Visual Effects Artist: In House Lead
Knives Out (2019)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Visual Effects Artist: In House
The Brothers Grimsby (2016)
Directed by: Louis Leterrier
Cinematography by: Oliver Wood
Lead Visual Effects Artist
Term Life (2016)
Directed by: Peter Billingsley
Cinematography by: Roberto Schaefer
Cameras: ARRI ALEXA Camera, Red Epic Dragon Camera
Visual Effects Artist: In House
Ghostbusters (2016)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
In-house Compositor
Joy (2015)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Artist
Jane Got a Gun (2015)
Directed by: Gavin O'Connor
Cinematography by: Mandy Walker
Edited by: Alan Cody
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Sr. Compositor
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Compositing Supervisor: Gradient Effects
'The Blacklist' Berlin (No. 8): Conclusion (2014)
Directed by: Michael W. Watkins
Cinematography by: Michael Caracciolo
Edited by: Chris Brookshire
Compositing Supervisor: Gradient Effects
'The Blacklist' The Kingmaker (No. 42) (2014)
Directed by: Karen Gaviola
Cinematography by: Michael Caracciolo
Edited by: David Post
Compositing Supervisor: Gradient Effects
'The Blacklist' Berlin (No. 8) (2014)
Directed by: Michael Zinberg
Edited by: Nathan Gunn
Compositing Supervisor: Gradient Effects
'The Blacklist' The Pavlovich Brothers (Nos. 119-122) (2014)
Directed by: Paul A. Edwards
Cinematography by: Arthur Albert
Compositing Supervisor: Gradient Effects
'The Blacklist' Milton Bobbit (No. 135) (2014)
Directed by: Steven A. Adelson
Cinematography by: Michael Caracciolo
Edited by: Chris Brookshire
Compositing Supervisor: Gradient Effects
'The Blacklist' Ivan (No. 88) (2014)
Directed by: Randy Zisk
Edited by: David Post
Compositing Supervisor: Gradient Effects
'The Blacklist' The Judge (No. 57) (2014)
Directed by: Peter Werner
Edited by: Chris Brookshire
Compositing Supervisor: Gradient Effects
'The Blacklist' Madeline Pratt (No. 73) (2014)
Directed by: Michael Zinberg
Cinematography by: Michael Caracciolo
Edited by: David Post
Compositing Supervisor: Gradient Effects
'The Blacklist' The Cyprus Agency (No. 64) (2014)
Directed by: Michael W. Watkins
Compositing Supervisor: Gradient Effects
'The Blacklist' The Alchemist (No. 101) (2014)
Directed by: Vincent Misiano
Edited by: Chris Brookshire
Compositing Supervisor: Gradient Effects
'The Blacklist' The Good Samaritan (No. 106) (2014)
Directed by: Dan Lerner
Cinematography by: Arthur Albert
Edited by: David Post
Digital Effects Supervisor: Gradient Effects
Hell Baby (2013)
Cinematography by: Charles Papert
Edited by: Kevin Oeser
Cameras: ARRI ALEXA Camera
Compositing Supervisor: Gradient Effects Vancouver
Identity Thief (2013)
Directed by: Seth Gordon
Cinematography by: Javier Aguirresarobe
Edited by: Peter Teschner
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Compositor: Gradient Effects / Visual Effects Artist: Chaos
The Host (2013)
Directed by: Andrew Niccol
Cinematography by: Roberto Schaefer
Edited by: Thomas J. Nordberg
Cameras: ARRI ALEXA Camera
Visual Effects Artist
Phantom (2013)
Directed by: Todd Robinson
Cinematography by: Byron Werner
Edited by: Terel Gibson
Cameras: Red Epic Camera
Lenses: Angenieux Optimo Zoom Lenses
Compositing Supervisor: Gradient Effects - 17 Episodes, 2013-2014
The Blacklist (2013)
Directed by: Michael W. Watkins, Bill Roe, Andrew McCarthy, Donald E. Thorin Jr., Terrence O'Hara, Steven A. Adelson, John Terlesky, Michael Caracciolo, Karen Gaviola, Kurt Kuenne, Joe Carnahan, Christine Gee, Vincent Misiano, David Platt, Paul A. Edwards, Michael Zinberg, Alex Zakrzewski, Adam T. Weisinger, Jean de Segonzac, Cort Hessler, Solvan Naim, Jace Alexander, Adam Arkin, Nick Gomez, Stephen Surjik, Dan Lerner, Peter Werner, Randy Zisk, Guy Ferland, Omar Madha, Ami Canaan Mann, Michael Waxman, Anton Cropper, Michael Dinner, Eagle Egilsson, Tim Hunter, Mary Lambert, Edward Ornelas, Paul Holahan, Bethany Rooney, Stephanie A. Marquardt, Lin Oeding, Lisa Robinson, Daniel Willis
Cinematography by: Michael Caracciolo, Eric Moynier, Saade Mustafa, Frank Prinzi, Arthur Albert, Yasu Tanida, Peter Reniers
Edited by: Chris Brookshire, David Post, Emily Greene, Nathan Gunn, Orlando Machado Jr., Harvey Rosenstock, Amy M. Fleming, Kevin Hale, Jason Hellmann, Rhett Finch, Eric L. Beason
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
Visual Effects: Gradient FX
'Game of Thrones' Mhysa (2013)
Directed by: David Nutter
Cinematography by: Robert McLachlan
Edited by: Oral Norrie Ottey
Visual Effects: Gradient FX
'Game of Thrones' Second Sons (2013)
Directed by: Michelle MacLaren
Cinematography by: Chris Seager
Edited by: Frances Parker
Visual Effects: Gradient Effects
'Game of Thrones' Kissed by Fire (2013)
Directed by: Alex Graves
Cinematography by: Anette Haellmigk
Edited by: Katie Weiland
Visual Effects: Gradient FX
'Game of Thrones' Walk of Punishment (2013)
Cinematography by: Matthew Jensen
Edited by: Katie Weiland
Visual Effects: Gradient FX
'Game of Thrones' And Now His Watch Is Ended (2013)
Directed by: Alex Graves
Cinematography by: Anette Haellmigk
Edited by: Katie Weiland
Visual Effects: Gradient FX
'Game of Thrones' Dark Wings, Dark Words (2013)
Directed by: Daniel Minahan
Cinematography by: Jonathan Freeman
Edited by: Frances Parker
Visual Effects: Gradient FX
'Game of Thrones' Valar Dohaeris (2013)
Directed by: Daniel Minahan
Cinematography by: Jonathan Freeman
Edited by: Frances Parker
Compositing Supervisor: Gradient Effects
'The Blacklist' Anslo Garrick (No. 16): Conclusion (2013)
Directed by: Michael W. Watkins
Cinematography by: Michael Caracciolo
Edited by: Nathan Gunn
Compositing Supervisor: Gradient Effects
'The Blacklist' General Ludd (No. 109) (2013)
Directed by: Stephen Surjik
Edited by: David Post
Compositing Supervisor: Gradient Effects
'The Blacklist' Frederick Barnes (No. 47) (2013)
Directed by: Michael W. Watkins
Cinematography by: Frank Prinzi
Edited by: Nathan Gunn
Compositing Supervisor: Gradient Effects
'The Blacklist' Gina Zanetakos (No. 152) (2013)
Directed by: Adam Arkin
Cinematography by: Frank Prinzi
Edited by: Chris Brookshire
Compositing Supervisor: Gradient Effects
'The Blacklist' The Courier (No. 85) (2013)
Directed by: Nick Gomez
Cinematography by: Arthur Albert
Edited by: Harvey Rosenstock
Compositing Supervisor: Gradient Effects
'The Blacklist' The Stewmaker (No. 161) (2013)
Directed by: Vincent Misiano
Cinematography by: Frank Prinzi
Edited by: Nathan Gunn
Visual Effects Artist
The Apparition (2012)
Directed by: Todd Lincoln
Cinematography by: Daniel Pearl
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Digital Compositor: Gradient FX
American Reunion (2012)
Cinematography by: Daryn Okada
Edited by: Jeff Betancourt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Visual Effects Artist
Looper (2012)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Compositing Supervisor: Gradient Effects
Cloud Atlas (2012)
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
Editing System: Avid Editing System
Compositing Supervisor: Gradient Effects
Big Miracle (2012)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Cara Silverman
Digital Compositor: Gradient FX
The Man with the Iron Fists (2012)
Directed by: RZA
Cinematography by: Chi-Ying Chan
Edited by: Joe D'Augustine
Graphics Designer / Visual Effects Artist
Bullet to the Head (2012)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Timothy Alverson
Visual Effects Artist
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Visual Effects Artist
Unknown (2011)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Timothy Alverson
Compositing Supervisor: Gradient Effects
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Digital Supervisor: Gradient Effects
Dream House (2011)
Directed by: Jim Sheridan
Cinematography by: Caleb Deschanel
Digital Compositor: Gradient Effects
God Bless America (2011)
Directed by: Bobcat Goldthwait
Cinematography by: Bradley Stonesifer
Cameras: ARRI ALEXA Camera
Lead Compositor: Gradient Effects
Friends with Benefits (2011)
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony CineAlta F35 Camera, Sony Other Camera
Digital Compositor
The Change-Up (2011)
Directed by: David Dobkin
Cinematography by: Eric Alan Edwards
Lenses: Cooke S4 Lenses
Visual Effects: Gradient FX / Visual Effects: Gradient Effects - 7 Episodes, 2013
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Digital Compositor: Gradient Effects
Piranha 3D (2010)
Directed by: Alexandre Aja
Cinematography by: John R. Leonetti
Edited by: Baxter
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects Artist
The Book of Eli (2010)
Cinematography by: Don Burgess
Edited by: Cindy Mollo
Cameras: Red One Camera
Visual Effects Artist
Whiteout (2009)
Directed by: Dominic Sena
Cinematography by: Christopher Soos
Edited by: Martin Hunter
Digital Artist
Orphan (2009)
Directed by: Jaume Collet-Serra
Cinematography by: Jeff Cutter
Edited by: Timothy Alverson
Digital Compositor: Gradient Effects
2012 (2009)
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Digital Designer: Learning Graphics Sequence
Outlander (2008)
Directed by: Howard McCain
Cinematography by: Pierre Gill
Edited by: David Dodson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Digital Compositor: Digiscope
Jumper (2008)
Directed by: Doug Liman
Cinematography by: Barry Peterson
Cameras: Panavision Cameras, Red One Camera
Digital Effects Artist: Digiscope
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Flame Artist: Digiscope
The Reaping (2007)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Colby Parker Jr.
Visual Effects Artist
The Road to Empire (2007)
Directed by: Michael Sibay
Cinematography by: Tobias Datum
Edited by: Glenn Richard Côté
Visual Effects Artist
The Wizard of Gore (2007)
Directed by: Jeremy Kasten
Cinematography by: Christopher Duddy
Edited by: Jeremy Kasten
Flame Artist
In the Name of the King: A Dungeon Siege Tale (2007)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: David M. Richardson
Digital Artist
The Bucket List (2007)
Directed by: Rob Reiner
Cinematography by: John Schwartzman
Edited by: Robert Leighton
Cameras: Panavision Cameras
Compositing Artist: Digiscope
An American Crime (2007)
Directed by: Tommy O'Haver
Cinematography by: Byron Shah
Edited by: Melissa Kent
Cameras: Moviecam Compact Camera
Lenses: Hawk C-Series Lenses
Artist: Digiscope
Next (2007)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Digital Artist: Digiscope
In the Valley of Elah (2007)
Directed by: Paul Haggis
Cinematography by: Roger Deakins
Edited by: Jo Francis
Lenses: Zeiss Master Prime Lenses
Digital Compositor: Digiscope / Digital Supervisor: Digiscope
The Hunting Party (2007)
Directed by: Richard Shepard
Cinematography by: David Tattersall
Edited by: Carole Kravetz Aykanian
Compositing Supervisor: Gradient Effects / Visual Effects Compositor: DigitalFilm Tree / Visual Effects Designer: DigitalFilm Tree / Visual Effects Supervisor: DigitalFilm Tree
Southland Tales (2006)
Directed by: Richard Kelly
Cinematography by: Steven Poster
Edited by: Sam Bauer
Digital Compositor: Digital Film Tree / Visual Effects Designer: Digital Film Tree / Visual Effects Supervisor
Crank (2006)
Cinematography by: Adam Biddle
Edited by: Brian Berdan
Inferno Artist
Material Girls (2006)
Directed by: Martha Coolidge
Cinematography by: Johnny E. Jensen
Edited by: Steven Cohen
Inferno Artist: Digiscope
Rx (2005)
Directed by: Ariel Vromen
Cinematography by: Scott Kevan
Edited by: Danny Rafic
Inferno Artist: Digiscope
Van Helsing (2004)
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Inferno Artist: Digiscope
Something the Lord Made (2004)
Directed by: Joseph Sargent
Cinematography by: Donald M. Morgan
Edited by: Michael Brown
Inferno Artist: CIS Hollywood
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Inferno Artist: CIS Hollywood
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Compositor: CIS Hollywood
Paycheck (2003)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Inferno Artist: Cinesite
Looney Tunes: Back in Action (2003)
Directed by: Joe Dante
Cinematography by: Dean Cundey
Inferno Artist: CIS Hollywood
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Inferno Artist
The Order (2003)
Directed by: Brian Helgeland
Cinematography by: Nicola Pecorini
Edited by: Kevin Stitt
Inferno Artist: Cinesite
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Inferno Operator: Asylum
Phone Booth (2002)
Directed by: Joel Schumacher
Cinematography by: Matthew Libatique
Edited by: Mark Stevens
Inferno Artist: Asylum
Catch Me If You Can (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Inferno Artist: Asylum
The Tuxedo (2002)
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring
Inferno Artist: Asylum
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Inferno Artist
Queen of the Damned (2002)
Directed by: Michael Rymer
Cinematography by: Ian Baker
Edited by: Dany Cooper
Inferno Artist: Title Sequence
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Inferno Artist: Asylum
Bad Company (2002)
Directed by: Joel Schumacher
Cinematography by: Dariusz Wolski
Inferno Artist: Asylum Visual Effects
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Inferno Artist
Behind Enemy Lines (2001)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Paul Martin Smith
Inferno Artist
Spy Game (2001)
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Compositor: MVFX
The Man Who Wasn't There (2001)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Inferno Artist
Black Hawk Down (2001)
Directed by: Ridley Scott
Cinematography by: Slawomir Idziak
Edited by: Pietro Scalia
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Digital Effects Supervisor
The Animal (2001)
Directed by: Luke Greenfield
Cinematography by: Peter Lyons Collister
Inferno Artist
Ali (2001)
Directed by: Michael Mann
Cinematography by: Emmanuel Lubezki
Digital Supervisor: Manex LA
Crouching Tiger, Hidden Dragon (2000)
Directed by: Ang Lee
Cinematography by: Peter Pau
Edited by: Tim Squyres
Cameras: ARRIFLEX 435 ES Camera
Lenses: Zeiss Lenses
Compositor: MVFX
Almost Famous (2000)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Compositor
Romeo Must Die (2000)
Directed by: Andrzej Bartkowiak
Cinematography by: Glen MacPherson
Edited by: Derek Brechin
Digital Compositor
Bless the Child (2000)
Directed by: Chuck Russell
Cinematography by: Peter Menzies Jr.
Edited by: Alan Heim
Digital Compositor: Manex VFX
The Patriot (2000)
Directed by: Roland Emmerich
Cinematography by: Caleb Deschanel
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Compositing Artist
American Beauty (1999)
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Cameras: Panavision Panaflex Platinum Camera
Digital Compositor
The Learning Curve (1999)
Directed by: Eric Schwab
Cinematography by: Michael Hofstein
Edited by: Adam C. Frank
Compositing Artist
Limbo (1999)
Directed by: John Sayles
Cinematography by: Haskell Wexler
Edited by: John Sayles
Compositing Artist
Deep Blue Sea (1999)
Directed by: Renny Harlin
Cinematography by: Stephen F. Windon
Digital Compositor: CFC
The Truman Show (1998)
Directed by: Peter Weir
Cinematography by: Peter Biziou
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Compositing Artist
Doctor Dolittle (1998)
Directed by: Betty Thomas
Cinematography by: Russell Boyd
Edited by: Peter Teschner
Digital Artist: CFC
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Compositing Artist
Six Days Seven Nights (1998)
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Compositing Artist
The Big Lebowski (1998)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera
Digital Effects Artist: CFC
Pleasantville (1998)
Directed by: Gary Ross
Cinematography by: John Lindley
Edited by: William Goldenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Compositing Artist
The X Files (1998)
Directed by: Rob Bowman
Cinematography by: Ward Russell
Edited by: Stephen Mark
Compositing Artist
The Naked Man (1998)
Directed by: J. Todd Anderson
Cinematography by: Jeff Barklage
Compositing Artist
L.A. Confidential (1997)
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Peter Honess
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Digital Compositor
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Cameras: ARRIFLEX Camera, Moviecam Compact Camera
Lenses: Zeiss Lenses
Digital Compositor
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Digital Compositor
Gattaca (1997)
Directed by: Andrew Niccol
Cinematography by: Slawomir Idziak
Edited by: Lisa Zeno Churgin
Cameras: ARRIFLEX Camera, Moviecam Cameras
Digital Compositor
Snow White: A Tale of Terror (1997)
Directed by: Michael Cohn
Cinematography by: Mike Southon
Edited by: Ian Crafford
Digital Artist: The Computer Film Company
Liar Liar (1997)
Directed by: Tom Shadyac
Cinematography by: Russell Boyd
Edited by: Don Zimmerman
Digital Artist: CFC
Anaconda (1997)
Directed by: Luis Llosa
Cinematography by: Bill Butler
Edited by: Michael R. Miller
Digital Artist
Trojan War (1997)
Directed by: George Huang
Cinematography by: Dean Semler
Edited by: Ed Marx
Computer Graphics Effects: CFC
Con Air (1997)
Directed by: Simon West
Cinematography by: David Tattersall
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Lightworks Editing System
Digital Artist
Flubber (1997)
Directed by: Les Mayfield
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Digital Artist
Independence Day (1996)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Digital Artist
Jingle All the Way (1996)
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Digital Artist
Mars Attacks! (1996)
Directed by: Tim Burton
Cinematography by: Peter Suschitzky
Edited by: Chris Lebenzon
Paint Artist - Roto Artist
Matilda (1996)
Directed by: Danny DeVito
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Platinum Camera
Digital/conceptual Artist: CFC
White Squall (1996)
Directed by: Ridley Scott
Cinematography by: Hugh Johnson
Edited by: Gerry Hambling
Digital Artist
My Fellow Americans (1996)
Directed by: Peter Segal
Cinematography by: Julio Macat
Edited by: William Kerr
Digital Artist: CFC / Matte Painter: CFC
Alaska (1996)
Directed by: Fraser C. Heston
Cinematography by: Tony Westman
Edited by: Rob Kobrin
Digital Artist
Eraser (1996)
Directed by: Chuck Russell
Cinematography by: Adam Greenberg
Edited by: Michael Tronick
Digital Artist
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle