Visual Effects Art Director: Zoic Studios
Big Eyes (2014)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: JC Bond
Editing System: Avid Editing System
Visual Effects
The Bling Ring (2013)
Directed by: Sofia Coppola
Edited by: Sarah Flack
Cameras: Red Epic Camera
Environments Supervisor: Zoic Studios
Lawless (2012)
Directed by: John Hillcoat
Cinematography by: Benoît Delhomme
Edited by: Dylan Tichenor
Cameras: ARRI ALEXA Camera
Matte Painting Consultant: Zoic Studios
Premium Rush (2012)
Directed by: David Koepp
Cinematography by: Mitchell Amundsen
Visual Effects: Zoic Studios
Red Riding Hood (2011)
Directed by: Catherine Hardwicke
Cinematography by: Mandy Walker
Matte Painting Supervisor
Straw Dogs (2011)
Directed by: Rod Lurie
Cinematography by: Alik Sakharov
Edited by: Sarah Boyd
Visual Effects Artist
Too Big to Fail (2011)
Directed by: Curtis Hanson
Cinematography by: Kramer Morgenthau
Matte Painting Supervisor: Zoic Studios
The Grey (2011)
Directed by: Joe Carnahan
Cinematography by: Masanobu Takayanagi
Matte Painting Supervisor: Zoic Studios
The Karate Kid (2010)
Directed by: Harald Zwart
Cinematography by: Roger Pratt
Edited by: Joel Negron
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Cooke S4 Lenses
Matte Painting Supervisor: Zoic Studios
How Do You Know (2010)
Directed by: James L. Brooks
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Supervisor
Somewhere (2010)
Directed by: Sofia Coppola
Cinematography by: Harris Savides
Edited by: Sarah Flack
Visual Effects Supervisor: Illusion Arts
Public Enemies (2009)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Matte Painting Supervisor: Zoic Studios
Zombieland (2009)
Directed by: Ruben Fleischer
Cinematography by: Michael Bonvillain
Edited by: Alan Baumgarten
Visual Effects: Illusion Arts
Drillbit Taylor (2008)
Directed by: Steven Brill
Cinematography by: Fred Murphy
Visual Effects: Illusion Arts
The Mummy: Tomb of the Dragon Emperor (2008)
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Visual Effects: Illusion Arts, Mass Grave Matte
Defiance (2008)
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Visual Effects Supervisor: Illusion Arts
Milk (2008)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Elliot Graham
Visual Effects: Illusion Arts
The Bucket List (2007)
Directed by: Rob Reiner
Cinematography by: John Schwartzman
Edited by: Robert Leighton
Cameras: Panavision Cameras
Visual Effects: Illusion Arts
The Fast and the Furious: Tokyo Drift (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Visual Effects: Illusion Arts
Miami Vice (2006)
Directed by: Michael Mann
Cinematography by: Dion Beebe
Cameras: Thomson Viper Camera
Special Visual Effects: Illusion Arts Inc.
You, Me and Dupree (2006)
Cinematography by: Charles Minsky
Special Visual Effects
The Break-Up (2006)
Directed by: Peyton Reed
Cinematography by: Eric Alan Edwards
Visual Effects
Nacho Libre (2006)
Directed by: Jared Hess
Cinematography by: Xavier Grobet
Edited by: Billy Weber
Additional Visual Effects: Illusion Arts
Eight Below (2006)
Directed by: Frank Marshall
Cinematography by: Don Burgess
Edited by: Christopher Rouse
Special Visual Effects: Illusion Arts, Inc.
Keeping Up with the Steins (2006)
Directed by: Scott Marshall
Cinematography by: Charles Minsky
Edited by: Tara Timpone
Additional Visual Effects
Charlotte's Web (2006)
Directed by: Gary Winick
Cinematography by: Seamus McGarvey
Special Visual Effects: Illusion Arts
Serenity (2005)
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Additional Matte Paintings: Illusion Arts
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Visual Effects Supervisor: Illusion Arts
Æon Flux (2005)
Directed by: Karyn Kusama
Cinematography by: Stuart Dryburgh
Visual Effects Supervisor: Illusion Arts
Casanova (2005)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein
Additional Visual Effects
Son of the Mask (2005)
Directed by: Lawrence Guterman
Cinematography by: Greg Gardiner
Special Visual Effects: Illusion Arts
The Village (2004)
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Matte Painting Supervisor
Van Helsing (2004)
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Special Visual Effects: Illusion Arts
The Notebook (2004)
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim
Special Visual Effects: Illusion Arts
Bruce Almighty (2003)
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Scott Hill
Lenses: Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
Editing System: Lightworks Editing System
Visual Effects
2 Fast 2 Furious (2003)
Directed by: John Singleton
Cinematography by: Matthew F. Leonetti
Lenses: Cooke S4 Lenses
Visual Effects
Blue Crush (2002)
Directed by: John Stockwell
Cinematography by: David Hennings
Edited by: Emma E. Hickox
Special Visual Effects: Illusion Arts
The Bourne Identity (2002)
Directed by: Doug Liman
Cinematography by: Oliver Wood
Edited by: Saar Klein
Special Visual Effects
Undercover Brother (2002)
Directed by: Malcolm D. Lee
Cinematography by: Tom Priestley Jr.
Edited by: William Kerr
Special Visual Effects: Illusion Arts
Gerry (2002)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Special Visual Effects: Illusion Arts Inc.
The Time Machine (2002)
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Special Visual Effects: Illusion Arts
The Truth About Charlie (2002)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Special Visual Effects: Illusion Arts Inc.
Unfaithful (2002)
Directed by: Adrian Lyne
Cinematography by: Peter Biziou
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Special Visual Effects: Illusion Arts
Eye See You (2002)
Directed by: Jim Gillespie
Cinematography by: Dean Semler
Visual Effects Supervisor
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Special Visual Effects: Illusion Arts Inc.
Star Trek: Nemesis (2002)
Directed by: Stuart Baird
Cinematography by: Jeffrey L. Kimball
Edited by: Dallas Puett
Special Visual Effects: Illusion Arts
The Score (2001)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Richard Pearson
Visual Effects
The Fast and the Furious (2001)
Directed by: Rob Cohen
Cinematography by: Ericson Core
Edited by: Peter Honess
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Visual Effects Supervisor: Illusion Arts Inc.
The Gift (2000)
Directed by: Sam Raimi
Cinematography by: Jamie Anderson
Additional Visual Effects: Illusion Art, Inc.
Finding Forrester (2000)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Valdís Óskarsdóttir
Special Visual Effects: Illusion Arts
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Visual Effects Supervisor
The Skulls (2000)
Directed by: Rob Cohen
Cinematography by: Shane Hurlbut
Edited by: Peter Amundson
Visual Effects: Illusion Arts Inc.
Bowfinger (1999)
Directed by: Frank Oz
Cinematography by: Ueli Steiger
Edited by: Richard Pearson
Additional Matte Paintings: Illusion Arts
Bicentennial Man (1999)
Directed by: Chris Columbus
Cinematography by: Phil Meheux
Cameras: Panavision Panaflex Gold II Camera
Visual Effects: Illusion Arts
Brokedown Palace (1999)
Directed by: Jonathan Kaplan
Cinematography by: Newton Thomas Sigel
Special Visual Effects: Illusion Arts
Dudley Do-Right (1999)
Directed by: Hugh Wilson
Cinematography by: Donald E. Thorin
Edited by: Don Brochu
Additional Title Backgrounds: Illusion Arts
Mystery Men (1999)
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
Special Visual Effects: Illusion Arts, Inc.
Black Dog (1998)
Directed by: Kevin Hooks
Cinematography by: Buzz Feitshans IV
Storm Visual Effects
Six Days Seven Nights (1998)
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Special Visual Effects
Psycho (1998)
Directed by: Gus Van Sant
Cinematography by: Christopher Doyle
Edited by: Amy E. Duddleston
Matte Paintings: Illusion Arts Inc.
The Mask of Zorro (1998)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Thom Noble
Lenses: Cooke Lenses
Matte Paintings: Illusion Arts
8 Heads in a Duffel Bag (1997)
Directed by: Tom Schulman
Cinematography by: Adam Holender
Edited by: David Holden
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Visual Effects
The Jackal (1997)
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Jim Clark
Optical Effects: Illusion Arts
Trial and Error (1997)
Directed by: Jonathan Lynn
Cinematography by: Gabriel Beristain
Edited by: Tony Lombardo
Cameras: ARRIFLEX 535 Camera
Special Visual Effects: Illusion Arts
Daylight (1996)
Directed by: Rob Cohen
Cinematography by: David Eggby
Edited by: Peter Amundson
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Matte Painter: Illusion Arts
DragonHeart (1996)
Directed by: Rob Cohen
Cinematography by: David Eggby
Edited by: Peter Amundson
Matte Painting Effects: Illusion Arts
Courage Under Fire (1996)
Directed by: Edward Zwick
Cinematography by: Roger Deakins
Edited by: Steven Rosenblum
Matte Painter: Illusion Art
Star Trek: First Contact (1996)
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: John W. Wheeler
Special Visual Effects
The Birdcage (1996)
Directed by: Mike Nichols
Cinematography by: Emmanuel Lubezki
Edited by: Arthur Schmidt
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Visual Effects: Illusion Arts
A Walk in the Clouds (1995)
Directed by: Alfonso Arau
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Special Visual Effects
Batman Forever (1995)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Special Visual Effects: Illusion Arts
Fatherland (1994)
Directed by: Christopher Menaul
Cinematography by: Peter Sova
Edited by: Tariq Anwar
Special Visual Effects: Illusion Arts
Speechless (1994)
Directed by: Ron Underwood
Cinematography by: Donald Peterman
Edited by: Richard Francis-Bruce
Special Visual Effects
The Shadow (1994)
Directed by: Russell Mulcahy
Cinematography by: Stephen H. Burum
Edited by: Peter Honess
Special Visual Effects: Illusion Arts, Inc.
Naked Gun 33 1/3: The Final Insult (1994)
Directed by: Peter Segal
Cinematography by: Robert M. Stevens
Edited by: James R. Symons
Cameras: Panavision Cameras
Matte Paintings
Dennis the Menace (1993)
Directed by: Nick Castle
Cinematography by: Thomas E. Ackerman
Edited by: Alan Heim
Matte Painter: Illusion Arts
Addams Family Values (1993)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Matte Painter
Robin Hood: Men in Tights (1993)
Directed by: Mel Brooks
Cinematography by: Michael D. O'Shea
Edited by: Stephen E. Rivkin
Special Visual Effects: Illusion Arts Inc.
The Age of Innocence (1993)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Special Visual Effects
Chaplin (1992)
Directed by: Richard Attenborough
Cinematography by: Sven Nykvist
Edited by: Anne V. Coates
Matte Art Composites: Illusion Arts
The Addams Family (1991)
Directed by: Barry Sonnenfeld
Cinematography by: Owen Roizman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Visual Effects: Illusion Arts
For the Boys (1991)
Directed by: Mark Rydell
Cinematography by: Stephen Goldblatt
Matte Paintings: Illusion Arts Inc.
Mannequin: On the Move (1991)
Directed by: Stewart Raffill
Cinematography by: Larry Pizer
Visual Effects
Sleeping with the Enemy (1991)
Directed by: Joseph Ruben
Cinematography by: John Lindley
Edited by: George Bowers
Visual Effects: Illusion Arts, Inc.
Graveyard Shift (1990)
Directed by: Ralph S. Singleton
Cinematography by: Peter Stein
Special Visual Effects: Illusion Arts Inc.
Glory (1989)
Directed by: Edward Zwick
Cinematography by: Freddie Francis
Edited by: Steven Rosenblum
Cameras: Panavision Panaflex Gold II Camera
Matte Painter
Millennium (1989)
Directed by: Michael Anderson
Cinematography by: Rene Ohashi
Edited by: Ron Wisman
Matte Artist
Honey, I Shrunk the Kids (1989)
Directed by: Joe Johnston
Cinematography by: Hiro Narita
Edited by: Michael A. Stevenson
Matte Artist: Los Angeles / Special Visual Effects
Coming to America (1988)
Directed by: John Landis
Cinematography by: Woody Omens
Cameras: Panavision Panaflex Gold Camera
Matte Painting Effects
Spaceballs (1987)
Directed by: Mel Brooks
Cinematography by: Nick McLean
Edited by: Conrad Buff IV
Matte Shots
The Running Man (1987)
Directed by: Paul Michael Glaser
Cinematography by: Thomas Del Ruth
Special Visual Effects: Illusion Arts Inc.
Dragnet (1987)
Directed by: Tom Mankiewicz
Cinematography by: Matthew F. Leonetti
Visual Effects
Psycho III (1986)
Directed by: Anthony Perkins
Cinematography by: Bruce Surtees
Edited by: David E. Blewitt
Special Visual Effects
The Karate Kid Part II (1986)
Directed by: John G. Avildsen
Cinematography by: James Crabe
Special Visual Effects: Matte Paintings
Out of Africa (1985)
Directed by: Sydney Pollack
Cinematography by: David Watkin
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
Matte Artist
The River (1984)
Directed by: Mark Rydell
Cinematography by: Vilmos Zsigmond
Edited by: Sidney Levin
Matte Painter
Dune (1984)
Directed by: David Lynch
Cinematography by: Freddie Francis
Edited by: Antony Gibbs
Visual Effects Enhancement: Illusion Arts - 2007 Final Cut Version
Blade Runner (1982)
Directed by: Ridley Scott
Cinematography by: Jordan Cronenweth
Matte Artist
Ghost Story (1981)
Directed by: John Irvin
Cinematography by: Jack Cardiff
Edited by: Tom Rolf
Assistant Matte Painter
The Blues Brothers (1980)
Directed by: John Landis
Cinematography by: Stephen M. Katz
Edited by: George Folsey Jr.
Assistant Matte Painter
The Wiz (1978)
Directed by: Sidney Lumet
Cinematography by: Oswald Morris
Edited by: Dede Allen
Assistant Matte Artist
MacArthur (1977)
Directed by: Joseph Sargent
Cinematography by: Mario Tosi
Edited by: George Jay Nicholson
