Greg P. Russell

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Puss in Boots: The Last Wish | ShotOnWhat?

Re-recording Mixer

Puss in Boots: The Last Wish (2022)

Directed by: Joel Crawford, Januel Mercado

Cinematography by: Chris Stover

Edited by: James Ryan

The Unforgivable | ShotOnWhat?

Re-recording Mixer

The Unforgivable (2021)

Directed by: Nora Fingscheidt

Cinematography by: Guillermo Navarro

Edited by: Stephan Bechinger, Joe Walker

Cameras: Red Helium 8K Camera

Lenses: Angenieux Lenses, ARRI Lenses

Escape Room | ShotOnWhat?

Re-recording Mixer

Escape Room (2019)

Directed by: Adam Robitel

Cinematography by: Marc Spicer

Edited by: Steve Mirkovich

Cameras: ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens

Transformers: The Last Knight | ShotOnWhat?

Re-recording Mixer: Technicolor At Paramount

Transformers: The Last Knight (2017)

Directed by: Michael Bay

Cinematography by: Jonathan Sela

Edited by: Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Cameras: ALEXA IMAX Camera, ARRIFLEX 416 Camera, Red Epic Dragon Camera, Red Epic Helium Camera

Lenses: ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Kingsglaive: Final Fantasy XV | ShotOnWhat?

Re-recording Mixer

Kingsglaive: Final Fantasy XV (2016)

Directed by: Takeshi Nozue

13 Hours: The Secret Soldiers of Benghazi | ShotOnWhat?

Re-recording Mixer: Technicolor At Paramount

13 Hours: The Secret Soldiers of Benghazi (2016)

Directed by: Michael Bay

Cinematography by: Dion Beebe

Edited by: Michael McCusker, Pietro Scalia, Calvin Wimmer

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro HD Hero3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Terminator Genisys | ShotOnWhat?

Re-recording Mixer

Terminator Genisys (2015)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

RoboCop | ShotOnWhat?

Re-recording Mixer

RoboCop (2014)

Directed by: José Padilha

Cinematography by: Lula Carvalho

Edited by: Peter McNulty, Daniel Rezende

Cameras: ARRI ALEXA Camera, Red Epic Camera

Need for Speed | ShotOnWhat?

Sound Re-recording Mixer

Need for Speed (2014)

Directed by: Scott Waugh

Cinematography by: Shane Hurlbut

Edited by: Paul Rubell, Scott Waugh

Cameras: ARRI ALEXA Camera, Canon EOS-1D C Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE

Transformers: Age of Extinction | ShotOnWhat?

Sound Re-recording Mixer

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Get on Up | ShotOnWhat?

Re-recording Mixer

Get on Up (2014)

Directed by: Tate Taylor

Cinematography by: Stephen Goldblatt

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera, Canon EOS Rebel T3i camera, Canon EOS-C500 Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Style Lenses, Angenieux Optimo Zoom Lenses, Bausch & Lomb Lenses, Canon EF Series Lenses, Panavision Primo Primes Spherical Lenses

Hansel & Gretel: Witch Hunters | ShotOnWhat?

Re-recording Mixer

Hansel & Gretel: Witch Hunters (2013)

Directed by: Tommy Wirkola

Cinematography by: Michael Bonvillain

Edited by: Jim Page

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses

G.I. Joe: Retaliation | ShotOnWhat?

Re-recording Mixer

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Beautiful Creatures | ShotOnWhat?

Re-recording Mixer, Re-recording Mixer: Technicolor At Paramount

Beautiful Creatures (2013)

Directed by: Richard LaGravenese

Cinematography by: Philippe Rousselot

Edited by: David Moritz

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Pain & Gain | ShotOnWhat?

Re-recording Mixer

Pain & Gain (2013)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Tom Muldoon, Joel Negron

Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

Man on a Ledge | ShotOnWhat?

Re-recording Mixer

Man on a Ledge (2012)

Directed by: Asger Leth

Cinematography by: Paul Cameron

Edited by: Kevin Stitt

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Skyfall | ShotOnWhat?

Re-recording Mixer

Skyfall (2012)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Stuart Baird

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Guilt Trip | ShotOnWhat?

Re-recording Mixer

The Guilt Trip (2012)

Directed by: Anne Fletcher

Cinematography by: Oliver Stapleton

Edited by: Dana E. Glauberman, Priscilla Nedd-Friendly

Cameras: ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

The Green Hornet | ShotOnWhat?

Re-recording Mixer

The Green Hornet (2011)

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Transformers: Dark of the Moon | ShotOnWhat?

Re-recording Mixer

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Salt | ShotOnWhat?

Re-recording Mixer

Salt (2010)

Directed by: Phillip Noyce

Cinematography by: Robert Elswit

Edited by: Stuart Baird, John Gilroy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses

Alice in Wonderland | ShotOnWhat?

Additional Re-Recording Mixer

Alice in Wonderland (2010)

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Uninvited | ShotOnWhat?

Re-recording Mixer

The Uninvited (2009)

Directed by: Charles Guard, Thomas Guard

Cinematography by: Daniel Landin

Edited by: Jim Page, Christian Wagner

Cameras: Panavision Cameras

The Stepfather | ShotOnWhat?

Re-recording Mixer

The Stepfather (2009)

Directed by: Nelson McCormick

Cinematography by: Patrick Cady

Edited by: Eric L. Beason

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Confessions of a Shopaholic | ShotOnWhat?

Re-recording Mixer

Confessions of a Shopaholic (2009)

Directed by: P.J. Hogan

Cinematography by: Jo Willems

Edited by: William Goldenberg

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Armored | ShotOnWhat?

Re-recording Mixer

Armored (2009)

Directed by: Nimród Antal

Cinematography by: Andrzej Sekula

Edited by: Armen Minasian

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Transformers: Revenge of the Fallen | ShotOnWhat?

Re-recording Mixer

Transformers: Revenge of the Fallen (2009)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Made of Honor | ShotOnWhat?

Supervising Sound Mixer

Made of Honor (2008)

Directed by: Paul Weiland

Cinematography by: Tony Pierce-Roberts

Edited by: Richard Marks

Cameras: Panavision Cameras

Quarantine | ShotOnWhat?

Supervising Sound Mixer

Quarantine (2008)

Directed by: John Erick Dowdle

Cinematography by: Ken Seng

Edited by: Elliot Greenberg

Prom Night | ShotOnWhat?

Re-recording Mixer

Prom Night (2008)

Directed by: Nelson McCormick

Cinematography by: Checco Varese

Edited by: Jason Ballantine

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Spider-Man 3 | ShotOnWhat?

Re-recording Mixer

Spider-Man 3 (2007)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Transformers | ShotOnWhat?

The Da Vinci Code | ShotOnWhat?

Supervising Sound Mixer

The Da Vinci Code (2006)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

RV | ShotOnWhat?

Re-recording Mixer

RV (2006)

Directed by: Barry Sonnenfeld

Cinematography by: Fred Murphy

Edited by: Kevin Tent

Apocalypto | ShotOnWhat?

Sound Mixer

Apocalypto (2006)

Directed by: Mel Gibson

Cinematography by: Dean Semler

Edited by: John Wright

Cameras: Aaton A-Minima Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Ikonoskop Cameras, Panavision Genesis Camera

The Pursuit of Happyness | ShotOnWhat?

Supervising Sound Mixer

The Pursuit of Happyness (2006)

Directed by: Gabriele Muccino

Cinematography by: Phedon Papamichael

Edited by: Hughes Winborne

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Glory Road | ShotOnWhat?

Additional Sound Re-recording Mixer

Glory Road (2006)

Directed by: James Gartner

Cinematography by: Jeffrey L. Kimball, John Toon

Edited by: Jason Hellmann, John Wright

Talladega Nights: The Ballad of Ricky Bobby | ShotOnWhat?

Supervising Sound Mixer

Talladega Nights: The Ballad of Ricky Bobby (2006)

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Brent White

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Deja Vu | ShotOnWhat?

Sound Mixing

Deja Vu (2006)

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Jason Hellmann, Chris Lebenzon

Bewitched | ShotOnWhat?

Supervising Sound Mixer

Bewitched (2005)

Directed by: Nora Ephron

Cinematography by: John Lindley

Edited by: Tia Nolan

The Island | ShotOnWhat?

Re-recording Mixer

The Island (2005)

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Memoirs of a Geisha | ShotOnWhat?

Supervising Sound Mixer

Memoirs of a Geisha (2005)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Pietro Scalia

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Man on Fire | ShotOnWhat?

Supervising Sound Mixer

Man on Fire (2004)

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

National Treasure | ShotOnWhat?

Re-recording Mixer , Supervising Sound Mixer

National Treasure (2004)

Directed by: Jon Turteltaub

Cinematography by: Caleb Deschanel

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision Primo Primes Spherical Lenses

Spanglish | ShotOnWhat?

Re-recording Mixer

Spanglish (2004)

Directed by: James L. Brooks

Cinematography by: John Seale

Edited by: Richard Marks, Tia Nolan

Spider-Man 2 | ShotOnWhat?

Re-recording Mixer

Spider-Man 2 (2004)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses: Panavision Hylén System Lens, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

House of Sand and Fog | ShotOnWhat?

Re-recording Mixer

House of Sand and Fog (2003)

Directed by: Vadim Perelman

Cinematography by: Roger Deakins

Edited by: Lisa Zeno Churgin

Cameras: ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

Terminator 3: Rise of the Machines | ShotOnWhat?

Supervising Sound Mixer

Terminator 3: Rise of the Machines (2003)

Directed by: Jonathan Mostow

Cinematography by: Don Burgess

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Bad Boys II | ShotOnWhat?

Re-recording Mixer / Supervising Sound Mixer

Bad Boys II (2003)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

The Hunted | ShotOnWhat?

Re-recording Mixer

The Hunted (2003)

Directed by: William Friedkin

Cinematography by: Caleb Deschanel

Edited by: Augie Hess

Dreamcatcher | ShotOnWhat?

Re-recording Mixer

Dreamcatcher (2003)

Directed by: Lawrence Kasdan

Cinematography by: John Seale

Edited by: Raúl Dávalos, Carol Littleton

Big Fish | ShotOnWhat?

Supervising Sound Mixer

Big Fish (2003)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Kangaroo Jack | ShotOnWhat?

Re-recording Mixer

Kangaroo Jack (2003)

Directed by: David McNally

Cinematography by: Peter Menzies Jr.

Edited by: William Goldenberg, Jim May, John Murray

Cameras: Panavision Cameras

Dragonfly | ShotOnWhat?

Re-recording Mixer

Dragonfly (2002)

Directed by: Tom Shadyac

Cinematography by: Dean Semler

Edited by: Don Zimmerman

Men in Black II | ShotOnWhat?

Re-recording Mixer

Men in Black II (2002)

Directed by: Barry Sonnenfeld

Cinematography by: Greg Gardiner

Edited by: Richard Pearson, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Spider-Man | ShotOnWhat?

Re-recording Mixer

Spider-Man (2002)

Directed by: Sam Raimi

Cinematography by: Don Burgess

Edited by: Arthur Coburn, Bob Murawski

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Bad Company | ShotOnWhat?

Re-recording Mixer

Bad Company (2002)

Directed by: Joel Schumacher

Cinematography by: Dariusz Wolski

Edited by: Mark Goldblatt, Robert K. Lambert

Pearl Harbor | ShotOnWhat?

Re-recording Sound Mixer

Pearl Harbor (2001)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Spy Game | ShotOnWhat?

Re-recording Mixer

Spy Game (2001)

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Coyote Ugly | ShotOnWhat?

Re-recording Mixer

Coyote Ugly (2000)

Directed by: David McNally

Cinematography by: Amir Mokri

Edited by: William Goldenberg

Rules of Engagement | ShotOnWhat?

Re-recording Mixer

Rules of Engagement (2000)

Directed by: William Friedkin

Cinematography by: William A. Fraker, Nicola Pecorini

Edited by: Augie Hess

Cameras: Panavision Panaflex Gold II Camera, Technovision Cameras

Lenses: Panavision E Series Anamorphic Lenses

Gone in Sixty Seconds | ShotOnWhat?

Re-recording Mixer

Gone in 60 Seconds (2000)

Directed by: Dominic Sena

Cinematography by: Paul Cameron

Edited by: Roger Barton, Chris Lebenzon, Tom Muldoon

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Little Nicky | ShotOnWhat?

Re-recording Mixer

Little Nicky (2000)

Directed by: Steven Brill

Cinematography by: Theo van de Sande

Edited by: Jeff Gourson

Cameras: Panavision Cameras

The Patriot | ShotOnWhat?

Re-recording Mixer

The Patriot (2000)

Directed by: Roland Emmerich

Cinematography by: Caleb Deschanel

Edited by: David Brenner, Christopher Holmes, Julie Monroe

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Wild Wild West | ShotOnWhat?

Re-recording Mixer

Wild Wild West (1999)

Directed by: Barry Sonnenfeld

Cinematography by: Michael Ballhaus

Edited by: Jim Miller

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, VistaVision Cameras

Lenses: Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

At First Sight | ShotOnWhat?

Re-recording Mixer

At First Sight (1999)

Directed by: Irwin Winkler

Cinematography by: John Seale

Edited by: Julie Monroe

The Story of Us | ShotOnWhat?

Re-recording Mixer

The Story of Us (1999)

Directed by: Rob Reiner

Cinematography by: Michael Chapman

Edited by: Alan Edward Bell, Robert Leighton

Godzilla | ShotOnWhat?

Re-recording Mixer

Godzilla (1998)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Peter Amundson, David Siegel

Enemy of the State | ShotOnWhat?

Re-recording Mixer

Enemy of the State (1998)

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: Chris Lebenzon

Armageddon | ShotOnWhat?

Re-recording Mixer

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Mask of Zorro | ShotOnWhat?

Re-recording Mixer

The Mask of Zorro (1998)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Thom Noble

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Moviecam Compact Camera

Lenses: Cooke Lenses

Lolita | ShotOnWhat?

Re-recording Mixer

Lolita (1997)

Directed by: Adrian Lyne

Cinematography by: Howard Atherton

Edited by: David Brenner, Julie Monroe

Cameras: Panavision Panaflex Series Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Starship Troopers | ShotOnWhat?

Re-Recording Mixer

Starship Troopers (1997)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Caroline Ross

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Lenses

Con Air | ShotOnWhat?

Re-recording Mixer

Con Air (1997)

Directed by: Simon West

Cinematography by: David Tattersall

Edited by: Chris Lebenzon, Steve Mirkovich, Glen Scantlebury

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

The Rock | ShotOnWhat?

Re-recording Mixer

The Rock (1996)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Richard Francis-Bruce

Cameras: Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

The Fan | ShotOnWhat?

Re-recording Mixer

The Fan (1996)

Directed by: Tony Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson, Christian Wagner

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Juror | ShotOnWhat?

Re-recording Mixer

The Juror (1996)

Directed by: Brian Gibson

Cinematography by: Jamie Anderson

Edited by: Robert M. Reitano

The Mirror Has Two Faces | ShotOnWhat?

Re-recording Mixer

The Mirror Has Two Faces (1996)

Directed by: Barbra Streisand

Cinematography by: Andrzej Bartkowiak, Dante Spinotti

Edited by: Jeff Werner

Cameras: Panavision Panaflex Camera

Ghosts of Mississippi | ShotOnWhat?

Re-recording Mixer

Ghosts of Mississippi (1996)

Directed by: Rob Reiner

Cinematography by: John Seale

Edited by: Robert Leighton

Tommy Boy | ShotOnWhat?

Re-recording Mixer

Tommy Boy (1995)

Directed by: Peter Segal

Cinematography by: Victor J. Kemper

Edited by: William Kerr

The Usual Suspects | ShotOnWhat?

Re-recording Mixer

The Usual Suspects (1995)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: John Ottman

Cameras: Panavision Panaflex Platinum Camera

Grumpier Old Men | ShotOnWhat?

Re-recording Mixer

Grumpier Old Men (1995)

Directed by: Howard Deutch

Cinematography by: Tak Fujimoto

Edited by: Maryann Brandon, Seth Flaum, Billy Weber

Bad Company | ShotOnWhat?

Re-recording Mixer

Bad Company (1995)

Directed by: Damian Harris

Cinematography by: Jack N. Green

Edited by: Stuart H. Pappé

Steal Big Steal Little | ShotOnWhat?

Re-recording Mixer

Steal Big Steal Little (1995)

Directed by: Andrew Davis

Cinematography by: Frank Tidy

Edited by: Don Brochu, Tina Hirsch

Cameras: ARRIFLEX 35 IIC Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision Primo Primes Spherical Lenses

Assassins | ShotOnWhat?

Re-recording Mixer

Assassins (1995)

Directed by: Richard Donner

Cinematography by: Vilmos Zsigmond

Edited by: Lawrence Jordan, Richard Marks

Cameras: Panavision Panaflex Gold II Camera, Panavision Panastar Camera

Lenses: Panavision Primo Primes Spherical Lenses

Crimson Tide | ShotOnWhat?

Additional Sound Re-recording Mixer

Crimson Tide (1995)

Directed by: Tony Scott

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

On Deadly Ground | ShotOnWhat?

Re-recording Mixer

On Deadly Ground (1994)

Directed by: Steven Seagal

Cinematography by: Ric Waite

Edited by: Don Brochu, Robert A. Ferretti

Stargate | ShotOnWhat?

Re-recording Mixer

Stargate (1994)

Directed by: Roland Emmerich

Cinematography by: Karl Walter Lindenlaub

Edited by: Derek Brechin, Michael J. Duthie

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Blue Sky | ShotOnWhat?

Re-recording Mixer

Blue Sky (1994)

Directed by: Tony Richardson

Cinematography by: Steve Yaconelli

Edited by: Robert K. Lambert

Cameras: ARRI Cameras

The Positively True Adventures of the Alleged Texas Cheerleader-Murdering Mom | ShotOnWhat?

Re-recording Mixer

The Positively True Adventures of the Alleged Texas Cheerleader-Murdering Mom (1993)

Television Movie

Directed by: Michael Ritchie

Cinematography by: Gerry Fisher

Edited by: Eric A. Sears

Wayne's World 2 | ShotOnWhat?

Re-recording Mixer

Wayne's World 2 (1993)

Directed by: Stephen Surjik

Cinematography by: Francis Kenny

Edited by: Malcolm Campbell

Addams Family Values | ShotOnWhat?

Re-recording Mixer

Addams Family Values (1993)

Directed by: Barry Sonnenfeld

Cinematography by: Donald Peterman

Edited by: Jim Miller, Arthur Schmidt

Free Willy | ShotOnWhat?

Re-recording Mixer

Free Willy (1993)

Directed by: Simon Wincer

Cinematography by: Robbie Greenberg

Edited by: O. Nicholas Brown

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Bodyguard | ShotOnWhat?

Re-recording Mixer

The Bodyguard (1992)

Directed by: Mick Jackson

Cinematography by: Andrew Dunn

Edited by: Donn Cambern, Richard A. Harris

Captain Ron | ShotOnWhat?

Re-recording Mixer

Captain Ron (1992)

Directed by: Thom Eberhardt

Cinematography by: Daryn Okada

Edited by: Tina Hirsch

My Cousin Vinny | ShotOnWhat?

Re-recording Mixer

My Cousin Vinny (1992)

Directed by: Jonathan Lynn

Cinematography by: Peter Deming

Edited by: Tony Lombardo, Stephen E. Rivkin

Singles | ShotOnWhat?

Re-recording Mixer

Singles (1992)

Directed by: Cameron Crowe

Cinematography by: Tak Fujimoto, Ueli Steiger

Edited by: Richard Chew

True Identity | ShotOnWhat?

Re-recording Mixer

True Identity (1991)

Directed by: Charles Lane

Cinematography by: Thomas E. Ackerman

Edited by: Kent Beyda

Scenes from a Mall | ShotOnWhat?

Re-recording Mixer

Scenes from a Mall (1991)

Directed by: Paul Mazursky

Cinematography by: Fred Murphy

Edited by: Stuart H. Pappé

Star Trek VI: The Undiscovered Country | ShotOnWhat?

Re-recording Mixer

Star Trek VI: The Undiscovered Country (1991)

Directed by: Nicholas Meyer

Cinematography by: Hiro Narita

Edited by: William Hoy, Ronald Roose

The Butcher's Wife | ShotOnWhat?

Re-recording Mixer

The Butcher's Wife (1991)

Directed by: Terry Hughes

Cinematography by: Frank Tidy

Edited by: Donn Cambern

Harley Davidson and the Marlboro Man | ShotOnWhat?

Re-recording Mixer

Harley Davidson and the Marlboro Man (1991)

Directed by: Simon Wincer

Cinematography by: David Eggby

Edited by: Corky Ehlers

Cameras: Panavision Cameras

Point Break | ShotOnWhat?

Re-recording Mixer

Point Break (1991)

Directed by: Kathryn Bigelow

Cinematography by: Donald Peterman

Edited by: Howard E. Smith

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Rocky V | ShotOnWhat?

Re-recording Mixer

Rocky V (1990)

Directed by: John G. Avildsen

Cinematography by: Steven Poster

Edited by: John G. Avildsen, Robert A. Ferretti, Michael N. Knue

Days of Thunder | ShotOnWhat?

Additional Re-recording Mixer

Days of Thunder (1990)

Directed by: Tony Scott

Cinematography by: Ward Russell

Edited by: Robert C. Jones, Chris Lebenzon, Bert Lovitt, Michael Tronick, Stuart Waks, Billy Weber

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Two Jakes | ShotOnWhat?

Re-recording Mixer

The Two Jakes (1990)

Directed by: Jack Nicholson

Cinematography by: Vilmos Zsigmond

Edited by: Anne Goursaud

Tremors | ShotOnWhat?

Re-recording Mixer

Tremors (1990)

Directed by: Ron Underwood

Cinematography by: Alexander Gruszynski

Edited by: O. Nicholas Brown

Men at Work | ShotOnWhat?

Re-recording Mixer

Men at Work (1990)

Directed by: Emilio Estevez

Cinematography by: Tim Suhrstedt

Edited by: Craig Bassett

Joe Versus the Volcano | ShotOnWhat?

Re-recording Mixer

Joe Versus the Volcano (1990)

Directed by: John Patrick Shanley

Cinematography by: Stephen Goldblatt

Edited by: Richard Halsey, Kenneth Wannberg

Her Alibi | ShotOnWhat?

Re-recording Mixer

Her Alibi (1989)

Directed by: Bruce Beresford

Cinematography by: Freddie Francis

Edited by: Anne Goursaud

Steel Magnolias | ShotOnWhat?

Re-recording Mixer

Steel Magnolias (1989)

Directed by: Herbert Ross

Cinematography by: John A. Alonzo

Edited by: Paul Hirsch

Black Rain | ShotOnWhat?

Re-recording Mixer

Black Rain (1989)

Directed by: Ridley Scott

Cinematography by: Jan de Bont

Edited by: Tom Rolf

Cameras: Beaulieu Cameras, Panavision Cameras

Lenses: Panavision Lenses

Fat Man and Little Boy | ShotOnWhat?

Sound Mixer

Fat Man and Little Boy (1989)

Directed by: Roland Joffé

Cinematography by: Vilmos Zsigmond

Edited by: Françoise Bonnot

Dangerous Curves | ShotOnWhat?

Re-recording Mixer

Dangerous Curves (1988)

Directed by: David Lewis

Cinematography by: David Lewis

Edited by: Bob Bring

Tequila Sunrise | ShotOnWhat?

Re-recording Mixer

Tequila Sunrise (1988)

Directed by: Robert Towne

Cinematography by: Conrad L. Hall

Edited by: Claire Simpson

Pumpkinhead | ShotOnWhat?

Re-recording Mixer

Pumpkinhead (1988)

Directed by: Stan Winston

Cinematography by: Bojan Bazelli

Edited by: Marcus Manton

Cameras: ARRI Cameras

Bloodsport | ShotOnWhat?

Re-recording Mixer

Bloodsport (1988)

Directed by: Newt Arnold

Cinematography by: David Worth

Edited by: Carl Kress, Michael J. Duthie, Jean-Claude Van Damme

Cameras: Panavision Cameras

A Prayer for the Dying | ShotOnWhat?

Re-recording Mixer

A Prayer for the Dying (1987)

Directed by: Mike Hodges

Cinematography by: Michael Garfath

Edited by: Peter Boyle

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

The Hand | ShotOnWhat?

Sound Recordist

The Hand (1981)

Directed by: Oliver Stone

Cinematography by: King Baggot

Edited by: Richard Marks

Under the Rainbow | ShotOnWhat?

Sound Recordist

Under the Rainbow (1981)

Directed by: Steve Rash

Cinematography by: Frank Stanley

Edited by: David E. Blewitt

Zorro: The Gay Blade | ShotOnWhat?

Sound Recordist

Zorro: The Gay Blade (1981)

Directed by: Peter Medak

Cinematography by: John A. Alonzo

Edited by: Lori Jane Coleman

Ragtime | ShotOnWhat?

Sound Recordist

Ragtime (1981)

Directed by: Milos Forman

Cinematography by: Miroslav Ondrícek

Woodstock | ShotOnWhat?

Re-recording Mixer - Directors Cut

Woodstock (1970)

Directed by: Michael Wadleigh

Cinematography by: Malcolm Hart, Don Lenzer, Michael Margetts, David Myers, Richard Pearce, Michael Wadleigh, Alfred Wertheimer

Edited by: Jere Huggins, Thelma Schoonmaker, Martin Scorsese, Michael Wadleigh, Stanley Warnow, Yeu-Bun Yee

Cameras: Éclair NPR Camera

Editing System: Steenbeck Editing System

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