Digital Compositor: ScanlineVFX
Black Panther (2018)
| USA
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Visual Effects: Zoic Studios
'Game of Thrones' Dragonstone (2017)
Directed by: Jeremy Podeswa
Cinematography by: Gregory Middleton
Edited by: Crispin Green
Compositor: Zoic Studios
Crouching Tiger, Hidden Dragon: Sword of Destiny (2016)
| China, USA
Directed by: Woo-Ping Yuen
Cinematography by: Newton Thomas Sigel
Edited by: Jeff Betancourt
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Digital Compositor
The 5th Wave (2016)
| USA, UK
Directed by: J Blakeson
Cinematography by: Enrique Chediak
Edited by: Paul Rubell
Cameras: ARRI ALEXA XT Plus Camera
Digital Compositor
Keanu (2016)
| USA
Directed by: Peter Atencio
Cinematography by: Jas Shelton
Edited by: Nicholas Monsour
Digital Compositor: Zoic Studios
Night at the Museum: Secret of the Tomb (2014)
| UK, USA
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Dean Zimmerman
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Compositor
Big Eyes (2014)
| USA, Canada
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: JC Bond
Editing System: Avid Editing System
Compositor: Zoic Studios
Scary Movie 5 (2013)
| USA
Cinematography by: Steven Douglas Smith
Edited by: Sam Seig
Cameras: ARRI ALEXA Camera
Senior Digital Compositor: SPI
The Amazing Spider-Man (2012)
| USA
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Visual Effects: Zoic Studios - 1 Episode, 2017
Game of Thrones (2011)
| USA, UK
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Digital Effects Compositor: Hydraulx
Battle Los Angeles (2011)
| USA
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Digital Compositor: SPI
Green Lantern (2011)
| USA
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Digital Effects Compositor: ILM
The Last Airbender (2010)
| USA
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
Digital Compositor: Hydraulx
Gulliver's Travels (2010)
| USA
Directed by: Rob Letterman
Cinematography by: David Tattersall
Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Digital Effects Compositor: Hydraulx
Skyline (2010)
| USA
Cinematography by: Michael Watson
Edited by: Nicholas Wayman-Harris
Cameras: Red One MX Camera
Inferno Compositor: Pacific Title & Art Studio
Case 39 (2009)
| USA, Canada
Directed by: Christian Alvart
Cinematography by: Hagen Bogdanski
Edited by: Mark Goldblatt
Digital Effects Compositor: Pacific Title
Terminator Salvation (2009)
| USA, Germany, UK, Italy
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Digital Effects Compositor: Pacific Title
Wanted (2008)
| USA, Germany
Directed by: Timur Bekmambetov
Cinematography by: Mitchell Amundsen
Edited by: David Brenner
Digital Effects Compositor: Pacific Title
The Mummy: Tomb of the Dragon Emperor (2008)
| USA, Germany, China, Canada
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Digital Effects Compositor: Pacific Title
Gran Torino (2008)
| Germany, USA
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Editing System: Avid Editing System
Digital Effects Compositor: Pacific Title
Appaloosa (2008)
| USA
Directed by: Ed Harris
Cinematography by: Dean Semler
Edited by: Kathryn Himoff
Digital Effects Compositor: Pacific Title
Eagle Eye (2008)
| USA, Germany
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Digital Effects Compositor: Pacific Title
You Don't Mess with the Zohan (2008)
| USA
Directed by: Dennis Dugan
Cinematography by: Michael Barrett
Edited by: Tom Costain
Cameras: Panavision Genesis Camera
Digital Effects Compositor: Pacific Title And Art Studio
Made of Honor (2008)
| USA, UK
Directed by: Paul Weiland
Cinematography by: Tony Pierce-Roberts
Edited by: Richard Marks
Cameras: Panavision Cameras
Digital Effects Compositor: Pacific Title
Pineapple Express (2008)
| USA
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Digital Effects Compositor: Pacific Title
Speed Racer (2008)
| USA, Australia, Germany
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Compositor: Pacific Title And Art Studio
Tropic Thunder (2008)
| USA, UK, Germany
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Digital Effects Compositor: Pacific Title
American Gangster (2007)
| USA, UK
Directed by: Ridley Scott
Cinematography by: Harris Savides
Edited by: Pietro Scalia
Editing System: Avid Editing System
Digital Effects Compositor: Pacific Title
Superbad (2007)
| USA
Directed by: Greg Mottola
Cinematography by: Russ T. Alsobrook
Edited by: William Kerr
Cameras: Phantom HD Camera
Editing System: Avid Editing System
Digital Effects Compositor: Pacific Title
Lions for Lambs (2007)
| USA
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Inferno Compositor: Pacific Title
Next (2007)
| USA
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Digital Effects Compositor: Pacific Title
Blades of Glory (2007)
| USA
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Digital Effects Compositor: Pacific Title
The Bucket List (2007)
| USA
Directed by: Rob Reiner
Cinematography by: John Schwartzman
Edited by: Robert Leighton
Cameras: Panavision Cameras
Digital Effects Compositor: Pacific Title
Pirates of the Caribbean: At World's End (2007)
| USA
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Compositor: Pacific Title And Art Studio
Walk Hard: The Dewey Cox Story (2007)
| USA
Directed by: Jake Kasdan
Cinematography by: Uta Briesewitz
Cameras: Panavision Genesis Camera
Digital Effects Compositor: Pacific Title
Hairspray (2007)
| USA, UK
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Michael Tronick
Digital Effects Compositor: Pacific Title
Shooter (2007)
| USA
Directed by: Antoine Fuqua
Cinematography by: Peter Menzies Jr.
Digital Compositor: Pacific Title
Disturbia (2007)
| USA
Directed by: D.J. Caruso
Cinematography by: Rogier Stoffers
Edited by: Jim Page
Cameras: Panavision Panaflex Platinum Camera
Digital Effects Compositor: Pacific Title
The Hunting Party (2007)
| USA, Croatia, Bosnia and Herzegovina
Directed by: Richard Shepard
Cinematography by: David Tattersall
Edited by: Carole Kravetz Aykanian
Digital Compositor: End Titles
Nancy Drew (2007)
| USA
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Digital Effects Compositor: Pacific Title
She's the Man (2006)
| USA, Canada
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: Michael Jablow
Digital Effects Compositor: Pacific Title
RV (2006)
| UK, Germany, USA
Directed by: Barry Sonnenfeld
Cinematography by: Fred Murphy
Edited by: Kevin Tent
Digital Effects Compositor: Pacific Title
Pirates of the Caribbean: Dead Man's Chest (2006)
| USA
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Digital Visual Effects Artist: Pacific Title And Art Studio
Seraphim Falls (2006)
| USA
Directed by: David Von Ancken
Cinematography by: John Toll
Edited by: Conrad Buff IV
Digital Effects Compositor: Pacific Title
Night at the Museum (2006)
| USA, UK
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Don Zimmerman
Digital Effects Compositor: Pacific Title
Rocky Balboa (2006)
| USA
Directed by: Sylvester Stallone
Cinematography by: Clark Mathis
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses: Zeiss Master Prime Lenses
Digital Effects Compositor: Pacific Title
The Holiday (2006)
| USA
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Platinum Camera
Digital Effects Compositor: Pacific Title
Gridiron Gang (2006)
| USA
Directed by: Phil Joanou
Cinematography by: Jeff Cutter
Edited by: Joel Negron
Digital Effects Compositor: Pacific Title
The Wicker Man (2006)
| USA, Germany, Canada
Directed by: Neil LaBute
Cinematography by: Paul Sarossy
Edited by: Joel Plotch
Digital Effects Compositor: Pacific Title
Bewitched (2005)
| USA
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Tia Nolan
Digital Effects Compositor: Pacific Title
Æon Flux (2005)
| USA, Germany, Brazil, Italy
Directed by: Karyn Kusama
Cinematography by: Stuart Dryburgh
Digital Effects Compositor: Pacific Title
Flightplan (2005)
| USA
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Digital Compositor: Pacific Title
Beauty Shop (2005)
| USA
Directed by: Bille Woodruff
Cinematography by: Theo van de Sande
Edited by: Michael Jablow
Digital Effects Compositor: Pacific Title
A Little Trip to Heaven (2005)
| Iceland, USA
Directed by: Baltasar Kormákur
Cinematography by: Óttar Guðnason
Digital Effects Compositor: Pacific Title
The Game of Their Lives (2005)
| USA
Directed by: David Anspaugh
Cinematography by: Johnny E. Jensen
Digital Effects Compositor: Pacific Title
Ice Princess (2005)
| USA, Canada
Directed by: Tim Fywell
Cinematography by: David Hennings
Edited by: Janice Hampton
Inferno Compositor: Pacific Title & Art Studio
The Weather Man (2005)
| USA, Germany
Directed by: Gore Verbinski
Cinematography by: Phedon Papamichael
Edited by: Craig Wood
Digital Effects Compositor: Pacific Title
Constantine (2005)
| USA, Germany
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Digital Effects Compositor: Pacific Title
Stealth (2005)
| USA
Directed by: Rob Cohen
Cinematography by: Dean Semler
Edited by: Stephen E. Rivkin
Digital Effects Compositor: Pacific Title
Fantastic Four (2005)
| USA, Germany
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Inferno Artist
Son of the Mask (2005)
| USA, Germany
Directed by: Lawrence Guterman
Cinematography by: Greg Gardiner
Maintitle Compositor: Pacific Title
xXx: State of the Union (2005)
| USA
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Digital Effects Compositor: Pacific Title
The Chronicles of Riddick (2004)
| USA
Directed by: David Twohy
Cinematography by: Hugh Johnson
Digital Compositor
The Village (2004)
| USA
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Digital Compositor
The Alamo (2004)
| USA
Directed by: John Lee Hancock
Cinematography by: Dean Semler
Edited by: Eric L. Beason
Digital Effects Compositor: SPI
50 First Dates (2004)
| USA
Directed by: Peter Segal
Cinematography by: Jack N. Green
Edited by: Jeff Gourson
Cameras: Panavision Cameras
Digital Effects Compositor: SPI
Spider-Man 2 (2004)
| USA
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Digital Effects Compositor: Pacific Title
Van Helsing (2004)
| USA, Czech Republic, Romania
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Digital Effects Compositor: Pacific Title
Taking Lives (2004)
| USA
Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Anne V. Coates
Digital Effects Compositor: Pacific Title
Mr 3000 (2004)
| USA
Directed by: Charles Stone III
Cinematography by: Shane Hurlbut
Edited by: Bill Pankow
Digital Compositor
Sky Captain and the World of Tomorrow (2004)
| USA, UK, Italy
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Digital Effects Compositor: SPI
Peter Pan (2003)
| UK, Australia, USA, New Zealand
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Digital Compositor: Pacific Title
The Matrix Reloaded (2003)
| USA
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Digital Compositor: Pacific Title
X2: X-Men United (2003)
| Canada, USA
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Digital Effects Compositor
Ghosts of the Abyss (2003)
| USA
Directed by: James Cameron
Cinematography by: Vince Pace
Digital Compositor
The Cat in the Hat (2003)
| USA
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Digital Effects Compositor: Digiscope
Beyond Borders (2003)
| Germany, USA
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Nicholas Beauman
Digital Effects Compositor: Pacific Title
Master and Commander: The Far Side of the World (2003)
| USA
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Interactive Compositing Artist: SPI
Seabiscuit (2003)
| USA
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Digital Effects Compositor: Asylum
The Order (2003)
| USA, Germany
Directed by: Brian Helgeland
Cinematography by: Nicola Pecorini
Edited by: Kevin Stitt
Digital Effects Compositor: Asylum Visual Effects
Catch Me If You Can (2002)
| USA, Canada
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Digital Compositor
xXx (2002)
| USA
Directed by: Rob Cohen
Cinematography by: Dean Semler
Senior Inferno Compositor: R!OT Pictures
The Salton Sea (2002)
| USA
Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Jim Page
Senior Compositor: R!ot
The Scorpion King (2002)
| USA, Germany, Belgium
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Inferno Artist: Asylum
The Ring (2002)
| USA
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Edited by: Craig Wood
Editing System: Final Cut Pro Editing System
Digital Compositor: R!OT Pictures
Blade II (2002)
| Germany, USA
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Effects Compositor: R!OT Pictures
Queen of the Damned (2002)
| USA, Australia
Directed by: Michael Rymer
Cinematography by: Ian Baker
Edited by: Dany Cooper
Inferno Artist: Pacific Title
Murder by Numbers (2002)
| USA
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Senior Inferno Compositor: R!OT
Equilibrium (2002)
| USA
Directed by: Kurt Wimmer
Cinematography by: Dion Beebe
Lenses: Panavision Lenses
Digital Effects Artist
Antitrust (2001)
| USA
Directed by: Peter Howitt
Cinematography by: John Bailey
Edited by: Zach Staenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Effects Compositor
Monkeybone (2001)
| USA
Directed by: Henry Selick
Cinematography by: Andrew Dunn
Digital Compositor
The Majestic (2001)
| USA
Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Jim Page
Digital Effects Compositor
U-571 (2000)
| France, USA
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Digital Effects Compositor
X-Men (2000)
| USA
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Digital Effects Compositor
Little Nicky (2000)
| USA
Directed by: Steven Brill
Cinematography by: Theo van de Sande
Edited by: Jeff Gourson
Cameras: Panavision Cameras
Digital Compositor: POP Film & Animation
Mystery Men (1999)
| USA
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
Digital Effects Compositor
Stigmata (1999)
| USA
Directed by: Rupert Wainwright
Cinematography by: Jeffrey L. Kimball
Digital Effects Compositor
Three Kings (1999)
| USA
Directed by: David O. Russell
Cinematography by: Newton Thomas Sigel
Edited by: Robert K. Lambert
Cameras: Panavision Cameras
Digital Retouch Artist
Anywhere But Here (1999)
| USA
Directed by: Wayne Wang
Cinematography by: Roger Deakins
Edited by: Nicholas C. Smith
Digital Effects Compositor
Wild Wild West (1999)
| USA
Directed by: Barry Sonnenfeld
Cinematography by: Michael Ballhaus
Edited by: Jim Miller
Digital Effects Compositor
Bats (1999)
| USA
Directed by: Louis Morneau
Cinematography by: George Mooradian
Edited by: Glenn Garland
Digital Compositor: POP Film
What Dreams May Come (1998)
| USA, New Zealand
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Inferno Artist: Digital Magic
Species II (1998)
| USA
Directed by: Peter Medak
Cinematography by: Matthew F. Leonetti
Edited by: Richard Nord
Digital Compositor: Digital Magic
Armageddon (1998)
| USA
Directed by: Michael Bay
Cinematography by: John Schwartzman
Digital Effects Compositor: POP Film
Star Trek: Insurrection (1998)
| USA
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Digital Effects Compositor
Wishmaster (1997)
| USA
Directed by: Robert Kurtzman
Cinematography by: Jacques Haitkin
Edited by: David Handman
Lead Domino Compositor: Digital Magic Company
Money Talks (1997)
| USA
Directed by: Brett Ratner
Edited by: Mark Helfrich
Digital Effects Compositor
Volcano (1997)
| USA
Directed by: Mick Jackson
Cinematography by: Theo van de Sande
Digital Effects Compositor
Mortal Kombat: Annihilation (1997)
| USA
Directed by: John R. Leonetti
Cinematography by: Matthew F. Leonetti
Edited by: Peck Prior
Digital Compositor
The Truth About Cats & Dogs (1996)
| USA
Directed by: Michael Lehmann
Cinematography by: Robert Brinkmann
Edited by: Stephen Semel
Cameras: ARRIFLEX 535 Camera
Composite Artist: Digital Magic Company
The Long Kiss Goodnight (1996)
| USA
Directed by: Renny Harlin
Cinematography by: Guillermo Navarro
Edited by: William Goldenberg
Digital Effects Compositor
Mighty Morphin Power Rangers: The Movie (1995)
| USA, Japan, Australia, New Zealand
Directed by: Bryan Spicer
Cinematography by: Paul Murphy
Edited by: Wayne Wahrman
Digital Effects Compositor
Judge Dredd (1995)
| USA
Directed by: Danny Cannon
Cinematography by: Adrian Biddle
Digital Effects Animator
Powder (1995)
| USA
Directed by: Victor Salva
Cinematography by: Jerzy Zielinski
Edited by: Dennis M. Hill
Digital Compositor
Nixon (1995)
| USA
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Editing System: Avid Editing System
Domino Artist: CRC
Stargate (1994)
| USA, France
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Effects Artist
No Escape (1994)
| USA
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Cameras: ARRIFLEX 35 BL4 Camera
