Special Effects Makeup Artist
'The Walking Dead' A New Beginning (2018)
Directed by: Greg Nicotero
Cinematography by: Duane Manwiller
Edited by: Alan Cody
Make-up Artist: KNB EFX Group
'The Walking Dead' The First Day of the Rest of Your Life (2017)
Directed by: Greg Nicotero
Cinematography by: Michael E. Satrazemis
Edited by: Dan Liu
Prosthetics Manufacture: KNB EFX Group, Inc.
Suicide Squad (2016)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Lab Technician: KNB EFX Group. Inc.
Dolphin Tale 2 (2014)
Directed by: Charles Martin Smith
Cinematography by: Daryn Okada
Edited by: Harvey Rosenstock
Cameras: Sony PMW-F55 Camera
Art Department: K.N.B. EFX Group
Machete Kills (2013)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Cameras: ARRI ALEXA Plus Camera
Mold Department: KNB EFX Group
This Is the End (2013)
Cinematography by: Brandon Trost
Edited by: Zene Baker
Cameras: Panavision Cameras, Red Epic Camera
Shop Supervisor: K.N.B. EFX Group
Pain & Gain (2013)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera
Editing System: Avid Editing System
Special Effects Make-up Crew: KNB EFX Group
'The Walking Dead' 18 Miles Out (2012)
Directed by: Ernest R. Dickerson
Cinematography by: Rohn Schmidt
Edited by: Nathan Gunn
Special Makeup Effects Moldmaker
Seven Psychopaths (2012)
Directed by: Martin McDonagh
Cinematography by: Ben Davis
Edited by: Lisa Gunning
Specialty Teeth: KNB EFX Group, Inc.
I Am Number Four (2011)
Directed by: D.J. Caruso
Cinematography by: Guillermo Navarro
Dental Technician / Specialty Teeth: KNB EFX Group, Inc.
Priest (2011)
Directed by: Scott Stewart
Cinematography by: Don Burgess
Dental/occular Technician: K.N.B. EFX Group
The Grey (2011)
Directed by: Joe Carnahan
Cinematography by: Masanobu Takayanagi
Specialty Fangs: KNB EFX Group
Fright Night (2011)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Art Department: KNB EFX Group / Special Effects Makeup: K.N.B. EFX Group
Predators (2010)
Directed by: Nimród Antal
Cinematography by: Gyula Pados
Edited by: Dan Zimmerman
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Special Effects Makeup: K.N.B. EFX Group
Piranha 3D (2010)
Directed by: Alexandre Aja
Cinematography by: John R. Leonetti
Edited by: Baxter
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Mold Department: KNB EFX, Prosthetic Dentures: K.N.B. EFX Group
The Book of Eli (2010)
Cinematography by: Don Burgess
Edited by: Cindy Mollo
Cameras: Red One Camera
Dental Prosthetics: KNB EFX Group, Inc.
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Make-up Artist: KNB EFX Group / Special Effects Make-up Crew: KNB EFX Group / Special Effects Makeup Artist - 3 Episodes, 2012-2018
The Walking Dead (2010)
Directed by: Greg Nicotero, Michael E. Satrazemis, Ernest R. Dickerson, David Boyd, Guy Ferland, Billy Gierhart, Jeffrey F. January, Michelle MacLaren, Tricia Brock, Seith Mann, Michael Slovis, Rosemary Rodriguez, Alrick Riley, Gwyneth Horder-Payton, Daniel Sackheim, Julius Ramsay, Jennifer Lynch, Kari Skogland, Dan Liu, Larry Teng, Michael Cudlitz, Frank Darabont, Johan Renck, Phil Abraham, Daniel Attias, Clark Johnson, Lesli Linka Glatter, Jeremy Podeswa, Stefan Schwartz, Michael Uppendahl, Larysa Kondracki, Stephen Williams, Avi Youabian, Darnell Martin, John Polson, Daisy von Scherler Mayer, Laura Belsey, Meera Menon, Millicent Shelton, Liesl Tommy
Cinematography by: Michael E. Satrazemis, Stephen Campbell, Rohn Schmidt, Duane Manwiller, David Boyd, Paul Varrieur, David Tattersall
Art Department: KNB EFX Group / Fabricator: KNB EFX Group, Prosthetic Dentures: K.N.B. EFX Group
Shorts (2009)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Cameras: Panavision Genesis Camera
Dental Prosthetics: K.N.B. EFX Group / Mold Department: KNB EFX Group
Drag Me to Hell (2009)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Editing System: Avid Editing System, Final Cut Pro Editing System
Mold And Lab Crew: KNB EFX Group, Special Effects Technician: K.N.B. Effects Group
Splice (2009)
Directed by: Vincenzo Natali
Cinematography by: Tetsuo Nagata
Edited by: Michele Conroy
Makeup Effects Art Department
Jennifer's Body (2009)
Directed by: Karyn Kusama
Cinematography by: M. David Mullen
Edited by: Plummy Tucker
Special Makeup Effects Artist: K.N.B. EFX Group
Inglourious Basterds (2009)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Mold Department: KNB EFX Group
Dark Country (2009)
Directed by: Thomas Jane
Cinematography by: Geoff Boyle
Cameras: Red One Camera, Silicon Imaging SI-2K Camera
Lenses: Angenieux Lenses, Schneider Lenses
Special Makeup Effects Art Department: K.N.B. Effects Group
The Unborn (2009)
Directed by: David S. Goyer
Cinematography by: James Hawkinson
Edited by: Jeff Betancourt
Cameras: Panavision Cameras
Art Department: KNB EFX Group, Special Effects Makeup: K.N.B. EFX Group
Surrogates (2009)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Special Effects Makeup: K.N.B. EFX Group
Eagle Eye (2008)
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Special Makeup Effects Mold Maker: K.N.B. EFX Group, Inc.
Planet Terror (2007)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Makeup Effects Technician: K.N.B. EFX Group
Grindhouse (2007)
Special Makeup Effects Mold Maker: K.N.B. EFX Group, Inc.
Death Proof (2007)
Directed by: Quentin Tarantino
Cinematography by: Quentin Tarantino
Edited by: Sally Menke
Mold Department: KNB EFX Group
Hostel: Part II (2007)
Directed by: Eli Roth
Cinematography by: Milan Chadima
Edited by: George Folsey Jr.
Mold Maker
The Mist (2007)
Directed by: Frank Darabont
Cinematography by: Rohn Schmidt
Edited by: Hunter M. Via
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Dental Prosthetics: K.N.B. EFX Group
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Mold Maker: K.N.B. EFX Group
The Hitcher (2007)
Directed by: Dave Meyers
Cinematography by: James Hawkinson
Edited by: Jim May
Special Effects Moldmaker
The Great Debaters (2007)
Directed by: Denzel Washington
Cinematography by: Philippe Rousselot
Puppeteer, Special Makeup Effects Artist: K.N.B. EFX Group
The Texas Chainsaw Massacre: The Beginning (2006)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Dental Effects Technician
The Hills Have Eyes (2006)
Directed by: Alexandre Aja
Cinematography by: Maxime Alexandre
Edited by: Baxter
Lab Technician: K.N.B. EFX Group
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Dental Prosthetics
Ultraviolet (2006)
Directed by: Kurt Wimmer
Cinematography by: Arthur Wong
Edited by: William Yeh
Makeup Effects Technician: K.N.B. EFX Group
The Island (2005)
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Mold & Lab Department: K.N.B. EFX Group Inc.
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Mold Maker: KNB EFX
The Amityville Horror (2005)
Directed by: Andrew Douglas
Cinematography by: Peter Lyons Collister
Special Makeup Effects Mold Maker
Sin City (2005)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDC-F950 Camera, Sony Other Camera
Editing System: Avid Editing System
Mold Maker: KNB EFX Group
Serenity (2005)
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Dental Prosthetics: K.N.B. EFX Group
Cursed (2005)
Directed by: Wes Craven
Cinematography by: Robert McLachlan
Dental Prosthetics: K.N.B. EFX Group / Mold Maker: KNB EFX
Land of the Dead (2005)
Directed by: George A. Romero
Cinematography by: Miroslaw Baszak
Edited by: Michael Doherty
Makeup Effects Technician: K.N.B. EFX Group
House of Wax (2005)
Directed by: Jaume Collet-Serra
Cinematography by: Stephen F. Windon
Edited by: Joel Negron
Dental Prosthetics: K.N.B. EFX Group
The Adventures of Sharkboy and Lavagirl 3-D (2005)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Dental Prosthetics
I Heart Huckabees (2004)
Directed by: David O. Russell
Cinematography by: Peter Deming
Edited by: Robert K. Lambert
Art Department: KNB EFX Group, Inc.
Employee of the Month (2004)
Directed by: Mitch Rouse
Cinematography by: John Peters
Edited by: Hughes Winborne
Special Makeup Effects Artist: K.N.B. EFX Group
National Treasure (2004)
Directed by: Jon Turteltaub
Cinematography by: Caleb Deschanel
Edited by: William Goldenberg
Art Department, Dental Prosthetics: K.N.B. EFX Group
Riding the Bullet (2004)
Directed by: Mick Garris
Cinematography by: Robert C. New
Edited by: Marshall Harvey
Mold/technical Department: Stan Winston Studio
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Makeup Artist: Special Effects Body Dismemberment
The Texas Chainsaw Massacre (2003)
Directed by: Marcus Nispel
Cinematography by: Daniel Pearl
Edited by: Glen Scantlebury
Mold/technical Department: K.N.B. EFX Group
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Mold/technical Department: K.N.B. EFX Group
Hulk (2003)
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
Cameras: ARRIFLEX 535 B Camera
Mold/technical Department: K.N.B. EFX Group
Spy Kids 3-D: Game Over (2003)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Hunter Morlock, Lab Technician: Stan Winston Studio
The Time Machine (2002)
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Lab Technician: Stan Winston Studio
Jurassic Park III (2001)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Key Technician: Stan Winston Studio
A.I. Artificial Intelligence (2001)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: ARRI / Zeiss Lenses
Key Technician: Stan Winston Studio
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Lab Technician: Captive Audience
Monkeybone (2001)
Directed by: Henry Selick
Cinematography by: Andrew Dunn
Mold Department: Stan Winston Studio
Lost Souls (2000)
Directed by: Janusz Kaminski
Cinematography by: Mauro Fiore
Lab Technician: Captive Audience
Bless the Child (2000)
Directed by: Chuck Russell
Cinematography by: Peter Menzies Jr.
Edited by: Alan Heim
Lab Technician: Amalgamated Dynamics
Hollow Man (2000)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Mold/technical Department: Stan Winston Studio
What Lies Beneath (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Lab Technician: Amalgamated Dynamics
Bedazzled (2000)
Directed by: Harold Ramis
Cinematography by: Bill Pope
Edited by: Craig Herring
Art/mold Technical Department: Stan Winston Studio
Inspector Gadget (1999)
Directed by: David Kellogg
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lab Technician: Amalgamated Dynamics, Inc.
My Favorite Martian (1999)
Directed by: Donald Petrie
Cinematography by: Thomas E. Ackerman
Edited by: Malcolm Campbell
Lab Technician: Stan Winston Studio / Mold Department: Stan Winston
Galaxy Quest (1999)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Lab Technician: Stan Winston Studio
End of Days (1999)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Key Technician: Stan Winston Studio
Austin Powers: The Spy Who Shagged Me (1999)
Directed by: Jay Roach
Cinematography by: Ueli Steiger
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Mold Department: Stan Winston Studio
The Sixth Sense (1999)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Andrew Mondshein
Lab Technician: Patrick Tatopoulos Designs
Godzilla (1998)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Mold Department: Amalgamated Dynamics, Inc.
The X Files (1998)
Directed by: Rob Bowman
Cinematography by: Ward Russell
Edited by: Stephen Mark
Lab Technician: Stan Winston Studio
Small Soldiers (1998)
Directed by: Joe Dante
Cinematography by: Jamie Anderson
Lab Technician: Stan Winston Studio
The Lost World: Jurassic Park (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lab Technician: Kevin Yagher Productions
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
Lab Technician: Amalgamated Dynamics
Alien Resurrection (1997)
Directed by: Jean-Pierre Jeunet
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Mold Maker
Face/Off (1997)
Directed by: John Woo
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Lab Technician: Kevin Yagher Productions
Volcano (1997)
Directed by: Mick Jackson
Cinematography by: Theo van de Sande
Mold Maker
The Relic (1997)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Steven Kemper
Mold Department: Stan Winston Studio
The Island of Dr. Moreau (1996)
Cinematography by: William A. Fraker
Mold Maker
The Ghost and the Darkness (1996)
Directed by: Stephen Hopkins
Cinematography by: Vilmos Zsigmond
Lab Technician: Burman Studios
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Makeup Effects Crew: Larry R. Hamlin And Michael Burnett
Universal Soldier (1992)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael J. Duthie
Lab Technician: M.B.P.
Single White Female (1992)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Lab Technician: Richard Snell Designs
Star Trek VI: The Undiscovered Country (1991)
Directed by: Nicholas Meyer
Cinematography by: Hiro Narita
