Bruce Vecchitto

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Visual Effects: Atomic Fiction

'Game of Thrones' Hardhome  (2015)

Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter

Visual Effects: Atomic Fiction

'Game of Thrones' Mother's Mercy  (2015)

Directed by: David Nutter
Cinematography by: Robert McLachlan
Edited by: Tim Porter

Digital Artist: ILM

The Love Guru  (2008)

Directed by: Marco Schnabel
Cinematography by: Peter Deming

Digital Artist: ILM

Harry Potter and the Order of the Phoenix  (2007)

Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras:

Color Timing Supervisor: ILM

Are We There Yet?  (2005)

Directed by: Brian Levant
Cinematography by: Thomas E. Ackerman
Edited by: Lawrence Jordan

Color Timing Supervisor: Industrial Light & Magic - Segment "The Dangerous Thread Of Things"

Eros  (2004)

Digital Timing Supervisor: ILM

Timeline  (2003)

Directed by: Richard Donner
Cinematography by: Caleb Deschanel
Edited by: Richard Marks

Color Timing Supervisor: ILM

Dreamcatcher  (2003)

Directed by: Lawrence Kasdan
Cinematography by: John Seale

Color Timing Supervisor

The Hunted  (2003)

Directed by: William Friedkin
Cinematography by: Caleb Deschanel
Edited by: Augie Hess

Digital Timing Supervisor: ILM

K-19: The Widowmaker  (2002)

Directed by: Kathryn Bigelow
Cinematography by: Jeff Cronenweth
Edited by: Walter Murch

Digital Color Timing Supervisor: ILM

Jurassic Park III  (2001)

Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva

Digital Timing Supervisor: ILM

A.I. Artificial Intelligence  (2001)

Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn

Color Timing Supervisor: ILM

The Pledge  (2001)

Directed by: Sean Penn
Cinematography by: Chris Menges
Edited by: Jay Cassidy

Digital Color Timing Supervisor: ILM

Mission to Mars  (2000)

Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch

Color Timing Supervisor

Space Cowboys  (2000)

Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox

Color Timing Supervisor: ILM

Magnolia  (1999)

Cinematography by: Robert Elswit
Edited by: Dylan Tichenor

Digital Timing Supervisor: ILM

October Sky  (1999)

Directed by: Joe Johnston
Cinematography by: Fred Murphy
Edited by: Robert Dalva

Digital Color Timing Supervisor: ILM

The Haunting  (1999)

Directed by: Jan de Bont
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael Kahn

Timing Supervisor: ILM

Celebrity  (1998)

Directed by: Woody Allen
Cinematography by: Sven Nykvist
Edited by: Susan E. Morse

Digital Timing Supervisor: ILM

Mission: Impossible  (1996)

Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch

Digital Timing Supervisor

The Trigger Effect  (1996)

Directed by: David Koepp
Cinematography by: Newton Thomas Sigel
Edited by: Jill Savitt

Digital Timing Supervisor: ILM

Mars Attacks!  (1996)

Directed by: Tim Burton
Cinematography by: Peter Suschitzky
Edited by: Chris Lebenzon

Digital Color Timing Supervisor

The Indian in the Cupboard  (1995)

Directed by: Frank Oz
Cinematography by: Russell Carpenter
Edited by: Ian Crafford

Optical Supervisor

The American President  (1995)

Directed by: Rob Reiner
Cinematography by: John Seale
Edited by: Robert Leighton

Digital Timing Supervisor: ILM

Jumanji  (1995)

Directed by: Joe Johnston
Cinematography by: Thomas E. Ackerman
Edited by: Robert Dalva

Digital Timing Supervisor: ILM

Maverick  (1994)

Directed by: Richard Donner
Cinematography by: Vilmos Zsigmond

Digital Supervisor: Alien Sequence / Optical Supervisor: Alien Sequence

Fire in the Sky  (1993)

Directed by: Robert Lieberman
Cinematography by: Bill Pope
Edited by: Steve Mirkovich

Visual Effects Optical Photography Supervisor: ILM

Death Becomes Her  (1992)

Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt

Optical Photography Supervisor: ILM

The Doors  (1991)

Directed by: Oliver Stone
Cinematography by: Robert Richardson

Optical Supervisor

Dreams  (1990)

Cinematography by: Takao Saitô, Shôji Ueda
Edited by: Tome Minami

Optical Supervisor

Always  (1989)

Directed by: Steven Spielberg
Cinematography by: Mikael Salomon
Edited by: Michael Kahn

Optical Supervisor

The 'Burbs  (1989)

Directed by: Joe Dante
Cinematography by: Robert M. Stevens
Edited by: Marshall Harvey

Optical Line-up: ILM

Cocoon: The Return  (1988)

Directed by: Daniel Petrie
Cinematography by: Tak Fujimoto
Edited by: Mark Warner

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