Adr Mixer: Goldcrest Post Production
Indiana Jones and the Dial of Destiny (2023)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Adr Mixer
No Time to Die (2021)
Directed by: Cary Joji Fukunaga
Cinematography by: Linus Sandgren
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Adr Mixer - 7 Episodes, 2020
The Queen's Gambit (2020)
Directed by: Scott Frank
Cinematography by: Steven Meizler
Edited by: Michelle Tesoro
Cameras: Red Monstro 8K Camera
Adr Mixer
'Vikings' Episode #6.18 (2019)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Edited by: Dan Briceno
Adr Mixer
'Vikings' Episode #6.19 (2019)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Adr Mixer
'Vikings' Episode #6.20 (2019)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Edited by: Aaron Marshall
Adr Mixer
'Vikings' Episode #6.17 (2019)
Cinematography by: Peter Robertson
Edited by: Aaron Marshall
Adr Mixer
'Vikings' Episode #6.11 (2019)
Directed by: Daniel Grou
Cinematography by: Peter Robertson
Edited by: Dan Briceno
Adr Mixer
'Vikings' Episode #6.12 (2019)
Cinematography by: Peter Robertson
Edited by: Aaron Marshall
Adr Mixer
'Vikings' Episode #6.10 (2019)
Directed by: Daniel Grou
Cinematography by: Peter Robertson
Edited by: Aaron Marshall
Adr Mixer
'Vikings' Episode #6.8 (2019)
Directed by: Katheryn Winnick
Cinematography by: Peter Robertson
Edited by: Aaron Marshall
Adr Mixer
'Vikings' Episode #6.7 (2019)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Adr Mixer
'Vikings' Episode #6.6 (2019)
Directed by: David Frazee
Cinematography by: Owen McPolin
Edited by: Dan Briceno
Adr Mixer
'Vikings' Episode #6.3 (2019)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Edited by: Dan Briceno
Adr Mixer
'Vikings' Episode #6.2 (2019)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Adr Mixer
'Vikings' Episode #6.1 (2019)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Edited by: Aaron Marshall
Adr Mixer
'Vikings' What Happens in the Cave (2019)
Directed by: David Wellington
Cinematography by: Owen McPolin
Adr Mixer
'Vikings' Ragnarok (2019)
Directed by: David Wellington
Cinematography by: Owen McPolin
Edited by: Aaron Marshall
Adr Mixer
'Vikings' Baldur (2019)
Directed by: Helen Shaver
Cinematography by: Suzie Lavelle
Edited by: Don Cassidy
Adr Mixer
'Vikings' The Buddha (2019)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Edited by: Tad Seaborn
Adr Mixer
'Vikings' The Most Terrible Thing (2019)
Directed by: Helen Shaver
Cinematography by: Suzie Lavelle
Edited by: Aaron Marshall
Adr Mixer , Adr Mixer: Goldcrest
Pokémon: Detective Pikachu (2019)
Directed by: Rob Letterman
Cinematography by: John Mathieson
Adr Mixer
1917 (2019)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Lee Smith
Cameras: ARRI ALEXA Mini LF Camera
Lenses: ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens
Editing System: Avid Editing System
Adr Mixer
The Lighthouse (2019)
Directed by: Robert Eggers
Cinematography by: Jarin Blaschke
Edited by: Louise Ford
Lenses: Bausch & Lomb Lenses, Pathé Lenses
Adr Mixer
The Irishman (2019)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras
Editing System: Lightworks Editing System
Adr Mixer
Bohemian Rhapsody (2018)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Editing System: Avid Editing System
Adr Mixer
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Adr Mixer
'Vikings' Hell (2018)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Edited by: Don Cassidy
Adr Mixer
'Vikings' The Lost Moment (2018)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Edited by: Aaron Marshall
Adr Mixer
'Vikings' A New God (2018)
Directed by: Ciaran Donnelly
Cinematography by: Peter Robertson
Edited by: Tad Seaborn
Adr Mixer
'Vikings' Murder Most Foul (2018)
Directed by: Ciaran Donnelly
Cinematography by: Peter Robertson
Edited by: Dan Briceno
Adr Mixer
'Vikings' The Revelation (2018)
Directed by: Ciaran Donnelly
Cinematography by: Peter Robertson
Edited by: Michele Conroy
Adr Mixer
'Vikings' A Simple Story (2018)
Directed by: Daniel Grou
Cinematography by: Peter Robertson
Adr Mixer
'Vikings' Moments of Vision (2018)
Directed by: Daniel Grou
Cinematography by: Peter Robertson
Edited by: Aaron Marshall
Adr Mixer: Goldcrest
Ready Player One (2018)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Adr Mixer
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Adr Mixer
King Arthur: Legend of the Sword (2017)
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Cameras: ARRI ALEXA XT Camera
Adr Mixer
'Vikings' The Plan (2017)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Adr Mixer
'Vikings' On the Eve (2017)
Directed by: Ben Bolt
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Adr Mixer
'Vikings' The Reckoning (2017)
Directed by: Ben Bolt
Cinematography by: P.J. Dillon
Edited by: Don Cassidy
Adr Mixer
'Vikings' Revenge (2017)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Adr Mixer
'Vikings' Crossings (2017)
Directed by: Ciaran Donnelly
Cinematography by: Owen McPolin
Edited by: Tad Seaborn
Adr Mixer
'Vikings' The Great Army (2017)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Don Cassidy
Adr Mixer
Darkest Hour (2017)
Directed by: Joe Wright
Cinematography by: Bruno Delbonnel
Edited by: Valerio Bonelli
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Adr Mixer
Paddington 2 (2017)
Directed by: Paul King
Cinematography by: Erik Wilson
Cameras: ARRI ALEXA Series Cameras
Adr Mixer
The Nice Guys (2016)
Directed by: Shane Black
Cinematography by: Philippe Rousselot
Edited by: Joel Negron
Cameras: ARRI ALEXA XT Camera
Adr Mixer
Assassin's Creed (2016)
Directed by: Justin Kurzel
Cinematography by: Adam Arkapaw
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA 65 Camera
Adr Mixer
Jason Bourne (2016)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Adr Mixer
Florence Foster Jenkins (2016)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Valerio Bonelli
Cameras: ARRI ALEXA XT Camera
Adr Mixer
'Vikings' All His Angels (2016)
Directed by: Ciaran Donnelly
Cinematography by: Owen McPolin
Edited by: Aaron Marshall
Adr Mixer
'Vikings' Two Journeys (2016)
Directed by: Sarah Harding
Cinematography by: Owen McPolin
Edited by: Tad Seaborn
Adr Mixer
'Vikings' In the Uncertain Hour Before the Morning (2016)
Directed by: Sarah Harding
Cinematography by: Owen McPolin
Edited by: Don Cassidy
Adr Mixer
'Vikings' The Outsider (2016)
Directed by: Daniel Grou
Cinematography by: Owen McPolin
Edited by: Tad Seaborn
Adr Mixer
'Vikings' Death All 'Round (2016)
Directed by: Jeff Woolnough
Cinematography by: Owen McPolin
Edited by: Aaron Marshall
Adr Mixer
'Vikings' The Last Ship (2016)
Directed by: Jeff Woolnough
Cinematography by: Owen McPolin
Edited by: Don Cassidy
Adr Mixer
'Vikings' The Profit and the Loss (2016)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Adr Mixer
'Vikings' Kill the Queen (2016)
Directed by: Ciaran Donnelly
Cinematography by: P.J. Dillon
Adr Mixer
'Vikings' A Good Treason (2016)
Directed by: Ciaran Donnelly
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Adr Mixer
Steve Jobs (2015)
Directed by: Danny Boyle
Cinematography by: Alwin H. Küchler
Edited by: Elliot Graham
Cameras: ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera
Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Adr Mixer
Brooklyn (2015)
Directed by: John Crowley
Cinematography by: Yves Bélanger
Edited by: Jake Roberts
Cameras: ARRI ALEXA XT Camera
Editing System: Avid Editing System
Adr Mixer
The Program (2015)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Valerio Bonelli
Cameras: Red Epic Camera
Adr Mixer
'Vikings' The Dead (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Adr Mixer
'Vikings' Breaking Point (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Adr Mixer
'Vikings' To the Gates! (2015)
Directed by: Kelly Makin
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Adr Mixer
'Vikings' Paris (2015)
Directed by: Kelly Makin
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Adr Mixer
'Vikings' Warrior's Fate (2015)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Adr Mixer
'Vikings' Scarred (2015)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Adr Mixer
'Vikings' The Usurper (2015)
Directed by: Helen Shaver
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Adr Mixer
'Vikings' Born Again (2015)
Directed by: Helen Shaver
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Adr Mixer
'Vikings' The Wanderer (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Adr Mixer
'Vikings' Mercenary (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Adr Mixer
Into the Woods (2014)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Cameras: ARRI ALEXA XT Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Adr Mixer
The Theory of Everything (2014)
Directed by: James Marsh
Cinematography by: Benoît Delhomme
Edited by: Jinx Godfrey
Adr Mixer
Paddington (2014)
Directed by: Paul King
Cinematography by: Erik Wilson
Edited by: Mark Everson
Cameras: ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera
Lenses: Cooke S4 Lenses
Adr Mixer
Kingsman: The Secret Service (2014)
Directed by: Matthew Vaughn
Cinematography by: George Richmond
Editing System: Avid Editing System
Adr Mixer
Ex Machina (2014)
Directed by: Alex Garland
Cinematography by: Rob Hardy
Edited by: Mark Day
Lenses: Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
Editing System: Avid Editing System
Adr Mixer
'Vikings' The Choice (2014)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Adr Mixer
'Vikings' Blood Eagle (2014)
Directed by: Kari Skogland
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Adr Mixer
'Vikings' Answers in Blood (2014)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Adr Mixer
'Vikings' Treachery (2014)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Adr Mixer
'Vikings' Brother's War (2014)
Directed by: Ciaran Donnelly
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Adr Recordist
Trance (2013)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Jon Harris
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera
Editing System: Avid Editing System
Adr Mixer
The World's End (2013)
Directed by: Edgar Wright
Cinematography by: Bill Pope
Edited by: Paul Machliss
Adr Mixer: Goldcrest
Rush (2013)
Directed by: Ron Howard
Cinematography by: Anthony Dod Mantle
Adr Mixer
Philomena (2013)
Directed by: Stephen Frears
Cinematography by: Robbie Ryan
Edited by: Valerio Bonelli
Cameras: ARRI ALEXA Camera
Adr Mixer
Mandela: Long Walk to Freedom (2013)
Directed by: Justin Chadwick
Cinematography by: Lol Crawley
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Adr Mixer - 89 Episodes, 2013-2019, Adr Mixer - 89 Episodes, 2013-2020
Vikings (2013)
Directed by: Ciaran Donnelly, Ken Girotti, Steve Saint Leger, Jeff Woolnough, Daniel Grou, Helen Shaver, David Wellington, Johan Renck, David Frazee, Kari Skogland, Kelly Makin, Sarah Harding, Ben Bolt, Anthony Karkosza, Joshua Zimmerman, Karla Braun, Katheryn Winnick
Edited by: Aaron Marshall, Tad Seaborn, Don Cassidy, Dan Briceno, Michele Conroy, Christopher Donaldson
Lenses: Panavision Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Adr Mixer
'Vikings' A King's Ransom (2013)
Directed by: Ken Girotti
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Adr Mixer
'Vikings' Sacrifice (2013)
Directed by: Ken Girotti
Cinematography by: John S. Bartley
Edited by: Michele Conroy
Adr Mixer
'Vikings' All Change (2013)
Directed by: Ken Girotti
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Adr Mixer
'Vikings' Burial of the Dead (2013)
Directed by: Ciaran Donnelly
Cinematography by: John S. Bartley
Adr Mixer
'Vikings' Raid (2013)
Directed by: Ciaran Donnelly
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Adr Mixer
'Vikings' Trial (2013)
Directed by: Ciaran Donnelly
Cinematography by: John S. Bartley
Edited by: Michele Conroy
Adr Mixer
'Vikings' Dispossessed (2013)
Directed by: Johan Renck
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Adr Mixer
'Vikings' Wrath of the Northmen (2013)
Directed by: Johan Renck
Cinematography by: John S. Bartley
Edited by: Michele Conroy
Adr Mixer
'Vikings' Rites of Passage (2013)
Directed by: Johan Renck
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Adr Mixer
The Woman in Black (2012)
Directed by: James Watkins
Cinematography by: Tim Maurice-Jones
Edited by: Jon Harris
Adr Mixer
Anna Karenina (2012)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Melanie Oliver
Adr Mixer
Quartet (2012)
Directed by: Dustin Hoffman
Cinematography by: John de Borman
Edited by: Barney Pilling
Adr Mixer
Unknown (2011)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Timothy Alverson
Adr Mixer
Tinker Tailor Soldier Spy (2011)
Directed by: Tomas Alfredson
Cinematography by: Hoyte Van Hoytema
Edited by: Dino Jonsäter
Editing System: Avid Editing System
Adr Mixer
Hanna (2011)
Directed by: Joe Wright
Cinematography by: Alwin H. Küchler
Edited by: Paul Tothill
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony Other Camera
Editing System: Lightworks Editing System
Adr Mixer
The Iron Lady (2011)
Directed by: Phyllida Lloyd
Cinematography by: Elliot Davis
Edited by: Justine Wright
Adr Mixer: Goldcrest
TT3D: Closer to the Edge (2011)
Directed by: Richard De Aragues
Cinematography by: Thomas Kürzl
Edited by: Beverley Mills
Adr Mixer
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Adr Mixer
Sherlock Holmes: A Game of Shadows (2011)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Adr Mixer: LipSync Post
The Awakening (2011)
Directed by: Nick Murphy
Cinematography by: Eduard Grau
Edited by: Victoria Boydell
Editing System: Avid Editing System
Adr Mixer
Kick-Ass (2010)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Editing System: Avid Editing System
Adr Mixer
Leap Year (2010)
Directed by: Anand Tucker
Cinematography by: Newton Thomas Sigel
Edited by: Nick Moore
Adr Mixer: Goldcrest Studios
The Special Relationship (2010)
Directed by: Richard Loncraine
Cinematography by: Barry Ackroyd
Edited by: Melanie Oliver
Cameras: ARRICAM Lite (LT) Camera
Adr Mixer
Clash of the Titans (2010)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Adr Mixer
Never Let Me Go (2010)
Directed by: Mark Romanek
Cinematography by: Adam Kimmel
Edited by: Barney Pilling
Adr Recordist
The Killer Inside Me (2010)
Directed by: Michael Winterbottom
Cinematography by: Marcel Zyskind
Edited by: Mags Arnold
Adr Mixer
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Adr Recordist
Tamara Drewe (2010)
Directed by: Stephen Frears
Cinematography by: Ben Davis
Edited by: Mick Audsley
Adr Mixer
Wild Target (2010)
Directed by: Jonathan Lynn
Cinematography by: David Johnson
Edited by: Michael Parker
Cameras: ARRICAM Studio (ST) Camera
Adr Mixer
Harry Potter and the Half-Blood Prince (2009)
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
Adr Mixer
Five Minutes of Heaven (2009)
Directed by: Oliver Hirschbiegel
Cinematography by: Ruairí O'Brien
Edited by: Hans Funck
Adr Mixer
Harry Brown (2009)
Directed by: Daniel Barber
Cinematography by: Martin Ruhe
Edited by: Joe Walker
Cameras: Sony CineAlta F35 Camera
Adr Mixer
Sherlock Holmes (2009)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Adr Mixer
Perrier's Bounty (2009)
Directed by: Ian Fitzgibbon
Cinematography by: Seamus Deasy
Edited by: Tony Cranstoun
Adr Mixer
Mamma Mia! (2008)
Directed by: Phyllida Lloyd
Cinematography by: Haris Zambarloukos
Edited by: Lesley Walker
Editing System: Lightworks Editing System
Adr Recordist
Inkheart (2008)
Directed by: Iain Softley
Cinematography by: Roger Pratt
Edited by: Martin Walsh
Cameras: Panavision Panaflex Platinum Camera
Adr Recordist
Last Chance Harvey (2008)
Directed by: Joel Hopkins
Cinematography by: John de Borman
Edited by: Robin Sales
Adr Mixer
Vantage Point (2008)
Directed by: Pete Travis
Cinematography by: Amir Mokri
Edited by: Stuart Baird
Adr Mixer
Che: Part Two (2008)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Pablo Zumárraga
Cameras: Red One Camera
Adr Recordist
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Adr Mixer
Che: Part One (2008)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Pablo Zumárraga
Additional Adr Recordist
Love in the Time of Cholera (2007)
Directed by: Mike Newell
Cinematography by: Affonso Beato
Edited by: Mick Audsley
Adr Recordist
28 Weeks Later (2007)
Directed by: Juan Carlos Fresnadillo
Cinematography by: Enrique Chediak
Edited by: Chris Gill
Adr Mixer
Elizabeth: The Golden Age (2007)
Directed by: Shekhar Kapur
Cinematography by: Remi Adefarasin
Edited by: Jill Bilcock
Adr Recordist: UK
Eastern Promises (2007)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Zeiss Master Prime Lenses
Adr Mixer
Death Defying Acts (2007)
Directed by: Gillian Armstrong
Cinematography by: Haris Zambarloukos
Edited by: Nicholas Beauman
Adr Recordist
Children of Men (2006)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Re-recording Mixer
The History Boys (2006)
Directed by: Nicholas Hytner
Cinematography by: Andrew Dunn
Edited by: John Wilson
Foley Sound Mix Technician
Mrs Henderson Presents (2005)
Directed by: Stephen Frears
Cinematography by: Andrew Dunn
Edited by: Lucia Zucchetti
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Assistant Dubbing Mixer
Tristram Shandy: A Cock and Bull Story (2005)
Directed by: Michael Winterbottom
Cinematography by: Marcel Zyskind
Edited by: Peter Christelis
Cameras: Sony HDC-750 Camera
Assistant Adr Mixer: London
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Assistant Adr Recordist
Sahara (2005)
Directed by: Breck Eisner
Cinematography by: Seamus McGarvey
Edited by: Andrew MacRitchie
Adr Recordist
V for Vendetta (2005)
Directed by: James McTeigue
Cinematography by: Adrian Biddle
Edited by: Martin Walsh
Adr Recordist
The Hitchhiker's Guide to the Galaxy (2005)
Directed by: Garth Jennings
Cinematography by: Igor Jadue-Lillo
Edited by: Niven Howie
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Adr Recordist
Star Wars: Episode III - Revenge of the Sith (2005)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDC-F950 Camera
Assistant Re-recording Mixer
The Proposition (2005)
Directed by: John Hillcoat
Cinematography by: Benoît Delhomme
Edited by: Jon Gregory
Adr Recordist
Seed of Chucky (2004)
Directed by: Don Mancini
Cinematography by: Vernon Layton
Edited by: Chris Dickens
Assistant Adr Mixer
Alfie (2004)
Directed by: Charles Shyer
Cinematography by: Ashley Rowe
Edited by: Padraic McKinley
Cameras: ARRIFLEX 535 B Camera, Moviecam Compact Camera
