Anna Behlmer

110 Titles

Is this you? Add a Profile

Elemental | ShotOnWhat?

Re-recording Mixer - Rumored

Elemental (2023)

Directed by: Peter Sohn

Cinematography by: David Juan Bianchi, Jean-Claude Kalache

Edited by: Stephen Schaffer

Sonic the Hedgehog 2 | ShotOnWhat?

Re-recording Mixer: Formosa Group

Sonic the Hedgehog 2 (2022)

Directed by: Jeff Fowler

Cinematography by: Brandon Trost

Edited by: Jim May

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Panavision T Series Anamorphic Lenses

Editing System: Avid Editing System

Sonic the Hedgehog | ShotOnWhat?

Re-recording Mixer: Technicolor At Paramount

Sonic the Hedgehog (2020)

Directed by: Jeff Fowler

Cinematography by: Stephen F. Windon

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

The Spy Who Dumped Me | ShotOnWhat?

Re-recording Mixer

The Spy Who Dumped Me (2018)

Directed by: Susanna Fogel

Cinematography by: Barry Peterson

Edited by: Jonathan Schwartz

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Papillon | ShotOnWhat?

Re-recording Mixer

Papillon (2017)

Directed by: Michael Noer

Cinematography by: Hagen Bogdanski

Edited by: John Axelrad, Lee Haugen

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Zeiss Ultra Prime Lenses

Baywatch | ShotOnWhat?

Re-recording Mixer: Technicolor At Paramount

Baywatch (2017)

Directed by: Seth Gordon

Cinematography by: Eric Steelberg

Edited by: Peter S. Elliot

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Kung Fu Panda 3 | ShotOnWhat?

Re-recording Mixer

Kung Fu Panda 3 (2016)

Directed by: Alessandro Carloni, Jennifer Yuh Nelson

Edited by: Clare Knight

Bad Santa 2 | ShotOnWhat?

Re-recording Mixer

Bad Santa 2 (2016)

Directed by: Mark Waters

Cinematography by: Theo van de Sande

Edited by: Travis Sittard

Cameras: Panasonic VariCam 35

Lenses: Cooke Lenses

Lights Out | ShotOnWhat?

Re-recording Mixer

Lights Out (2016)

Directed by: David F. Sandberg

Cinematography by: Marc Spicer

Edited by: Michel Aller, Kirk M. Morri

Cameras: ARRI ALEXA Camera

Fifty Shades of Grey | ShotOnWhat?

Re-recording Mixer

Fifty Shades of Grey (2015)

Directed by: Sam Taylor-Johnson

Cinematography by: Seamus McGarvey

Edited by: Anne V. Coates, Lisa Gunning, Debra Neil-Fisher

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Big Short | ShotOnWhat?

Re-recording Mixer

The Big Short (2015)

Directed by: Adam McKay

Cinematography by: Barry Ackroyd

Edited by: Hank Corwin

Cameras: ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Teenage Mutant Ninja Turtles | ShotOnWhat?

Re-recording Mixer

Teenage Mutant Ninja Turtles (2014)

Directed by: Jonathan Liebesman

Cinematography by: Lula Carvalho

Edited by: Joel Negron, Glen Scantlebury

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

A Million Ways to Die in the West | ShotOnWhat?

Re-recording Mixer

A Million Ways to Die in the West (2014)

Directed by: Seth MacFarlane

Cinematography by: Michael Barrett

Edited by: Jeff Freeman

Cameras: Sony PMW-F55 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

World War Z | ShotOnWhat?

Re-recording Mixer

World War Z (2013)

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

The Purge | ShotOnWhat?

Re-recording Mixer

The Purge (2013)

Directed by: James DeMonaco

Cinematography by: Jacques Jouffret

Edited by: Peter Gvozdas

Cameras: ARRI ALEXA Plus Camera

Editing System: Avid Editing System

Anchorman 2: The Legend Continues | ShotOnWhat?

Re-recording Mixer

Anchorman 2: The Legend Continues (2013)

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Snowpiercer | ShotOnWhat?

Re-recording Mixer

Snowpiercer (2013)

Directed by: Joon-ho Bong

Cinematography by: Kyung-pyo Hong

Edited by: Steve M. Choe, Changju Kim

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Ted | ShotOnWhat?

Re-recording Mixer

Ted (2012)

Directed by: Seth MacFarlane

Cinematography by: Michael Barrett

Edited by: Jeff Freeman

Cameras: Panavision Genesis Camera, Sony PMW-EX3 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Three Stooges | ShotOnWhat?

Re-recording Mixer

The Three Stooges (2012)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Sam Seig

Jack Reacher | ShotOnWhat?

Re-recording Mixer

Jack Reacher (2012)

Directed by: Christopher McQuarrie

Cinematography by: Caleb Deschanel

Edited by: Kevin Stitt

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Alvin and the Chipmunks: Chipwrecked | ShotOnWhat?

Re-recording Mixer

Alvin and the Chipmunks: Chipwrecked (2011)

Directed by: Mike Mitchell

Cinematography by: Thomas E. Ackerman

Edited by: Peter Amundson

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Thor | ShotOnWhat?

Re-recording Mixer

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Super 8 | ShotOnWhat?

Re-recording Mixer: 20th Century Fox Studios

Super 8 (2011)

Directed by: J.J. Abrams

Cinematography by: Larry Fong

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses

Editing System: Avid Editing System

Puss in Boots | ShotOnWhat?

Re-recording Mixer

Puss in Boots (2011)

Directed by: Chris Miller

Cinematography by: Gil Zimmerman

Edited by: Erika Dapkewicz

Diary of a Wimpy Kid | ShotOnWhat?

Re-recording Mixer

Diary of a Wimpy Kid (2010)

Directed by: Thor Freudenthal

Cinematography by: Jack N. Green

Edited by: Wendy Greene Bricmont

Cameras: Panavision Cameras

Gulliver's Travels | ShotOnWhat?

Re-recording Mixer

Gulliver's Travels (2010)

Directed by: Rob Letterman

Cinematography by: David Tattersall

Edited by: Alan Edward Bell, Nicolas De Toth, Dean Zimmerman

Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Love & Other Drugs | ShotOnWhat?

Re-recording Mixer

Love & Other Drugs (2010)

Directed by: Edward Zwick

Cinematography by: Steven Fierberg

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

The Switch | ShotOnWhat?

Re-recording Mixer

The Switch (2010)

Directed by: Josh Gordon, Will Speck

Cinematography by: Jess Hall

Edited by: John Axelrad

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Land of the Lost | ShotOnWhat?

Re-recording Mixer

Land of the Lost (2009)

Directed by: Brad Silberling

Cinematography by: Dion Beebe

Edited by: Peter Teschner

Cameras: Panavision Cameras

Star Trek | ShotOnWhat?

Re-Recording Mixer

Star Trek (2009)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System, Avid Editing System

The Spiderwick Chronicles | ShotOnWhat?

Re-recording Mixer

The Spiderwick Chronicles (2008)

Directed by: Mark Waters

Cinematography by: Caleb Deschanel

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Australia | ShotOnWhat?

Re-recording Mixer

Australia (2008)

Directed by: Baz Luhrmann

Cinematography by: Mandy Walker

Edited by: Dody Dorn, Michael McCusker

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Cloverfield | ShotOnWhat?

Re-recording Mixer

Cloverfield (2008)

Directed by: Matt Reeves

Cinematography by: Michael Bonvillain

Edited by: Kevin Stitt

Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Canon Lenses, Zeiss DigiPrime Lenses

Defiance | ShotOnWhat?

Re-recording Mixer

Defiance (2008)

Directed by: Edward Zwick

Cinematography by: Eduardo Serra

Edited by: Steven Rosenblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Kung Fu Panda | ShotOnWhat?

Re-recording Mixer

Kung Fu Panda (2008)

Directed by: Mark Osborne, John Stevenson

Cinematography by: Yong Duk Jhun

Edited by: Clare Knight

Live Free or Die Hard | ShotOnWhat?

Re-recording Mixer, Re-recording Sound Mixer

Live Free or Die Hard (2007)

Directed by: Len Wiseman

Cinematography by: Simon Duggan

Edited by: Nicolas De Toth

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Editing System: Avid Editing System

The Simpsons Movie | ShotOnWhat?

Sound Mixing: Twentieth Century Fox Studios

The Simpsons Movie (2007)

Directed by: David Silverman

Edited by: John Carnochan

Editing System: Final Cut Pro Editing System

Blades of Glory | ShotOnWhat?

Re-recording Mixer

Blades of Glory (2007)

Directed by: Josh Gordon, Will Speck

Cinematography by: Stefan Czapsky

Edited by: Richard Pearson

Miami Vice | ShotOnWhat?

Re-recording Mixer

Miami Vice (2006)

Directed by: Michael Mann

Cinematography by: Dion Beebe

Edited by: William Goldenberg, Paul Rubell

Cameras: Thomson Viper Camera

Blood Diamond | ShotOnWhat?

Re-recording Mixer

Blood Diamond (2006)

Directed by: Edward Zwick

Cinematography by: Eduardo Serra

Edited by: Steven Rosenblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses

Mission: Impossible III | ShotOnWhat?

Re-recording Mixer

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

War of the Worlds | ShotOnWhat?

Re-recording Mixer

War of the Worlds (2005)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Little Manhattan | ShotOnWhat?

Re-recording Mixer

Little Manhattan (2005)

Directed by: Mark Levin

Cinematography by: Tim Orr

Edited by: Alan Edward Bell

Editing System: Final Cut Pro Editing System

Welcome to Mooseport | ShotOnWhat?

Re-recording Mixer

Welcome to Mooseport (2004)

Directed by: Donald Petrie

Cinematography by: Victor Hammer

Edited by: Debra Neil-Fisher

A Series of Unfortunate Events | ShotOnWhat?

Re-recording Mixer

Lemony Snicket's A Series of Unfortunate Events (2004)

Directed by: Brad Silberling

Cinematography by: Emmanuel Lubezki

Edited by: Michael Kahn

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Terminal | ShotOnWhat?

Re-recording Mixer

The Terminal (2004)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

The Phantom of the Opera | ShotOnWhat?

Re-recording Mixer

The Phantom of the Opera (2004)

Directed by: Joel Schumacher

Cinematography by: John Mathieson

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses

Shark Tale | ShotOnWhat?

Re-recording Mixer

Shark Tale (2004)

Directed by: Bibo Bergeron, Vicky Jenson, Rob Letterman

Edited by: Nick Fletcher, Peter Lonsdale, John Venzon

Shrek 2 | ShotOnWhat?

Sound Mixer

Shrek 2 (2004)

Directed by: Andrew Adamson, Kelly Asbury, Conrad Vernon

Edited by: Mike Andrews, Sim Evan-Jones

Timeline | ShotOnWhat?

Re-recording Mixer

Timeline (2003)

Directed by: Richard Donner

Cinematography by: Caleb Deschanel

Edited by: Richard Marks

Down with Love | ShotOnWhat?

Re-recording Mixer

Down with Love (2003)

Directed by: Peyton Reed

Cinematography by: Jeff Cronenweth

Edited by: Larry Bock

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

How to Lose a Guy in 10 Days | ShotOnWhat?

Re-recording Mixer

How to Lose a Guy in 10 Days (2003)

Directed by: Donald Petrie

Cinematography by: John Bailey

Edited by: Debra Neil-Fisher

The Life of David Gale | ShotOnWhat?

Re-recording Mixer

The Life of David Gale (2003)

Directed by: Alan Parker

Cinematography by: Michael Seresin

Edited by: Gerry Hambling

The Last Samurai | ShotOnWhat?

Re-recording Mixer

The Last Samurai (2003)

Directed by: Edward Zwick

Cinematography by: John Toll

Edited by: Victor Du Bois, Steven Rosenblum

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Seabiscuit | ShotOnWhat?

Re-recording Mixer

Seabiscuit (2003)

Directed by: Gary Ross

Cinematography by: John Schwartzman

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Duplex | ShotOnWhat?

Re-recording Mixer

Duplex (2003)

Directed by: Danny DeVito

Cinematography by: Anastas N. Michos

Edited by: Greg Hayden, Lynzee Klingman

Catch Me If You Can | ShotOnWhat?

Re-recording Mixer

Catch Me If You Can (2002)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Unfaithful | ShotOnWhat?

Re-recording Mixer

Unfaithful (2002)

Directed by: Adrian Lyne

Cinematography by: Peter Biziou

Edited by: Anne V. Coates

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

Spirit: Stallion of the Cimarron | ShotOnWhat?

Re-recording Mixer

Spirit: Stallion of the Cimarron (2002)

Directed by: Kelly Asbury, Lorna Cook

Edited by: Nick Fletcher, Clare Knight

Moulin Rouge! | ShotOnWhat?

Sound Re-recording Mixer: USA

Moulin Rouge! (2001)

Directed by: Baz Luhrmann

Cinematography by: Donald McAlpine

Edited by: Jill Bilcock

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Planet of the Apes | ShotOnWhat?

Re-recording Mixer

Planet of the Apes (2001)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Ali | ShotOnWhat?

Re-recording Mixer

Ali (2001)

Directed by: Michael Mann

Cinematography by: Emmanuel Lubezki

Edited by: William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Sony HDW-F900 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Shrek | ShotOnWhat?

Re-recording Mixer

Shrek (2001)

Directed by: Andrew Adamson, Vicky Jenson

Edited by: Sim Evan-Jones

Who Killed Atlanta's Children? | ShotOnWhat?

Re-recording Mixer

Who Killed Atlanta's Children? (2000)

Television Movie

Directed by: Charles Robert Carner

Cinematography by: Michael Goi

Edited by: Marc Leif

Mission: Impossible II | ShotOnWhat?

Re-recording Mixer

Mission: Impossible II (2000)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Steven Kemper, Christian Wagner

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Miss Congeniality | ShotOnWhat?

Re-recording Mixer

Miss Congeniality (2000)

Directed by: Donald Petrie

Cinematography by: László Kovács

Edited by: Billy Weber

X-Men | ShotOnWhat?

Re-recording Mixer

X-Men (2000)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Steven Rosenblum, Kevin Stitt, John Wright

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Men of Honor | ShotOnWhat?

Re-recording Mixer

Men of Honor (2000)

Directed by: George Tillman Jr.

Cinematography by: Anthony B. Richmond

Edited by: John Carter, Dirk Westervelt

Cameras: ARRIFLEX 35 III Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

Brokedown Palace | ShotOnWhat?

Re-recording Mixer

Brokedown Palace (1999)

Directed by: Jonathan Kaplan

Cinematography by: Newton Thomas Sigel

Edited by: Curtiss Clayton, Don Zimmerman

Angela's Ashes | ShotOnWhat?

Re-recording Mixer

Angela's Ashes (1999)

Directed by: Alan Parker

Cinematography by: Chris Connier, Michael Seresin

Edited by: Gerry Hambling

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses

Forces of Nature | ShotOnWhat?

Re-recording Mixer: Twentieth Century Fox Studios

Forces of Nature (1999)

Directed by: Bronwen Hughes

Cinematography by: Elliot Davis, David Stockton

Edited by: Craig Wood

Cameras: Panavision Cameras

Anna and the King | ShotOnWhat?

Re-recording Mixer

Anna and the King (1999)

Directed by: Andy Tennant

Cinematography by: Caleb Deschanel

Edited by: Roger Bondelli

Cameras: Panavision Cameras

Lenses: Panavision E Series Anamorphic Lenses

The Thin Red Line | ShotOnWhat?

Re-recording Mixer

The Thin Red Line (1998)

Directed by: Terrence Malick

Cinematography by: John Toll

Edited by: Leslie Jones, Saar Klein, Billy Weber

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens

Editing System: Avid Editing System

Deep Impact | ShotOnWhat?

Re-recording Mixer

Deep Impact (1998)

Directed by: Mimi Leder

Cinematography by: Dietrich Lohmann

Edited by: Paul Cichocki, David Rosenbloom

Cameras: ARRIFLEX 535 Camera

Bulworth | ShotOnWhat?

Additional Sound Re-recording Mixer

Bulworth (1998)

Directed by: Warren Beatty

Cinematography by: Vittorio Storaro

Edited by: Robert C. Jones, Billy Weber

Dangerous Beauty | ShotOnWhat?

Re-recording Mixer

Dangerous Beauty (1998)

Directed by: Marshall Herskovitz

Cinematography by: Bojan Bazelli

Edited by: Arthur Coburn, Steven Rosenblum

The X Files | ShotOnWhat?

Re-recording Mixer

The X Files (1998)

Directed by: Rob Bowman

Cinematography by: Ward Russell

Edited by: Stephen Mark

The Odd Couple II | ShotOnWhat?

Re-recording Mixer

The Odd Couple II (1998)

Directed by: Howard Deutch

Cinematography by: Jamie Anderson

Edited by: Seth Flaum

Cameras: Panavision Cameras

The Prince of Egypt | ShotOnWhat?

Re-recording Mixer

The Prince of Egypt (1998)

Directed by: Brenda Chapman, Steve Hickner, Simon Wells

Edited by: Nick Fletcher

L.A. Confidential | ShotOnWhat?

Re-recording Mixer

L.A. Confidential (1997)

Directed by: Curtis Hanson

Cinematography by: Dante Spinotti

Edited by: Peter Honess

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Lightworks Editing System

The Peacemaker | ShotOnWhat?

Re-recording Mixer

The Peacemaker (1997)

Directed by: Mimi Leder

Cinematography by: Dietrich Lohmann

Edited by: David Rosenbloom

Amistad | ShotOnWhat?

Re-recording Mixer

Amistad (1997)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Platinum Camera

Lenses: Zeiss Super Speed Lenses

Face/Off | ShotOnWhat?

Re-recording Mixer

Face/Off (1997)

Directed by: John Woo

Cinematography by: Oliver Wood

Edited by: Steven Kemper, Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Down Periscope | ShotOnWhat?

Re-recording Mixer

Down Periscope (1996)

Directed by: David S. Ward

Cinematography by: Victor Hammer

Edited by: William M. Anderson, Armen Minasian

The Craft | ShotOnWhat?

Re-recording Mixer

The Craft (1996)

Directed by: Andrew Fleming

Cinematography by: Alexander Gruszynski

Edited by: Jeff Freeman

Cameras: Moviecam Compact Camera

Lenses: Zeiss Lenses

The Trigger Effect | ShotOnWhat?

Re-recording Mixer

The Trigger Effect (1996)

Directed by: David Koepp

Cinematography by: Newton Thomas Sigel

Edited by: Jill Savitt

Bulletproof | ShotOnWhat?

Re-recording Mixer

Bulletproof (1996)

Directed by: Ernest R. Dickerson

Cinematography by: Steven Bernstein

Edited by: George Folsey Jr.

Evita | ShotOnWhat?

Re-recording Mixer

Evita (1996)

Directed by: Alan Parker

Cinematography by: Darius Khondji

Edited by: Gerry Hambling

Cameras: Moviecam Compact Camera

Lenses: Cooke Xtal Express Lenses

Courage Under Fire | ShotOnWhat?

Rerecording Mixer: Todd-AO Studios West

Courage Under Fire (1996)

Directed by: Edward Zwick

Cinematography by: Roger Deakins

Edited by: Steven Rosenblum

Heat | ShotOnWhat?

Re-recording Mixer

Heat (1995)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Pasquale Buba, William Goldenberg, Dov Hoenig, Tom Rolf

Cameras: Cine SL-35 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Jade | ShotOnWhat?

Re-recording Mixer

Jade (1995)

Directed by: William Friedkin

Cinematography by: Andrzej Bartkowiak

Edited by: Augie Hess

Braveheart | ShotOnWhat?

Rerecording Mixer

Braveheart (1995)

Directed by: Mel Gibson

Cinematography by: John Toll

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Virtuosity | ShotOnWhat?

Re-recording Mixer

Virtuosity (1995)

Directed by: Brett Leonard

Cinematography by: Gale Tattersall

Edited by: Rob Kobrin, B.J. Sears

Cameras: ARRIFLEX 535 B Camera, Moviecam Compact Camera

Greedy | ShotOnWhat?

Re-recording Mixer

Greedy (1994)

Directed by: Jonathan Lynn

Cinematography by: Gabriel Beristain

Edited by: Tony Lombardo

The Cowboy Way | ShotOnWhat?

Re-recording Mixer

The Cowboy Way (1994)

Directed by: Gregg Champion

Cinematography by: Dean Semler

Edited by: Michael Tronick

The Air Up There | ShotOnWhat?

Re-recording Mixer

The Air Up There (1994)

Directed by: Paul Michael Glaser

Cinematography by: Dick Pope

Edited by: Tom McMurtry, Michael E. Polakow

Cameras: Panavision Cameras

Army of One | ShotOnWhat?

Rerecording Mixer

Army of One (1993)

Directed by: Vic Armstrong

Cinematography by: Daniel L. Turrett

Edited by: Paul Morton

Cameras: Todd-AO CineSpace 70 Camera

In the Name of the Father | ShotOnWhat?

Re-recording Mixer

In the Name of the Father (1993)

Directed by: Jim Sheridan

Cinematography by: Peter Biziou

Edited by: Gerry Hambling

Blood In, Blood Out | ShotOnWhat?

Re-recording Mixer

Blood In, Blood Out (1993)

Directed by: Taylor Hackford

Cinematography by: Gabriel Beristain

Edited by: Fredric Steinkamp, Karl F. Steinkamp

Cameras: ARRIFLEX Camera

Afterburn | ShotOnWhat?

Re-recording Mixer

Afterburn (1992)

Television Movie

Directed by: Robert Markowitz

Cinematography by: Isidore Mankofsky

Edited by: Jerrold L. Ludwig

The Hand That Rocks the Cradle | ShotOnWhat?

Re-recording Mixer

The Hand That Rocks the Cradle (1992)

Directed by: Curtis Hanson

Cinematography by: Robert Elswit

Edited by: John F. Link

Cameras: Panavision Cameras

Married to It | ShotOnWhat?

Re-recording Mixer

Married to It (1991)

Directed by: Arthur Hiller

Cinematography by: Victor J. Kemper

Edited by: Robert C. Jones

Robin Hood: Prince of Thieves | ShotOnWhat?

Re-Recording Mixer

Robin Hood: Prince of Thieves (1991)

Directed by: Kevin Reynolds

Cinematography by: Douglas Milsome

Edited by: Peter Boyle

Cameras: ARRIFLEX Camera

Lenses: ARRI Lenses

Kindergarten Cop | ShotOnWhat?

Re-recording Mixer

Kindergarten Cop (1990)

Directed by: Ivan Reitman

Cinematography by: Michael Chapman

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Crazy People | ShotOnWhat?

Sound Recordist

Crazy People (1990)

Directed by: Tony Bill, Barry L. Young

Cinematography by: Victor J. Kemper

Edited by: Mia Goldman

Cameras: ARRI ARRIFLEX Series Cameras, Panavision Panaflex Gold Camera

Lenses: Panavision Ultra Speed MKII Lenses

Awakenings | ShotOnWhat?

Sound Recordist

Awakenings (1990)

Directed by: Penny Marshall

Cinematography by: Miroslav Ondrícek

Edited by: Battle Davis, Gerald B. Greenberg

D.O.A. | ShotOnWhat?

Sound Recordist

D.O.A. (1988)

Directed by: Annabel Jankel, Rocky Morton

Cinematography by: Yuri Neyman

Edited by: Raja Gosnell, Michael R. Miller

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses: Zeiss Super Speed Lenses

Earth Girls Are Easy | ShotOnWhat?

Sound Recordist

Earth Girls Are Easy (1988)

Directed by: Julien Temple

Cinematography by: Oliver Stapleton

Edited by: Richard Halsey

Masters of the Universe | ShotOnWhat?

Sound Recordist

Masters of the Universe (1987)

Directed by: Gary Goddard

Cinematography by: Hanania Baer

Edited by: Anne V. Coates

3 Men and a Baby | ShotOnWhat?

Recordist

3 Men and a Baby (1987)

Directed by: Leonard Nimoy

Cinematography by: Adam Greenberg

Edited by: Michael A. Stevenson

©2012 - 2025 ShotOnWhat?

20254.20