Kristen Branan

| USA

Directed by: Peter Atencio

Cinematography by: Jas Shelton

Edited by: Nicholas Monsour

Cameras: ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses: Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Head Of Production: Zoic Studios

Crouching Tiger, Hidden Dragon: Sword of Destiny (2016)

| China, USA

Directed by: Woo-Ping Yuen

Cinematography by: Newton Thomas Sigel

Edited by: Jeff Betancourt

Cameras: Red Epic Dragon Camera

Lenses: Leica Summicron-C Series Lenses, Leica Summilux-C Series Lenses

Editing System: Avid Editing System

Head Of Production: Zoic Studios

Avengers: Age of Ultron (2015)

| USA

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Head Of Production: Zoic Studios (3 Episodes, 2007)

Mad Men (2015)

| USA

Cameras: ARRI ALEXA Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Head Of Production (unknown Episodes)

CSI: Crime Scene Investigation (2015)

| USA, Canada

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Head Of Production: Zoic Studios (uncredited) (1 Episode, 2008)

Two and a Half Men (2015)

| USA

Edited by: Joe Bella, Peter Chakos

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Lenses

Head Of Production: Zoic Studios (unknown Episodes)

Drop Dead Diva (2014)

| USA

Executive Producer: Zoic Studios (as Kristen Leigh Branan)

Big Eyes (2014)

| USA, Canada

Directed by: Tim Burton

Cinematography by: Bruno Delbonnel

Edited by: JC Bond

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Editing System: Avid Editing System

Head Of Production: Zoic Studios (9 Episodes, 2008-2009)

True Blood (2014)

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

| USA

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact Camera

Editing System: Avid Editing System

Head Of Production: Zoic Studios

Night at the Museum: Secret of the Tomb (2014)

| USA, UK

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Dean Zimmerman

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo Zoom Lenses

Editing System: Avid Editing System

Head Of Production: Zoic Studios (unknown Episodes)

Sons of Anarchy (2014)

| USA

Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Sony PMW-F3 Camera

Lenses: Angenieux Optimo 45-120mm T2.8 Lens, Panavision Lightweight Zoom Lenses, Panavision Primo Anamorphic Lenses

Head Of Production: Zoic Studios (23 Episodes, 2014-2015)

The Flash (2014)

Cameras: ARRI ALEXA Camera, ARRI ALEXA Series Cameras, ARRI Cameras, Sony Cameras, Sony α7 Series Cameras, Sony α7S II Camera

Lenses: Angenieux Lenses, Angenieux Optimo 24-290mm T2.8 Lens, Cooke 5/i Lenses, Cooke Lenses, Cooke S4/i Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

Head Of Production: Zoic Studios (unknown Episodes)

Californication (2014)

| USA

Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Sony CineAlta F23 Camera, Sony CineAlta F35 Camera, Sony HDW-F900 Camera

Lenses: Angenieux Optimo 45-120mm T2.8 Lens

Visual Effects

The Bling Ring (2013)

| USA, UK, France, Germany, Japan

Directed by: Sofia Coppola

Cinematography by: Christopher Blauvelt, Harris Savides

Edited by: Sarah Flack

Cameras: Red Epic Camera

Head Of Production: Zoic Studios

Grown Ups 2 (2013)

| USA

Directed by: Dennis Dugan

Cinematography by: Theo van de Sande

Edited by: Tom Costain

Cameras: Red Epic Camera

Head Of Production: Zoic Studios

Scary Movie 5 (2013)

| USA

Directed by: Malcolm D. Lee, David Zucker

Cinematography by: Steven Douglas Smith

Edited by: Sam Seig

Cameras: ARRI ALEXA Camera

Head Of Production: Zoic Studios (uncredited)

Gangster Squad (2013)

| USA

Directed by: Ruben Fleischer

Cinematography by: Dion Beebe

Edited by: Alan Baumgarten, James Herbert

Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Head Of Production: Zoic Studios (uncredited)

Premium Rush (2012)

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

| USA

Directed by: David Koepp

Cinematography by: Mitchell Amundsen

Edited by: Derek Ambrosi, Jill Savitt

Visual Effects Producer: Zoic Studios (as Kristen Leigh Branan)

Lawless (2012)

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Zeiss Master Prime Lenses

| USA

Directed by: John Hillcoat

Cinematography by: Benoît Delhomme

Edited by: Dylan Tichenor

Cameras: ARRI ALEXA Camera

Head Of Production: Zoic Studios (uncredited)

Midnight's Children (2012)

| Canada, UK

Directed by: Deepa Mehta

Cinematography by: Giles Nuttgens

Edited by: Colin Monie

Head Of Production: Zoic Studios

Here Comes the Boom (2012)

| USA

Directed by: Frank Coraci

Cinematography by: Phil Meheux

Edited by: Scott Hill

Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera

Head Of Production: Zoic Studios

The Twilight Saga: Breaking Dawn - Part 2 (2012)

| USA

Directed by: Bill Condon

Cinematography by: Guillermo Navarro

Edited by: Virginia Katz, Ian Slater

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Head Of Production: Zoic Studios

Think Like a Man (2012)

| USA

Directed by: Tim Story

Cinematography by: Larry Blanford

Edited by: Peter S. Elliot

Cameras: Red Epic Camera

Head Of Production: Zoic Studios

That's My Boy (2012)

| USA

Directed by: Sean Anders

Cinematography by: Brandon Trost

Edited by: Tom Costain

Head Of Production: Zoic Studios

Piranha 3DD (2012)

| USA

Directed by: John Gulager

Cinematography by: Alexandre Lehmann

Edited by: Martin Bernfeld, Devin C. Lussier, Kirk M. Morri

Head Of Production (unknown Episodes)

CSI: Miami (2012)

| USA

Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Sony CineAlta F35 Camera

Lenses: Panavision Lenses

Head Of Production: Zoic Studios

Priest (2011)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

| USA

Directed by: Scott Stewart

Cinematography by: Don Burgess

Edited by: Lisa Zeno Churgin, Rebecca Weigold

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Head Of Production: Zoic Studios (uncredited)

Limitless (2011)

| USA

Directed by: Neil Burger

Cinematography by: Jo Willems

Edited by: Tracy Adams, Naomi Geraghty

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

Visual Effects: Zoic Studios (as Kristen Leight Branan)

Red Riding Hood (2011)

| USA, Canada

Directed by: Catherine Hardwicke

Cinematography by: Mandy Walker

Edited by: Nancy Richardson, Julia Wong

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Head Of Production: Zoic Studios (unknown Episodes)

Greek (2011)

| USA

Head Of Production: Zoic Studios

Friends with Benefits (2011)

| USA

Directed by: Will Gluck

Cinematography by: Michael Grady

Edited by: Tia Nolan

Cameras: Sony CineAlta F35 Camera, Sony Other Camera

Head Of Production: Zoic Studios

Straw Dogs (2011)

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

| USA

Directed by: Rod Lurie

Cinematography by: Alik Sakharov

Edited by: Sarah Boyd

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Head Of Production: Zoic Studios

The Roommate (2011)

| USA

Directed by: Christian E. Christiansen

Cinematography by: Phil Parmet

Edited by: Randy Bricker

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Head Of Production: Zoic Studios (uncredited)

Jumping the Broom (2011)

| USA

Directed by: Salim Akil

Cinematography by: Anastas N. Michos

Edited by: Terilyn A. Shropshire

Cameras: Sony CineAlta F35 Camera

Visual Effects Producer: Zoic Studios

The Grey (2011)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

| USA

Directed by: Joe Carnahan

Cinematography by: Masanobu Takayanagi

Edited by: Roger Barton, Jason Hellmann

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Head Of Production: Zoic Studios

Mardi Gras: Spring Break (2011)

| USA

Directed by: Phil Dornfeld

Cinematography by: Thomas E. Ackerman

Edited by: Mark Scheib

Head Of Production: Zoic Studios (uncredited)

'The Cape' Pilot (2011)

| USA

Directed by: Simon West

Cinematography by: Barry Peterson

Edited by: Ray Daniels III, John Duffy, Heather MacDougall

Head Of Production: Zoic Studios

Just Go with It (2011)

| USA

Directed by: Dennis Dugan

Cinematography by: Theo van de Sande

Edited by: Tom Costain

Cameras: ARRIFLEX 435 ES Camera, Sony CineAlta F35 Camera

Head Of Production: Zoic Studios (uncredited)

30 Minutes or Less (2011)

| Germany, Canada, USA

Directed by: Ruben Fleischer

Cinematography by: Jess Hall

Edited by: Alan Baumgarten

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Head Of Production: Zoic Studios (uncredited)

How Do You Know (2010)

| USA

Directed by: James L. Brooks

Cinematography by: Janusz Kaminski

Edited by: Richard Marks, Tracey Wadmore-Smith

Cameras: Panavision Panaflex Platinum Camera

Head Of Production: Zoic Studios

The Crazies (2010)

| USA, United Arab Emirates

Directed by: Breck Eisner

Cinematography by: Maxime Alexandre

Edited by: Billy Fox

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Zeiss Master Prime Lenses

Head Of Production: Zoic Studios (uncredited)

Burlesque (2010)

| USA

Directed by: Steve Antin

Cinematography by: Bojan Bazelli

Edited by: Virginia Katz

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses, Cooke Speed Panchro Lenses

Head Of Production: Zoic Studios

Piranha 3D (2010)

Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

| USA, Canada, Netherlands

Directed by: Alexandre Aja

Cinematography by: John R. Leonetti

Edited by: Baxter

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Head Of Production: Zoic Studios

RED (2010)

| USA

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses

Head Of Production: Zoic Studios

Grown Ups (2010)

| USA

Directed by: Dennis Dugan

Cinematography by: Theo van de Sande

Edited by: Tom Costain

Head Of Production: Zoic Studios

Takers (2010)

| USA

Directed by: John Luessenhop

Cinematography by: Michael Barrett

Edited by: Armen Minasian

Cameras: ARRIFLEX 435 ES Camera, Panavision Genesis Camera

Head Of Production: Zoic Studios

Devil (2010)

| USA

Directed by: John Erick Dowdle

Cinematography by: Tak Fujimoto

Edited by: Elliot Greenberg

Cameras: Panavision Cameras

Head Of Production: Zoic Studios (uncredited)

Easy A (2010)

| USA

Directed by: Will Gluck

Cinematography by: Michael Grady

Edited by: Susan Littenberg

Head Of Production: Zoic Studios

Death at a Funeral (2010)

| USA

Directed by: Neil LaBute

Cinematography by: Rogier Stoffers

Edited by: Tracey Wadmore-Smith

Lenses: Panavision Primo Classic Spherical Lenses

Head Of Production: Zoic Studios

Country Strong (2010)

| USA

Directed by: Shana Feste

Cinematography by: John Bailey

Edited by: Carol Littleton, Conor O'Neill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Head Of Production: Zoic Studios

The Karate Kid (2010)

| USA, China

Directed by: Harald Zwart

Cinematography by: Roger Pratt

Edited by: Joel Negron

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses

Head Of Production (unknown Episodes)

Ghost Whisperer (2010)

| USA

Cameras: Panavision Cameras

Head Of Production: Zoic Studios (uncredited)

'No Ordinary Family' Pilot (2010)

| USA

Directed by: David Semel

Cinematography by: David Boyd

Edited by: Tirsa Hackshaw, Mark S. Manos, Troy Takaki

Head Of Production: Zoic Studios (uncredited)

'Lie to Me' Do No Harm (2009)

| USA

Directed by: John Behring

Cinematography by: Joseph E. Gallagher

Edited by: David Siegel

Head Of Production: Zoic Studios

'True Blood' Release Me (2009)

| USA

Directed by: Michael Ruscio

Cinematography by: Matthew Jensen

Edited by: Debra F. Simone

Head Of Production: Zoic Studios (uncredited)

'Lie to Me' Pilot (2009)

| USA

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

Head Of Production: Zoic Studios

The Final Destination (2009)

| USA

Directed by: David R. Ellis

Cinematography by: Glen MacPherson

Edited by: Mark Stevens

Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera

Head Of Production: Zoic Studios (uncredited)

'Lie to Me' Life Is Priceless (2009)

| USA

Directed by: Clark Johnson

Cinematography by: Joseph E. Gallagher

Edited by: David C. Cook

Head Of Production: Zoic Studios

'True Blood' New World in My View (2009)

| USA

Directed by: Adam Davidson

Cinematography by: Joseph E. Gallagher

Edited by: Debra F. Simone

Head Of Production: Zoic Studios (uncredited)

'Lie to Me' Love Always (2009)

| USA

Directed by: Tim Hunter

Cinematography by: Alan Caso

Edited by: David Siegel

Head Of Production: Zoic Studios (uncredited)

District 9 (2009)

| South Africa, USA, New Zealand, Canada

Directed by: Neill Blomkamp

Cinematography by: Trent Opaloch

Edited by: Julian Clarke

Cameras: Phantom HD Gold Camera, Red One Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera, Sony PMW-EX3 Camera

Lenses: Angenieux Lenses, Cooke S4 Lenses

Editing System: Adobe Premiere Editing System

Head Of Production: Zoic Studios

'True Blood' Hard-Hearted Hannah (2009)

| USA

Directed by: Michael Lehmann

Cinematography by: Romeo Tirone

Edited by: Louise Innes

Head Of Production: Zoic Studios

Paul Blart: Mall Cop (2009)

| USA

Directed by: Steve Carr

Cinematography by: Russ T. Alsobrook

Edited by: Jeff Freeman

Head Of Production: Zoic Studios

The Stepfather (2009)

| USA

Directed by: Nelson McCormick

Cinematography by: Patrick Cady

Edited by: Eric L. Beason

Cameras: Panavision Panaflex Gold II Camera

Head Of Production: Zoic Studios (uncredited)

'Lie to Me' Depraved Heart (2009)

| USA

Directed by: Adam Davidson

Cinematography by: Joseph E. Gallagher

Edited by: David C. Cook

Head Of Production: Zoic Studios

'True Blood' I Will Rise Up (2009)

| USA

Directed by: Scott Winant

Cinematography by: Matthew Jensen

Edited by: Michael Ruscio

Head Of Production: Zoic Studios (uncredited)

'Lie to Me' A Perfect Score (2009)

| USA

Directed by: Eric Laneuville

Cinematography by: Joseph E. Gallagher

Edited by: Padraic McKinley

Head Of Production: Zoic Studios

'True Blood' Never Let Me Go (2009)

| USA

Directed by: John Dahl

Cinematography by: Matthew Jensen

Edited by: Andy Keir

Head Of Production: Zoic Studios

Sorority Row (2009)

| USA

Directed by: Stewart Hendler

Cinematography by: Ken Seng

Edited by: Elliot Greenberg

Head Of Production: Zoic Studios

Armored (2009)

| USA

Directed by: Nimród Antal

Cinematography by: Andrzej Sekula

Edited by: Armen Minasian

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Head Of Production: Zoic Studios

Dragonball: Evolution (2009)

| USA, Hong Kong, UK

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: Matt Friedman, Chris G. Willingham

Head Of Production: Zoic Studios (uncredited)

'Lie to Me' The Best Policy (2009)

| USA

Directed by: Arvin Brown

Cinematography by: Alan Caso

Edited by: Padraic McKinley

Head Of Production: Zoic Studios

'True Blood' Timebomb (2009)

| USA

Directed by: John Dahl

Cinematography by: Romeo Tirone

Edited by: Andy Keir

Head Of Production: Zoic Studios

Obsessed (2009)

| USA

Directed by: Steve Shill

Cinematography by: Ken Seng

Edited by: Paul Seydor

Cameras: Panavision Panaflex Platinum Camera

Head Of Production: Zoic Studios

Zombieland (2009)

| USA

Directed by: Ruben Fleischer

Cinematography by: Michael Bonvillain

Edited by: Alan Baumgarten

Cameras: Panavision Genesis Camera, Phantom HD Camera, Phantom HD Gold Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

Head Of Production: Zoic Studios (uncredited)

'Lie to Me' Moral Waiver (2009)

| USA

Directed by: Adam Davidson

Cinematography by: Alan Caso

Edited by: Padraic McKinley

Head Of Production: Zoic Studios (uncredited)

'Breaking Bad' ABQ (2009)

| USA

Directed by: Adam Bernstein

Cinematography by: Michael Slovis

Edited by: Lynne Willingham

Head Of Production: Zoic Studios (uncredited)

'Dollhouse' Gray Hour (2009)

| USA

Directed by: Rod Hardy

Cinematography by: Ross Berryman

Edited by: Paul Trejo

Head Of Production: Zoic Studios (uncredited)

'True Blood' Escape from Dragon House (2008)

| USA

Directed by: Michael Lehmann

Cinematography by: Matthew Jensen

Edited by: Michael Ruscio

Head Of Production: Zoic Studios

Get Smart (2008)

| USA

Directed by: Peter Segal

Cinematography by: Dean Semler

Edited by: Richard Pearson

Cameras: Panavision Genesis Camera, Panavision Panastar Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Head Of Production: Zoic Studios

'True Blood' To Love Is to Bury (2008)

| USA

Directed by: Nancy Oliver

Cinematography by: John B. Aronson

Edited by: Peter B. Ellis

Head Of Production: Zoic Studios

Quarantine (2008)

| USA

Directed by: John Erick Dowdle

Cinematography by: Ken Seng

Edited by: Elliot Greenberg

Head Of Production: Zoic Studios (uncredited)

'True Blood' The First Taste (2008)

| USA

Directed by: Scott Winant

Cinematography by: Matthew Jensen

Edited by: Michael Ruscio

Head Of Production: Zoic Studios (uncredited)

Pineapple Express (2008)

| USA

Directed by: David Gordon Green

Cinematography by: Tim Orr

Edited by: Craig Alpert

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Head Of Production: Zoic Studios

Prom Night (2008)

| USA, Canada

Directed by: Nelson McCormick

Cinematography by: Checco Varese

Edited by: Jason Ballantine

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Head Of Production: Zoic Studios

'True Blood' I Don't Wanna Know (2008)

| USA

Directed by: Scott Winant

Cinematography by: Matthew Jensen

Edited by: Michael Ruscio

Head Of Production: Zoic Studios

First Sunday (2008)

| USA

Directed by: David E. Talbert

Cinematography by: Alan Caso

Edited by: Jeffrey Wolf

Head Of Production: Zoic Studios (uncredited)

'Two and a Half Men' Fish in a Drawer (2008)

| USA

Directed by: Jeff Melman

Cinematography by: Steven V. Silver

Edited by: Joe Bella

Head Of Production: Zoic Studios (uncredited)

'True Blood' Strange Love (2008)

| USA

Directed by: Alan Ball

Cinematography by: Checco Varese

Edited by: Andy Keir, Michael Ruscio

Head Of Production: Zoic Studios (uncredited)

Step Brothers (2008)

| USA

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Brent White

Cameras: Panavision Cameras

Head Of Production: Zoic Studios (uncredited)

'True Blood' Cold Ground (2008)

| USA

Directed by: Nick Gomez

Cinematography by: Amy Vincent

Edited by: Peter B. Ellis

Head Of Production: Zoic Studios

Superhero Movie (2008)

| USA

Directed by: Craig Mazin

Cinematography by: Thomas E. Ackerman

Edited by: Andrew S. Eisen, Craig Herring, Dan Schalk

Cameras: ARRI Cameras

Head Of Production

One Missed Call (2008)

| Japan, USA, Germany

Directed by: Eric Valette

Cinematography by: Glen MacPherson

Edited by: Steve Mirkovich

Head Of Production: Zoic Studios

'True Blood' You'll Be the Death of Me (2008)

| USA

Directed by: Alan Ball

Cinematography by: Matthew Jensen

Edited by: Michael Ruscio

Head Of Production: Zoic Studios

'Mad Men' Marriage of Figaro (2007)

| USA

Directed by: Ed Bianchi

Cinematography by: Phil Abraham

Edited by: David Siegel

Head Of Production: Zoic Studios

Babylon 5: The Lost Tales (2007)

Direct to Video

| USA, Canada

Directed by: J. Michael Straczynski, Sara Barnes

Cinematography by: Karl Herrmann

Edited by: Stein Myhrstad

Head Of Production: Zoic Studios

'Mad Men' Smoke Gets in Your Eyes (2007)

| USA

Directed by: Alan Taylor

Cinematography by: Phil Abraham

Edited by: Malcolm Jamieson

Head Of Production: Zoic Studios

Stomp the Yard (2007)

| USA

Directed by: Sylvain White

Cinematography by: Scott Kevan

Edited by: David Checel

Head Of Production: Zoic Studios

Pathfinder (2007)

| USA

Directed by: Marcus Nispel

Cinematography by: Daniel Pearl

Edited by: Jay Friedkin, Glen Scantlebury

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Head Of Production: Zoic Studios

Rush Hour 3 (2007)

| USA, Germany

Directed by: Brett Ratner

Cinematography by: James M. Muro

Edited by: Mark Helfrich, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Head Of Production

Vacancy (2007)

| USA

Directed by: Nimród Antal

Cinematography by: Andrzej Sekula

Edited by: Armen Minasian

Head Of Production: Zoic Studios

'Mad Men' New Amsterdam (2007)

| USA

Directed by: Tim Hunter

Cinematography by: Phil Abraham

Edited by: Malcolm Jamieson

Head Of Production (uncredited)

Talladega Nights: The Ballad of Ricky Bobby (2006)

| USA

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Brent White

Senior Staff: Zoic Studios (as Kristen Leigh Branan)

Serenity (2005)

| USA

Directed by: Joss Whedon

Cinematography by: Jack N. Green

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

Head Of Production: Zoic Studios (uncredited)

A Sound of Thunder (2005)

| UK, USA, Germany, Czech Republic

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Sylvie Landra

Head Of Production

Van Helsing (2004)

| USA, Czech Republic

Directed by: Stephen Sommers

Cinematography by: Allen Daviau

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Head Of Production

The Day After Tomorrow (2004)

| USA

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: David Brenner

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Head Of Production: Zoic Studios (uncredited)

Spider-Man 2 (2004)

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

| USA

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Lenses: Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses

Head Of Production: Zoic Studios (unknown Episodes)

Angel (2004)

| USA

Cinematography by: Ross Berryman, Herbert Davis

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

Visual Effects Producer: Zoic Studios

'Firefly' Heart of Gold (2003)

| USA

Directed by: Thomas J. Wright

Cinematography by: David Boyd

Edited by: Sunny Hodge

Visual Effects Producer: Zoic Studios

'Firefly' Trash (2003)

| USA

Directed by: Vern Gillum

Cinematography by: David Boyd

Edited by: John Peter Bernardo

Visual Effects Producer: Zoic Studios

'Firefly' The Message (2003)

| USA

Directed by: Tim Minear

Cinematography by: David Boyd

Edited by: Sunny Hodge

Visual Effects Producer: Zoic Studios (14 Episodes, 2002-2003)

Firefly (2003)

| USA

Cinematography by: David Boyd

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Super Speed Lenses

Visual Effects Producer: Zoic Studios

'Firefly' Out of Gas (2002)

| USA

Directed by: David Solomon

Cinematography by: David Boyd

Edited by: Lisa Lassek

Visual Effects Producer: Zoic Studios

'Firefly' War Stories (2002)

| USA

Directed by: James A. Contner

Cinematography by: David Boyd

Edited by: John Peter Bernardo

Visual Effects Producer: Zoic Studios

'Firefly' Bushwhacked (2002)

| USA

Directed by: Tim Minear

Cinematography by: David Boyd

Edited by: Sunny Hodge

Visual Effects Producer: Zoic Studios

'Firefly' Shindig (2002)

| USA

Directed by: Vern Gillum

Cinematography by: David Boyd

Edited by: John Peter Bernardo

Visual Effects Producer: Zoic Studios

'Firefly' The Train Job (2002)

| USA

Directed by: Joss Whedon

Cinematography by: David Boyd

Edited by: Lisa Lassek

Visual Effects Producer: Zoic Studios

'Firefly' Objects in Space (2002)

| USA

Directed by: Joss Whedon

Cinematography by: David Boyd

Edited by: Lisa Lassek

Visual Effects Producer: Zoic Studios

'Firefly' Our Mrs. Reynolds (2002)

| USA

Directed by: Vondie Curtis-Hall

Cinematography by: David Boyd

Edited by: Lisa Lassek

Executive Producer: Digital.art.media (as Kristen Leigh Branan)

Rollerball (2002)

| USA, Germany, Japan

Directed by: John McTiernan

Cinematography by: Steve Mason

Edited by: Robert K. Lambert, John Wright

Visual Effects Producer: Zoic Studios

'Firefly' Safe (2002)

| USA

Directed by: Michael Grossman

Cinematography by: David Boyd

Edited by: Sunny Hodge

Visual Effects Coordinator (uncredited), Visual Effects Producer: Zoic Studios

'Firefly' Serenity (2002)

| USA

Directed by: Joss Whedon

Cinematography by: David Boyd

Edited by: Lisa Lassek

Visual Effects Producer: Zoic Studios

'Firefly' Jaynestown (2002)

| USA

Directed by: Marita Grabiak

Cinematography by: David Boyd

Edited by: John Peter Bernardo

Visual Effects Producer: Zoic Studios

'Firefly' Ariel (2002)

| USA

Directed by: Allan Kroeker

Cinematography by: David Boyd

Edited by: Sunny Hodge

Executive Producer: Digital.Art.Media (uncredited)

Dr. Dolittle 2 (2001)

| USA

Directed by: Steve Carr

Cinematography by: Daryn Okada

Edited by: Craig Herring

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Executive Producer: Digital.art.media (as Kristen Leigh Branan)

Spy Kids (2001)

| USA

Directed by: Robert Rodriguez

Cinematography by: Guillermo Navarro

Edited by: Robert Rodriguez

Executive Producer: Digital.art.media

Swordfish (2001)

| USA

Directed by: Dominic Sena

Cinematography by: Paul Cameron

Edited by: Stephen E. Rivkin

Visual Effects Producer

Nutty Professor II: The Klumps (2000)

| USA

Directed by: Peter Segal

Cinematography by: Dean Semler

Edited by: William Kerr

Visual Effects Producer

Dungeons & Dragons (2000)

| USA, Czech Republic, Canada

Directed by: Courtney Solomon

Cinematography by: Douglas Milsome

Edited by: Caroline Ross

Visual Effects Producer

Anna and the King (1999)

| USA

Directed by: Andy Tennant

Cinematography by: Caleb Deschanel

Edited by: Roger Bondelli

Cameras: Panavision Cameras

Lenses: Panavision E Series Anamorphic Lenses

Visual Effects Producer

Deep Blue Sea (1999)

| USA

Directed by: Renny Harlin

Cinematography by: Stephen F. Windon

Edited by: Derek Brechin, Dallas Puett, Frank J. Urioste

Visual Effects Producer (uncredited)

Mystery Men (1999)

| USA

Directed by: Kinka Usher

Cinematography by: Stephen H. Burum

Edited by: Conrad Buff IV

Visual Effects Producer (uncredited)

Doctor Dolittle (1998)

| USA

Directed by: Betty Thomas

Cinematography by: Russell Boyd

Edited by: Peter Teschner

Digital Effects Producer: VisionArt (as Kristen Leigh Branan)

Godzilla (1998)

| USA, Japan

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Peter Amundson, David Siegel

Visual Effects Producer (uncredited)

Independence Day (1996)