Cinematographer
Bloodbrothers (1978)
Directed by: Robert Mulligan
Cinematography by: Robert Surtees
Edited by: Sheldon Kahn
Director Of Photography
The Turning Point (1977)
Directed by: Herbert Ross
Cinematography by: Robert Surtees
Edited by: William Reynolds
Director Of Photography
The Hindenburg (1975)
Directed by: Robert Wise
Cinematography by: Robert Surtees
Edited by: Donn Cambern
Director Of Photography
The Sting (1973)
Directed by: George Roy Hill
Cinematography by: Robert Surtees
Edited by: William Reynolds
Director Of Photography
The Arrangement (1969)
Directed by: Elia Kazan
Cinematography by: Robert Surtees
Edited by: Stefan Arnsten
Cameras: Panavision Cameras
Director Of Photography
The Graduate (1967)
Directed by: Mike Nichols
Cinematography by: Robert Surtees
Edited by: Sam O'Steen
Additional Photographer
The Chase (1966)
Directed by: Arthur Penn
Cinematography by: Joseph LaShelle
Edited by: Gene Milford
Cameras: Panavision Cameras
Director Of Photography
Ben-Hur (1959)
Directed by: William Wyler
Cinematography by: Robert Surtees
Cameras: MGM Camera 65 Camera
Advisor: Todd-AO Process
Around the World in 80 Days (1956)
Cinematography by: Lionel Lindon
Cameras: Todd-AO 65mm Camera
Lenses: Todd-AO Lenses
Cinematographer
The Wild North (1952)
Directed by: Andrew Marton
Cinematography by: Robert Surtees
Edited by: John D. Dunning
Director Of Photography
King Solomon's Mines (1950)
Cinematography by: Robert Surtees
Cameras: Technicolor 3-Strip Camera
