Taylor Hackford

Cinematography by: Kieran McGuigan

Edited by: Paul Hirsch

Wall Street: Money Never Sleeps | ShotOnWhat?

Foley Editor

Wall Street: Money Never Sleeps (2010)

Directed by: Oliver Stone

Cinematography by: Rodrigo Prieto

Edited by: David Brenner, Julie Monroe

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Zeiss Master Prime Lenses

London Boulevard | ShotOnWhat?

Supervising Foley Editor

London Boulevard (2010)

Directed by: William Monahan

Cinematography by: Chris Menges

Edited by: Dody Dorn, Robb Sullivan

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Robin Hood | ShotOnWhat?

Supervising Sound Editor

Robin Hood (2010)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera

Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Inglourious Basterds | ShotOnWhat?

Foley Editor

Inglourious Basterds (2009)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera

Lenses: Cooke Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

G.I. Joe: The Rise of Cobra | ShotOnWhat?

Foley Editor

G.I. Joe: The Rise of Cobra (2009)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

Shrink | ShotOnWhat?

Foley Editor

Shrink (2009)

Directed by: Jonas Pate

Cinematography by: Lukas Ettlin, Isaac Phillips

Edited by: Luis Carballar

Cameras: Panavision Cameras

Eagle Eye | ShotOnWhat?

Supervising Foley Editor

Eagle Eye (2008)

Directed by: D.J. Caruso

Cinematography by: Dariusz Wolski

Edited by: Jim Page

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Never Back Down | ShotOnWhat?

Foley Supervisor

Never Back Down (2008)

Directed by: Jeff Wadlow

Cinematography by: Lukas Ettlin

Edited by: Victor Du Bois, Debra Beth Weinfeld

Body of Lies | ShotOnWhat?

Supervising Foley Editor

Body of Lies (2008)

Directed by: Ridley Scott

Cinematography by: Alexander Witt

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Next | ShotOnWhat?

Foley Supervisor

Next (2007)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Christian Wagner

The Bourne Ultimatum | ShotOnWhat?

Supervising Foley Editor

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Things We Lost in the Fire | ShotOnWhat?

Supervising Foley Editor

Things We Lost in the Fire (2007)

Directed by: Susanne Bier

Cinematography by: Tom Stern

Edited by: Pernille Bech Christensen, Bruce Cannon

American Gangster | ShotOnWhat?

Supervising Foley Editor

American Gangster (2007)

Directed by: Ridley Scott

Cinematography by: Harris Savides

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

A Good Year | ShotOnWhat?

Supervising Foley Editor

A Good Year (2006)

Directed by: Ridley Scott

Cinematography by: Philippe Le Sourd

Edited by: Dody Dorn, Robb Sullivan

Cameras: ARRICAM Lite (LT) Camera

Lenses: Panavision Primo Primes Spherical Lenses

Superman Returns | ShotOnWhat?

Foley Editor

Superman Returns (2006)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Blood Diamond | ShotOnWhat?

Foley Editor

Blood Diamond (2006)

Directed by: Edward Zwick

Cinematography by: Eduardo Serra

Edited by: Steven Rosenblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses

Eight Below | ShotOnWhat?

Supervising Foley Editor

Eight Below (2006)

Directed by: Frank Marshall

Cinematography by: Don Burgess

Edited by: Christopher Rouse

The Big White | ShotOnWhat?

Foley Supervisor

The Big White (2005)

Directed by: Mark Mylod

Cinematography by: James Glennon

Edited by: Julie Monroe

The Skeleton Key | ShotOnWhat?

Foley Editor

The Skeleton Key (2005)

Directed by: Iain Softley

Cinematography by: Dan Mindel

Edited by: Joe Hutshing

The Island | ShotOnWhat?

Supervising Foley Editor

The Island (2005)

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Serenity | ShotOnWhat?

Foley Editor

Serenity (2005)

Directed by: Joss Whedon

Cinematography by: Jack N. Green

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

Ray | ShotOnWhat?

Supervising Foley Editor

Ray (2004)

Directed by: Taylor Hackford

Cinematography by: Pawel Edelman

Edited by: Paul Hirsch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Cinetal Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

The Bourne Supremacy | ShotOnWhat?

Foley Supervisor

The Bourne Supremacy (2004)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Richard Pearson, Christopher Rouse

Cameras: ARRI Cameras

The Last Shot | ShotOnWhat?

Foley Editor

The Last Shot (2004)

Directed by: Jeff Nathanson

Cinematography by: John Lindley

Edited by: David Rosenbloom

Seabiscuit | ShotOnWhat?

Supervising Foley Editor

Seabiscuit (2003)

Directed by: Gary Ross

Cinematography by: John Schwartzman

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Kill Bill: Vol. 1 | ShotOnWhat?

Foley Editor

Kill Bill: Vol. 1 (2003)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Runaway Jury | ShotOnWhat?

Foley Editor

Runaway Jury (2003)

Directed by: Gary Fleder

Cinematography by: Robert Elswit

Edited by: William Steinkamp

The Last Samurai | ShotOnWhat?

Supervising Foley Editor

The Last Samurai (2003)

Directed by: Edward Zwick

Cinematography by: John Toll

Edited by: Victor Du Bois, Steven Rosenblum

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Unfaithful | ShotOnWhat?

Foley Editor

Unfaithful (2002)

Directed by: Adrian Lyne

Cinematography by: Peter Biziou

Edited by: Anne V. Coates

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

The Bourne Identity | ShotOnWhat?

Supervising Foley Editor

The Bourne Identity (2002)

Directed by: Doug Liman

Cinematography by: Oliver Wood

Edited by: Saar Klein

Cameras: Aaton 35-III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Below | ShotOnWhat?

Foley Editor

Below (2002)

Directed by: David Twohy

Cinematography by: Ian Wilson

Edited by: Martin Hunter

Black Hawk Down | ShotOnWhat?

Supervising Foley Editor

Black Hawk Down (2001)

Directed by: Ridley Scott

Cinematography by: Slawomir Idziak

Edited by: Pietro Scalia

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Evolution | ShotOnWhat?

Supervising Foley Editor

Evolution (2001)

Directed by: Ivan Reitman

Cinematography by: Michael Chapman

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Cameras: Panavision Cameras

Don't Say a Word | ShotOnWhat?

Foley Editor

Don't Say a Word (2001)

Directed by: Gary Fleder

Cinematography by: Amir Mokri

Edited by: Armen Minasian, William Steinkamp

Hannibal | ShotOnWhat?

Supervising Foley Editor

Hannibal (2001)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Mission to Mars | ShotOnWhat?

Foley Editor

Mission to Mars (2000)

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Paul Hirsch

The Patriot | ShotOnWhat?

Supervising Foley Editor

The Patriot (2000)

Directed by: Roland Emmerich

Cinematography by: Caleb Deschanel

Edited by: David Brenner, Christopher Holmes, Julie Monroe

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Bait | ShotOnWhat?

Supervising Foley Editor

Bait (2000)

Directed by: Antoine Fuqua

Cinematography by: Tobias A. Schliessler

Edited by: Alan Edward Bell

Cameras: Panavision Cameras

Gladiator | ShotOnWhat?

Supervising Foley Editor

Gladiator (2000)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

Proof of Life | ShotOnWhat?

Supervising Foley Editor

Proof of Life (2000)

Directed by: Taylor Hackford

Cinematography by: Slawomir Idziak

Edited by: Sheldon Kahn, John Smith

The Perfect Storm | ShotOnWhat?

Foley Editor

The Perfect Storm (2000)

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ALZ3 270-840 mm T4.5 Lens

End of Days | ShotOnWhat?

Foley Editor

End of Days (1999)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Jeff Gullo, Steven Kemper

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Inspector Gadget | ShotOnWhat?

Foley Supervisor

Inspector Gadget (1999)

Directed by: David Kellogg

Cinematography by: Adam Greenberg

Edited by: Alan Cody, Thom Noble, Gerald B. Greenberg

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Election | ShotOnWhat?

Sound Effects Editor

Election (1999)

Directed by: Alexander Payne

Cinematography by: James Glennon

Edited by: Kevin Tent

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Replacement Killers | ShotOnWhat?

Foley Supervisor

The Replacement Killers (1998)

Directed by: Antoine Fuqua

Cinematography by: Peter Lyons Collister

Edited by: Jay Cassidy

Godzilla | ShotOnWhat?

Foley Supervisor

Godzilla (1998)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Peter Amundson, David Siegel

The Prince of Egypt | ShotOnWhat?

Sound Editor

The Prince of Egypt (1998)

Directed by: Brenda Chapman, Steve Hickner, Simon Wells

Edited by: Nick Fletcher

A Civil Action | ShotOnWhat?

Foley Editor: Los Angeles

A Civil Action (1998)

Directed by: Steven Zaillian

Cinematography by: Conrad L. Hall

Edited by: Wayne Wahrman

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Bulworth | ShotOnWhat?

Foley Editor

Bulworth (1998)

Directed by: Warren Beatty

Cinematography by: Vittorio Storaro

Edited by: Robert C. Jones, Billy Weber

A Simple Plan | ShotOnWhat?

Foley Editor

A Simple Plan (1998)

Directed by: Sam Raimi

Cinematography by: Alar Kivilo

Edited by: Eric L. Beason, Arthur Coburn

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Air Force One | ShotOnWhat?

Foley Supervisor

Air Force One (1997)

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: Richard Francis-Bruce

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Variable Prime Lenses

Vegas Vacation | ShotOnWhat?

Sound Effects Editor

Vegas Vacation (1997)

Directed by: Stephen Kessler

Cinematography by: William A. Fraker

Edited by: Seth Flaum

Cameras: Panavision Cameras

The Relic | ShotOnWhat?

Foley Editor

The Relic (1997)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Steven Kemper

Face/Off | ShotOnWhat?

Foley Editor

Face/Off (1997)

Directed by: John Woo

Cinematography by: Oliver Wood

Edited by: Steven Kemper, Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Courage Under Fire | ShotOnWhat?

Foley Supervisor

Courage Under Fire (1996)

Directed by: Edward Zwick

Cinematography by: Roger Deakins

Edited by: Steven Rosenblum

Jerry Maguire | ShotOnWhat?

Foley Editor

Jerry Maguire (1996)

Directed by: Cameron Crowe

Cinematography by: Janusz Kaminski

Edited by: Joe Hutshing, David Moritz

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Editing System: Lightworks Editing System

The Chamber | ShotOnWhat?

Foley Editor

The Chamber (1996)

Directed by: James Foley

Cinematography by: Ian Baker

Edited by: Mark Warner

Albino Alligator | ShotOnWhat?

Foley Supervisor

Albino Alligator (1996)

Directed by: Kevin Spacey

Cinematography by: Mark Plummer

Edited by: Jay Cassidy

Congo | ShotOnWhat?

Foley Editor

Congo (1995)

Directed by: Frank Marshall

Cinematography by: Allen Daviau

Edited by: Anne V. Coates

Nixon | ShotOnWhat?

Foley Editor

Nixon (1995)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Brian Berdan, Hank Corwin

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Cutthroat Island | ShotOnWhat?

Foley Editor

Cutthroat Island (1995)

Directed by: Renny Harlin

Cinematography by: Peter Levy

Edited by: Derek Brechin, Florent Retz, Frank J. Urioste, Ralph E. Winters, Bert Lovitt

Braveheart | ShotOnWhat?

Foley Supervisor

Braveheart (1995)

Directed by: Mel Gibson

Cinematography by: John Toll

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

The Crossing Guard | ShotOnWhat?

Supervising Foley Editor

The Crossing Guard (1995)

Directed by: Sean Penn

Cinematography by: Vilmos Zsigmond

Edited by: Jay Cassidy

Cameras: Panavision Cameras

Outbreak | ShotOnWhat?

Foley Editor

Outbreak (1995)

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: William Hoy, Lynzee Klingman, Stephen E. Rivkin, Neil Travis

Chasers | ShotOnWhat?

Foley Editor

Chasers (1994)

Directed by: Dennis Hopper

Cinematography by: Ueli Steiger

Edited by: Christian Wagner

True Lies | ShotOnWhat?

Sound Effects Editor

True Lies (1994)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Beaumont Vista Vision Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

Natural Born Killers | ShotOnWhat?

Foley Editor

Natural Born Killers (1994)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Brian Berdan, Hank Corwin

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Ed and His Dead Mother | ShotOnWhat?

Sound Editor

Ed and His Dead Mother (1993)

Directed by: Jonathan Wacks

Cinematography by: Francis Kenny

Edited by: Lisa Day

Out for Justice | ShotOnWhat?

Sound Editor

Out for Justice (1991)

Directed by: John Flynn

Cinematography by: Ric Waite

Edited by: Don Brochu, Robert A. Ferretti

Run | ShotOnWhat?

Foley Artist

Run (1991)

Directed by: Geoff Burrowes

Cinematography by: Bruce Surtees

Edited by: Jack Hofstra

She's Out of Control | ShotOnWhat?

Foley Artist

She's Out of Control (1989)

Directed by: Stan Dragoti

Cinematography by: Donald Peterman

Edited by: Dov Hoenig

Caddyshack II | ShotOnWhat?

Foley Artist

Caddyshack II (1988)

Directed by: Allan Arkush

Cinematography by: Harry Stradling Jr.

Edited by: Bernard Gribble

Cameras: Panavision Cameras

The Longshot | ShotOnWhat?

Sound Editor

The Longshot (1986)

Directed by: Paul Bartel

Cinematography by: Robby Müller

Edited by: Alan Toomayan

Cameras: ARRI Cameras

Table for Five | ShotOnWhat?

Assistant Sound Editor

Table for Five (1983)

Directed by: Robert Lieberman

Cinematography by: Vilmos Zsigmond

Edited by: Michael Kahn

Thief | ShotOnWhat?

Assistant Sound Effects Editor

Thief (1981)

Directed by: Michael Mann

Cinematography by: Donald E. Thorin

Edited by: Dov Hoenig

Cameras: Panavision Cameras

Star Wars: Episode V - The Empire Strikes Back | ShotOnWhat?

Assistant Sound Editor

Star Wars: Episode V - The Empire Strikes Back (1980)

Directed by: Irvin Kershner

Cinematography by: Peter Suschitzky

Edited by: T.M. Christopher, Paul Hirsch, George Lucas, Marcia Lucas

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex-X Camera, Panavision Silent Reflex PSR Camera, Panavision Super PSR R-200

Lenses: Panavision C Series Anamorphic Lenses

The Rose | ShotOnWhat?

Audience Member

The Rose (1979)

Directed by: Mark Rydell

Cinematography by: Vilmos Zsigmond

Edited by: Carroll Timothy O'Meara, Robert L. Wolfe

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