Liza D. Espinas

20 Titles

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Flamin' Hot | ShotOnWhat?

Editor

Flamin' Hot (2023)

Movie

Directed by: Eva Longoria

Cinematography by: Federico Cantini

Edited by: Kayla Emter, Liza D. Espinas

Cameras: Sony CineAlta VENICE Camera

Lenses: Canon K35 Prime Lenses, Cooke Xtal Express Lenses, Panavision Primo V Lenses

The Big Short | ShotOnWhat?

Additional Editor

The Big Short (2015)

Directed by: Adam McKay

Cinematography by: Barry Ackroyd

Edited by: Hank Corwin

Cameras: ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Run All Night | ShotOnWhat?

Additional Editor

Run All Night (2015)

Directed by: Jaume Collet-Serra

Cinematography by: Martin Ruhe

Edited by: Dirk Westervelt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses

Non-Stop | ShotOnWhat?

Associate Editor

Non-Stop (2014)

Directed by: Jaume Collet-Serra

Cinematography by: Flavio Martínez Labiano

Edited by: Jim May

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Dictator | ShotOnWhat?

Assistant Editor: NY

The Dictator (2012)

Directed by: Larry Charles

Cinematography by: Lawrence Sher

Edited by: Greg Hayden, Eric Kissack

Cameras: ARRI ALEXA Camera, Canon EOS-5D Mark III Camera

Lenses: Panavision Primo Anamorphic Lenses

Tower Heist | ShotOnWhat?

Visual Effects Editor

Tower Heist (2011)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Lite Lenses, Panavision G Series Anamorphic Lenses

Mr. Popper's Penguins | ShotOnWhat?

First Assistant Editor

Mr. Popper's Penguins (2011)

Directed by: Mark Waters

Cinematography by: Florian Ballhaus

Edited by: Bruce Green

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The A-Team | ShotOnWhat?

Assistant Editor

The A-Team (2010)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

G.I. Joe: The Rise of Cobra | ShotOnWhat?

First Assistant Editor

G.I. Joe: The Rise of Cobra (2009)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

21 | ShotOnWhat?

First Assistant Editor

21 (2008)

Directed by: Robert Luketic

Cinematography by: Russell Carpenter

Edited by: Elliot Graham

Cameras: Pan-Arri 435 Camera, Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Superman Returns | ShotOnWhat?

First Assistant Editor

Superman Returns (2006)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

I, Robot | ShotOnWhat?

First Assistant Editor: Avid

I, Robot (2004)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: William Hoy, Richard Learoyd, Armen Minasian

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses

American Wedding | ShotOnWhat?

First Assistant Editor

American Wedding (2003)

Directed by: Jesse Dylan

Cinematography by: Lloyd Ahern II

Edited by: Stuart H. Pappé

Cameras: Panavision Cameras

Lenses: Panavision Lenses

8 Mile | ShotOnWhat?

Assistant Editor

8 Mile (2002)

Directed by: Curtis Hanson

Cinematography by: Rodrigo Prieto

Edited by: Craig Kitson, Jay Rabinowitz

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Zeiss Ultra Prime Lenses

The Bourne Identity | ShotOnWhat?

Associate Editor

The Bourne Identity (2002)

Directed by: Doug Liman

Cinematography by: Oliver Wood

Edited by: Saar Klein

The Legend of Bagger Vance | ShotOnWhat?

Associate Editor

The Legend of Bagger Vance (2000)

Directed by: Robert Redford

Cinematography by: Michael Ballhaus

Edited by: Hank Corwin

The Love Letter | ShotOnWhat?

First Assistant Editor

The Love Letter (1999)

Directed by: Peter Ho-Sun Chan

Cinematography by: Tami Reiker

Edited by: Jacqueline Cambas

The Pentagon Wars | ShotOnWhat?

Assistant Editor

The Pentagon Wars (1998)

Television Movie

Directed by: Richard Benjamin

Cinematography by: Robert D. Yeoman

Edited by: Jacqueline Cambas

Mother Night | ShotOnWhat?

First Assistant Editor: Los Angeles

Mother Night (1996)

Directed by: Keith Gordon

Cinematography by: Tom Richmond

Edited by: Jay Rabinowitz

Dumb & Dumber | ShotOnWhat?

Second Assistant Editor

Dumb and Dumber (1994)

Directed by: Peter Farrelly, Bobby Farrelly

Cinematography by: Mark Irwin

Edited by: Christopher Greenbury

Cameras: Panavision Cameras

Lenses: Panavision Lenses

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