Executive Producer
Because of Winn-Dixie (2005)
Directed by: Wayne Wang
Cinematography by: Karl Walter Lindenlaub
Edited by: Deirdre Slevin
Co-producer, Unit Production Manager: Washington, D.C.
Murder at 1600 (1997)
Directed by: Dwight H. Little
Cinematography by: Steven Bernstein
Co-producer, Unit Production Manager
Last Man Standing (1996)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Freeman A. Davies
Co-producer
Clear and Present Danger (1994)
Directed by: Phillip Noyce
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Executive Producer
Leap of Faith (1992)
Directed by: Richard Pearce
Cinematography by: Matthew F. Leonetti
Executive Producer, Unit Production Manager
Another 48 Hrs. (1990)
Directed by: Walter Hill
Cinematography by: Matthew F. Leonetti
Cameras: Ultracam 35 Camera
Director, Producer
Graveyard Shift (1990)
Directed by: Ralph S. Singleton
Cinematography by: Peter Stein
Co-producer, Unit Production Manager
Harlem Nights (1989)
Directed by: Eddie Murphy
Cinematography by: Woody Omens
Associate Producer
Pet Sematary (1989)
Directed by: Mary Lambert
Cinematography by: Peter Stein
Cameras: Panavision Cameras
Production Supervisor: USA / Unit Production Manager
Exposed (1983)
Directed by: James Toback
Cinematography by: Henri Decaë
Edited by: Robert Lawrence
Cameras: Panavision Cameras
Production Manager
One from the Heart (1981)
Directed by: Francis Ford Coppola
Cameras: ARRIFLEX 35 BL Camera
Second Assistant Director
The Sentinel (1977)
Directed by: Michael Winner
Cinematography by: Richard C. Kratina
Second Assistant Director , T.V. Interviewer
Taxi Driver (1976)
Directed by: Martin Scorsese
Cinematography by: Michael Chapman
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
Second Assistant Director
Three Days of the Condor (1975)
Directed by: Sydney Pollack
Cinematography by: Owen Roizman
Edited by: Don Guidice
Production Assistant
The French Connection (1971)
Directed by: William Friedkin
Cinematography by: Owen Roizman
Edited by: Gerald B. Greenberg
Cameras: ARRIFLEX 35 IIC Camera
Lenses: ARRI / Zeiss Lenses
Production Assistant
Klute (1971)
Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Edited by: Carl Lerner
Cameras: Panavision Cameras
