Re-recording Mixer
'True Detective' The Final Country (2019)
| USA
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Re-recording Mixer
'True Detective' The Big Never (2019)
| USA
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Re-recording Mixer
'True Detective' Hunters in the Dark (2019)
| USA
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Re-recording Mixer
'True Detective' Kiss Tomorrow Goodbye (2019)
| USA
Directed by: Jeremy Saulnier
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Re-recording Mixer
'True Detective' If You Have Ghosts (2019)
| USA
Directed by: Nic Pizzolatto
Cinematography by: Nigel Bluck
Edited by: Leo Trombetta
Re-recording Mixer
'True Detective' The Great War and Modern Memory (2019)
| USA
Directed by: Jeremy Saulnier
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Re-recording Mixer
'True Detective' Now Am Found (2019)
| USA
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Re-recording Mixer
'True Detective' The Hour and the Day (2019)
| USA
Directed by: Nic Pizzolatto
Cinematography by: Nigel Bluck
Edited by: Leo Trombetta
Re-recording Mixer
Hail, Caesar! (2016)
| UK, Japan, USA
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Adobe Premiere Editing System
Re-recording Mixer
Ride Along 2 (2016)
| USA
Directed by: Tim Story
Cinematography by: Mitchell Amundsen
Edited by: Peter S. Elliot
Cameras: Red Epic Dragon Camera
Lenses: Panavision Primo 70 Lenses
Re-recording Mixer
The Ridiculous 6 (2015)
| USA
Directed by: Frank Coraci
Cinematography by: Dean Semler
Edited by: Tom Costain
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
The Intern (2015)
| USA
Directed by: Nancy Meyers
Cinematography by: Stephen Goldblatt
Edited by: Robert Leighton
Cameras: ARRI ALEXA XT Camera
Re-recording Mixer
Annie (2014)
| USA
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony PMW-F55 Camera
Re-recording Mixer
About Last Night (2014)
| USA
Directed by: Steve Pink
Cinematography by: Michael Barrett
Cameras: Sony CineAlta F65 Camera
Lenses: Leica Summilux-C Series Lenses
Re-recording Mixer
Sex Tape (2014)
| USA
Directed by: Jake Kasdan
Cinematography by: Tim Suhrstedt
Cameras: ARRI ALEXA XT Camera
Re-recording Mixer - 8 Episodes, 2019
True Detective (2014)
| USA
Re-recording Mixer
Grown Ups 2 (2013)
| USA
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Cameras: Red Epic Camera
Re-recording Mixer
Inside Llewyn Davis (2013)
| USA, UK, France
Cinematography by: Bruno Delbonnel
Cameras: ARRICAM Lite (LT) Camera
Editing System: Adobe Premiere Editing System, Final Cut Pro Editing System
Additional Re-recording Mixer
Total Recall (2012)
| USA, Canada
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Re-recording Mixer
That's My Boy (2012)
| USA
Directed by: Sean Anders
Cinematography by: Brandon Trost
Edited by: Tom Costain
Re-recording Mixer
Here Comes the Boom (2012)
| USA
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Scott Hill
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Re-recording Mixer
Just Go with It (2011)
| USA
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Re-recording Mixer
Friends with Benefits (2011)
| USA
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony CineAlta F35 Camera, Sony Other Camera
Re-recording Mixer
Jack and Jill (2011)
| USA
Directed by: Dennis Dugan
Cinematography by: Dean Cundey
Edited by: Tom Costain
Cameras: ARRI ALEXA Camera
Re-recording Mixer
Zookeeper (2011)
| USA
Directed by: Frank Coraci
Cinematography by: Michael Barrett
Edited by: Scott Hill
Cameras: Panavision Genesis Camera
Re-recording Mixer
Grown Ups (2010)
| USA
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Cameras: Panavision Genesis Camera
Re-recording Mixer
True Grit (2010)
| USA
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Re-recording Mixer
A Serious Man (2009)
| USA, UK, France
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Re-recording Mixer
Obsessed (2009)
| USA
Directed by: Steve Shill
Cinematography by: Ken Seng
Edited by: Paul Seydor
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Zombieland (2009)
| USA
Directed by: Ruben Fleischer
Cinematography by: Michael Bonvillain
Edited by: Alan Baumgarten
Additional Re-recording Mixer
The Taking of Pelham 123 (2009)
| USA, UK
Directed by: Tony Scott
Cinematography by: Tobias A. Schliessler
Edited by: Chris Lebenzon
Additional Sound Re-recording Mixer
Transformers: Revenge of the Fallen (2009)
| USA
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Re-recording Mixer
Recount (2008)
| USA
Directed by: Jay Roach
Cinematography by: Jim Denault
Edited by: Alan Baumgarten
Supervising Sound Mixer
21 (2008)
| USA
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Edited by: Elliot Graham
Cameras: Pan-Arri 435 Camera, Panavision Genesis Camera
Re-recording Mixer
Drillbit Taylor (2008)
| USA
Directed by: Steven Brill
Cinematography by: Fred Murphy
Re-recording Mixer
Burn After Reading (2008)
| USA, UK, France
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera
Editing System: Final Cut Pro Editing System
Re-recording Mixer
Seven Pounds (2008)
| USA
Directed by: Gabriele Muccino
Cinematography by: Philippe Le Sourd
Edited by: Hughes Winborne
Cameras: Panavision Cameras
Supervising Sound Mixer
You Don't Mess with the Zohan (2008)
| USA
Directed by: Dennis Dugan
Cinematography by: Michael Barrett
Edited by: Tom Costain
Cameras: Panavision Genesis Camera
Re-recording Mixer
No Country for Old Men (2007)
| USA
Cinematography by: Roger Deakins
Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Re-recording Mixer
Ghost Rider (2007)
| USA, Australia
Directed by: Mark Steven Johnson
Cinematography by: Russell Boyd
Edited by: Richard Francis-Bruce
Cameras: Panavision Cameras
Supervising Sound Mixer
The Great Debaters (2007)
| USA
Directed by: Denzel Washington
Cinematography by: Philippe Rousselot
Re-recording Mixer
Fantastic Four: Rise of the Silver Surfer (2007)
| USA, Germany, UK
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Re-recording Mixer / Supervising Sound Mixer
The Benchwarmers (2006)
| USA
Directed by: Dennis Dugan
Cinematography by: Thomas E. Ackerman
Supervising Sound Mixer
All the King's Men (2006)
| Germany, USA
Directed by: Steven Zaillian
Cinematography by: Pawel Edelman
Edited by: Wayne Wahrman
Additional Sound Mixer
Apocalypto (2006)
| USA, Mexico
Directed by: Mel Gibson
Cinematography by: Dean Semler
Edited by: John Wright
Supervising Sound Mixer
The Cave (2005)
| USA, Germany, Romania
Directed by: Bruce Hunt
Cinematography by: Ross Emery
Edited by: Brian Berdan
Supervising Sound Mixer
Fun with Dick and Jane (2005)
| USA
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Additional Sound Re-recording Mixer
The Island (2005)
| USA
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Supervising Sound Mixer
Are We There Yet? (2005)
| USA, Canada
Directed by: Brian Levant
Cinematography by: Thomas E. Ackerman
Edited by: Lawrence Jordan
Re-recording Mixer
The Ladykillers (2004)
| USA
Cinematography by: Roger Deakins
Editing System: Final Cut Pro Editing System
Additional Sound Mixer
The Bourne Supremacy (2004)
| USA, Germany
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Cameras: ARRI Cameras
Sound Mixer
Ray (2004)
| USA
Directed by: Taylor Hackford
Cinematography by: Pawel Edelman
Edited by: Paul Hirsch
Supervising Sound Mixer
Win a Date with Tad Hamilton! (2004)
| USA
Directed by: Robert Luketic
Cinematography by: Peter Lyons Collister
Edited by: Scott Hill
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Additional Sound Re-recording Mixer
Kangaroo Jack (2003)
| USA, Australia
Directed by: David McNally
Cinematography by: Peter Menzies Jr.
Cameras: Panavision Cameras
Re-recording Mixer
Head of State (2003)
| USA
Directed by: Chris Rock
Cinematography by: Donald E. Thorin
Edited by: Stephen A. Rotter
Re-recording Mixer
Bad Santa (2003)
| USA, Germany
Directed by: Terry Zwigoff
Cinematography by: Jamie Anderson
Edited by: Robert Hoffman
Re-recording Mixer
Charlie's Angels: Full Throttle (2003)
| USA
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Wayne Wahrman
Supervising Sound Mixer
Scary Movie 3 (2003)
| USA, Canada
Directed by: David Zucker
Cinematography by: Mark Irwin
Re-recording Mixer
Intolerable Cruelty (2003)
| USA
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 Camera
Editing System: Final Cut Pro Editing System
Re-recording Mixer
National Security (2003)
| USA
Directed by: Dennis Dugan
Cinematography by: Oliver Wood
Edited by: Debra Neil-Fisher
Re-recording Mixer
Identity (2003)
| USA
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: David Brenner
Re-recording Mixer
I Spy (2002)
| USA
Directed by: Betty Thomas
Cinematography by: Oliver Wood
Edited by: Peter Teschner
Re-recording Mixer
Not Another Teen Movie (2001)
| USA
Directed by: Joel Gallen
Cinematography by: Reynaldo Villalobos
Edited by: Steve Welch
Re-recording Mixer
The Glass House (2001)
| USA
Directed by: Daniel Sackheim
Cinematography by: Alar Kivilo
Edited by: Howard E. Smith
Re-recording Mixer
America's Sweethearts (2001)
| USA
Directed by: Joe Roth
Cinematography by: Phedon Papamichael
Edited by: Stephen A. Rotter
Re-recording Mixer
The Animal (2001)
| USA
Directed by: Luke Greenfield
Cinematography by: Peter Lyons Collister
Re-recording Mixer
Charlie's Angels (2000)
| USA, Germany
Directed by: McG
Cinematography by: Russell Carpenter
Re-recording Mixer
28 Days (2000)
| USA
Directed by: Betty Thomas
Cinematography by: Declan Quinn
Edited by: Peter Teschner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Road Trip (2000)
| USA
Directed by: Todd Phillips
Cinematography by: Mark Irwin
Edited by: Sheldon Kahn
Re-recording Mixer
O Brother, Where Art Thou? (2000)
| UK, France, USA
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Re-recording Mixer
Idle Hands (1999)
| USA
Directed by: Rodman Flender
Cinematography by: Christopher Baffa
Edited by: Stephen E. Rivkin
Re-recording Mixer
Blue Streak (1999)
| USA, Germany
Directed by: Les Mayfield
Cinematography by: David Eggby
Edited by: Michael Tronick
Re-recording Mixer
I Still Know What You Did Last Summer (1998)
| USA, Mexico
Directed by: Danny Cannon
Cinematography by: Vernon Layton
Edited by: Peck Prior
Additional Sound Re-recording Mixer
Armageddon (1998)
| USA
Directed by: Michael Bay
Cinematography by: John Schwartzman
Re-recording Mixer
'The Simpsons' El Viaje Misterioso De Nuestro Jomer (1997)
| USA
Directed by: Jim Reardon
Re-recording Mixer
'The Simpsons' Simpsoncalifragilisticexpiala(Annoyed Grunt)cious (1997)
| USA
Directed by: Chuck Sheetz
Re-recording Mixer
My Best Friend's Wedding (1997)
| USA
Directed by: P.J. Hogan
Cinematography by: László Kovács
Re-recording Mixer
'The Simpsons' The Twisted World of Marge Simpson (1997)
| USA
Directed by: Chuck Sheetz
Re-recording Mixer
'The Simpsons' Homer vs. the 18th Amendment (1997)
| USA
Directed by: Bob Anderson
Re-recording Mixer
'The Simpsons' The Secret War of Lisa Simpson (1997)
| USA
Directed by: Mike B. Anderson
Additional Sound Mixer
Alien Resurrection (1997)
| USA
Directed by: Jean-Pierre Jeunet
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Re-recording Mixer
'The Simpsons' The Itchy & Scratchy & Poochie Show (1997)
| USA
Directed by: Steven Dean Moore
Re-recording Mixer
'The Simpsons' The Simpsons Spin-Off Showcase (1997)
| USA
Directed by: Neil Affleck
Re-recording Mixer
'The Simpsons' 22 Short Films About Springfield (1996)
| USA
Directed by: Jim Reardon
Re-recording Mixer
Trilogy of Terror II (1996)
| USA, Canada
Directed by: Dan Curtis
Cinematography by: Elemér Ragályi
Edited by: Bill Blunden
Re-recording Mixer
'The Simpsons' Scenes from the Class Struggle in Springfield (1996)
| USA
Directed by: Susie Dietter
Re-recording Mixer
'The Simpsons' Raging Abe Simpson and His Grumbling Grandson in 'The Curse of the Flying Hellfish' (1996)
| USA
Directed by: Jeffrey Lynch
Re-recording Mixer
'The Simpsons' Who Shot Mr. Burns? Part Two (1995)
| USA
Directed by: Wesley Archer
Re-recording Mixer
'The Simpsons' Who Shot Mr. Burns? Part One (1995)
| USA
Directed by: Jeffrey Lynch
Re-recording Mixer
'The Simpsons' Home Sweet Home-Dum-Diddly Doodily (1995)
| USA
Directed by: Susie Dietter
Re-recording Mixer
'The Simpsons' And Maggie Makes Three (1995)
| USA
Directed by: Swinton O. Scott III
Re-recording Mixer
'The Simpsons' Sideshow Bob's Last Gleaming (1995)
| USA
Directed by: Dominic Polcino
Foley Mixer
Waterworld (1995)
| USA
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Re-recording Mixer
Imaginary Crimes (1994)
| USA
Directed by: Anthony Drazan
Cinematography by: John J. Campbell
Edited by: Elizabeth Kling
Re-recording Mixer
'The Simpsons' Another Simpsons Clip Show (1994)
| USA
Directed by: David Silverman
Re-recording Mixer
'The Simpsons' Grampa vs. Sexual Inadequacy (1994)
| USA
Directed by: Wesley Archer
Re-recording Mixer
'The Simpsons' So It's Come to This: A Simpsons Clip Show (1993)
| USA
Directed by: Carlos Baeza
Re-recording Mixer
'The Simpsons' $pringfield (Or, How I Learned to Stop Worrying and Love Legalized Gambling) (1993)
| USA
Directed by: Wesley Archer
Re-recording Mixer
'The Simpsons' The Last Temptation of Homer (1993)
| USA
Directed by: Carlos Baeza
Re-recording Mixer
'The Simpsons' Brother from the Same Planet (1993)
| USA
Directed by: Jeffrey Lynch
Foley Mixer
Raising Cain (1992)
| USA
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Cameras
Foley Mixer: Los Angeles
Basic Instinct (1992)
| France, USA, UK
Directed by: Paul Verhoeven
Cinematography by: Jan de Bont
Edited by: Frank J. Urioste
Cameras: Panavision Panaflex Camera
Foley Mixer
The Last of the Mohicans (1992)
| USA
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Cameras: Panavision Cameras
Re-recording Mixer
'The Simpsons' Brother, Can You Spare Two Dimes? (1992)
| USA
Directed by: Rich Moore
Foley Mixer
Kuffs (1992)
| USA
Directed by: Bruce A. Evans
Cinematography by: Thomas Del Ruth
Edited by: Stephen Semel
Foley Mixer
Stop! Or My Mom Will Shoot (1992)
| USA
Directed by: Roger Spottiswoode
Cinematography by: Frank Tidy
Foley Mixer
JFK (1991)
| France, USA
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Lenses: Panavision E35 35 mm T2.0 Lens
Editing System: K.E.M. Editing System
Foley Mixer
Kafka (1991)
| France, USA
Directed by: Steven Soderbergh
Cinematography by: Walt Lloyd
Edited by: Steven Soderbergh
Foley Mixer
Ricochet (1991)
| USA
Directed by: Russell Mulcahy
Cinematography by: Peter Levy
Edited by: Peter Honess
Foley Mixer
Teenage Mutant Ninja Turtles II: The Secret of the Ooze (1991)
| USA, Hong Kong
Directed by: Michael Pressman
Cinematography by: Shelly Johnson
Foley Mixer
Boyz n the Hood (1991)
| USA
Directed by: John Singleton
Cinematography by: Charles Mills
Edited by: Bruce Cannon
Cameras: ARRI Cameras
Lenses: ARRI / Zeiss Lenses
Foley Mixer
Robin Hood: Prince of Thieves (1991)
| USA
Directed by: Kevin Reynolds
Cinematography by: Douglas Milsome
Edited by: Peter Boyle
Cameras: ARRIFLEX Camera
Lenses: ARRI Lenses
Foley Mixer
Grand Canyon (1991)
| USA
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Cameras: Panavision Panaflex Gold Camera
Foley Mixer
Kindergarten Cop (1990)
| USA
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Foley Mixer
Back to the Future Part III (1990)
| USA
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Foley Mixer
White Hunter Black Heart (1990)
| USA
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Foley Mixer
The Two Jakes (1990)
| USA
Directed by: Jack Nicholson
Cinematography by: Vilmos Zsigmond
Edited by: Anne Goursaud
Foley Mixer
Gremlins 2: The New Batch (1990)
| USA
Directed by: Joe Dante
Cinematography by: John Hora
Edited by: Kent Beyda
Foley Mixer: TAJ Sound Works
Pacific Heights (1990)
| USA
Directed by: John Schlesinger
Cinematography by: Amir Mokri
Cameras: ARRI Cameras
Foley Mixer
See No Evil, Hear No Evil (1989)
| USA
Directed by: Arthur Hiller
Cinematography by: Victor J. Kemper
Edited by: Robert C. Jones
Foley Artist / Foley Mixer
Honey, I Shrunk the Kids (1989)
| USA, Mexico
Directed by: Joe Johnston
Cinematography by: Hiro Narita
Edited by: Michael A. Stevenson
Foley Mixer
Lethal Weapon 2 (1989)
| USA
Directed by: Richard Donner
Cinematography by: Stephen Goldblatt
Edited by: Stuart Baird
Foley Mixer
Her Alibi (1989)
| USA
Directed by: Bruce Beresford
Cinematography by: Freddie Francis
Edited by: Anne Goursaud
Foley Recordist
Steel Magnolias (1989)
| USA
Directed by: Herbert Ross
Cinematography by: John A. Alonzo
Edited by: Paul Hirsch
Re-recording Mixer - 123 Episodes, 1992-1998
The Simpsons (1989)
| USA
Directed by: Mike B. Anderson, Mark Kirkland, Steven Dean Moore, Bob Anderson, Matthew Nastuk, Jim Reardon, Michael Polcino, David Silverman, Wesley Archer, Nancy Kruse, Chris Clements, Lance Kramer, Rob Oliver, Chuck Sheetz, Rich Moore, Matthew Faughnan, Timothy Bailey, Jeffrey Lynch, Susie Dietter, Pete Michels, Raymond S. Persi, Carlos Baeza, Swinton O. Scott III, Dominic Polcino, Neil Affleck, Michael Marcantel, Lauren MacMullan, Matthew Schofield, Ralph Sosa, Mark Ervin, Jen Kamerman, Milton Gray, Brad Bird, Kent Butterworth, John Harvatine IV, Gregg Vanzo, Alan Smart, David Mirkin, Klay Hall, Shaun Cashman, Guillermo del Toro, Don Hertzfeldt, Bill Plympton, Jennifer Moeller
Foley Mixer
Back to the Future Part II (1989)
| USA
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Foley Recordist
Who Framed Roger Rabbit (1988)
| USA
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Lenses: Panavision Lenses
Foley Mixer
The Accidental Tourist (1988)
| USA
Directed by: Lawrence Kasdan
Cinematography by: John Bailey
Edited by: Carol Littleton
Foley Mixer
The Dead Pool (1988)
| USA
Directed by: Buddy Van Horn
Cinematography by: Jack N. Green
Edited by: Ron Spang
Foley Mixer
The Milagro Beanfield War (1988)
| USA
Directed by: Robert Redford
Cinematography by: Robbie Greenberg
Foley Recorded By
Scrooged (1988)
| USA
Directed by: Richard Donner
Cinematography by: Michael Chapman
Cameras: Panavision Panaflex Gold Camera
Foley Mixer
Tequila Sunrise (1988)
| USA
Directed by: Robert Towne
Cinematography by: Conrad L. Hall
Edited by: Claire Simpson
Foley Mixer
My Stepmother Is an Alien (1988)
| USA
Directed by: Richard Benjamin
Cinematography by: Richard H. Kline
Edited by: Jacqueline Cambas
Foley Mixer
Young Guns (1988)
| USA
Directed by: Christopher Cain
Cinematography by: Dean Semler
Edited by: Jack Hofstra
Foley Mixer
Black Widow (1987)
| USA
Directed by: Bob Rafelson
Cinematography by: Conrad L. Hall
Edited by: John Bloom
Foley Mixer
Lethal Weapon (1987)
| USA
Directed by: Richard Donner
Cinematography by: Stephen Goldblatt
Edited by: Stuart Baird
Foley: Taj Soundworks
Fatal Attraction (1987)
| USA
Directed by: Adrian Lyne
Cinematography by: Howard Atherton
Foley Mixer
The Princess Bride (1987)
| USA
Directed by: Rob Reiner
Cinematography by: Adrian Biddle
Edited by: Robert Leighton
Foley Re-recordist
Stakeout (1987)
| USA
Directed by: John Badham
Cinematography by: John Seale
Cameras: Panavision Cameras
Foley Mixer
The Lost Boys (1987)
| USA
Directed by: Joel Schumacher
Cinematography by: Michael Chapman
Edited by: Robert Brown
Foley Mixer
Adventures in Babysitting (1987)
| USA
Directed by: Chris Columbus
Cinematography by: Ric Waite
Foley Mixer
Beverly Hills Cop II (1987)
| USA
Directed by: Tony Scott
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Mixer
Fatal Beauty (1987)
| USA, Japan
Directed by: Tom Holland
Cinematography by: David M. Walsh
Edited by: Don Zimmerman
Foley Mixer
The Money Pit (1986)
| USA
Directed by: Richard Benjamin
Cinematography by: Gordon Willis
Edited by: Jacqueline Cambas
Cameras: Panavision Cameras
Foley Mixer
The Karate Kid Part II (1986)
| USA
Directed by: John G. Avildsen
Cinematography by: James Crabe
Foley Mixer
Raw Deal (1986)
| USA, Netherlands
Directed by: John Irvin
Cinematography by: Alex Thomson
Edited by: Anne V. Coates
Foley Mixer
The Golden Child (1986)
| USA
Directed by: Michael Ritchie
Cinematography by: Donald E. Thorin
Edited by: Richard A. Harris
Foley Mixer
Heartbreak Ridge (1986)
| USA
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Foley Mixer
Perfect (1985)
| USA
Directed by: James Bridges
Cinematography by: Gordon Willis
Edited by: Jeff Gourson
Foley Mixer
Silverado (1985)
| USA
Directed by: Lawrence Kasdan
Cinematography by: John Bailey
Edited by: Carol Littleton
Foley Mixer
Back to the Future (1985)
| USA
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Foley Mixer
Mike's Murder (1984)
| USA
Directed by: James Bridges
Cinematography by: Reynaldo Villalobos
Foley Recordist
The River (1984)
| USA
Directed by: Mark Rydell
Cinematography by: Vilmos Zsigmond
Edited by: Sidney Levin
Foley Recordist
Romancing the Stone (1984)
| Mexico, USA
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Foley Recordist
Swing Shift (1984)
| USA
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Craig McKay
Foley Recordist
Streets of Fire (1984)
| USA
Directed by: Walter Hill
Cinematography by: Andrew Laszlo
Foley Recordist
The Adventures of Buckaroo Banzai Across the 8th Dimension (1984)
| USA
Directed by: W.D. Richter
Cinematography by: Fred J. Koenekamp
Foley Mixer
Starman (1984)
| USA
Directed by: John Carpenter
Cinematography by: Donald M. Morgan
Edited by: Marion Rothman
Foley Recordist
Gremlins (1984)
| USA
Directed by: Joe Dante
Cinematography by: John Hora
Edited by: Tina Hirsch
Foley Recordist
Trading Places (1983)
| USA
Directed by: John Landis
Cinematography by: Robert Paynter
Edited by: Malcolm Campbell
Foley Recordist
Terms of Endearment (1983)
| USA
Directed by: James L. Brooks
Cinematography by: Andrzej Bartkowiak
Edited by: Richard Marks
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Assistant Scoring Mixer
Cannery Row (1982)
| USA
Directed by: David S. Ward
Cinematography by: Sven Nykvist
Edited by: David Bretherton
Synthesized Effects Recordist
Xanadu (1980)
| USA
Directed by: Robert Greenwald
Cinematography by: Victor J. Kemper
Edited by: Dennis Virkler
