Selwyn Eddy

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Star Trek Into Darkness | ShotOnWhat?

Digital Artist: Industrial Light & Magic

Star Trek Into Darkness (2013)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The Lone Ranger | ShotOnWhat?

Digital Artist

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

G.I. Joe: Retaliation | ShotOnWhat?

Digital Artist

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Avengers | ShotOnWhat?

Digital Artist

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Battleship | ShotOnWhat?

Digital Artist: Industrial Light & Magic

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

I Am Number Four | ShotOnWhat?

Digital Artist: ILM

I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Cowboys & Aliens | ShotOnWhat?

Digital Artist: ILM

Cowboys & Aliens (2011)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Iron Man 2 | ShotOnWhat?

Layout Supervisor: ILM

Iron Man 2 (2010)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Richard Pearson

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Terminator Salvation | ShotOnWhat?

Digital Artist

Terminator Salvation (2009)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Conrad Buff IV

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Star Trek | ShotOnWhat?

Digital Artist: ILM

Star Trek (2009)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System, Avid Editing System

Digital Artist: ILM

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Iron Man | ShotOnWhat?

Digital Artist: ILM

Iron Man (2008)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

Indiana Jones and the Kingdom of the Crystal Skull | ShotOnWhat?

Digital Artist: ILM

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Rush Hour 3 | ShotOnWhat?

Digital Artist: ILM

Rush Hour 3 (2007)

Directed by: Brett Ratner

Cinematography by: James M. Muro

Edited by: Mark Helfrich, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Pirates of the Caribbean: At World's End | ShotOnWhat?

Digital Artist: ILM

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Mission: Impossible III | ShotOnWhat?

Matchmove Artist: ILM

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

Eragon | ShotOnWhat?

Digital Artist: ILM

Eragon (2006)

Directed by: Stefen Fangmeier

Cinematography by: Hugh Johnson

Edited by: Roger Barton, Masahiro Hirakubo, Chris Lebenzon

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | ShotOnWhat?

Lead Matchmover: ILM

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

Directed by: Andrew Adamson

Cinematography by: Donald McAlpine

Edited by: Sim Evan-Jones, Jim May

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

War of the Worlds | ShotOnWhat?

Matchmove Artist: ILM

War of the Worlds (2005)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Harry Potter and the Goblet of Fire | ShotOnWhat?

Matchmover: ILM

Harry Potter and the Goblet of Fire (2005)

Directed by: Mike Newell

Cinematography by: Roger Pratt

Edited by: Mick Audsley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Canon Lenses, Cooke S4 Lenses, Zeiss Variable Prime Lenses

A Series of Unfortunate Events | ShotOnWhat?

3D Camera Matchmove Artist: ILM

Lemony Snicket's A Series of Unfortunate Events (2004)

Directed by: Brad Silberling

Cinematography by: Emmanuel Lubezki

Edited by: Michael Kahn

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Peter Pan | ShotOnWhat?

Lead Matchmover: ILM

Peter Pan (2003)

Directed by: P.J. Hogan

Cinematography by: Donald McAlpine

Edited by: Garth Craven, Michael Kahn

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Hulk | ShotOnWhat?

Matchmove Artist

Hulk (2003)

Directed by: Ang Lee

Cinematography by: Frederick Elmes

Edited by: Tim Squyres

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke Panchro/i Classic Lenses, Cooke S4 Lenses

Minority Report | ShotOnWhat?

3D Camera Matchmove Lead: ILM

Minority Report (2002)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Harry Potter and the Sorcerer's Stone | ShotOnWhat?

3D Matchmove Supervisor: ILM

Harry Potter and the Sorcerer's Stone (2001)

Directed by: Chris Columbus

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

The Mummy Returns | ShotOnWhat?

Matchmove Artist

The Mummy Returns (2001)

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay, Kelly Matsumoto

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses

The Adventures of Rocky & Bullwinkle | ShotOnWhat?

Matchmove Supervisor: ILM

The Adventures of Rocky & Bullwinkle (2000)

Directed by: Des McAnuff

Cinematography by: Thomas E. Ackerman

Edited by: Dennis Virkler

The Mummy | ShotOnWhat?

3D Camera Matchmove Supervisor: ILM

The Mummy (1999)

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Deep Impact | ShotOnWhat?

3D Camera Matchmove Artist: ILM

Deep Impact (1998)

Directed by: Mimi Leder

Cinematography by: Dietrich Lohmann

Edited by: Paul Cichocki, David Rosenbloom

Cameras: ARRIFLEX 535 Camera

Small Soldiers | ShotOnWhat?

Matchmove Supervisor

Small Soldiers (1998)

Directed by: Joe Dante

Cinematography by: Jamie Anderson

Edited by: Marshall Harvey, Michael Thau

Spawn | ShotOnWhat?

Machmove Artist: ILM

Spawn (1997)

Directed by: Mark A.Z. Dippé

Cinematography by: Guillermo Navarro

Edited by: Todd Busch, Michael N. Knue

The Lost World: Jurassic Park | ShotOnWhat?

Match Mover

The Lost World: Jurassic Park (1997)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Twister | ShotOnWhat?

Computer Graphics Camera Matchmover

Twister (1996)

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Michael Kahn

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Star Trek: First Contact | ShotOnWhat?

Digital Match Mover

Star Trek: First Contact (1996)

Directed by: Jonathan Frakes

Cinematography by: Matthew F. Leonetti

Edited by: John W. Wheeler

Cameras: Panavision Panaflex Platinum Camera, Wescam Cameras

Lenses: Panavision C Series Anamorphic Lenses

Mission: Impossible | ShotOnWhat?

Digital Match Mover: ILM

Mission: Impossible (1996)

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Paul Hirsch

Cameras: Panavision Panaflex Camera, Wescam Cameras

Editing System: Lightworks Editing System

Casper | ShotOnWhat?

3d Camera Matchmove Artist

Casper (1995)

Directed by: Brad Silberling

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Cameras: Panavision Cameras

Death Becomes Her | ShotOnWhat?

Visual Effects Camera Operator: ILM

Death Becomes Her (1992)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Arthur Schmidt

Star Trek VI: The Undiscovered Country | ShotOnWhat?

Optical Camera Operator

Star Trek VI: The Undiscovered Country (1991)

Directed by: Nicholas Meyer

Cinematography by: Hiro Narita

Edited by: William Hoy, Ronald Roose

Hook | ShotOnWhat?

Optical Department

Hook (1991)

Directed by: Steven Spielberg

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Akira Kurosawa's Dreams | ShotOnWhat?

Visual Effects Camera Operator

Dreams (1990)

Directed by: Akira Kurosawa, Ishirô Honda

Cinematography by: Takao Saitô, Shôji Ueda

Edited by: Tome Minami

Back to the Future Part III | ShotOnWhat?

Vistaglide Operator

Back to the Future Part III (1990)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Die Hard 2 | ShotOnWhat?

Visual Effects Camera Operator: ILM

Die Hard 2 (1990)

Directed by: Renny Harlin

Cinematography by: Oliver Wood

Edited by: Stuart Baird, Robert A. Ferretti

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Back to the Future Part II | ShotOnWhat?

Vistaglide Operator: ILM

Back to the Future Part II (1989)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

The 'Burbs | ShotOnWhat?

Visual Effects Cameraman

The 'Burbs (1989)

Directed by: Joe Dante

Cinematography by: Robert M. Stevens

Edited by: Marshall Harvey

Indiana Jones and the Last Crusade | ShotOnWhat?

Camera Assistant: ILM

Indiana Jones and the Last Crusade (1989)

Directed by: Steven Spielberg

Cinematography by: Douglas Slocombe

Edited by: Michael Kahn, George Lucas

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Willow | ShotOnWhat?

Optical Camera Operator: ILM

Willow (1988)

Directed by: Ron Howard

Cinematography by: Adrian Biddle

Edited by: Daniel P. Hanley, Mike Hill, Richard Hiscott

Cameras: Panavision Panaflex Gold Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses

Who Framed Roger Rabbit | ShotOnWhat?

Optical Camera Operator

Who Framed Roger Rabbit (1988)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Camera, VistaVision Cameras

Lenses: Panavision Lenses

*batteries not included | ShotOnWhat?

Camera Operator

*batteries not included (1987)

Directed by: Matthew Robbins

Cinematography by: John McPherson

Edited by: Cynthia Scheider

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Enemy Mine | ShotOnWhat?

Camera Operator: ILM

Enemy Mine (1985)

Directed by: Wolfgang Petersen

Cinematography by: Tony Imi

Edited by: Hannes Nikel

Explorers | ShotOnWhat?

Visual Effects Cameraman

Explorers (1985)

Directed by: Joe Dante

Cinematography by: John Hora

Edited by: Tina Hirsch

Cameras: Panavision Cameras

Star Wars: Episode VI - Return of the Jedi | ShotOnWhat?

Effects Cameraman: ILM

Star Wars: Episode VI - Return of the Jedi (1983)

Directed by: Richard Marquand

Cinematography by: Alan Hume, Alec Mills

Edited by: Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Star Trek II: The Wrath of Khan | ShotOnWhat?

Assistant Camera Operator: ILM

Star Trek II: The Wrath of Khan (1982)

Directed by: Nicholas Meyer

Cinematography by: Gayne Rescher

Edited by: William Paul Dornisch

Cameras: Dykstraflex Camera, Panavision Cameras

E.T. the Extra-Terrestrial | ShotOnWhat?

Camera Assistant: ILM

E.T. the Extra-Terrestrial (1982)

Directed by: Steven Spielberg

Cinematography by: Allen Daviau

Edited by: Carol Littleton

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Star Wars: Episode V - The Empire Strikes Back | ShotOnWhat?

Assistant Cameraman: Miniature And Optical Effects Unit

Star Wars: Episode V - The Empire Strikes Back (1980)

Directed by: Irvin Kershner

Cinematography by: Peter Suschitzky

Edited by: T.M. Christopher, Paul Hirsch, George Lucas, Marcia Lucas

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex-X Camera, Panavision Silent Reflex PSR Camera, Panavision Super PSR R-200

Lenses: Panavision C Series Anamorphic Lenses

More American Graffiti | ShotOnWhat?

Assistant Camera

More American Graffiti (1979)

Directed by: Bill Norton

Cinematography by: Caleb Deschanel

Edited by: Tina Hirsch, Duwayne Dunham, Marcia Lucas

Cameras: Panavision Cameras

The Last Waltz | ShotOnWhat?

Second Assistant Camera

The Last Waltz (1978)

Directed by: Martin Scorsese

Cinematography by: Michael Chapman

Edited by: Jan Roblee, Yeu-Bun Yee

Cameras: Panavision Cameras

Star Wars: Episode IV - A New Hope | ShotOnWhat?

Computer Graphics Artist: ILM - 1997 Special Version

Star Wars: Episode IV - A New Hope (1977)

Directed by: George Lucas

Cinematography by: Gilbert Taylor

Edited by: Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas

Cameras: ARRIFLEX 35 III Camera, Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Super PSR R-200

Lenses: Panavision C Series Anamorphic Lenses

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