Clearances
High Flying Bird (2019)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Apple iPhone Camera
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'Better Things' No Limits (2019)
Directed by: Pamela Adlon
Cinematography by: Paul Koestner
Edited by: Janet Weinberg
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'The Man in the High Castle' Kasumi (Through the Mists) (2018)
Directed by: Jennifer Getzinger
Cinematography by: Gonzalo Amat
Edited by: Dorian Harris
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'The Man in the High Castle' History Ends (2018)
Directed by: Meera Menon
Cinematography by: Gonzalo Amat
Edited by: Monty DeGraff
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'The Man in the High Castle' Excess Animus (2018)
Directed by: Steph Green
Cinematography by: James Hawkinson
Edited by: Jason Savage
Clearances By
'The Man in the High Castle' The New Colossus (2018)
Directed by: Daniel Percival
Cinematography by: James Hawkinson
Edited by: Dorian Harris
Clearances By
'The Man in the High Castle' Sabra (2018)
Directed by: John Fawcett
Cinematography by: Gonzalo Amat
Edited by: Jason Savage
Clearances By
'The Man in the High Castle' Sensô Kôi (2018)
Directed by: Ernest R. Dickerson
Cinematography by: James Hawkinson
Edited by: Monty DeGraff
Clearances
'The Man in the High Castle' Imagine Manchuria (2018)
Directed by: Alex Zakrzewski
Cinematography by: Gonzalo Amat
Edited by: Dorian Harris
Clearances By
'The Man in the High Castle' Now More Than Ever, We Care About You (2018)
Directed by: Daniel Percival
Cinematography by: James Hawkinson
Edited by: Jason Savage
Clearances
'Better Things' Rising (2017)
Directed by: Pamela Adlon
Cinematography by: Paul Koestner
Edited by: Debra F. Simone
Clearance Coordinator
Criminal (2016)
Directed by: Ariel Vromen
Cinematography by: Dana Gonzales
Edited by: Danny Rafic
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Clearances
Mechanic: Resurrection (2016)
Directed by: Dennis Gansel
Cinematography by: Daniel Gottschalk
Cameras: Red Epic Camera, Red Scarlet Camera
Legal Clearance
Hands of Stone (2016)
Directed by: Jonathan Jakubowicz
Cinematography by: M.I. Littin-Menz
Edited by: Ethan Maniquis
Cameras: ARRI ALEXA Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Clearances
'The Man in the High Castle' Loose Lips (2016)
Directed by: Alex Zakrzewski
Cinematography by: James Hawkinson
Edited by: Joe Leonard
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Tracers (2015)
Directed by: Daniel Benmayor
Cinematography by: Nelson Cragg
Edited by: Peter Amundson
Cameras: Red Epic Camera
Clearances
Fathers & Daughters (2015)
Directed by: Gabriele Muccino
Cinematography by: Shane Hurlbut
Edited by: Alex Rodríguez
Cameras: Canon EOS-C500 Camera, Red Epic Camera
Clearances By / Clearances - 9 Episodes, 2016-2018
The Man in the High Castle (2015)
Directed by: Daniel Percival, John Fawcett, Karyn Kusama, Alex Zakrzewski, Brad Anderson, Nelson McCormick, Ken Olin, Michael Rymer, David Semel, Michael Slovis, Bryan Spicer, Colin Bucksey, Paul Holahan, Chris Long, David Petrarca, Daniel Sackheim, Deborah Chow, Ernest R. Dickerson, Jennifer Getzinger, Steph Green, Meera Menon, Charlotte Brändström, Rachel Leiterman
Edited by: Jason Savage, Marta Evry, Jon Dudkowski, Mark C. Baldwin, Joe Leonard, Monty DeGraff, Dorian Harris, Julie Monroe, Sidney Wolinsky, Angela M. Catanzaro, Kathryn Himoff, Michael Kewley
Cameras: Red Epic Dragon Camera
Legal Clearance
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 19.5-94mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Legal Clearances
Non-Stop (2014)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Jim May
Clearance Coordinator
Nightcrawler (2014)
Directed by: Dan Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Clearances
If I Stay (2014)
Directed by: R.J. Cutler
Cinematography by: John de Borman
Edited by: Keith Henderson
Clearances
A Million Ways to Die in the West (2014)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
Clearances: Eastern Script Clearances
Movie 43 (2013)
Directed by: Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Brett Ratner, Jonathan van Tulleken, Bob Odenkirk
Cinematography by: Mattian Anderssonn Rudh, Frank G. DeMarco, Steve Gainer, Matthew F. Leonetti, Daryn Okada, William Rexer, Eric Scherbarth, Newton Thomas Sigel, Tim Suhrstedt
Edited by: Debra Chiate, Patrick J. Don Vito, Suzy Elmiger, Mark Helfrich, Craig Herring, Myron Kerstein, Jason Macdonald, Joe Randall-Cutler, Sam Seig, Cara Silverman, Sandy S. Solowitz, Jonathan van Tulleken, Håkan Wärn, Paul Zucker
Cameras: Red One MX Camera
Legal Clearance
Safe Haven (2013)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Andrew Mondshein
Cameras: ARRI ALEXA Studio Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Clearances: Cleared By Ashley
21 & Over (2013)
Cinematography by: Terry Stacey
Edited by: John Refoua
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Clearance Coordinator: Cleared By Ashley
The Host (2013)
Directed by: Andrew Niccol
Cinematography by: Roberto Schaefer
Edited by: Thomas J. Nordberg
Cameras: ARRI ALEXA Camera
Legal Clearance
Carrie (2013)
Directed by: Kimberly Peirce
Cinematography by: Steve Yedlin
Cameras: ARRI ALEXA Camera
Clearances: Cleared By Ashley
Odd Thomas (2013)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Edited by: David Checel
Cameras: Red Epic Camera
Clearances
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Clearances: Cleared By Ashley, Inc.
The Call (2013)
Directed by: Brad Anderson
Cinematography by: Thomas Yatsko
Edited by: Avi Youabian
Cameras: ARRI ALEXA Camera, Phantom Flex Camera
Lenses: Angenieux Optimo Zoom Lenses
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Admission (2013)
Directed by: Paul Weitz
Cinematography by: Declan Quinn
Edited by: Joan Sobel
Cameras: ARRI ALEXA Studio Camera
Clearance Coordinator
Homefront (2013)
Directed by: Gary Fleder
Cinematography by: Theo van de Sande
Edited by: Padraic McKinley
Cameras: ARRI ALEXA Camera
Rights And Clearances: Cleared By Ashley
Jobs (2013)
Directed by: Joshua Michael Stern
Cinematography by: Russell Carpenter
Edited by: Robert Komatsu
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Ultra Prime Lenses
Clearances: Cleared By Ashley
Out of the Furnace (2013)
Directed by: Scott Cooper
Cinematography by: Masanobu Takayanagi
Edited by: David Rosenbloom
Editing System: Avid Editing System
Clearance Administrator: Cleared By Ashley
Don Jon (2013)
Directed by: Joseph Gordon-Levitt
Cinematography by: Thomas Kloss
Edited by: Lauren Zuckerman
Editing System: Avid Editing System
Clearance Coordinator: Cleared By Ashley
Lovelace (2013)
Cinematography by: Eric Alan Edwards
Cameras: ARRIFLEX 416 Camera
Production Clearance: Cleared By Ashley
The Fifth Estate (2013)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Legal Clearance
Last Vegas (2013)
Directed by: Jon Turteltaub
Cinematography by: David Hennings
Edited by: David Rennie
Cameras: ARRI ALEXA Camera
Legal Clearance
Lone Survivor (2013)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Colby Parker Jr.
Cameras: Phantom Flex Camera, Red Epic Camera
Clearance Services
Being Flynn (2012)
Directed by: Paul Weitz
Cinematography by: Declan Quinn
Edited by: Joan Sobel
Clearances
Ted (2012)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Panavision Genesis Camera, Sony PMW-EX3 Camera
Editing System: Avid Editing System
Rights And Clearances: Cleared By Ashley
Jayne Mansfield's Car (2012)
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Lauren Zuckerman
Clearances: Cleared By Ashley
The Perks of Being a Wallflower (2012)
Directed by: Stephen Chbosky
Cinematography by: Andrew Dunn
Edited by: Mary Jo Markey
Clearances
Man on a Ledge (2012)
Directed by: Asger Leth
Cinematography by: Paul Cameron
Edited by: Kevin Stitt
Clearance Coordinator
The Vow (2012)
Directed by: Michael Sucsy
Cinematography by: Rogier Stoffers
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Clearance Coordinator: Cleared By Ashley
The Iceman (2012)
Directed by: Ariel Vromen
Cinematography by: Bobby Bukowski
Edited by: Danny Rafic
Cameras: ARRI ALEXA Plus Camera, Canon EOS-7D Camera
Clearance Services
The Raven (2012)
Directed by: James McTeigue
Cinematography by: Danny Ruhlmann
Edited by: Niven Howie
Clearances: Cleared By Ashley, Inc.
Chernobyl Diaries (2012)
Directed by: Bradley Parker
Cinematography by: Morten Søborg
Edited by: Stan Salfas
Cameras: ARRI ALEXA Camera
Production Clearances
People Like Us (2012)
Directed by: Alex Kurtzman
Cinematography by: Salvatore Totino
Edited by: Robert Leighton
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Production Clearances: Cleared By Ashley
Lincoln (2012)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Script Clearance: Cleared By Ashley
Seven Psychopaths (2012)
Directed by: Martin McDonagh
Cinematography by: Ben Davis
Edited by: Lisa Gunning
Clearance Co-ordinator
Playing for Keeps (2012)
Directed by: Gabriele Muccino
Cinematography by: Peter Menzies Jr.
Edited by: Padraic McKinley
Clearance Services
Promised Land (2012)
Directed by: Gus Van Sant
Cinematography by: Linus Sandgren
Edited by: Billy Rich
Lenses: Hawk V-Lite Lenses
Clearance Services
Hyde Park on Hudson (2012)
Directed by: Roger Michell
Cinematography by: Lol Crawley
Edited by: Nicolas Gaster
Clearances
Mirror Mirror (2012)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Cameras: Sony CineAlta F35 Camera
Clearance Coordinator: Cleared By Ashley
The Paperboy (2012)
Directed by: Lee Daniels
Cinematography by: Roberto Schaefer
Edited by: Joe Klotz
Cameras: Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Clearances: Cleared By Ashley
A Better Life (2011)
Directed by: Chris Weitz
Cinematography by: Javier Aguirresarobe
Edited by: Peter Lambert
Cameras: ARRICAM Lite (LT) Camera
Editing System: Avid Editing System
Clearance Coordinator: Cleared By Ashley
Limitless (2011)
Directed by: Neil Burger
Cinematography by: Jo Willems
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Clearances
The Beaver (2011)
Directed by: Jodie Foster
Cinematography by: Hagen Bogdanski
Edited by: Lynzee Klingman
Production Clearances: Cleared By Ashley
Cowboys & Aliens (2011)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Clearance Services
Hanna (2011)
Directed by: Joe Wright
Cinematography by: Alwin H. Küchler
Edited by: Paul Tothill
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony Other Camera
Editing System: Lightworks Editing System
Clearances: Cleared By Ashley
Dream House (2011)
Directed by: Jim Sheridan
Cinematography by: Caleb Deschanel
Clearances
30 Minutes or Less (2011)
Directed by: Ruben Fleischer
Cinematography by: Jess Hall
Edited by: Alan Baumgarten
Editing System: Avid Editing System
Clearances
Shark Night 3D (2011)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Dennis Virkler
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Editing System: Avid Editing System
Clearances
One Day (2011)
Directed by: Lone Scherfig
Cinematography by: Benoît Delhomme
Edited by: Barney Pilling
Clearances
Jeff, Who Lives at Home (2011)
Cinematography by: Jas Shelton
Edited by: Jay Deuby
Cameras: Red One MX Camera
Clearance Coordinator: Cleared By Ashley
Beastly (2011)
Directed by: Daniel Barnz
Cinematography by: Mandy Walker
Edited by: Thomas J. Nordberg
Clearance Coordinator: Cleared By Ashley
This Must Be the Place (2011)
Directed by: Paolo Sorrentino
Cinematography by: Luca Bigazzi
Edited by: Cristiano Travaglioli
Clearance Coordinator
The Son of No One (2011)
Directed by: Dito Montiel
Cinematography by: Benoît Delhomme
Edited by: Jake Pushinsky
Production Clearances: Cleared By Ashley
The Help (2011)
Directed by: Tate Taylor
Cinematography by: Stephen Goldblatt
Edited by: Hughes Winborne
Clearances
Haywire (2011)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red One MX Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses
Clearance Coordinator
The American (2010)
Directed by: Anton Corbijn
Cinematography by: Martin Ruhe
Edited by: Andrew Hulme
Clearance / Clearances: Cleared By Ashley
The Fighter (2010)
Directed by: David O. Russell
Cinematography by: Hoyte Van Hoytema
Edited by: Pamela Martin
Script Clearance
Leap Year (2010)
Directed by: Anand Tucker
Cinematography by: Newton Thomas Sigel
Edited by: Nick Moore
Script Clearance
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Clearance Coordinator
Devil (2010)
Directed by: John Erick Dowdle
Cinematography by: Tak Fujimoto
Edited by: Elliot Greenberg
Cameras: Panavision Cameras
Clearances: Cleared By Ashley
The Spy Next Door (2010)
Directed by: Brian Levant
Cinematography by: Dean Cundey
Edited by: Lawrence Jordan
Clearances
The Crazies (2010)
Directed by: Breck Eisner
Cinematography by: Maxime Alexandre
Edited by: Billy Fox
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Clearances: Cleared By Ashley
The Ghost Writer (2010)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Clearances Coordinator
MacGruber (2010)
Directed by: Jorma Taccone
Cinematography by: Brandon Trost
Edited by: Jamie Gross
Legal Clearance Coordinator
The Back-up Plan (2010)
Directed by: Alan Poul
Cinematography by: Xavier Grobet
Edited by: Priscilla Nedd-Friendly
Legal Clearance Coordinator
Extraordinary Measures (2010)
Directed by: Tom Vaughan
Cinematography by: Andrew Dunn
Edited by: Anne V. Coates
Legal Clearance Coordinator: Cleared By Ashley, Inc.
Greenberg (2010)
Directed by: Noah Baumbach
Cinematography by: Harris Savides
Edited by: Tim Streeto
Clearance Coordinator
Remember Me (2010)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Andrew Mondshein
Clearance Coordinator
Unstoppable (2010)
Directed by: Tony Scott
Cinematography by: Ben Seresin
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Clearance Coordinator
Faster (2010)
Directed by: George Tillman Jr.
Cinematography by: Michael Grady
Edited by: Dirk Westervelt
Clearance Coordinator
Dear John (2010)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Kristina Boden
Cameras: Panavision Panaflex Platinum Camera
Clearance
Brooklyn's Finest (2009)
Directed by: Antoine Fuqua
Cinematography by: Patrick Murguia
Edited by: Barbara Tulliver
Clearance Coordinator
Sorority Row (2009)
Directed by: Stewart Hendler
Cinematography by: Ken Seng
Edited by: Elliot Greenberg
Clearance Coordinator: Cleared By Ashley
Away We Go (2009)
Directed by: Sam Mendes
Cinematography by: Ellen Kuras
Edited by: Sarah Flack
Clearance Coordinator
Knowing (2009)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Edited by: Richard Learoyd
Cameras: Red One Camera
Clearance Services: Cleared By Ashley
Taking Woodstock (2009)
Directed by: Ang Lee
Cinematography by: Eric Gautier
Edited by: Tim Squyres
Clearance Services
The Unborn (2009)
Directed by: David S. Goyer
Cinematography by: James Hawkinson
Edited by: Jeff Betancourt
Cameras: Panavision Cameras
Rights Clearances
In the Electric Mist (2009)
Directed by: Bertrand Tavernier
Cinematography by: Bruno de Keyzer
Clearance Coordinator
The Blind Side (2009)
Directed by: John Lee Hancock
Cinematography by: Alar Kivilo
Edited by: Mark Livolsi
Lenses: Zeiss Master Prime Lenses
Clearances
A Perfect Getaway (2009)
Directed by: David Twohy
Cinematography by: Mark Plummer
Edited by: Tracy Adams
Clearances
Leaves of Grass (2009)
Directed by: Tim Blake Nelson
Cinematography by: Roberto Schaefer
Edited by: Michelle Botticelli
Cameras: Red One Camera
Legal Clearances
The Incredible Hulk (2008)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Rights Clearances
Zack and Miri Make a Porno (2008)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Clearances
Sunshine Cleaning (2008)
Directed by: Christine Jeffs
Cinematography by: John Toon
Edited by: Heather Persons
Clearance Coordinator
Righteous Kill (2008)
Directed by: Jon Avnet
Cinematography by: Denis Lenoir
Edited by: Paul Hirsch
Clearance Coordinator: Second Unit
Tropic Thunder (2008)
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Script Clearance
One Missed Call (2008)
Directed by: Eric Valette
Cinematography by: Glen MacPherson
Edited by: Steve Mirkovich
Script Clearances
Henry Poole Is Here (2008)
Directed by: Mark Pellington
Cinematography by: Eric Schmidt
Edited by: Lisa Zeno Churgin
Script Clearance
The Midnight Meat Train (2008)
Directed by: Ryûhei Kitamura
Cinematography by: Jonathan Sela
Edited by: Toby Yates
Clearances
The Strangers (2008)
Directed by: Bryan Bertino
Cinematography by: Peter Sova
Edited by: Kevin Greutert
Cameras: Panavision Cameras
Script Clearance
Nothing But the Truth (2008)
Directed by: Rod Lurie
Cinematography by: Alik Sakharov
Edited by: Sarah Boyd
Script Clearance
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Script Clearances
What Doesn't Kill You (2008)
Directed by: Brian Goodman
Cinematography by: Christopher Norr
Edited by: Robert Hoffman
Script Clearance
Flash of Genius (2008)
Directed by: Marc Abraham
Cinematography by: Dante Spinotti
Edited by: Jill Savitt
Clearance Coordinator
Twilight (2008)
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Legal Clearances
27 Dresses (2008)
Directed by: Anne Fletcher
Cinematography by: Peter James
Edited by: Priscilla Nedd-Friendly
Clearance Coordinator
The Great Debaters (2007)
Directed by: Denzel Washington
Cinematography by: Philippe Rousselot
Rights And Clearances
Martian Child (2007)
Directed by: Menno Meyjes
Cinematography by: Robert D. Yeoman
Edited by: Bruce Green
Legal Clearances
Reservation Road (2007)
Directed by: Terry George
Cinematography by: John Lindley
Edited by: Naomi Geraghty
Rights Clearances
The Invisible (2007)
Directed by: David S. Goyer
Cinematography by: Gabriel Beristain
Edited by: Conrad Smart
Script Clearance
Gone Baby Gone (2007)
Directed by: Ben Affleck
Cinematography by: John Toll
Edited by: William Goldenberg
Script Clearance
The Lookout (2007)
Directed by: Scott Frank
Cinematography by: Alar Kivilo
Edited by: Jill Savitt
Clearance Services
Balls of Fury (2007)
Directed by: Robert Ben Garant
Cinematography by: Thomas E. Ackerman
Edited by: John Refoua
Cameras: Panavision Genesis Camera
Editing System: Final Cut Pro Editing System
Clearances
The Condemned (2007)
Directed by: Scott Wiper
Cinematography by: Ross Emery
Edited by: Derek Brechin
Clearance
The Hitcher (2007)
Directed by: Dave Meyers
Cinematography by: James Hawkinson
Edited by: Jim May
Script Clearance
King of California (2007)
Directed by: Mike Cahill
Cinematography by: Jim Whitaker
Edited by: Glenn Garland
Clearances
1408 (2007)
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Edited by: Peter Boyle
Clearance Coordinator
The Air I Breathe (2007)
Directed by: Jieho Lee
Cinematography by: Walt Lloyd
Edited by: Robert Hoffman
Clearances
The Good Life (2007)
Directed by: Stephen Berra
Cinematography by: Patrice Lucien Cochet
Edited by: Sean Hubbert
Clearances: Ashley Inc.
Talk to Me (2007)
Directed by: Kasi Lemmons
Cinematography by: Stéphane Fontaine
Edited by: Terilyn A. Shropshire
Clearances
In the Valley of Elah (2007)
Directed by: Paul Haggis
Cinematography by: Roger Deakins
Edited by: Jo Francis
Lenses: Zeiss Master Prime Lenses
Script Clearance Coordinator
Feast of Love (2007)
Directed by: Robert Benton
Cinematography by: Kramer Morgenthau
Edited by: Andrew Mondshein
Clearance Services
Evening (2007)
Directed by: Lajos Koltai
Cinematography by: Gyula Pados
Edited by: Allyson C. Johnson
Rights And Clearances
Sydney White (2007)
Directed by: Joe Nussbaum
Cinematography by: Mark Irwin
Edited by: Danny Saphire
Clearance
Grandma's Boy (2006)
Directed by: Nicholaus Goossen
Cinematography by: Mark Irwin
Edited by: Tom Costain
Clearance Coordinator
Southland Tales (2006)
Directed by: Richard Kelly
Cinematography by: Steven Poster
Edited by: Sam Bauer
Rights Clearances
The Good Shepherd (2006)
Directed by: Robert De Niro
Cinematography by: Robert Richardson
Edited by: Tariq Anwar
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Script Clearance
The Black Dahlia (2006)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Edited by: Bill Pankow
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Clearances
Bickford Shmeckler's Cool Ideas (2006)
Directed by: Scott Lew
Cinematography by: Lowell Peterson
Edited by: Jon Corn
Clearance Coordinator
The Wicker Man (2006)
Directed by: Neil LaBute
Cinematography by: Paul Sarossy
Edited by: Joel Plotch
Photograph Clearances
Lonely Hearts (2006)
Directed by: Todd Robinson
Cinematography by: Peter Levy
Edited by: Kathryn Himoff
Rights Clearances / Script Clearance
Waist Deep (2006)
Directed by: Vondie Curtis-Hall
Cinematography by: Shane Hurlbut
Edited by: Terilyn A. Shropshire
Script Clearance
Little Miss Sunshine (2006)
Cinematography by: Tim Suhrstedt
Edited by: Pamela Martin
Script Clearance
Hollywoodland (2006)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Michael Berenbaum
Script Clearance
Home of the Brave (2006)
Directed by: Irwin Winkler
Cinematography by: Tony Pierce-Roberts
Edited by: Clayton Halsey
Research Consultant
Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)
Directed by: Larry Charles
Cameras: Panasonic AJ-HDC27 Varicam Camera
Script Clearance
16 Blocks (2006)
Directed by: Richard Donner
Cinematography by: Glen MacPherson
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Clearances Coordinator
In Her Shoes (2005)
Directed by: Curtis Hanson
Cinematography by: Terry Stacey
Script Clearance
The Sisterhood of the Traveling Pants (2005)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Kathryn Himoff
Script Clearance
A Lot Like Love (2005)
Directed by: Nigel Cole
Cinematography by: John de Borman
Edited by: Susan Littenberg
Additional Clearances
Edison (2005)
Directed by: David J. Burke
Cinematography by: Francis Kenny
Edited by: Casey O. Rohrs
Script Clearances
Two for the Money (2005)
Directed by: D.J. Caruso
Cinematography by: Conrad W. Hall
Edited by: Glen Scantlebury
Clearance
The Notorious Bettie Page (2005)
Directed by: Mary Harron
Cinematography by: W. Mott Hupfel III
Edited by: Tricia Cooke
Script Clearance
Thank You for Smoking (2005)
Directed by: Jason Reitman
Cinematography by: Jim Whitaker
Edited by: Dana E. Glauberman
Script Clearance
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Research Consultant
The Girl Next Door (2004)
Directed by: Luke Greenfield
Cinematography by: Jamie Anderson
Edited by: Mark Livolsi
Clearance Coordinator
I Heart Huckabees (2004)
Directed by: David O. Russell
Cinematography by: Peter Deming
Edited by: Robert K. Lambert
Script Clearance: Joan Pearce Research Associates
Hotel Rwanda (2004)
Directed by: Terry George
Cinematography by: Robert Fraisse
Edited by: Naomi Geraghty
Script Clearance
Shanghai Knights (2003)
Directed by: David Dobkin
Cinematography by: Adrian Biddle
Edited by: Malcolm Campbell
Script Clearance
The Recruit (2003)
Directed by: Roger Donaldson
Cinematography by: Stuart Dryburgh
Edited by: David Rosenbloom
Researcher / Script Clearance
Reign of Fire (2002)
Directed by: Rob Bowman
Cinematography by: Adrian Biddle
Cameras: Panavision Cameras
Research Consultant
One Hour Photo (2002)
Directed by: Mark Romanek
Cinematography by: Jeff Cronenweth
Edited by: Jeffrey Ford
Clearance Coordinator
The Banger Sisters (2002)
Directed by: Bob Dolman
Cinematography by: Karl Walter Lindenlaub
Edited by: Aram Nigoghossian