Foley Supervisor
Star Wars: Episode IX - The Rise of Skywalker (2019)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Foley Mixer , Foley Supervisor
Vice (2018)
Directed by: Adam McKay
Cinematography by: Greig Fraser
Edited by: Hank Corwin
Foley Supervisor
Solo: A Star Wars Story (2018)
Directed by: Ron Howard
Cinematography by: Bradford Young
Edited by: Pietro Scalia
Foley Supervisor
Phantom Thread (2017)
Directed by: Paul Thomas Anderson
Cinematography by: Paul Thomas Anderson
Edited by: Dylan Tichenor
Foley Supervisor
The Mummy (2017)
Directed by: Alex Kurtzman
Cinematography by: Ben Seresin
Foley Mixer / Foley Supervisor
Star Wars: Episode VIII - The Last Jedi (2017)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Foley Supervisor
Allegiant (2016)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Stuart Levy
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Foley Artist
Midnight Special (2016)
Directed by: Jeff Nichols
Cinematography by: Adam Stone
Edited by: Julie Monroe
Foley Artist / Foley Supervisor , Foley Mixer
Rogue One (2016)
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
Foley Mixer
Pete's Dragon (2016)
Directed by: David Lowery
Cinematography by: Bojan Bazelli
Edited by: Lisa Zeno Churgin
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Cooke Anamorphic/i Prime Lenses
Foley Supervisor, Supervising Foley Editor
Star Wars: Episode VII - The Force Awakens (2015)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Additional Sound Editor
Crimson Peak (2015)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Bernat Vilaplana
Cameras: ARRI ALEXA XT Camera
Foley Editor
The Walk (2015)
Directed by: Robert Zemeckis
Cinematography by: Dariusz Wolski
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Dragon Camera
Foley Mixer: Skywalker Sound
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Foley Artist
Ping Pong Summer (2014)
Directed by: Michael Tully
Cinematography by: Wyatt Garfield
Edited by: Marc Vives
Cameras: ARRIFLEX 416 Camera
Lenses: Zeiss Ultra 16 Lenses
Foley Artist / Foley Supervisor
Inherent Vice (2014)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Leslie Jones
Editing System: Avid Editing System
Foley Artist/editor
Love Is Strange (2014)
Directed by: Ira Sachs
Cinematography by: Christos Voudouris
Foley Supervisor
I Origins (2014)
Directed by: Mike Cahill
Cinematography by: Markus Förderer
Edited by: Mike Cahill
Cameras: Red Epic Camera
Foley Artist / Foley Editor
Infinitely Polar Bear (2014)
Directed by: Maya Forbes
Cinematography by: Bobby Bukowski
Edited by: Michael R. Miller
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo Style Lenses
Foley Supervisor
Fishing Without Nets (2014)
Directed by: Cutter Hodierne
Cinematography by: Alex Disenhof
Cameras: Red Epic Camera, Red Scarlet Camera
Foley
Fruitvale Station (2013)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Cameras: ARRIFLEX 416 Camera
Lenses: Zeiss Ultra 16 Lenses
Foley Mixer
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Foley Editor
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Foley Artist: Editor And Mixer / Foley Editor / Foley Mixer
Ain't Them Bodies Saints (2013)
Directed by: David Lowery
Cinematography by: Bradford Young
Foley Mixer
The Master (2012)
Directed by: Paul Thomas Anderson
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses
Editing System: Avid Editing System
Foley Mixer
Red Tails (2012)
Directed by: Anthony Hemingway
Cinematography by: John B. Aronson
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera
Editing System: Lightworks Editing System
Foley Mixer
Journey 2: The Mysterious Island (2012)
Directed by: Brad Peyton
Cinematography by: David Tattersall
Edited by: David Rennie
Foley Mixer
The Lorax (2012)
Foley Mixer
Lincoln (2012)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Foley Mixer
Wreck-It Ralph (2012)
Directed by: Rich Moore
Cinematography by: Rob Dressel
Edited by: Tim Mertens
Foley Mixer
The Beaver (2011)
Directed by: Jodie Foster
Cinematography by: Hagen Bogdanski
Edited by: Lynzee Klingman
Foley Mixer
Cowboys & Aliens (2011)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Foley Mixer
Thin Ice (2011)
Directed by: Jill Sprecher
Cinematography by: Dick Pope
Edited by: Lee Percy
Foley Mixer
War Horse (2011)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Foley Mixer
Mission: Impossible - Ghost Protocol (2011)
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Foley Mixer
Rango (2011)
Directed by: Gore Verbinski
Cinematography by: Roger Deakins
Edited by: Craig Wood
Editing System: Avid Editing System
Foley Mixer
Rio (2011)
Directed by: Carlos Saldanha
Cinematography by: Renato Falcão
Edited by: Harry Hitner
Foley Mixer
Percy Jackson & the Olympians: The Lightning Thief (2010)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Peter Honess
Foley Mixer
Toy Story 3 (2010)
Directed by: Lee Unkrich
Cinematography by: Jeremy Lasky
Edited by: Ken Schretzmann
Foley Mixer
Tron (2010)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: James Haygood
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Editing System: Avid Editing System
Foley Mixer
The Last Airbender (2010)
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
Foley Mixer
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Foley Mixer
I Love You, Beth Cooper (2009)
Directed by: Chris Columbus
Cinematography by: Phil Abraham
Edited by: Peter Honess
Foley Mixer
My Bloody Valentine (2009)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Cameras: Red One Camera, Silicon Imaging SI-2K Camera
Foley Mixer
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Foley Mixer
Brief Interviews with Hideous Men (2009)
Directed by: John Krasinski
Cinematography by: John Bailey
Cameras: Panavision Panaflex Camera
Foley Mixer
Leaves of Grass (2009)
Directed by: Tim Blake Nelson
Cinematography by: Roberto Schaefer
Edited by: Michelle Botticelli
Cameras: Red One Camera
Foley Mixer
Ice Age: Dawn of the Dinosaurs (2009)
Foley Mixer
Zack and Miri Make a Porno (2008)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Foley Mixer
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Foley Mixer
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Foley Mixer
Two Lovers (2008)
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Foley Mixer
WALL·E (2008)
Directed by: Andrew Stanton
Cinematography by: Martin Rosenberg
Edited by: Stephen Schaffer
Foley Mixer
The Kite Runner (2007)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Adr Mixer
Into the Wild (2007)
Directed by: Sean Penn
Cinematography by: Eric Gautier
Edited by: Jay Cassidy
Lenses: Canon Lenses, Zeiss Ultra Prime Lenses
Foley Mixer
Lions for Lambs (2007)
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Mixer
Enchanted (2007)
Directed by: Kevin Lima
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Foley Mixer
The Simpsons Movie (2007)
Directed by: David Silverman
Edited by: John Carnochan
Editing System: Final Cut Pro Editing System
Foley Mixer
Beowulf (2007)
Directed by: Robert Zemeckis
Cinematography by: Robert Presley
Edited by: Jeremiah O'Driscoll
Foley Mixer
Lady in the Water (2006)
Directed by: M. Night Shyamalan
Cinematography by: Christopher Doyle
Edited by: Barbara Tulliver
Foley Mixer
Clerks II (2006)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Foley Mixer
The Prize Winner of Defiance, Ohio (2005)
Directed by: Jane Anderson
Cinematography by: Jonathan Freeman
Edited by: Robert Dalva
Foley Mixer
Jarhead (2005)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Walter Murch
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Foley Mixer
The Matador (2005)
Directed by: Richard Shepard
Cinematography by: David Tattersall
Edited by: Carole Kravetz Aykanian
Foley Mixer
Munich (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Moviola Editing System
Foley Mixer
Star Wars: Episode III - Revenge of the Sith (2005)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDC-F950 Camera
Foley Mixer
The Village (2004)
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Foley Mixer
Starship Troopers 2: Hero of the Federation (2004)
Directed by: Phil Tippett
Cinematography by: Christian Sebaldt
Edited by: Louise Rubacky
Cameras: Panasonic AJ-HDC27 Varicam Camera
Foley Mixer
Dandelion (2004)
Directed by: Mark Milgard
Cinematography by: Tim Orr
Edited by: Amy E. Duddleston
Foley Recordist
The Singing Detective (2003)
Directed by: Keith Gordon
Cinematography by: Tom Richmond
Edited by: Jeff Wishengrad
Foley Recordist
Swimfan (2002)
Directed by: John Polson
Cinematography by: Giles Nuttgens
Edited by: Sarah Flack
Foley Recordist
Punch-Drunk Love (2002)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Leslie Jones
Cameras: Panavision Panaflex Platinum Camera
Foley Mixer
K-19: The Widowmaker (2002)
Directed by: Kathryn Bigelow
Cinematography by: Jeff Cronenweth
Edited by: Walter Murch
Foley Mixer
Far from Heaven (2002)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: James Lyons
Cameras: Moviecam Compact Camera
Foley Recordist
Jay and Silent Bob Strike Back (2001)
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
Foley Mixer
The Pledge (2001)
Directed by: Sean Penn
Cinematography by: Chris Menges
Edited by: Jay Cassidy
Foley Mixer
Ghost World (2001)
Directed by: Terry Zwigoff
Cinematography by: Affonso Beato
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Foley Mixer
The Shipping News (2001)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein
Sound Recordist
Finding Forrester (2000)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Valdís Óskarsdóttir
Foley Mixer
Chocolat (2000)
Directed by: Lasse Hallström
Cinematography by: Roger Pratt
Edited by: Andrew Mondshein
Foley Recordist
Galaxy Quest (1999)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Recordist
Rushmore (1998)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: David Moritz
Foley Recordist
Psycho (1998)
Directed by: Gus Van Sant
Cinematography by: Christopher Doyle
Edited by: Amy E. Duddleston
Foley Recordist
Barney's Great Adventure (1998)
Directed by: Steve Gomer
Cinematography by: Sandi Sissel
Edited by: Richard Halsey
Foley Recordist
Drive, She Said (1997)
Directed by: Mina Shum
Cinematography by: Peter Wunstorf
Edited by: Michelle Floyd
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Mixer
The Apostle (1997)
Directed by: Robert Duvall
Cinematography by: Barry Markowitz
Edited by: Stephen Mack
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Recordist
Masterminds (1997)
Directed by: Roger Christian
Cinematography by: Nic Morris
Edited by: Robin Russell
Foley Recordist
Good Will Hunting (1997)
Directed by: Gus Van Sant
Cinematography by: Jean-Yves Escoffier
Edited by: Pietro Scalia
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Foley Recordist: 2002 Director's Cut
Amadeus (1984)
Directed by: Milos Forman
Cinematography by: Miroslav Ondrícek
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Artist And Crew: The Complete Novel
The Outsiders (1983)
Directed by: Francis Ford Coppola
Cinematography by: Stephen H. Burum
