Michael Minkler

150 Titles

Is this you? Add a Profile

Elvis | ShotOnWhat?

Re-recording Mixer

Elvis (2022)

Directed by: Baz Luhrmann

Cinematography by: Mandy Walker

Edited by: Jonathan Redmond, Matt Villa

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision T Series Anamorphic Lenses

The Unforgivable | ShotOnWhat?

Re-recording Mixer

The Unforgivable (2021)

Directed by: Nora Fingscheidt

Cinematography by: Guillermo Navarro

Edited by: Stephan Bechinger, Joe Walker

Cameras: Red Helium 8K Camera

Lenses: Angenieux Lenses, ARRI Lenses

Greyhound | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

Greyhound (2020)

Directed by: Aaron Schneider

Cinematography by: Shelly Johnson

Edited by: Mark Czyzewski, Sidney Wolinsky

Cameras: Panavision Millennium DXL Camera

Lenses: Panavision Sphero 65 Series Lenses

Once Upon a Time... in Hollywood | ShotOnWhat?

Re-recording Mixer

Once Upon a Time in Hollywood (2019)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Editing System: Avid Editing System

Cats | ShotOnWhat?

Re-recording Mixer

Cats (2019)

Directed by: Tom Hooper

Cinematography by: Christopher Ross

Edited by: Melanie Oliver

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime DNA Lenses, Hasselblad Lenses, Tokina Vista Cinema Prime Lenses

A Star Is Born | ShotOnWhat?

Additional Re-recording Mixer

A Star Is Born (2018)

Directed by: Bradley Cooper

Cinematography by: Matthew Libatique

Edited by: Jay Cassidy

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses

Overboard | ShotOnWhat?

Supervising Re-recording Mixer

Overboard (2018)

Directed by: Rob Greenberg

Cinematography by: Michael Barrett

Edited by: Lee Haxall

Cameras: Sony PMW-F55 Camera

Lenses: Angenieux Lenses, Zeiss Master Prime Lenses

Sleepless | ShotOnWhat?

Re-recording Mixer

Sleepless (2017)

Directed by: Baran bo Odar

Cinematography by: Mihai Malaimare Jr.

Edited by: Robert Rzesacz

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Red Epic Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses

Beauty and the Beast | ShotOnWhat?

Re-recording Mixer

Beauty and the Beast (2017)

Directed by: Bill Condon

Cinematography by: Tobias A. Schliessler

Edited by: Virginia Katz

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

Allegiant | ShotOnWhat?

Re-recording Mixer: 20th Century Fox Studios

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

The Hateful Eight | ShotOnWhat?

Re-recording Mixer

The Hateful Eight (2015)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens

Editing System: Avid Editing System

R.I.P.D. | ShotOnWhat?

Re-recording Mixer

R.I.P.D. (2013)

Directed by: Robert Schwentke

Cinematography by: Alwin H. Küchler

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

The Fifth Estate | ShotOnWhat?

Re-recording Mixer

The Fifth Estate (2013)

Directed by: Bill Condon

Cinematography by: Tobias A. Schliessler

Edited by: Virginia Katz

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Zeiss Master Prime Lenses

Jayne Mansfield's Car | ShotOnWhat?

Re-recording Mixer

Jayne Mansfield's Car (2012)

Directed by: Billy Bob Thornton

Cinematography by: Barry Markowitz

Edited by: Lauren Zuckerman

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Step Up Revolution | ShotOnWhat?

Re-recording Mixer

Step Up Revolution (2012)

Directed by: Scott Speer

Cinematography by: Karsten Gopinath

Edited by: Matt Friedman, Avi Youabian

Cameras: Red Epic Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

The Twilight Saga: Breaking Dawn - Part 2 | ShotOnWhat?

Re-recording Mixer

The Twilight Saga: Breaking Dawn - Part 2 (2012)

Directed by: Bill Condon

Cinematography by: Guillermo Navarro

Edited by: Virginia Katz, Ian Slater

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Django Unchained | ShotOnWhat?

Re-recording Mixer

Django Unchained (2012)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

I Am Number Four | ShotOnWhat?

Re-recording Mixer

I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Tower Heist | ShotOnWhat?

Re-recording Mixer

Tower Heist (2011)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Lite Lenses, Panavision G Series Anamorphic Lenses

Larry Crowne | ShotOnWhat?

Re-recording Mixer

Larry Crowne (2011)

Directed by: Tom Hanks

Cinematography by: Philippe Rousselot

Edited by: Alan Cody

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Fright Night | ShotOnWhat?

Re-recording Mixer

Fright Night (2011)

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: Red One MX Camera

Lenses: Zeiss Master Prime Lenses

The Twilight Saga: Breaking Dawn - Part 1 | ShotOnWhat?

Re-recording Mixer

The Twilight Saga: Breaking Dawn - Part 1 (2011)

Directed by: Bill Condon

Cinematography by: Guillermo Navarro

Edited by: Virginia Katz

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Eat Pray Love | ShotOnWhat?

Re-recording Mixer

Eat Pray Love (2010)

Directed by: Ryan Murphy

Cinematography by: Robert Richardson

Edited by: Bradley Buecker

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Hot Tub Time Machine | ShotOnWhat?

Re-recording Mixer

Hot Tub Time Machine (2010)

Directed by: Steve Pink

Cinematography by: Jack N. Green

Edited by: George Folsey Jr., James Thomas

Cameras: Panavision Cameras

Extraordinary Measures | ShotOnWhat?

Re-recording Mixer

Extraordinary Measures (2010)

Directed by: Tom Vaughan

Cinematography by: Andrew Dunn

Edited by: Anne V. Coates

London Boulevard | ShotOnWhat?

Re-recording Mixer

London Boulevard (2010)

Directed by: William Monahan

Cinematography by: Chris Menges

Edited by: Dody Dorn, Robb Sullivan

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

RED | ShotOnWhat?

Re-recording Mixer

RED (2010)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses

Inglourious Basterds | ShotOnWhat?

Re-recording Mixer

Inglourious Basterds (2009)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera

Lenses: Cooke Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Time Traveler's Wife | ShotOnWhat?

Re-recording Mixer

The Time Traveler's Wife (2009)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

The Rocker | ShotOnWhat?

Re-recording Mixer

The Rocker (2008)

Directed by: Peter Cattaneo

Cinematography by: Anthony B. Richmond

Edited by: Charles Kaplan, Brad Wilhite

The Eye | ShotOnWhat?

Re-recording Mixer: Todd-AO West

The Eye (2008)

Directed by: David Moreau, Xavier Palud

Cinematography by: Jeffrey Jur

Edited by: Patrick Lussier

Mamma Mia! | ShotOnWhat?

Re-recording Mixer

Mamma Mia! (2008)

Directed by: Phyllida Lloyd

Cinematography by: Haris Zambarloukos

Edited by: Lesley Walker

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Body of Lies | ShotOnWhat?

Re-recording Mixer

Body of Lies (2008)

Directed by: Ridley Scott

Cinematography by: Alexander Witt

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Eagle Eye | ShotOnWhat?

Re-recording Mixer

Eagle Eye (2008)

Directed by: D.J. Caruso

Cinematography by: Dariusz Wolski

Edited by: Jim Page

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Death Proof | ShotOnWhat?

Re-recording Mixer

Death Proof (2007)

Directed by: Quentin Tarantino

Cinematography by: Quentin Tarantino

Edited by: Sally Menke

Grindhouse | ShotOnWhat?

Re-recording Mixer

Grindhouse (2007)

Directed by: Robert Rodriguez, Eli Roth, Quentin Tarantino, Edgar Wright, Rob Zombie

Cinematography by: Milan Chadima, Jess Hall, Phil Parmet, Robert Rodriguez, Quentin Tarantino

Edited by: Glenn Garland, Ethan Maniquis, Sally Menke, Robert Rodriguez

Into the Wild | ShotOnWhat?

Re-recording Mixer

Into the Wild (2007)

Directed by: Sean Penn

Cinematography by: Eric Gautier

Edited by: Jay Cassidy

Cameras: Aaton 35 II Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Canon Lenses, Zeiss Ultra Prime Lenses

American Gangster | ShotOnWhat?

Re-recording Mixer

American Gangster (2007)

Directed by: Ridley Scott

Cinematography by: Harris Savides

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Mr. Magorium's Wonder Emporium | ShotOnWhat?

Re-recording Mixer

Mr. Magorium's Wonder Emporium (2007)

Directed by: Zach Helm

Cinematography by: Roman Osin

Edited by: Sabrina Plisco, Steven Weisberg

Next | ShotOnWhat?

Re-recording Mixer

Next (2007)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Christian Wagner

In the Valley of Elah | ShotOnWhat?

Additional Sound Re-recording Mixer

In the Valley of Elah (2007)

Directed by: Paul Haggis

Cinematography by: Roger Deakins

Edited by: Jo Francis

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Dreamgirls | ShotOnWhat?

Re-recording Mixer

Dreamgirls (2006)

Directed by: Bill Condon

Cinematography by: Tobias A. Schliessler

Edited by: Virginia Katz

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Bobby | ShotOnWhat?

Sound Mix And Design By

Bobby (2006)

Directed by: Emilio Estevez

Cinematography by: Michael Barrett

Edited by: Richard Chew

Starter for 10 | ShotOnWhat?

Re-recording Mixer

Starter for 10 (2006)

Directed by: Tom Vaughan

Cinematography by: Ashley Rowe

Edited by: Jon Harris, Heather Persons

School for Scoundrels | ShotOnWhat?

Re-recording Mixer

School for Scoundrels (2006)

Directed by: Todd Phillips

Cinematography by: Jonathan Brown

Edited by: Leslie Jones, Dan Schalk

Flightplan | ShotOnWhat?

Re-recording Mixer

Flightplan (2005)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

Kingdom of Heaven | ShotOnWhat?

Re-recording Mixer

Kingdom of Heaven (2005)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

Rent | ShotOnWhat?

Supervising Sound Mixer

Rent (2005)

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Richard Pearson

Domino | ShotOnWhat?

Re-recording Mixer

Domino (2005)

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: William Goldenberg, Christian Wagner

Kill Bill: Vol. 2 | ShotOnWhat?

Re-recording Mixer

Kill Bill: Vol. 2 (2004)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Forgotten | ShotOnWhat?

Re-recording Mixer

The Forgotten (2004)

Directed by: Joseph Ruben

Cinematography by: Anastas N. Michos

Edited by: Richard Francis-Bruce

Collateral | ShotOnWhat?

Re-recording Mixer

Collateral (2004)

Directed by: Michael Mann

Cinematography by: Dion Beebe, Paul Cameron

Edited by: Jim Miller, Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera

Lenses: Panavision Primo Primes Spherical Lenses, Zeiss DigiPrime Lenses

Editing System: Avid Editing System

Christmas with the Kranks | ShotOnWhat?

Supervising Sound Mixer

Christmas with the Kranks (2004)

Directed by: Joe Roth

Cinematography by: Don Burgess

Edited by: Nick Moore

Miracle | ShotOnWhat?

Re-recording Mixer

Miracle (2004)

Directed by: Gavin O'Connor

Cinematography by: Dan Stoloff

Edited by: John Gilroy, Daric Loo

Cameras: Panavision Cameras

View from the Top | ShotOnWhat?

Re-recording Mixer

View from the Top (2003)

Directed by: Bruno Barreto

Cinematography by: Affonso Beato

Edited by: Christopher Greenbury, Ray Hubley, Charles Ireland

Matchstick Men | ShotOnWhat?

Re-recording Mixer

Matchstick Men (2003)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

Radio | ShotOnWhat?

Supervising Sound Mixer

Radio (2003)

Directed by: Michael Tollin

Cinematography by: Don Burgess

Edited by: Chris Lebenzon, Harvey Rosenstock

Cameras: Panavision Cameras

Kill Bill: Vol. 1 | ShotOnWhat?

Re-recording Mixer

Kill Bill: Vol. 1 (2003)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Hollywood Homicide | ShotOnWhat?

Re-recording Mixer

Hollywood Homicide (2003)

Directed by: Ron Shelton

Cinematography by: Barry Peterson

Edited by: Paul Seydor

Cameras: Panavision Panaflex Camera

Chicago | ShotOnWhat?

Re-recording Mixer

Chicago (2002)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Martin Walsh

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System, Lightworks Editing System

Rollerball | ShotOnWhat?

Re-recording Mixer

Rollerball (2002)

Directed by: John McTiernan

Cinematography by: Steve Mason

Edited by: Robert K. Lambert, John Wright

Insomnia | ShotOnWhat?

Re-recording Mixer

Insomnia (2002)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Dody Dorn

Cameras: Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Four Feathers | ShotOnWhat?

Additional Sound Re-recording Mixer

The Four Feathers (2002)

Directed by: Shekhar Kapur

Cinematography by: Robert Richardson

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision E Series Anamorphic Lenses

Don't Say a Word | ShotOnWhat?

Additional Sound Re-recording Mixer

Don't Say a Word (2001)

Directed by: Gary Fleder

Cinematography by: Amir Mokri

Edited by: Armen Minasian, William Steinkamp

The One | ShotOnWhat?

Re-recording Mixer

The One (2001)

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: James Coblentz

Black Hawk Down | ShotOnWhat?

Re-recording Mixer

Black Hawk Down (2001)

Directed by: Ridley Scott

Cinematography by: Slawomir Idziak

Edited by: Pietro Scalia

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Daddy and Them | ShotOnWhat?

Re-recording Mixer

Daddy and Them (2001)

Directed by: Billy Bob Thornton

Cinematography by: Barry Markowitz

Edited by: Sally Menke

Cameras: Panavision Cameras

The Mummy Returns | ShotOnWhat?

Re-recording Mixer

The Mummy Returns (2001)

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay, Kelly Matsumoto

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses

Hollow Man | ShotOnWhat?

Re-recording Mixer

Hollow Man (2000)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Ron Vignone

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Standard Speed Prime Lenses

All the Pretty Horses | ShotOnWhat?

Re-recording Mixer

All the Pretty Horses (2000)

Directed by: Billy Bob Thornton

Cinematography by: Barry Markowitz

Edited by: Sally Menke

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The 13th Warrior | ShotOnWhat?

Rerecording Mixer

The 13th Warrior (1999)

Directed by: John McTiernan, Michael Crichton

Cinematography by: Peter Menzies Jr.

Edited by: John Wright

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Thomas Crown Affair | ShotOnWhat?

Re-recording Sound Mixer

The Thomas Crown Affair (1999)

Directed by: John McTiernan

Cinematography by: Tom Priestley Jr.

Edited by: John Wright

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

End of Days | ShotOnWhat?

Re-recording Mixer

End of Days (1999)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Jeff Gullo, Steven Kemper

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Great Expectations | ShotOnWhat?

Re-recording Mixer

Great Expectations (1998)

Directed by: Alfonso Cuarón

Cinematography by: Emmanuel Lubezki

Edited by: Steven Weisberg

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Smoke Signals | ShotOnWhat?

Re-recording Mixer

Smoke Signals (1998)

Directed by: Chris Eyre

Cinematography by: Brian Capener

Edited by: Brian Berdan

Mimic | ShotOnWhat?

Re-recording Mixer

Mimic (1997)

Directed by: Guillermo del Toro

Cinematography by: Dan Laustsen

Edited by: Peter Devaney Flanagan, Patrick Lussier

Jackie Brown | ShotOnWhat?

Re-recording Mixer

Jackie Brown (1997)

Directed by: Quentin Tarantino

Cinematography by: Guillermo Navarro

Edited by: Sally Menke

Cameras: Moviecam Compact Camera

Lenses: Zeiss Super Speed Lenses

Speed 2: Cruise Control | ShotOnWhat?

Additional Rerecording Mixer

Speed 2: Cruise Control (1997)

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Alan Cody

Showgirls | ShotOnWhat?

Re-recording Mixer

Showgirls (1995)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Mark Helfrich

Cameras: ARRIFLEX 35 BL4s Camera, Moviecam Compact Camera

Judge Dredd | ShotOnWhat?

Re-recording Mixer

Judge Dredd (1995)

Directed by: Danny Cannon

Cinematography by: Adrian Biddle

Edited by: Harry Keramidas, Alex Mackie

Cutthroat Island | ShotOnWhat?

Re-recording Mixer

Cutthroat Island (1995)

Directed by: Renny Harlin

Cinematography by: Peter Levy

Edited by: Derek Brechin, Florent Retz, Frank J. Urioste, Ralph E. Winters, Bert Lovitt

Die Hard: With a Vengeance | ShotOnWhat?

Supervising Sound Re-recording Mixer

Die Hard: With a Vengeance (1995)

Directed by: John McTiernan

Cinematography by: Peter Menzies Jr.

Edited by: John Wright

Moonlight and Valentino | ShotOnWhat?

Re-recording Mixer

Moonlight and Valentino (1995)

Directed by: David Anspaugh

Cinematography by: Julio Macat

Edited by: David Rosenbloom

The Crossing Guard | ShotOnWhat?

Re-recording Mixer

The Crossing Guard (1995)

Directed by: Sean Penn

Cinematography by: Vilmos Zsigmond

Edited by: Jay Cassidy

Cameras: Panavision Cameras

The Getaway | ShotOnWhat?

Re-recording Mixer: Skywalker Sound

The Getaway (1994)

Directed by: Roger Donaldson

Cinematography by: Peter Menzies Jr.

Edited by: Conrad Buff IV

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Natural Born Killers | ShotOnWhat?

Re-recording Mixer

Natural Born Killers (1994)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Brian Berdan, Hank Corwin

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

True Lies | ShotOnWhat?

Re-recording Mixer

True Lies (1994)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Beaumont Vista Vision Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

Nell | ShotOnWhat?

Re-recording Mixer

Nell (1994)

Directed by: Michael Apted

Cinematography by: Dante Spinotti

Edited by: Jim Clark

Last Action Hero | ShotOnWhat?

Re-recording Mixer

Last Action Hero (1993)

Directed by: John McTiernan

Cinematography by: Dean Semler

Edited by: Richard A. Harris, John Wright

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Cliffhanger | ShotOnWhat?

Re-recording Mixer

Cliffhanger (1993)

Directed by: Renny Harlin

Cinematography by: Alex Thomson

Edited by: Frank J. Urioste

Cameras: Panavision Cameras

Sommersby | ShotOnWhat?

Re-recording Mixer: Skywalker Sound

Sommersby (1993)

Directed by: Jon Amiel

Cinematography by: Philippe Rousselot

Edited by: Peter Boyle

Love Field | ShotOnWhat?

Re-recording Mixer

Love Field (1992)

Directed by: Jonathan Kaplan

Cinematography by: Ralf D. Bode

Edited by: Jane Kurson

Hoffa | ShotOnWhat?

Rerecording Mixer

Hoffa (1992)

Directed by: Danny DeVito

Cinematography by: Stephen H. Burum

Edited by: Lynzee Klingman, Ronald Roose

Pure Country | ShotOnWhat?

Re-recording Mixer

Pure Country (1992)

Directed by: Christopher Cain

Cinematography by: Richard Bowen

Edited by: Jack Hofstra

The Addams Family | ShotOnWhat?

Re-recording Mixer: Skywalker Sound

The Addams Family (1991)

Directed by: Barry Sonnenfeld

Cinematography by: Owen Roizman

Edited by: Dede Allen, Jim Miller

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Hudson Hawk | ShotOnWhat?

Additional Re-recording Mixer

Hudson Hawk (1991)

Directed by: Michael Lehmann

Cinematography by: Dante Spinotti

Edited by: Chris Lebenzon, Michael Tronick

The Doors | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

The Doors (1991)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: David Brenner, Joe Hutshing

The Indian Runner | ShotOnWhat?

Re-recording Mixer

The Indian Runner (1991)

Directed by: Sean Penn

Cinematography by: Anthony B. Richmond

Edited by: Jay Cassidy

JFK | ShotOnWhat?

Re-recording Mixer

JFK (1991)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Joe Hutshing, Pietro Scalia

Cameras: ARRIFLEX 16SR Camera, Panavision Panaflex Gold Camera

Lenses: Panavision E35 35 mm T2.0 Lens

Editing System: K.E.M. Editing System

Another 48 Hrs. | ShotOnWhat?

Re-recording Mixer

Another 48 Hrs. (1990)

Directed by: Walter Hill

Cinematography by: Matthew F. Leonetti

Edited by: Donn Aron, Carmel Davies, Freeman A. Davies, Tim Ryder

Cameras: Ultracam 35 Camera

The Godfather: Part III | ShotOnWhat?

Re-recording Mixer

The Godfather Part III (1990)

Directed by: Francis Ford Coppola

Cinematography by: Gordon Willis

Edited by: Lisa Fruchtman, Barry Malkin, Walter Murch

The Freshman | ShotOnWhat?

Re-recording Mixer

The Freshman (1990)

Directed by: Andrew Bergman

Cinematography by: William A. Fraker

Edited by: Barry Malkin

Pacific Heights | ShotOnWhat?

Rerecording Mixer: Skywalker Sound South

Pacific Heights (1990)

Directed by: John Schlesinger

Cinematography by: Amir Mokri

Edited by: Steven Ramirez, Mark Warner

Cameras: ARRI Cameras

Driving Miss Daisy | ShotOnWhat?

Re-recording Mixer: JDH Sound

Driving Miss Daisy (1989)

Directed by: Bruce Beresford

Cinematography by: Peter James

Edited by: Mark Warner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The 'Burbs | ShotOnWhat?

Re-recording Mixer

The 'Burbs (1989)

Directed by: Joe Dante

Cinematography by: Robert M. Stevens

Edited by: Marshall Harvey

The Abyss | ShotOnWhat?

Re-recording Mixer - Special Version

The Abyss (1989)

Directed by: James Cameron

Cinematography by: Mikael Salomon

Edited by: Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith

Cameras: ARRIFLEX 35 BL3 Camera, Panavision System 65 Camera

Johnny Handsome | ShotOnWhat?

Re-recording Mixer

Johnny Handsome (1989)

Directed by: Walter Hill

Cinematography by: Matthew F. Leonetti

Edited by: Donn Aron, Carmel Davies, Freeman A. Davies

Born on the Fourth of July | ShotOnWhat?

Re-recording Mixer / Sound Designer

Born on the Fourth of July (1989)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: David Brenner, Joe Hutshing

Cameras: Panavision Cameras, Panavision Panaflex Camera

Lenses: Panavision Lenses

Editing System: Moviola Editing System

And God Created Woman | ShotOnWhat?

Re-recording Mixer

And God Created Woman (1988)

Directed by: Roger Vadim

Cinematography by: Stephen M. Katz

Edited by: Suzanne Pettit

Young Guns | ShotOnWhat?

Re-recording Mixer / Sound Designer / Sound Supervisor

Young Guns (1988)

Directed by: Christopher Cain

Cinematography by: Dean Semler

Edited by: Jack Hofstra

The Milagro Beanfield War | ShotOnWhat?

Re-recording Mixer

The Milagro Beanfield War (1988)

Directed by: Robert Redford

Cinematography by: Robbie Greenberg

Edited by: Dede Allen, Jim Miller

Rambo III | ShotOnWhat?

Re-recording Mixer

Rambo III (1988)

Directed by: Peter MacDonald

Cinematography by: John Stanier

Edited by: O. Nicholas Brown, Andrew London, James R. Symons, Edward Warschilka

Extreme Prejudice | ShotOnWhat?

Re-recording Mixer

Extreme Prejudice (1987)

Directed by: Walter Hill

Cinematography by: Matthew F. Leonetti

Edited by: Freeman A. Davies, David Holden, Billy Weber

The Sicilian | ShotOnWhat?

Re-recording Mixer

The Sicilian (1987)

Directed by: Michael Cimino

Cinematography by: Alex Thomson

Edited by: Françoise Bonnot

The Hitcher | ShotOnWhat?

Re-recording Mixer

The Hitcher (1986)

Directed by: Robert Harmon

Cinematography by: John Seale

Edited by: Frank J. Urioste

Red Headed Stranger | ShotOnWhat?

Re-recording Mixer

Red Headed Stranger (1986)

Directed by: William D. Wittliff

Cinematography by: Neil Roach

Edited by: Stephen Purvis, Eric A. Williams

Cameras: Panavision Cameras

Cobra | ShotOnWhat?

Re-recording Mixer

Cobra (1986)

Directed by: George P. Cosmatos

Cinematography by: Ric Waite

Edited by: James R. Symons, Don Zimmerman

Cameras: Panavision Cameras

Perfect | ShotOnWhat?

Re-recording Mixer

Perfect (1985)

Directed by: James Bridges

Cinematography by: Gordon Willis

Edited by: Jeff Gourson

Clue | ShotOnWhat?

Re-recording Mixer

Clue (1985)

Directed by: Jonathan Lynn

Cinematography by: Victor J. Kemper

Edited by: David Bretherton, Richard Haines

A Chorus Line | ShotOnWhat?

Re-recording Mixer

A Chorus Line (1985)

Directed by: Richard Attenborough

Cinematography by: Ronnie Taylor

Edited by: John Bloom

UFOria | ShotOnWhat?

Re-recording Mixer

UFOria (1985)

Directed by: John Binder

Cinematography by: David Myers

Edited by: Dennis M. Hill

Cameras: Panavision Cameras

Explorers | ShotOnWhat?

Re-recording Mixer

Explorers (1985)

Directed by: Joe Dante

Cinematography by: John Hora

Edited by: Tina Hirsch

Cameras: Panavision Cameras

Summer Rental | ShotOnWhat?

Re-recording Mixer

Summer Rental (1985)

Directed by: Carl Reiner

Cinematography by: Ric Waite

Edited by: Bud Molin

Cameras: Panavision Cameras

Mike's Murder | ShotOnWhat?

Re-recording Mixer

Mike's Murder (1984)

Directed by: James Bridges

Cinematography by: Reynaldo Villalobos

Edited by: Dede Allen, Jeff Gourson

The Cotton Club | ShotOnWhat?

Re-recording Mixer

The Cotton Club (1984)

Directed by: Francis Ford Coppola

Cinematography by: Stephen Goldblatt

Edited by: Robert Q. Lovett, Barry Malkin, Robert Schafer

Cameras: Panavision Cameras

D.C. Cab | ShotOnWhat?

Re-recording Mixer

D.C. Cab (1983)

Directed by: Joel Schumacher

Cinematography by: Dean Cundey

Edited by: David E. Blewitt

Class | ShotOnWhat?

Re-recording Mixer

Class (1983)

Directed by: Lewis John Carlino

Cinematography by: Ric Waite

Edited by: Dennis Dolan, Stuart H. Pappé

Cameras: Panavision Cameras

The Outsiders | ShotOnWhat?

Re-recording Mixer

The Outsiders (1983)

Directed by: Francis Ford Coppola

Cinematography by: Stephen H. Burum

Edited by: Rob Bonz, Anne Goursaud, Melissa Kent, Roy Waldspurger

TRON | ShotOnWhat?

Re-recording Mixer

TRON (1982)

Directed by: Steven Lisberger

Cinematography by: Bruce Logan

Edited by: Jeff Gourson

Cameras: Panavision Cameras, Panavision System 65 Camera, Super Panavision-70 Camera

Lenses: Panavision Lenses

The Sword and the Sorcerer | ShotOnWhat?

Re-recording Mixer

The Sword and the Sorcerer (1982)

Directed by: Albert Pyun

Cinematography by: Joseph Mangine

Edited by: Marshall Harvey

Tex | ShotOnWhat?

Re-recording Mixer

Tex (1982)

Directed by: Tim Hunter

Cinematography by: Ric Waite

Edited by: Howard E. Smith

Cameras: Panavision Cameras

The Pursuit of D.B. Cooper | ShotOnWhat?

Re-recording Mixer

The Pursuit of D.B. Cooper (1981)

Directed by: Roger Spottiswoode, Buzz Kulik

Cinematography by: Harry Stradling Jr., Charles F. Wheeler

Edited by: Allan Jacobs, Robbe Roberts

Wolfen | ShotOnWhat?

Re-recording Mixer

Wolfen (1981)

Directed by: Michael Wadleigh

Cinematography by: Gerry Fisher

Edited by: Marshall M. Borden, Martin J. Bram, Dennis Dolan, Chris Lebenzon

Cameras: Panavision Cameras

Fade to Black | ShotOnWhat?

Re-recording Mixer

Fade to Black (1980)

Directed by: Vernon Zimmerman

Cinematography by: Álex Phillips Jr.

Edited by: James Mitchell, Barbara Pokras

Altered States | ShotOnWhat?

Re-recording Mixer

Altered States (1980)

Directed by: Ken Russell

Cinematography by: Jordan Cronenweth

Edited by: Eric Jenkins, Jack Harnish

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

The Long Riders | ShotOnWhat?

Dubbing Mixer, Re-recording Mixer

The Long Riders (1980)

Directed by: Walter Hill

Cinematography by: Ric Waite

Edited by: Freeman A. Davies, David Holden

Cameras: Panavision Cameras

The China Syndrome | ShotOnWhat?

Re-recording Mixer

The China Syndrome (1979)

Directed by: James Bridges

Cinematography by: James Crabe

Edited by: David Rawlins

Nightwing | ShotOnWhat?

Sound Effects Mixer

Nightwing (1979)

Directed by: Arthur Hiller

Cinematography by: Charles Rosher Jr.

Edited by: John C. Howard

The In-Laws | ShotOnWhat?

Re-recording Mixer

The In-Laws (1979)

Directed by: Arthur Hiller

Cinematography by: David M. Walsh

Edited by: Robert Swink

Going in Style | ShotOnWhat?

Re-recording Mixer

Going in Style (1979)

Directed by: Martin Brest

Cinematography by: Billy Williams

Edited by: Carroll Timothy O'Meara, Robert Swink

The Electric Horseman | ShotOnWhat?

Re-recording Mixer

The Electric Horseman (1979)

Directed by: Sydney Pollack

Cinematography by: Owen Roizman

Edited by: Sheldon Kahn

Wise Blood | ShotOnWhat?

Re-recording Mixer

Wise Blood (1979)

Directed by: John Huston

Cinematography by: Gerry Fisher

Edited by: Roberto Silvi

Cameras: Panavision Cameras

Boulevard Nights | ShotOnWhat?

Re-recording Mixer

Boulevard Nights (1979)

Directed by: Michael Pressman

Cinematography by: John Bailey

Edited by: Richard Halsey

Cameras: Panavision Cameras

An Unmarried Woman | ShotOnWhat?

Re-recording Mixer

An Unmarried Woman (1978)

Directed by: Paul Mazursky

Cinematography by: Arthur J. Ornitz

Edited by: Stuart H. Pappé

Bloodbrothers | ShotOnWhat?

Re-recording Mixer

Bloodbrothers (1978)

Directed by: Robert Mulligan

Cinematography by: Robert Surtees

Edited by: Sheldon Kahn

The Swarm | ShotOnWhat?

Re-recording Mixer

The Swarm (1978)

Directed by: Irwin Allen

Cinematography by: Fred J. Koenekamp

Edited by: Harold F. Kress

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Star Wars: Episode IV - A New Hope | ShotOnWhat?

Re-recording Mixer

Star Wars: Episode IV - A New Hope (1977)

Directed by: George Lucas

Cinematography by: Gilbert Taylor

Edited by: Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas

Cameras: ARRIFLEX 35 III Camera, Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Super PSR R-200

Lenses: Panavision C Series Anamorphic Lenses

Capricorn One | ShotOnWhat?

Re-recording Mixer

Capricorn One (1977)

Directed by: Peter Hyams

Cinematography by: Bill Butler

Edited by: James Mitchell

Cameras: Panavision Cameras

St. Ives | ShotOnWhat?

Re-recording Mixer

St. Ives (1976)

Directed by: J. Lee Thompson

Cinematography by: Lucien Ballard

Edited by: Michael F. Anderson

The Exorcist | ShotOnWhat?

Re-recording Mixer - 2000 Version

The Exorcist (1973)

Directed by: William Friedkin

Cinematography by: Owen Roizman

Edited by: Norman Gay, Evan A. Lottman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

©2012 - 2025 ShotOnWhat?

20254.20