Additional Second Assistant Director
Killers of the Flower Moon (2023)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses
Editing System: Lightworks Editing System
Additional Second Assistant Director - 1 Episode, 2021
Dexter: New Blood (2021)
Directed by: Marcos Siega
Cameras: ARRI ALEXA Mini LF Camera
Key Production Assistant: Additional Photography
Marriage Story (2019)
Directed by: Noah Baumbach
Cinematography by: Robbie Ryan
Edited by: Jennifer Lame
Set Production Assistant: Additional Photography
A Quiet Place (2018)
Directed by: John Krasinski
Cinematography by: Charlotte Bruus Christensen
Edited by: Christopher Tellefsen
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
Additional Set Production Assistant
Vice (2018)
Directed by: Adam McKay
Cinematography by: Greig Fraser
Edited by: Hank Corwin
Set Production Assistant
A Star Is Born (2018)
Directed by: Bradley Cooper
Cinematography by: Matthew Libatique
Edited by: Jay Cassidy
Cameras: ARRI ALEXA Mini Camera
Lenses: Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses
Set Production Assistant
Bright (2017)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision Lenses
Set Production Assistant
'Broad City' Jews on a Plane (2016)
Directed by: John Lee
Cinematography by: Steven Capitano Calitri
Edited by: Elizabeth Merrick
Additional Production Assistant / Key Production Assistant: Additional Photography
Live by Night (2016)
Directed by: Ben Affleck
Cinematography by: Robert Richardson
Edited by: William Goldenberg
Cameras: ARRI ALEXA 65 Camera
Set Production Assistant: Additional Photography
Blood Father (2016)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Edited by: Steven Rosenblum
Additional Production Assistant
Hail, Caesar! (2016)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Adobe Premiere Editing System
Set Production Assistant
The Finest Hours (2016)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Key Production Assistant: Additional Photography
Suicide Squad (2016)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Set Production Assistant: Los Angeles
The Nice Guys (2016)
Directed by: Shane Black
Cinematography by: Philippe Rousselot
Edited by: Joel Negron
Cameras: ARRI ALEXA XT Camera
Set Production Assistant: Additional Photography
Straight Outta Compton (2015)
Directed by: F. Gary Gray
Cinematography by: Matthew Libatique
Cameras: Red Epic Dragon Camera
Key Production Assistant: Additional Photography
Star Wars: Episode VII - The Force Awakens (2015)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Additional Production Assistant
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Set Production Assistant
'True Detective' Down Will Come (2015)
Directed by: Jeremy Podeswa
Cinematography by: Nigel Bluck
Set Production Assistant
'Mad Men' A Day's Work (2014)
Directed by: Michael Uppendahl
Cinematography by: Don Devine
Edited by: Tom Wilson
Set Production Assistant
'Mad Men' Time Zones (2014)
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Christopher Gay
Additional Production Assistant
'New Girl' Exes (2014)
Directed by: Alex Hardcastle
Cinematography by: Russ T. Alsobrook
Set Production Assistant
'Mad Men' Waterloo (2014)
Directed by: Matthew Weiner
Cinematography by: Chris Manley
Edited by: Christopher Gay
Set Production Assistant
'Mad Men' The Strategy (2014)
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Chris Figler
Set Production Assistant
'Mad Men' The Runaways (2014)
Directed by: Chris Manley
Cinematography by: Don Devine
Edited by: Tom Wilson
Set Production Assistant
'Mad Men' The Monolith (2014)
Directed by: Scott Hornbacher
Cinematography by: Don Devine
Edited by: Christopher Gay
Additional Production Assistant
The Gambler (2014)
Directed by: Rupert Wyatt
Cinematography by: Greig Fraser
Edited by: Pete Beaudreau
Cameras: ARRI ALEXA XT Camera
Set Production Assistant
'Mad Men' Field Trip (2014)
Directed by: Chris Manley
Cinematography by: M. David Mullen
Edited by: Chris Figler
Set Production Assistant
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Set Production Assistant - 1 Episode, 2016
Broad City (2014)
Directed by: Lucia Aniello, Nicholas Jasenovec, John Lee, Ilana Glazer, Abbi Jacobson, Todd Biermann, Michael Blieden, Jeff Tomsic, Ryan McFaul, Amy Poehler, Neil Daly, Lilly Burns, Paul W. Downs, Nick Paley
Edited by: Elizabeth Merrick, Laura Weinberg, Jessica Brunetto, Jon Philpot, Nick Mougis, Alex Minnick, Kate Pedatella, Samuel Rosenberg, Nick Paley, Jon Higgins, Warren Paley
Cameras: ARRI ALEXA Plus Camera
Additional Production Assistant
'Scandal' The State of the Union (2014)
Directed by: Allison Liddi-Brown
Edited by: Christal Khatib
Additional Production Assistant
'Scandal' Randy, Red, Superfreak and Julia (2014)
Directed by: Tom Verica
Cinematography by: Oliver Bokelberg
Edited by: Gregory T. Evans
Set Production Assistant: Los Angeles
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Additional Production Assistant
'Mad Men' A Tale of Two Cities (2013)
Directed by: John Slattery
Cinematography by: Chris Manley
Edited by: Christopher Gay
Additional Production Assistant
'Mad Men' Man with a Plan (2013)
Directed by: John Slattery
Cinematography by: Chris Manley
Edited by: Christopher Gay
Additional Production Assistant
'Mad Men' Favors (2013)
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Edited by: Tom Wilson
Additional Production Assistant: Los Angeles
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Additional Production Assistant
'True Blood' Radioactive (2013)
Directed by: Scott Winant
Cinematography by: Romeo Tirone
Edited by: Louise Innes
Additional Production Assistant
'True Blood' Dead Meat (2013)
Directed by: Michael Lehmann
Cinematography by: Evans Brown
Edited by: Mark Hartzell
Additional Production Assistant
'True Blood' Life Matters (2013)
Directed by: Romeo Tirone
Cinematography by: Uta Briesewitz
Additional Production Assistant
'True Blood' In the Evening (2013)
Directed by: Scott Winant
Edited by: Louise Innes
Additional Production Assistant
'True Blood' Don't You Feel Me (2013)
Directed by: Howard Deutch
Cinematography by: Evans Brown
Edited by: Mark Hartzell
Additional Production Assistant
'True Blood' You're No Good (2013)
Directed by: Howard Deutch
Cinematography by: David Klein
Edited by: Mark Hartzell
Additional Production Assistant
'True Blood' The Sun (2013)
Directed by: Daniel Attias
Cinematography by: Romeo Tirone
Edited by: Michael Ruscio
Additional Production Assistant
'True Blood' Who Are You, Really? (2013)
Directed by: Stephen Moyer
Cinematography by: David Klein
Edited by: Louise Innes
Additional Production Assistant
'Mad Men' The Doorway, Part 1 (2013)
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Tom Wilson
Additional Production Assistant
'Mad Men' The Crash (2013)
Directed by: Michael Uppendahl
Cinematography by: Chris Manley
Edited by: Tom Wilson
Additional Production Assistant
'Mad Men' For Immediate Release (2013)
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Edited by: Chris Figler
Additional Production Assistant
'Mad Men' The Flood (2013)
Directed by: Chris Manley
Cinematography by: Don Devine
Edited by: Tom Wilson
Set Production Assistant
Saving Mr. Banks (2013)
Directed by: John Lee Hancock
Cinematography by: John Schwartzman
Edited by: Mark Livolsi
Additional Production Assistant
The Hangover Part III (2013)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Additional Production Assistant
'Mad Men' To Have and to Hold (2013)
Directed by: Michael Uppendahl
Cinematography by: Jeffrey Jur
Edited by: Christopher Gay
Key Set Production Assistant: Reshoots
The Wolverine (2013)
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
Set Production Assistant
Oz the Great and Powerful (2013)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Cameras: Red Epic Camera
Editing System: Avid Editing System
Additional Production Assistant
'Modern Family' The Big Game (2013)
Directed by: Beth McCarthy-Miller
Cinematography by: James R. Bagdonas
Edited by: Ryan Case
Production Assistant
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Additional Production Assistant
'New Girl' Thanksgiving III (2013)
Directed by: Max Winkler
Cinematography by: Russ T. Alsobrook
Edited by: Steve Welch
Additional Production Assistant
'New Girl' Longest Night Ever (2013)
Directed by: Nicholas Jasenovec
Cinematography by: Russ T. Alsobrook
Edited by: Kabir Akhtar
Additional Production Assistant
'New Girl' Menus (2013)
Directed by: Trent O'Donnell
Cinematography by: Russ T. Alsobrook
Edited by: Hugh Ross
Additional Production Assistant
'New Girl' Keaton (2013)
Directed by: David Katzenberg
Cinematography by: Casey Hotchkiss
Edited by: Kabir Akhtar
Additional Production Assistant
'Mad Men' The Better Half (2013)
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Chris Figler
Additional Production Assistant - 2 Episodes, 2014
Scandal (2012)
Directed by: Tom Verica, Oliver Bokelberg, Allison Liddi-Brown, Tony Goldwyn, Randy Zisk, Jann Turner, Jeannot Szwarc, Steve Robin, Paul McCrane, Mark Tinker, Debbie Allen, Scott Foley, Sharat Raju, Stephen Cragg, Michael Katleman, Ron Underwood, Roxann Dawson, Julie Anne Robinson, Zetna Fuentes, Regina King, Steph Green, Nzingha Stewart, Nicole Rubio, Paul McGuigan, Bethany Rooney, Jessica Yu, Ava DuVernay, Kevin Bray, David Rodriguez, John Terlesky, Chandra Wilson, Paris Barclay, Salli Richardson-Whitfield, Millicent Shelton, Gregory T. Evans, Joe Morton, Daryn Okada, Darby Stanchfield, Kerry Washington, Valerie Weiss
Cinematography by: Oliver Bokelberg, Michael G. Wojciechowski, Daryn Okada, Steven G. Fracol, Andrew Lemon
Edited by: Gregory T. Evans, Matthew Ramsey, Christal Khatib, Kyle Bond, Matthew Pevic, Joe Mitacek, Karen Castañeda, Julia Grove, Dino DeLorenzo, Jonathan Pledger, David Greenspan, Jamin Bricker, Kurt Courtland
Cameras: ARRI ALEXA Camera, Digital Bolex D16
Lenses: Angenieux Optimo Zoom Lenses
Additional Production Assistant
'American Horror Story' I Am Anne Frank: Part 2 (2012)
Directed by: Alfonso Gomez-Rejon
Cinematography by: Michael Goi
Edited by: Adam Penn
Additional Production Assistant
'American Horror Story' Dark Cousin (2012)
Directed by: Michael Rymer
Cinematography by: Michael Goi
Edited by: Stewart Schill
Additional Production Assistant: Los Angeles
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Production Assistant: Additional Photography
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Additional Production Assistant
Django Unchained (2012)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Additional Production Assistant
'American Horror Story' Nor'easter (2012)
Directed by: Michael Uppendahl
Cinematography by: Michael Goi
Edited by: Fabienne Bouville
Additional Production Assistant
'American Horror Story' The Origins of Monstrosity (2012)
Directed by: David Semel
Cinematography by: Michael Goi
Edited by: Fabienne Bouville
Additional Production Assistant
'American Horror Story' I Am Anne Frank: Part 1 (2012)
Directed by: Michael Uppendahl
Cinematography by: Michael Goi
Edited by: Stewart Schill
Production Assistant
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Additional Production Assistant
'True Blood' Soul of Fire (2011)
Directed by: Michael Lehmann
Cinematography by: Romeo Tirone
Edited by: Lynne Willingham
Additional Production Assistant: Los Angeles
X: First Class (2011)
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Production Assistant
Cowboys & Aliens (2011)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Additional Production Assistant
Horrible Bosses (2011)
Directed by: Seth Gordon
Cinematography by: David Hennings
Edited by: Peter Teschner
Cameras: Panavision Genesis Camera
Additional Production Assistant
Fast Five (2011)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Additional Set Production Assistant: Los Angeles
Super 8 (2011)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Additional Production Assistant: Los Angeles
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Additional Production Assistant
In Time (2011)
Directed by: Andrew Niccol
Cinematography by: Roger Deakins
Edited by: Zach Staenberg
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Additional Production Assistant - 5 Episodes, 2012
American Horror Story (2011)
Directed by: Bradley Buecker, Alfonso Gomez-Rejon, Michael Uppendahl, Loni Peristere, Michael Goi, Gwyneth Horder-Payton, Jennifer Lynch, Ryan Murphy, Michael Lehmann, David Semel, Howard Deutch, Jeremy Podeswa, Michael Rymer, Angela Bassett, Miguel Arteta, Tim Hunter, John Scott, Craig Zisk, Anthony Hemingway, Nelson Cragg, Marita Grabiak, Elodie Keene, Alexis Ostrander, Barbara Brown, Rachel Goldberg, Liza Johnson, Maggie Kiley, Jennifer Arnold, Sheree Folkson, Sarah Paulson
Cinematography by: Michael Goi, Gavin Kelly, John B. Aronson, Tom Houghton, Nelson Cragg, Jesse M. Feldman, Christopher Baffa, Joaquin Sedillo, James Chressanthis, Chris Manley, James M. Sterba
Edited by: Fabienne Bouville, Adam Penn, Ken Ramos, Stewart Schill, Regis Kimble, Justin Krohn, Danielle Wang, Bradley Buecker, Adriaan van Zyl, Sean Aylward, Angela Jackson, Chris A. Peterson, Robert Komatsu, Micky Blythe, Kaja Fehr, Joe Leonard, John Petaja, Lizzy Calhoun, Shelly Westerman
Cameras: ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Lenses, Panavision Lenses
Additional Production Assistant - 5 Episodes, 2013-2014
New Girl (2011)
Directed by: Trent O'Donnell, Erin O'Malley, Jake Kasdan, Fred Goss, Max Winkler, Jay Chandrasekhar, Jesse Peretz, Lynn Shelton, Steve Welch, Josh Greenbaum, Russ T. Alsobrook, Peyton Reed, Eric Appel, Tristram Shapeero, Lorene Scafaria, Bill Purple, Christine Gernon, Michael Schultz, Jason Winer, Steve Pink, Michael Spiller, Alec Berg, Elizabeth Meriwether, Alex Hardcastle, Miguel Arteta, John Hamburg, Daniel Attias, Neal Brennan, Nanette Burstein, Larry Charles, Tucker Gates, Troy Miller, Matt Shakman, David Wain, Jason Woliner, Craig Zisk, Andrew Fleming, Nicholas Jasenovec, David Katzenberg, Matt Sohn, Richie Keen, Steven K. Tsuchida, Reginald Hudlin, Zooey Deschanel, Jake Johnson, Dana Fox, Lamorne Morris
Edited by: Steve Welch, Hugh Ross, Giselle Murillo, Brian Merken, Kabir Akhtar, Keenan Hiett, Dan Schalk, Catherine Haight, Matthew Freund, Abby Gentsch
Cameras: ARRI ALEXA Camera
Additional Production Assistant
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Additional Production Assistant
Alice in Wonderland (2010)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Additional Production Assistant
'Mad Men' Public Relations (2010)
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Tom Wilson
Additional Production Assistant
Inception (2010)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Production Assistant
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Additional Production Assistant - 1 Episode, 2013
Modern Family (2009)
Directed by: Gail Mancuso, Steven Levitan, Michael Spiller, Beth McCarthy-Miller, Jason Winer, James R. Bagdonas, James Alan Hensz, Fred Savage, Chris Koch, Jeffrey Walker, Ryan Case, Alisa Statman, Eric Dean Seaton, Scott Ellis, Reginald Hudlin, Randall Einhorn, Bryan Cranston, Ken Whittingham, John Riggi, Julie Bowen, Abraham Higginbotham, Iwona Kanclerz, Helena Lamb, Seth Gordon, Kevin Rodney Sullivan, Dean Parisot, Adam Shankman, Jeff Melman, Fred Goss, Lev L. Spiro, Claire Scanlon, Phil Traill, Michelle MacLaren, Kat Coiro, Jaffar Mahmood, Elaine Ko
Edited by: Ryan Case, Tony Orcena, Christian Miglio, Giselle Murillo, Jonathan Schwartz, Steven Rasch, Shaheed Qaasim, Michael Kamens, Jamie Kennedy
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Additional Production Assistant - 9 Episodes, 2011-2013
True Blood (2008)
Directed by: Michael Lehmann, Scott Winant, Daniel Minahan, Howard Deutch, John Dahl, Michael Ruscio, Anthony Hemingway, Alan Ball, Lesli Linka Glatter, David Petrarca, Romeo Tirone, Stephen Moyer, Daniel Attias, Nick Gomez, Nancy Oliver, Marcos Siega, Michael Cuesta, Adam Davidson, Jeremy Podeswa, Gregg Fienberg, Simon Jayes, Angela Robinson, Lee Rose, Jesse Warn
Cinematography by: Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz
Edited by: Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact Camera, Red Epic Dragon Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Additional Production Assistant / Set Production Assistant - 17 Episodes, 2010-2014
Mad Men (2007)
Directed by: Phil Abraham, Michael Uppendahl, Jennifer Getzinger, Matthew Weiner, Scott Hornbacher, Lesli Linka Glatter, Tim Hunter, John Slattery, Andrew Bernstein, Alan Taylor, Chris Manley, Jon Hamm, Ed Bianchi, Paul Feig, Barbet Schroeder, Daisy von Scherler Mayer, Lynn Shelton, Matt Shakman, Jared Harris
Cinematography by: Chris Manley, Don Devine, Phil Abraham, Steve Mason, Frank G. DeMarco, Bill Roe, Jeffrey Jur, M. David Mullen
Edited by: Tom Wilson, Malcolm Jamieson, Christopher Gay, Leo Trombetta, Christopher Nelson, Chris Figler, David Siegel, Cindy Mollo, Pattye Rogers, Conrad Smart, Patricia Rafferty
Editing System: Avid Editing System
Rotoscoper
King Kong (2005)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
Editing System: Avid Editing System
