Remote Head Technician
Top Gun: Maverick (2022)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Eddie Hamilton
Cameras: Sony CineAlta VENICE Camera
Aerial Camera Technician
The Big Short (2015)
Directed by: Adam McKay
Cinematography by: Barry Ackroyd
Edited by: Hank Corwin
Remote Head Technician: Stab C Compact
Jane Got a Gun (2015)
Directed by: Gavin O'Connor
Cinematography by: Mandy Walker
Edited by: Alan Cody
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Aerial Camera Technician: Super G Camera
Into the Storm (2014)
Directed by: Steven Quale
Cinematography by: Brian Pearson
Edited by: Eric A. Sears
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera
Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Aerial Camera Technician: Wescam Camera
Seventh Son (2014)
Directed by: Sergei Bodrov
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA Camera
Remote Head Technician: Stab C Compact
A Million Ways to Die in the West (2014)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
Aerial Camera Technician: Wescam
Warm Bodies (2013)
Directed by: Jonathan Levine
Cinematography by: Javier Aguirresarobe
Edited by: Nancy Richardson
Editing System: Avid Editing System
Aerial Camera Technician: Wescam Camera
Ender's Game (2013)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Cameras: Red Epic Camera
Remote Head Technician: Stab C Compact
Saving Mr. Banks (2013)
Directed by: John Lee Hancock
Cinematography by: John Schwartzman
Edited by: Mark Livolsi
Aerial Camera Technician: Wescam
The Hunger Games (2012)
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Aerial Camera Technician: Wescam Camera
Hope Springs (2012)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Steven Weisberg
Cameras: ARRI ALEXA Camera
Aerial Camera Technician: Wescam
The Bourne Legacy (2012)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Aerial Camera Technician: Wescam Camera
Going the Distance (2010)
Directed by: Nanette Burstein
Cinematography by: Eric Steelberg
Edited by: Peter Teschner
Camera Technician: Wescam
The Town (2010)
Directed by: Ben Affleck
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Aerial Camera Operator: Wescam Camera
Wall Street: Money Never Sleeps (2010)
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Master Prime Lenses
Aerial Camera Operator: Cineflex Camera / Aerial Camera Technician: Cineflex Camera
Surrogates (2009)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Aerial Camera Technician: Super G Camera
The Hangover (2009)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Debra Neil-Fisher
Aerial Camera Technician: Wescam Camera
Street Kings (2008)
Directed by: David Ayer
Cinematography by: Gabriel Beristain
Edited by: Jeffrey Ford
Aerial Camera Technician: Wescam Camera
Mesrine Part 2: Public Enemy #1 (2008)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Aerial Camera Technician: Wescam Camera, New York
Jumper (2008)
Directed by: Doug Liman
Cinematography by: Barry Peterson
Cameras: Panavision Cameras, Red One Camera
Aerial Camera Technician: Wescam Camera
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Camera Operator: Chicago Aerial Unit
College Road Trip (2008)
Directed by: Roger Kumble
Cinematography by: Theo van de Sande
Edited by: Roger Bondelli
Aerial Camera Technician: Super G Camera System
Prom Night (2008)
Directed by: Nelson McCormick
Cinematography by: Checco Varese
Edited by: Jason Ballantine
Aerial Camera Technician: Wescam Camera
The Great Debaters (2007)
Directed by: Denzel Washington
Cinematography by: Philippe Rousselot
Camera Technician: Wescam, Aerial Unit
Martian Child (2007)
Directed by: Menno Meyjes
Cinematography by: Robert D. Yeoman
Edited by: Bruce Green
Technician: Wescam
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Aerial Camera Technician: Wescam Camera
The Invisible (2007)
Directed by: David S. Goyer
Cinematography by: Gabriel Beristain
Edited by: Conrad Smart
Aerial Camera Technician: Wescam Camera
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Aerial Camera Technician: Wescam Camera
Shooter (2007)
Directed by: Antoine Fuqua
Cinematography by: Peter Menzies Jr.
Camera Technician: Wescam Camera
Evan Almighty (2007)
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Aerial Camera Technician: Wescam Camera
The Game Plan (2007)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: Michael Jablow
Cameras: Panavision Cameras
Aerial Camera Technician: Wescam Camera
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Aerial Camera Technician: Wescam Camera
Gridiron Gang (2006)
Directed by: Phil Joanou
Cinematography by: Jeff Cutter
Edited by: Joel Negron
Aerial Camera Technician: Wescam Camera
Smokin' Aces (2006)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Edited by: Robert Frazen
Aerial Camera Technician: Wescam Camera
Mission: Impossible III (2006)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Aerial Camera Technician: Wescam Camera
Flicka (2006)
Directed by: Michael Mayer
Cinematography by: James M. Muro
Edited by: Andrew Marcus
Aerial Camera Technician: Wescam Camera
Dreamer: Inspired by a True Story (2005)
Directed by: John Gatins
Cinematography by: Fred Murphy
Edited by: David Rosenbloom
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Camera Technician: Wescam Camera
Fun with Dick and Jane (2005)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Camera Technician: Wescam Camera
Alone in the Dark (2005)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: Richard Schwadel
Camera Technician: Wescam Camera
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Aerial Camera Technician: Wescam Camera
The Russian Specialist (2005)
Directed by: Dolph Lundgren
Cinematography by: Ross W. Clarkson
Edited by: Joe Plenys
Cameras: ARRI Cameras
Aerial Camera Technician: Wescam Camera
Just Like Heaven (2005)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Editing System: Avid Editing System
Camera Technician: Wescam Camera
Son of the Mask (2005)
Directed by: Lawrence Guterman
Cinematography by: Greg Gardiner
Aerial Camera Operator - 2 Episodes, 2006
Deadliest Catch (2005)
Cinematography by: Todd Stanley, David Reichert, Shane Moore, Steve Wright, Cameron Glendenning, Breck Warwick, Doug Stanley, Joshua Thomas, Ben Zupo, Matthew Fahey, Kelvon Agee, John Moody, Ben Staley, Travis Tips, Jacob Tawney, Adam Bradley, Eric Lange, Zac McFarlane, Charlie Beck, Bryan Miller, Beth Skabar, Mario Signore, Marc Graham, Peter Kragh, Arom Starr-Paul, Nicholas Bunker, Chris Smith, Thomas Backer, Decker Watson
Edited by: Ben Bulatao, Alexander B. Rubinow, Josh Earl, Alex Durham, Art O'Leary, Christian Skovly, Johnny Bishop, Stuart Brodlieb, Alexandra Moore, Nathen Araiza, Rob Butler, Greg Cornejo, Ed Greene, Ian Olsen, Roman Mykytyn, Amanda Bliss Taylor, Peregrine Beckman, Thomas Henry Durant, Laurens Van Charante, Tim Roche, Jeremy Klavens, Jeremy Parr, Don Pollard, Mark S. Andrew, Isaiah Camp, Joe Mikan, Eric Lange, Sam Fricke, Kevin Nibley, Nino Martinez, Ted Woerner, Sean Zell, Alberto Pérez, Billy Joseph, Jonathan Raimer, Arek Hope, George Valdez, Michelle Kolzow, Ian Olson, Teresa Bauer, Josh Stockero
Cameras: Canon EOS-C300 Camera, Canon XA25 Camera
Camera Technician: Wescam Camera
Along Came Polly (2004)
Directed by: John Hamburg
Cinematography by: Seamus McGarvey
Camera Technician: Wescam Camera
The Day After Tomorrow (2004)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Camera Technician: Wescam Camera
National Treasure (2004)
Directed by: Jon Turteltaub
Cinematography by: Caleb Deschanel
Edited by: William Goldenberg
Aerial Camera Technician: Wescam Camera
Anacondas: The Hunt for the Blood Orchid (2004)
Directed by: Dwight H. Little
Cinematography by: Stephen F. Windon
Lenses: Zeiss Ultra Prime Lenses
Camera Technician: Wescam Camera
Torque (2004)
Directed by: Joseph Kahn
Cinematography by: Peter Levy
Aerial Camera Technician: Wescam Camera
A Cinderella Story (2004)
Directed by: Mark Rosman
Cinematography by: Anthony B. Richmond
Edited by: Cara Silverman
Lenses: Panavision Lenses
Camera Technician: Wescam Camera
Shanghai Knights (2003)
Directed by: David Dobkin
Cinematography by: Adrian Biddle
Edited by: Malcolm Campbell
Aerial Camera Technician: Wescam Camera
A Man Apart (2003)
Directed by: F. Gary Gray
Cinematography by: Jack N. Green
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Technician: Wescam Camera
Tears of the Sun (2003)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Cameras: Panavision Cameras
Camera Technician: Wescam Camera
The Human Stain (2003)
Directed by: Robert Benton
Cinematography by: Jean-Yves Escoffier
Edited by: Christopher Tellefsen
Second Assistant Camera: Wescam Camera
Murder by Numbers (2002)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Camera Operator: Wescam Camera
S1m0ne (2002)
Directed by: Andrew Niccol
Cinematography by: Edward Lachman
Edited by: Paul Rubell
Aerial Camera Technician: Wescam Camera
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lenses: Panavision Lenses
Camera Technician: Wescam Camera
Queen of the Damned (2002)
Directed by: Michael Rymer
Cinematography by: Ian Baker
Edited by: Dany Cooper
Camera Technician: Wescam Camera
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Camera Technician: Wescam Camera
CSI: Miami (2002)
Directed by: Sam Hill, Joe Chappelle, Scott Lautanen, Karen Gaviola, Matt Earl Beesley, Gina Lamar, Deran Sarafian, Eagle Egilsson, Duane Clark, Carey Meyer, Allison Liddi-Brown, David Grossman, Jonathan Glassner, Larry Detwiler, Marco Black, Don Tardino, Greg Yaitanes, Charles Correll, Frederick King Keller, Norberto Barba, Eric Mirich, Danny Cannon, Adam Rodriguez, Daniel Attias, Scott Brazil, Tucker Gates, Richard Pearce, Bryan Spicer, Artie Mandelberg, Peter Markle, Jeannot Szwarc, Steven DePaul, Félix Enríquez Alcalá, Gloria Muzio, Scott Shiffman, Ernest R. Dickerson, Anthony Hemingway, Christine Moore, Rod Holcomb, Tim Story, Rob Zombie, David Arquette, James Wilcox, Billy Gierhart, Sylvain White
Cinematography by: Charles Mills, Ken Glassing, Eagle Egilsson, Darren Genet, Thomas Yatsko, Dermott Downs, Walt Lloyd, Michael D. O'Shea, Michael Barrett, Garett Griffin, Curtis Wehr, Robert M. Stevens, Joe Meade, Cynthia Pusheck, Donald E. Thorin Jr.
Edited by: Mark C. Baldwin, James Wilcox, John Refoua, Joshua Charson, Tom Costantino, Brian Ray, Edward R. Abroms, Jean Crupper, J. Benjamin Chulay, John M. Vitale, Juan Carlos Garza, Scott Lerner, Lawrence Jordan, Kevin Ward, Jim Page, Dana Devorzon, Christopher Cooke, Sara Mineo, Richmond Riedel
Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Sony CineAlta F35 Camera
Lenses: Panavision Lenses
Assistant Camera / Camera Technician: Wescam Camera
Driven (2001)
Directed by: Renny Harlin
Cinematography by: Mauro Fiore
Camera Technician: Wescam Camera
Legally Blonde (2001)
Directed by: Robert Luketic
Cinematography by: Anthony B. Richmond
Camera Technician: Wescam Camera
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Assistant Camera / Camera Technician: Wescam Camera
Rat Race (2001)
Directed by: Jerry Zucker
Cinematography by: Thomas E. Ackerman
Edited by: Tom Lewis
Aerial Camera Technician: Wescam Camera
Jurassic Park III (2001)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Camera Operator: Wescam Camera
The Animal (2001)
Directed by: Luke Greenfield
Cinematography by: Peter Lyons Collister
Assistant Camera: Wescam Camera, Las Vegas Additional Photography
Just Visiting (2001)
Directed by: Jean-Marie Poiré
Cinematography by: Ueli Steiger
Edited by: Michael A. Stevenson
Cameras: Panavision Cameras
Assistant Camera: Wescam / Camera Technician
Battlefield Earth (2000)
Directed by: Roger Christian
Cinematography by: Giles Nuttgens
Edited by: Robin Russell
Assistant Camera: Wescam Camera / Camera Technician
Shanghai Noon (2000)
Directed by: Tom Dey
Cinematography by: Dan Mindel
Edited by: Richard Chew
Assistant Camera: Wescam / Camera Technician
Almost Famous (2000)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Assistant Camera: Wescam Camera / Camera Technician
Romeo Must Die (2000)
Directed by: Andrzej Bartkowiak
Cinematography by: Glen MacPherson
Edited by: Derek Brechin
Assistant Camera / Camera Technician: Wescam Camera
X-Men (2000)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Assistant Camera: Wescam Camera / Camera Technician
Men of Honor (2000)
Directed by: George Tillman Jr.
Cinematography by: Anthony B. Richmond
Lenses: Cooke S4 Lenses
Assistant Camera / Camera Technician: Wescam Camera
Pay It Forward (2000)
Directed by: Mimi Leder
Cinematography by: Oliver Stapleton
Edited by: David Rosenbloom
Cameras: Panavision Cameras
Camera Technician: Wescam
The Beach (2000)
Directed by: Danny Boyle
Cinematography by: Darius Khondji
Edited by: Masahiro Hirakubo
Cameras: ARRIFLEX 235 Camera
Camera Technician: Wescam Camera
The General's Daughter (1999)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Edited by: Glen Scantlebury
Camera Technician: Wescam Camera
End of Days (1999)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Camera Technician: Wescam Camera
Simpatico (1999)
Directed by: Matthew Warchus
Cinematography by: John Toll
Assistant Camera: Wescam Camera / Camera Technician
The Matrix (1999)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Assistant Camera: Wescam Camera / Camera Technician
Virus (1999)
Directed by: John Bruno
Cinematography by: David Eggby
Edited by: M. Scott Smith
Technician: Wescam Camera, Lake Tahoe
Man on the Moon (1999)
Directed by: Milos Forman
Cinematography by: Anastas N. Michos
Assistant Camera: Wescam / Camera Technician
Anna and the King (1999)
Directed by: Andy Tennant
Cinematography by: Caleb Deschanel
Edited by: Roger Bondelli
Cameras: Panavision Cameras
Assistant Camera: Wescam / Camera Technician
Deep Impact (1998)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Cameras: ARRIFLEX 535 Camera
Assistant Camera: Wescam Camera / Camera Technician
What Dreams May Come (1998)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Assistant Camera: Wescam Camera / Camera Technician
The Truman Show (1998)
Directed by: Peter Weir
Cinematography by: Peter Biziou
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Camera Technician: Wescam Camera
Lethal Weapon 4 (1998)
Directed by: Richard Donner
Cinematography by: Andrzej Bartkowiak
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Assistant Camera: Wescam Camera / Camera Technician
Sphere (1998)
Directed by: Barry Levinson
Cinematography by: Adam Greenberg
Edited by: Stu Linder
Camera Technician
U.S. Marshals (1998)
Directed by: Stuart Baird
Cinematography by: Andrzej Bartkowiak
Edited by: Terry Rawlings
Assistant Camera: Wescam Camera / Camera Technician: Wescam Camera
Star Trek: Insurrection (1998)
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Assistant Camera: Wescam Camera / Camera Technician
The Negotiator (1998)
Directed by: F. Gary Gray
Cinematography by: Russell Carpenter
Edited by: Christian Wagner
Cameras: Panavision Cameras
Assistant Camera: Wescam / Camera Technician
Fathers' Day (1997)
Directed by: Ivan Reitman
Cinematography by: Stephen H. Burum
Assistant Camera: Wescam Camera / Camera Technician
The Postman (1997)
Directed by: Kevin Costner
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
Assistant Camera: Wescam , Camera Technician
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Camera Technician: Wescam Camera
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Assistant Camera: Wescam Camera / Camera Technician
Volcano (1997)
Directed by: Mick Jackson
Cinematography by: Theo van de Sande
Assistant Camera: Wescam Camera / Camera Technician
Liar Liar (1997)
Directed by: Tom Shadyac
Cinematography by: Russell Boyd
Edited by: Don Zimmerman
Assistant Camera: Wescam Camera
Inventing the Abbotts (1997)
Directed by: Pat O'Connor
Cinematography by: Kenneth MacMillan
Edited by: Ray Lovejoy
Assistant Camera: Wescam , Camera Technician
Con Air (1997)
Directed by: Simon West
Cinematography by: David Tattersall
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Lightworks Editing System
Assistant Camera: Wescam Camera / Camera Technician
Perdita Durango (1997)
Directed by: Álex de la Iglesia
Cinematography by: Flavio Martínez Labiano
Edited by: Teresa Font
Camera Technician: Wescam
Homeward Bound II: Lost in San Francisco (1996)
Directed by: David R. Ellis
Cinematography by: Jack Conroy
Camera Technician
The Rock (1996)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Edited by: Richard Francis-Bruce
Assistant Camera: Wescam , Camera Technician
The Chamber (1996)
Directed by: James Foley
Cinematography by: Ian Baker
Edited by: Mark Warner
Assistant Camera: Wescam / Camera Technician
Multiplicity (1996)
Directed by: Harold Ramis
Cinematography by: László Kovács
Camera Technician
The People vs. Larry Flynt (1996)
Directed by: Milos Forman
Cinematography by: Philippe Rousselot
Edited by: Christopher Tellefsen
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Technician: Wescam
Alaska (1996)
Directed by: Fraser C. Heston
Cinematography by: Tony Westman
Edited by: Rob Kobrin
Assistant Camera: Wescam Camera , Camera Technician
The Indian in the Cupboard (1995)
Directed by: Frank Oz
Cinematography by: Russell Carpenter
Edited by: Ian Crafford
Assistant Camera: Wescam Camera / Camera Technician
Three Wishes (1995)
Directed by: Martha Coolidge
Cinematography by: Johnny E. Jensen
Edited by: Steven Cohen
