Re-recording Mixer
Flamin' Hot (2023)
Movie
Directed by: Eva Longoria
Cinematography by: Federico Cantini
Cameras: Sony CineAlta VENICE Camera
Re-recording Mixer
'True Detective' Now Am Found (2019)
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Re-recording Mixer
'True Detective' The Final Country (2019)
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Re-recording Mixer
'True Detective' Hunters in the Dark (2019)
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Re-recording Mixer
'True Detective' If You Have Ghosts (2019)
Directed by: Nic Pizzolatto
Cinematography by: Nigel Bluck
Edited by: Leo Trombetta
Re-recording Mixer
'True Detective' The Hour and the Day (2019)
Directed by: Nic Pizzolatto
Cinematography by: Nigel Bluck
Edited by: Leo Trombetta
Re-recording Mixer
'True Detective' The Big Never (2019)
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Re-recording Mixer
'True Detective' Kiss Tomorrow Goodbye (2019)
Directed by: Jeremy Saulnier
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Re-recording Mixer
'True Detective' The Great War and Modern Memory (2019)
Directed by: Jeremy Saulnier
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Re-recording Mixer
Hail, Caesar! (2016)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Adobe Premiere Editing System
Re-recording Mixer
Ride Along 2 (2016)
Directed by: Tim Story
Cinematography by: Mitchell Amundsen
Edited by: Peter S. Elliot
Cameras: Red Epic Dragon Camera
Lenses: Panavision Primo 70 Lenses
Re-recording Mixer
The Intern (2015)
Directed by: Nancy Meyers
Cinematography by: Stephen Goldblatt
Edited by: Robert Leighton
Cameras: ARRI ALEXA XT Camera
Re-recording Mixer
The Ridiculous 6 (2015)
Directed by: Frank Coraci
Cinematography by: Dean Semler
Edited by: Tom Costain
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
About Last Night (2014)
Directed by: Steve Pink
Cinematography by: Michael Barrett
Cameras: Sony CineAlta F65 Camera
Lenses: Leitz Summilux-C Series Lenses
Re-recording Mixer
Sex Tape (2014)
Directed by: Jake Kasdan
Cinematography by: Tim Suhrstedt
Cameras: ARRI ALEXA XT Camera
Re-recording Mixer - 8 Episodes, 2019
True Detective (2014)
Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik
Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Re-recording Mixer
Annie (2014)
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony PMW-F55 Camera
Re-recording Mixer
Grown Ups 2 (2013)
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Cameras: Red Epic Camera
Re-recording Mixer
Inside Llewyn Davis (2013)
Cinematography by: Bruno Delbonnel
Cameras: ARRICAM Lite (LT) Camera
Editing System: Adobe Premiere Editing System, Final Cut Pro Editing System
Additional Re-recording Mixer
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Re-recording Mixer
That's My Boy (2012)
Directed by: Sean Anders
Cinematography by: Brandon Trost
Edited by: Tom Costain
Re-recording Mixer
Here Comes the Boom (2012)
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Scott Hill
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Re-recording Mixer
Zookeeper (2011)
Directed by: Frank Coraci
Cinematography by: Michael Barrett
Edited by: Scott Hill
Cameras: Panavision Genesis Camera
Re-recording Mixer
Just Go with It (2011)
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Re-recording Mixer
Friends with Benefits (2011)
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony CineAlta F35 Camera, Sony Other Camera
Re-recording Mixer
Jack and Jill (2011)
Directed by: Dennis Dugan
Cinematography by: Dean Cundey
Edited by: Tom Costain
Cameras: ARRI ALEXA Camera
Re-recording Mixer
Grown Ups (2010)
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Cameras: Panavision Genesis Camera
Re-recording Mixer
True Grit (2010)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Re-recording Mixer
Obsessed (2009)
Directed by: Steve Shill
Cinematography by: Ken Seng
Edited by: Paul Seydor
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
A Serious Man (2009)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Additional Re-recording Mixer
The Taking of Pelham 123 (2009)
Directed by: Tony Scott
Cinematography by: Tobias A. Schliessler
Edited by: Chris Lebenzon
Re-recording Mixer
Zombieland (2009)
Directed by: Ruben Fleischer
Cinematography by: Michael Bonvillain
Edited by: Alan Baumgarten
Additional Sound Re-recording Mixer
Transformers: Revenge of the Fallen (2009)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Re-recording Mixer
Seven Pounds (2008)
Directed by: Gabriele Muccino
Cinematography by: Philippe Le Sourd
Edited by: Hughes Winborne
Cameras: Panavision Cameras
Supervising Sound Mixer
21 (2008)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Edited by: Elliot Graham
Cameras: Pan-Arri 435 Camera, Panavision Genesis Camera
Re-recording Mixer
Recount (2008)
Directed by: Jay Roach
Cinematography by: Jim Denault
Edited by: Alan Baumgarten
Supervising Sound Mixer
You Don't Mess with the Zohan (2008)
Directed by: Dennis Dugan
Cinematography by: Michael Barrett
Edited by: Tom Costain
Cameras: Panavision Genesis Camera
Re-recording Mixer
Burn After Reading (2008)
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera
Editing System: Final Cut Pro Editing System
Supervising Sound Mixer
The Great Debaters (2007)
Directed by: Denzel Washington
Cinematography by: Philippe Rousselot
Re-recording Mixer
Ghost Rider (2007)
Directed by: Mark Steven Johnson
Cinematography by: Russell Boyd
Edited by: Richard Francis-Bruce
Cameras: Panavision Cameras
Re-recording Mixer
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Re-recording Mixer
No Country for Old Men (2007)
Cinematography by: Roger Deakins
Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Re-recording Mixer / Supervising Sound Mixer
The Benchwarmers (2006)
Directed by: Dennis Dugan
Cinematography by: Thomas E. Ackerman
Supervising Sound Mixer
All the King's Men (2006)
Directed by: Steven Zaillian
Cinematography by: Pawel Edelman
Edited by: Wayne Wahrman
Additional Sound Mixer
Apocalypto (2006)
Directed by: Mel Gibson
Cinematography by: Dean Semler
Edited by: John Wright
Supervising Sound Mixer
Are We There Yet? (2005)
Directed by: Brian Levant
Cinematography by: Thomas E. Ackerman
Edited by: Lawrence Jordan
Supervising Sound Mixer
Fun with Dick and Jane (2005)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Additional Sound Re-recording Mixer
The Island (2005)
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Supervising Sound Mixer
Win a Date with Tad Hamilton! (2004)
Directed by: Robert Luketic
Cinematography by: Peter Lyons Collister
Edited by: Scott Hill
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Re-recording Mixer
The Ladykillers (2004)
Cinematography by: Roger Deakins
Editing System: Final Cut Pro Editing System
Additional Sound Mixer
The Bourne Supremacy (2004)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Cameras: ARRI Cameras
Sound Mixer
Ray (2004)
Directed by: Taylor Hackford
Cinematography by: Pawel Edelman
Edited by: Paul Hirsch
Re-recording Mixer
Intolerable Cruelty (2003)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 Camera
Editing System: Final Cut Pro Editing System
Re-recording Mixer
Identity (2003)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: David Brenner
Re-recording Mixer
National Security (2003)
Directed by: Dennis Dugan
Cinematography by: Oliver Wood
Edited by: Debra Neil-Fisher
Re-recording Mixer
Charlie's Angels: Full Throttle (2003)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Wayne Wahrman
Re-recording Mixer
Bad Santa (2003)
Directed by: Terry Zwigoff
Cinematography by: Jamie Anderson
Edited by: Robert Hoffman
Re-recording Mixer
Head of State (2003)
Directed by: Chris Rock
Cinematography by: Donald E. Thorin
Edited by: Stephen A. Rotter
Additional Sound Re-recording Mixer
Kangaroo Jack (2003)
Directed by: David McNally
Cinematography by: Peter Menzies Jr.
Cameras: Panavision Cameras
Re-recording Mixer
I Spy (2002)
Directed by: Betty Thomas
Cinematography by: Oliver Wood
Edited by: Peter Teschner
Re-recording Mixer
The Glass House (2001)
Directed by: Daniel Sackheim
Cinematography by: Alar Kivilo
Edited by: Howard E. Smith
Re-recording Mixer
The Animal (2001)
Directed by: Luke Greenfield
Cinematography by: Peter Lyons Collister
Re-recording Mixer
America's Sweethearts (2001)
Directed by: Joe Roth
Cinematography by: Phedon Papamichael
Edited by: Stephen A. Rotter
Re-recording Mixer
Not Another Teen Movie (2001)
Directed by: Joel Gallen
Cinematography by: Reynaldo Villalobos
Edited by: Steve Welch
Re-recording Mixer
28 Days (2000)
Directed by: Betty Thomas
Cinematography by: Declan Quinn
Edited by: Peter Teschner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
O Brother, Where Art Thou? (2000)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Re-recording Mixer
Road Trip (2000)
Directed by: Todd Phillips
Cinematography by: Mark Irwin
Edited by: Sheldon Kahn
Re-recording Mixer
Idle Hands (1999)
Directed by: Rodman Flender
Cinematography by: Christopher Baffa
Edited by: Stephen E. Rivkin
Re-recording Mixer
Blue Streak (1999)
Directed by: Les Mayfield
Cinematography by: David Eggby
Edited by: Michael Tronick
Re-recording Mixer
I Still Know What You Did Last Summer (1998)
Directed by: Danny Cannon
Cinematography by: Vernon Layton
Edited by: Peck Prior
Additional Sound Re-recording Mixer
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Re-recording Mixer
My Best Friend's Wedding (1997)
Directed by: P.J. Hogan
Cinematography by: László Kovács
Cameras: Panavision Panaflex Camera
Additional Sound Mixer
Alien Resurrection (1997)
Directed by: Jean-Pierre Jeunet
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Re-recording Mixer
'The Simpsons' The Secret War of Lisa Simpson (1997)
Directed by: Mike B. Anderson
Re-recording Mixer
'The Simpsons' The Itchy & Scratchy & Poochie Show (1997)
Directed by: Steven Dean Moore
Re-recording Mixer
'The Simpsons' Simpsoncalifragilisticexpiala(Annoyed Grunt)cious (1997)
Directed by: Chuck Sheetz
Re-recording Mixer
'The Simpsons' The Twisted World of Marge Simpson (1997)
Directed by: Chuck Sheetz
Re-recording Mixer
'The Simpsons' El Viaje Misterioso De Nuestro Jomer (1997)
Directed by: Jim Reardon
Re-recording Mixer
Trilogy of Terror II (1996)
Directed by: Dan Curtis
Cinematography by: Elemér Ragályi
Edited by: Bill Blunden
Re-recording Mixer
'The Simpsons' Raging Abe Simpson and His Grumbling Grandson in 'The Curse of the Flying Hellfish' (1996)
Directed by: Jeffrey Lynch
Re-recording Mixer
'The Simpsons' Scenes from the Class Struggle in Springfield (1996)
Directed by: Susie Dietter
Foley Mixer
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Re-recording Mixer
'The Simpsons' Treehouse of Horror VI (1995)
Re-recording Mixer
'The Simpsons' Home Sweet Home-Dum-Diddly Doodily (1995)
Directed by: Susie Dietter
Re-recording Mixer
'The Simpsons' Two Dozen and One Greyhounds (1995)
Re-recording Mixer
'The Simpsons' Bart's Comet (1995)
Re-recording Mixer
Imaginary Crimes (1994)
Directed by: Anthony Drazan
Cinematography by: John J. Campbell
Edited by: Elizabeth Kling
Re-recording Mixer
'The Simpsons' Lisa on Ice (1994)
Re-recording Mixer
'The Simpsons' Sweet Seymour Skinner's Baadasssss Song (1994)
Re-recording Mixer
'The Simpsons' $pringfield (Or, How I Learned to Stop Worrying and Love Legalized Gambling) (1993)
Directed by: Wesley Archer
Re-recording Mixer
'The Simpsons' Bart's Inner Child (1993)
Re-recording Mixer
'The Simpsons' So It's Come to This: A Simpsons Clip Show (1993)
Directed by: Carlos Baeza
Foley Mixer
Kuffs (1992)
Directed by: Bruce A. Evans
Cinematography by: Thomas Del Ruth
Edited by: Stephen Semel
Foley Mixer
Stop! Or My Mom Will Shoot (1992)
Directed by: Roger Spottiswoode
Cinematography by: Frank Tidy
Foley Mixer: Los Angeles
Basic Instinct (1992)
Directed by: Paul Verhoeven
Cinematography by: Jan de Bont
Edited by: Frank J. Urioste
Cameras: Panavision Panaflex Camera
Foley Mixer
Raising Cain (1992)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Cameras
Foley Mixer
The Last of the Mohicans (1992)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Cameras: Panavision Cameras
Foley Mixer
Boyz n the Hood (1991)
Directed by: John Singleton
Cinematography by: Charles Mills
Edited by: Bruce Cannon
Cameras: ARRI Cameras
Lenses: ARRI / Zeiss Lenses
Foley Mixer
Grand Canyon (1991)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Cameras: Panavision Panaflex Gold Camera
Foley Mixer
Robin Hood: Prince of Thieves (1991)
Directed by: Kevin Reynolds
Cinematography by: Douglas Milsome
Edited by: Peter Boyle
Cameras: ARRIFLEX Camera
Lenses: ARRI Lenses
Foley Mixer
Ricochet (1991)
Directed by: Russell Mulcahy
Cinematography by: Peter Levy
Edited by: Peter Honess
Foley Mixer
Kafka (1991)
Directed by: Steven Soderbergh
Cinematography by: Walt Lloyd
Edited by: Steven Soderbergh
Foley Mixer
Teenage Mutant Ninja Turtles II: The Secret of the Ooze (1991)
Directed by: Michael Pressman
Cinematography by: Shelly Johnson
Foley Mixer
JFK (1991)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Lenses: Panavision E35 35 mm T2.0 Lens
Editing System: K.E.M. Editing System
Foley Mixer
Back to the Future Part III (1990)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Foley Mixer
The Two Jakes (1990)
Directed by: Jack Nicholson
Cinematography by: Vilmos Zsigmond
Edited by: Anne Goursaud
Foley Mixer
White Hunter Black Heart (1990)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Foley Mixer: TAJ Sound Works
Pacific Heights (1990)
Directed by: John Schlesinger
Cinematography by: Amir Mokri
Cameras: ARRI Cameras
Foley Mixer
Gremlins 2: The New Batch (1990)
Directed by: Joe Dante
Cinematography by: John Hora
Edited by: Kent Beyda
Foley Mixer
See No Evil, Hear No Evil (1989)
Directed by: Arthur Hiller
Cinematography by: Victor J. Kemper
Edited by: Robert C. Jones
Foley Mixer
Her Alibi (1989)
Directed by: Bruce Beresford
Cinematography by: Freddie Francis
Edited by: Anne Goursaud
Foley Mixer
Lethal Weapon 2 (1989)
Directed by: Richard Donner
Cinematography by: Stephen Goldblatt
Edited by: Stuart Baird
Foley Recordist
Steel Magnolias (1989)
Directed by: Herbert Ross
Cinematography by: John A. Alonzo
Edited by: Paul Hirsch
Foley Artist / Foley Mixer
Honey, I Shrunk the Kids (1989)
Directed by: Joe Johnston
Cinematography by: Hiro Narita
Edited by: Michael A. Stevenson
Foley Mixer
Back to the Future Part II (1989)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Re-recording Mixer - 123 Episodes, 1992-1998
The Simpsons (1989)
Directed by: Mike B. Anderson, Mark Kirkland, Steven Dean Moore, Bob Anderson, Matthew Nastuk, Jim Reardon, Michael Polcino, David Silverman, Wesley Archer, Nancy Kruse, Chris Clements, Lance Kramer, Rob Oliver, Chuck Sheetz, Rich Moore, Matthew Faughnan, Timothy Bailey, Jeffrey Lynch, Susie Dietter, Pete Michels, Raymond S. Persi, Carlos Baeza, Swinton O. Scott III, Dominic Polcino, Neil Affleck, Michael Marcantel, Lauren MacMullan, Matthew Schofield, Ralph Sosa, Mark Ervin, Jen Kamerman, Milton Gray, Brad Bird, Kent Butterworth, John Harvatine IV, Gregg Vanzo, Alan Smart, David Mirkin, Klay Hall, Shaun Cashman, Guillermo del Toro, Don Hertzfeldt, Bill Plympton, Jennifer Moeller
Foley Mixer
My Stepmother Is an Alien (1988)
Directed by: Richard Benjamin
Cinematography by: Richard H. Kline
Edited by: Jacqueline Cambas
Foley Mixer
Young Guns (1988)
Directed by: Christopher Cain
Cinematography by: Dean Semler
Edited by: Jack Hofstra
Foley Mixer
The Accidental Tourist (1988)
Directed by: Lawrence Kasdan
Cinematography by: John Bailey
Edited by: Carol Littleton
Foley Mixer
The Milagro Beanfield War (1988)
Directed by: Robert Redford
Cinematography by: Robbie Greenberg
Foley Mixer
Tequila Sunrise (1988)
Directed by: Robert Towne
Cinematography by: Conrad L. Hall
Edited by: Claire Simpson
Foley Mixer
The Dead Pool (1988)
Directed by: Buddy Van Horn
Cinematography by: Jack N. Green
Edited by: Ron Spang
Foley Recorded By
Scrooged (1988)
Directed by: Richard Donner
Cinematography by: Michael Chapman
Cameras: Panavision Panaflex Gold Camera
Foley Recordist
Who Framed Roger Rabbit (1988)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Lenses: Panavision Lenses
Foley Mixer
Black Widow (1987)
Directed by: Bob Rafelson
Cinematography by: Conrad L. Hall
Edited by: John Bloom
Foley Mixer
Lethal Weapon (1987)
Directed by: Richard Donner
Cinematography by: Stephen Goldblatt
Edited by: Stuart Baird
Foley Mixer
The Lost Boys (1987)
Directed by: Joel Schumacher
Cinematography by: Michael Chapman
Edited by: Robert Brown
Foley Mixer
Fatal Beauty (1987)
Directed by: Tom Holland
Cinematography by: David M. Walsh
Edited by: Don Zimmerman
Foley: Taj Soundworks
Fatal Attraction (1987)
Directed by: Adrian Lyne
Cinematography by: Howard Atherton
Foley Mixer
The Princess Bride (1987)
Directed by: Rob Reiner
Cinematography by: Adrian Biddle
Edited by: Robert Leighton
Foley Re-recordist
Stakeout (1987)
Directed by: John Badham
Cinematography by: John Seale
Cameras: Panavision Cameras
Foley Mixer
Beverly Hills Cop II (1987)
Directed by: Tony Scott
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Mixer
Adventures in Babysitting (1987)
Directed by: Chris Columbus
Cinematography by: Ric Waite
Foley Mixer
The Golden Child (1986)
Directed by: Michael Ritchie
Cinematography by: Donald E. Thorin
Edited by: Richard A. Harris
Foley Mixer
Raw Deal (1986)
Directed by: John Irvin
Cinematography by: Alex Thomson
Edited by: Anne V. Coates
Cameras: ARRIFLEX 35 BL3 Camera
Lenses: Cooke Xtal Express Lenses
Foley Mixer
Heartbreak Ridge (1986)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Foley Mixer
The Karate Kid Part II (1986)
Directed by: John G. Avildsen
Cinematography by: James Crabe
Foley Mixer
The Money Pit (1986)
Directed by: Richard Benjamin
Cinematography by: Gordon Willis
Edited by: Jacqueline Cambas
Cameras: Panavision Cameras
Foley Mixer
Silverado (1985)
Directed by: Lawrence Kasdan
Cinematography by: John Bailey
Edited by: Carol Littleton
Foley Mixer
Perfect (1985)
Directed by: James Bridges
Cinematography by: Gordon Willis
Edited by: Jeff Gourson
Foley Mixer
The Goonies (1985)
Directed by: Richard Donner
Cinematography by: Nick McLean
Cameras: ARRIFLEX 35 III Camera
Editing System: Steenbeck Editing System
Foley Recordist
Swing Shift (1984)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Craig McKay
Foley Recordist
The Adventures of Buckaroo Banzai Across the 8th Dimension (1984)
Directed by: W.D. Richter
Cinematography by: Fred J. Koenekamp
Foley Recordist
The River (1984)
Directed by: Mark Rydell
Cinematography by: Vilmos Zsigmond
Edited by: Sidney Levin
Foley Recordist
Gremlins (1984)
Directed by: Joe Dante
Cinematography by: John Hora
Edited by: Tina Hirsch
Foley Mixer
Starman (1984)
Directed by: John Carpenter
Cinematography by: Donald M. Morgan
Edited by: Marion Rothman
Foley Recordist
Romancing the Stone (1984)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Foley Mixer
Twilight Zone: The Movie (1983)
Foley Recordist
Terms of Endearment (1983)
Directed by: James L. Brooks
Cinematography by: Andrzej Bartkowiak
Edited by: Richard Marks
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Foley Recordist
Trading Places (1983)
Directed by: John Landis
Cinematography by: Robert Paynter
Edited by: Malcolm Campbell
Assistant Scoring Mixer
Cannery Row (1982)
Directed by: David S. Ward
Cinematography by: Sven Nykvist
Edited by: David Bretherton
Synthesized Effects Recordist
Xanadu (1980)
Directed by: Robert Greenwald
Cinematography by: Victor J. Kemper
Edited by: Dennis Virkler
