Joel Iwataki

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Incredibles 2 | ShotOnWhat?

Scoring Mixer

Incredibles 2 (2018)

Directed by: Brad Bird

Cinematography by: Mahyar Abousaeedi, Erik Smitt

Edited by: Stephen Schaffer

Coco | ShotOnWhat?

Scoring Mixer

Coco (2017)

Directed by: Lee Unkrich, Adrian Molina

Edited by: Steve Bloom, Lee Unkrich

It | ShotOnWhat?

Score Recorder And Mixer

It (2017)

Directed by: Andy Muschietti

Cinematography by: Chung-hoon Chung

Edited by: Jason Ballantine

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Spider-Man: Homecoming | ShotOnWhat?

Music Scoring Mixer, Score Recorder And Mixer

Spider-Man: Homecoming (2017)

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

The Book of Henry | ShotOnWhat?

Music Scoring Mixer

The Book of Henry (2017)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Lenses

War for the Planet of the Apes | ShotOnWhat?

Music Scoring Mixer

War for the Planet of the Apes (2017)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses

The Secret Life of Pets | ShotOnWhat?

Music Scoring Mixer

The Secret Life of Pets (2016)

Directed by: Chris Renaud, Yarrow Cheney

Edited by: Ken Schretzmann

Zootopia | ShotOnWhat?

Scoring Mixer

Zootopia (2016)

Directed by: Byron Howard, Rich Moore, Jared Bush

Cinematography by: Nathan Warner

Edited by: Jeremy Milton, Fabienne Rawley

Rogue One: A Star Wars Story | ShotOnWhat?

Scoring Mixer

Rogue One (2016)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser

Edited by: John Gilroy, Colin Goudie, Jabez Olssen

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision APO Panatar Lenses

Editing System: Avid Editing System

Star Trek Beyond | ShotOnWhat?

Scoring Mixer

Star Trek Beyond (2016)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Straight Outta Compton | ShotOnWhat?

Music Scoring Mixer

Straight Outta Compton (2015)

Directed by: F. Gary Gray

Cinematography by: Matthew Libatique

Edited by: Billy Fox, Michael Tronick

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Cooke Anamorphic/i Prime Lenses, Fujinon Alura Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses

Inside Out | ShotOnWhat?

Score Recordist And Mixer

Inside Out (2015)

Directed by: Pete Docter, Ronnie Del Carmen

Edited by: Kevin Nolting

Tomorrowland | ShotOnWhat?

Music Scoring Mixer

Tomorrowland (2015)

Directed by: Brad Bird

Cinematography by: Claudio Miranda

Edited by: Walter Murch, Craig Wood

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

Jurassic World | ShotOnWhat?

Music Scoring Mixer

Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

300: Rise of an Empire | ShotOnWhat?

Music Scoring Mixer

300: Rise of an Empire (2014)

Directed by: Noam Murro

Cinematography by: Simon Duggan

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

Million Dollar Arm | ShotOnWhat?

Music Scoring Mixer

Million Dollar Arm (2014)

Directed by: Craig Gillespie

Cinematography by: Gyula Pados

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Studio Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Dawn of the Planet of the Apes | ShotOnWhat?

Music Scoring Mixer

Dawn of the Planet of the Apes (2014)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

This Is Where I Leave You | ShotOnWhat?

Music Recorded And Mixed By

This Is Where I Leave You (2014)

Directed by: Shawn Levy

Cinematography by: Terry Stacey

Edited by: Dean Zimmerman

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Selma | ShotOnWhat?

Music Scoring Mixer

Selma (2014)

Directed by: Ava DuVernay

Cinematography by: Bradford Young

Edited by: Spencer Averick

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Hawk V-Plus Lenses, Hawk V-Series Lenses

The Lone Ranger | ShotOnWhat?

Music Scoring Mixer

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

Oblivion | ShotOnWhat?

Music Recording Engineer

Oblivion (2013)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Editing System: Avid Editing System

Star Trek Into Darkness | ShotOnWhat?

Music Mixer / Music Recordist

Star Trek Into Darkness (2013)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Iron Man Three | ShotOnWhat?

Argo | ShotOnWhat?

Score Recordist

Argo (2012)

Directed by: Ben Affleck

Cinematography by: Rodrigo Prieto

Edited by: William Goldenberg

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Rise of the Guardians | ShotOnWhat?

Additional Music Scoring Mixer

Rise of the Guardians (2012)

Directed by: Peter Ramsey

Edited by: Joyce Arrastia

The Green Hornet | ShotOnWhat?

Music Scoring Mixer

The Green Hornet (2011)

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Battle Los Angeles | ShotOnWhat?

Music Scoring Mixer

Battle Los Angeles (2011)

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Christian Wagner

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Rise of the Planet of the Apes | ShotOnWhat?

Music Scoring Mixer / Score Recordist

Rise of the Planet of the Apes (2011)

Directed by: Rupert Wyatt

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV, Mark Goldblatt

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Rite | ShotOnWhat?

Music Scoring Mixer

The Rite (2011)

Directed by: Mikael Håfström

Cinematography by: Ben Davis

Edited by: David Rosenbloom

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision G100 100 mm T2.6 Lens

Fast Five | ShotOnWhat?

Music Scoring Mixer

Fast Five (2011)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Fred Raskin, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Extremely Loud & Incredibly Close | ShotOnWhat?

Music Recordist

Extremely Loud & Incredibly Close (2011)

Directed by: Stephen Daldry

Cinematography by: Chris Menges

Edited by: Claire Simpson

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

We Bought a Zoo | ShotOnWhat?

Music Scoring Mixer / Music Scoring Recordist

We Bought a Zoo (2011)

Directed by: Cameron Crowe

Cinematography by: Rodrigo Prieto

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera

Lenses: Zeiss Ultra Prime Lenses

The Tempest | ShotOnWhat?

Music Mixer / Music Recordist

The Tempest (2010)

Directed by: Julie Taymor

Cinematography by: Stuart Dryburgh

Edited by: Françoise Bonnot

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Life as We Know It | ShotOnWhat?

Music Scoring Mixer

Life as We Know It (2010)

Directed by: Greg Berlanti

Cinematography by: Andrew Dunn

Edited by: Jim Page

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Love & Other Drugs | ShotOnWhat?

Additional Score Recordist

Love & Other Drugs (2010)

Directed by: Edward Zwick

Cinematography by: Steven Fierberg

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

You Again | ShotOnWhat?

Score Mixer / Score Recordist

You Again (2010)

Directed by: Andy Fickman

Cinematography by: David Hennings

Edited by: Keith Brachmann, David Rennie

Salt | ShotOnWhat?

Music Scoring Mixer / Score Recordist

Salt (2010)

Directed by: Phillip Noyce

Cinematography by: Robert Elswit

Edited by: Stuart Baird, John Gilroy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses

Edge of Darkness | ShotOnWhat?

Music Scoring Mixer

Edge of Darkness (2010)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Stuart Baird

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Classic Spherical Lenses

The Tourist | ShotOnWhat?

Score Mixer

The Tourist (2010)

Directed by: Florian Henckel von Donnersmarck

Cinematography by: John Seale

Edited by: Joe Hutshing, Patricia Rommel

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

A Single Man | ShotOnWhat?

Music Score Mixer

A Single Man (2009)

Directed by: Tom Ford

Cinematography by: Eduard Grau

Edited by: Joan Sobel

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

The Killing Room | ShotOnWhat?

Score Mixer

The Killing Room (2009)

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Sean Carter

The Time Traveler's Wife | ShotOnWhat?

Music Scoring Mixer

The Time Traveler's Wife (2009)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

X-Men Origins: Wolverine | ShotOnWhat?

Music Scoring Mixer

X-Men Origins: Wolverine (2009)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Nicolas De Toth, Megan Gill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Public Enemies | ShotOnWhat?

Music Mixer / Music Recordist

Public Enemies (2009)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Jeffrey Ford, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses: Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

Law Abiding Citizen | ShotOnWhat?

Music Scoring Mixer / Score Recordist

Law Abiding Citizen (2009)

Directed by: F. Gary Gray

Cinematography by: Jonathan Sela

Edited by: Tariq Anwar

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses

Death Race | ShotOnWhat?

Music Scoring Mixer

Death Race (2008)

Directed by: Paul W.S. Anderson

Cinematography by: Scott Kevan

Edited by: Niven Howie

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Fireflies in the Garden | ShotOnWhat?

Music Scoring Mixer

Fireflies in the Garden (2008)

Directed by: Dennis Lee

Cinematography by: Daniel Moder

Edited by: Dede Allen, Robert Brakey

While She Was Out | ShotOnWhat?

Scoring Mixer

While She Was Out (2008)

Directed by: Susan Montford

Cinematography by: Steve Gainer

Edited by: William M. Anderson

Rambo | ShotOnWhat?

Music Scoring Mixer / Score Recordist

Rambo (2008)

Directed by: Sylvester Stallone

Cinematography by: Glen MacPherson

Edited by: Sean Albertson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera

Lenses: Zeiss Ultra Prime Lenses

Eagle Eye | ShotOnWhat?

Music Recordist / Music Scoring Mixer

Eagle Eye (2008)

Directed by: D.J. Caruso

Cinematography by: Dariusz Wolski

Edited by: Jim Page

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Defiance | ShotOnWhat?

Music Scoring Mixer

Defiance (2008)

Directed by: Edward Zwick

Cinematography by: Eduardo Serra

Edited by: Steven Rosenblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

I Am Legend | ShotOnWhat?

Score Mixer / Score Recordist

I Am Legend (2007)

Directed by: Francis Lawrence

Cinematography by: Andrew Lesnie

Edited by: Wayne Wahrman

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses

The Great Debaters | ShotOnWhat?

Music Scoring Mixer

The Great Debaters (2007)

Directed by: Denzel Washington

Cinematography by: Philippe Rousselot

Edited by: John Breinholt, Hughes Winborne

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Lars and the Real Girl | ShotOnWhat?

Music Score Mixer

Lars and the Real Girl (2007)

Directed by: Craig Gillespie

Cinematography by: Adam Kimmel

Edited by: Tatiana S. Riegel

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Across the Universe | ShotOnWhat?

Music Score Mixer / Music Score Recordist

Across the Universe (2007)

Directed by: Julie Taymor

Cinematography by: Bruno Delbonnel

Edited by: Françoise Bonnot

Cameras: ARRI Cameras, Panavision Cameras

Lenses: Panavision Lenses

Aliens vs. Predator: Requiem | ShotOnWhat?

Score Mixer / Score Recordist

Aliens vs. Predator: Requiem (2007)

Directed by: Colin Strause, Greg Strause

Cinematography by: Daniel Pearl

Edited by: Dan Zimmerman

Starter for 10 | ShotOnWhat?

Music Score Mixer / Music Score Recordist

Starter for 10 (2006)

Directed by: Tom Vaughan

Cinematography by: Ashley Rowe

Edited by: Jon Harris, Heather Persons

Talladega Nights: The Ballad of Ricky Bobby | ShotOnWhat?

Score Mixer

Talladega Nights: The Ballad of Ricky Bobby (2006)

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Brent White

Cameras: Panavision Cameras

Lenses: Panavision Lenses

She's the Man | ShotOnWhat?

Music Recordist / Music Score Mixer

She's the Man (2006)

Directed by: Andy Fickman

Cinematography by: Greg Gardiner

Edited by: Michael Jablow

Lady in the Water | ShotOnWhat?

Music Score Mixer

Lady in the Water (2006)

Directed by: M. Night Shyamalan

Cinematography by: Christopher Doyle

Edited by: Barbara Tulliver

Snakes on a Plane | ShotOnWhat?

Score Mixer / Score Recordist

Snakes on a Plane (2006)

Directed by: David R. Ellis

Cinematography by: Adam Greenberg

Edited by: Howard E. Smith

Poseidon | ShotOnWhat?

Music Mixer / Music Recordist

Poseidon (2006)

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Peter Honess

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Fast and the Furious: Tokyo Drift | ShotOnWhat?

Music Score Mixer / Score Recordist

The Fast and the Furious: Tokyo Drift (2006)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Dallas Puett, Fred Raskin

The Pursuit of Happyness | ShotOnWhat?

Score Mixer

The Pursuit of Happyness (2006)

Directed by: Gabriele Muccino

Cinematography by: Phedon Papamichael

Edited by: Hughes Winborne

Cameras: Panavision Cameras

Lenses: Panavision Lenses

King Kong | ShotOnWhat?

Music Recording Engineer / Music Score Mixer / Music Score Recording Engineer

King Kong (2005)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jamie Selkirk

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Bee Season | ShotOnWhat?

Music Score Mixer

Bee Season (2005)

Directed by: Scott McGehee, David Siegel

Cinematography by: Giles Nuttgens

Edited by: Lauren Zuckerman

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | ShotOnWhat?

Score Recording & Mixing

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

Directed by: Andrew Adamson

Cinematography by: Donald McAlpine

Edited by: Sim Evan-Jones, Jim May

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Constantine | ShotOnWhat?

Music Score Mixer

Constantine (2005)

Directed by: Francis Lawrence

Cinematography by: Philippe Rousselot

Edited by: Wayne Wahrman

Against the Ropes | ShotOnWhat?

Music Scoring Mixer

Against the Ropes (2004)

Directed by: Charles S. Dutton

Cinematography by: Jack N. Green

Edited by: Eric L. Beason

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Along Came Polly | ShotOnWhat?

Music Score Mixer

Along Came Polly (2004)

Directed by: John Hamburg

Cinematography by: Seamus McGarvey

Edited by: William Kerr, Nick Moore

Friday Night Lights | ShotOnWhat?

Music Recordist / Music Score Mixer

Friday Night Lights (2004)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Gabrielle Fasulo, Colby Parker Jr., Susan Rash, David Rosenbloom

S.W.A.T. | ShotOnWhat?

Music Scoring Mixer / Score Recordist

S.W.A.T. (2003)

Directed by: Clark Johnson

Cinematography by: Gabriel Beristain

Edited by: Michael Tronick

Frida | ShotOnWhat?

Music Mixer / Music Recordist

Frida (2002)

Directed by: Julie Taymor

Cinematography by: Rodrigo Prieto

Edited by: Françoise Bonnot

Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Salton Sea | ShotOnWhat?

Music Scoring Mixer

The Salton Sea (2002)

Directed by: D.J. Caruso

Cinematography by: Amir Mokri

Edited by: Jim Page

The Count of Monte Cristo | ShotOnWhat?

Music Recording Engineer

The Count of Monte Cristo (2002)

Directed by: Kevin Reynolds

Cinematography by: Andrew Dunn

Edited by: Stephen Semel, Christopher Womack

K-PAX | ShotOnWhat?

Music Recording Engineer

K-PAX (2001)

Directed by: Iain Softley

Cinematography by: John Mathieson

Edited by: Craig McKay

In the Bedroom | ShotOnWhat?

Music Scoring Mixer

In the Bedroom (2001)

Directed by: Todd Field

Cinematography by: Antonio Calvache

Edited by: Frank Reynolds

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Pay It Forward | ShotOnWhat?

Music Scoring Mixer

Pay It Forward (2000)

Directed by: Mimi Leder

Cinematography by: Oliver Stapleton

Edited by: David Rosenbloom

Cameras: Panavision Cameras

X-Men | ShotOnWhat?

Additional Score Recordist

X-Men (2000)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Steven Rosenblum, Kevin Stitt, John Wright

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Titus | ShotOnWhat?

Music Mixer / Music Recordist / Music Score Mixer

Titus (1999)

Directed by: Julie Taymor

Cinematography by: Luciano Tovoli

Edited by: Françoise Bonnot

Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Lenses

In Dreams | ShotOnWhat?

Music Scoring Mixer, Sound Recording Engineer

In Dreams (1999)

Directed by: Neil Jordan

Cinematography by: Darius Khondji

Edited by: Tony Lawson

The Red Violin | ShotOnWhat?

Music Mixer / Music Recordist

The Red Violin (1998)

Directed by: François Girard

Cinematography by: Alain Dostie

Edited by: Gaétan Huot

Hilary and Jackie | ShotOnWhat?

Music Mixer / Music Recordist

Hilary and Jackie (1998)

Directed by: Anand Tucker

Cinematography by: David Johnson

Edited by: Martin Walsh

Sphere | ShotOnWhat?

Music Mixer / Music Recordist

Sphere (1998)

Directed by: Barry Levinson

Cinematography by: Adam Greenberg

Edited by: Stu Linder

Batman & Robin | ShotOnWhat?

Music Mixer / Music Recordist

Batman & Robin (1997)

Directed by: Joel Schumacher

Cinematography by: Stephen Goldblatt

Edited by: Mark Stevens, Dennis Virkler

Visas and Virtue | ShotOnWhat?

Music Producer

Visas and Virtue (1997)

Directed by: Chris Tashima

Cinematography by: Hiro Narita

Edited by: Irvin Paik

Michael Collins | ShotOnWhat?

Music Mixer / Music Recordist

Michael Collins (1996)

Directed by: Neil Jordan

Cinematography by: Chris Menges

Edited by: J. Patrick Duffner, Tony Lawson

A Time to Kill | ShotOnWhat?

Score Mixer / Score Recordist

A Time to Kill (1996)

Directed by: Joel Schumacher

Cinematography by: Peter Menzies Jr.

Edited by: William Steinkamp

Cameras: Panavision Panaflex Platinum Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Batman Forever | ShotOnWhat?

Music Score Mixer / Score Recordist

Batman Forever (1995)

Directed by: Joel Schumacher

Cinematography by: Stephen Goldblatt

Edited by: Mark Stevens, Dennis Virkler

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Heat | ShotOnWhat?

Score Mixer / Score Recordist

Heat (1995)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Pasquale Buba, William Goldenberg, Dov Hoenig, Tom Rolf

Cameras: Cine SL-35 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Die Hard: With a Vengeance | ShotOnWhat?

Music Mixer / Music Recordist

Die Hard: With a Vengeance (1995)

Directed by: John McTiernan

Cinematography by: Peter Menzies Jr.

Edited by: John Wright

3 Ninjas Kick Back | ShotOnWhat?

Music Mixer

3 Ninjas Kick Back (1994)

Directed by: Charles T. Kanganis

Cinematography by: Christopher Faloona

Edited by: Jeffrey Reiner, David Rennie

Cameras: ARRI Cameras

Final Mission | ShotOnWhat?

Music Mixer

Final Mission (1994)

Direct to Video

Directed by: Lee Redmond

Cinematography by: Eric J. Goldstein

Edited by: Barry Zetlin

Interview with the Vampire: The Vampire Chronicles | ShotOnWhat?

Music Mixer / Music Recordist

Interview with the Vampire: The Vampire Chronicles (1994)

Directed by: Neil Jordan

Cinematography by: Philippe Rousselot

Edited by: Mick Audsley, Joke van Wijk

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Mother's Boys | ShotOnWhat?

Score Recording Engineer

Mother's Boys (1993)

Directed by: Yves Simoneau

Cinematography by: Elliot Davis

Edited by: Michael D. Ornstein

Drugstore Cowboy | ShotOnWhat?

Music Scoring Mixer, Sound Recording Engineer

Drugstore Cowboy (1989)

Directed by: Gus Van Sant

Cinematography by: Robert D. Yeoman

Edited by: Mary Bauer, Curtiss Clayton

Pet Sematary | ShotOnWhat?

Music Scoring Mixer

Pet Sematary (1989)

Directed by: Mary Lambert

Cinematography by: Peter Stein

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Cameras

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