Hetal Jain

| USA

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA XT Plus Camera

Editing System: Adobe Premiere Editing System

Visual Effects Producer (uncredited)

The 5th Wave (2016)

| USA

Directed by: J Blakeson

Cinematography by: Enrique Chediak

Edited by: Paul Rubell

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

: BOTVFX (uncredited)

Avengers: Age of Ultron (2015)

| USA

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

: BOTVFX (uncredited)

'Sleepy Hollow' This Red Lady from Caribee (2015)

Directed by: Olatunde Osunsanmi

Cinematography by: Jan Richter-Friis

Edited by: Scott Gamzon

Visual Effects Producer: BOT VFX

The 33 (2015)

| Chile, USA

Directed by: Patricia Riggen

Cinematography by: Checco Varese

Edited by: Michael Tronick

Cameras: ARRI ALEXA XT Plus Camera, Silicon Imaging SI-2K Nano Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Kowa JC10M Series Lenses, Zeiss Ultra Prime Lenses

: BOTVFX (uncredited)

San Andreas (2015)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA

Directed by: Brad Peyton

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

: BOTVFX (uncredited)

'Sleepy Hollow' Dead Men Tell No Tales (2015)

| USA

Directed by: Russell Lee Fine

Cinematography by: Bing Sokolsky

Edited by: Andrew Coutts

: BOTVFX (uncredited)

Furious 7 (2015)

| USA, Japan

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

: BOTVFX (uncredited)

'Limitless' Pilot (2015)

| USA

Directed by: Marc Webb

Cinematography by: Jonathan Sela

Edited by: Christopher S. Capp, Daniel Gabbe

: BOTVFX (uncredited)

Jurassic World (2015)

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

| USA

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90 mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

: BOTVFX (uncredited)

'Sleepy Hollow' Tempus Fugit (2015)

| USA

Directed by: Paul A. Edwards

Cinematography by: Tod Campbell

Edited by: Andrew Coutts

: BOTVFX (uncredited)

Terminator Genisys (2015)

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

: BOTVFX (uncredited)

'Sleepy Hollow' Novus Ordo Seclorum (2015)

Directed by: Russell Lee Fine

Cinematography by: Jan Richter-Friis

Edited by: Andrew Coutts

Visual Effects Producer (uncredited) / Visual Effects Producer: BOTVFX (uncredited)

Pan (2015)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

| USA, UK, Australia

Directed by: Joe Wright

Cinematography by: John Mathieson, Seamus McGarvey

Edited by: William Hoy, Paul Tothill

Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera

Visual Effects Head Of Production: BOTVFX (uncredited) / Visual Effects Producer (uncredited)

Godzilla (2014)

| USA, Japan

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

: BOTVFX (uncredited)

'Sleepy Hollow' Heartless (2014)

| USA

Directed by: David Boyd

Cinematography by: Tod Campbell

Edited by: John L. Roberts

: BOTVFX (uncredited)

'Boardwalk Empire' Golden Days for Boys and Girls (2014)

Directed by: Timothy Van Patten

Cinematography by: Jonathan Freeman

Edited by: Kate Sanford

Visual Effects Producer: BOTVFX (uncredited) (1 Episode, 2014)

The Flash (2014)

Television Series

Cameras: ARRI ALEXA Camera, ARRI ALEXA Series Cameras, ARRI Cameras, Sony Cameras, Sony α7 Series Cameras, Sony α7S II Camera

Lenses: Angenieux Lenses, Angenieux Optimo 24-290mm T2.8 Lens, Cooke 5/i Lenses, Cooke Lenses, Cooke S4/i Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

: BOTVFX (uncredited)

Transcendence (2014)

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

| UK, China, USA

Directed by: Wally Pfister

Cinematography by: Jess Hall

Edited by: David Rosenbloom

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom Flex Camera

: BOTVFX (uncredited)

'Boardwalk Empire' Cuanto (2014)

Directed by: Jake Paltrow

Cinematography by: William Coleman

Edited by: Perri B. Frank, Tim Streeto

Visual Effects Producer: BOTVFX (uncredited)

Hercules (2014)

| USA

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich, Julia Wong

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Visual Effects Producer: BOTVFX (uncredited)

Need for Speed (2014)

| USA, UK, France, Philippines

Directed by: Scott Waugh

Cinematography by: Shane Hurlbut

Edited by: Paul Rubell, Scott Waugh

Cameras: ARRI ALEXA Camera, Canon EOS-1D C Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

: BOTVFX (uncredited)

'Sleepy Hollow' Deliverance (2014)

| USA

Directed by: Nick Copus

Cinematography by: Tod Campbell

Edited by: Scott Gamzon

: BOTVFX (uncredited)

Unbroken (2014)

| USA

Directed by: Angelina Jolie

Cinematography by: Roger Deakins

Edited by: William Goldenberg, Tim Squyres

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

: BOTVFX (uncredited)

'Boardwalk Empire' What Jesus Said (2014)

| USA

Directed by: Ed Bianchi

Cinematography by: Jonathan Freeman

Edited by: Eric Lorenz, Kate Sanford

Visual Effects Producer: BOTVFX (uncredited)

Inherent Vice (2014)

| USA

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Leslie Jones

Cameras: Panavision Panaflex Millennium XL2 Camera

Editing System: Avid Editing System

Visual Effects Producer (uncredited) / Visual Effects Producer: BOTVFX (uncredited)

Divergent (2014)

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses

| USA

Directed by: Neil Burger

Cinematography by: Alwin H. Küchler

Edited by: Richard Francis-Bruce, Nancy Richardson

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

: BOTVFX (uncredited)

'Boardwalk Empire' Eldorado (2014)

Directed by: Timothy Van Patten

Cinematography by: William Coleman

Edited by: Tim Streeto

Visual Effects Producer: BOT VFX (uncredited)

Xi you ji: Da nao tian gong (2014)

| China, Hong Kong

Directed by: Pou-Soi Cheang

Cinematography by: Man Po Cheung, Tao Yang

Edited by: Ka-Fai Cheung

Cameras: Red One MX Camera

Lenses: Angenieux Optimo Anamorphic 56-152mm 2S T4.0 Lens, Zeiss Master Prime Lenses

: BOTVFX (uncredited)

'Boardwalk Empire' The Good Listener (2014)

Directed by: Allen Coulter

Cinematography by: William Coleman

Edited by: Tim Streeto

Visual Effects Producer: BOTVFX (uncredited)

Night at the Museum: Secret of the Tomb (2014)

| USA, UK

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Dean Zimmerman

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo Zoom Lenses

Editing System: Avid Editing System

: BOTVFX (uncredited)

Pompeii (2014)

| Canada, Germany, USA

Directed by: Paul W.S. Anderson

Cinematography by: Glen MacPherson

Edited by: Michele Conroy

Cameras: Red Epic Camera

Editing System: Avid Editing System

: BOTVFX (uncredited)

'Boardwalk Empire' Devil You Know (2014)

Directed by: Jeremy Podeswa

Cinematography by: William Coleman

Edited by: Tim Streeto

: BOTVFX (uncredited)

Teenage Mutant Ninja Turtles (2014)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA

Directed by: Jonathan Liebesman

Cinematography by: Lula Carvalho

Edited by: Joel Negron, Glen Scantlebury

Cameras: ARRI ALEXA Plus 4:3 Camera

Editing System: Avid Editing System

: BOTVFX (uncredited)

The Wolverine (2013)

| USA, UK, Australia, Japan

Directed by: James Mangold

Cinematography by: Ross Emery

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera

: BOTVFX (uncredited)

'Boardwalk Empire' New York Sour (2013)

| USA

Directed by: Timothy Van Patten

Cinematography by: David Franco

Edited by: Kate Sanford

: BOTVFX (uncredited)

R.I.P.D. (2013)

| USA

Directed by: Robert Schwentke

Cinematography by: Alwin H. Küchler

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera

: BOTVFX (uncredited)

'Sleepy Hollow' John Doe (2013)

| USA

Directed by: Ernest R. Dickerson

Cinematography by: Teodoro Maniaci

Edited by: Casey O. Rohrs

Visual Effects Producer: BOT VFX (uncredited)

Prisoners (2013)

| USA

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA Studio Camera

Editing System: Avid Editing System

Visual Effects Producer: BOT VFX (uncredited)

G.I. Joe: Retaliation (2013)

| USA

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

: BOTVFX (uncredited)

'Once Upon a Time' Think Lovely Thoughts (2013)

| USA

Directed by: David Solomon

Cinematography by: Stephen Jackson

Edited by: Chris Conlee, Geofrey Hildrew

: BOTVFX (uncredited)

Percy Jackson: Sea of Monsters (2013)

| USA

Directed by: Thor Freudenthal

Cinematography by: Shelly Johnson

Edited by: Mark Goldblatt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

: BOTVFX (uncredited) / Visual Effects Producer (uncredited)

After Earth (2013)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Peter Suschitzky

Edited by: Steven Rosenblum

Cameras: Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Cooke S4 Lenses

: BOTVFX (uncredited)

World War Z (2013)

| USA

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

: BOTVFX (uncredited)

'Sleepy Hollow' The Lesser Key of Solomon (2013)

| USA

Directed by: Paul A. Edwards

Cinematography by: John R. Leonetti

Edited by: Neil Felder

: BOTVFX (uncredited)

White House Down (2013)

| USA

Directed by: Roland Emmerich

Cinematography by: Anna Foerster

Edited by: Adam Wolfe

Cameras: ARRI ALEXA Plus Camera, Sony CineAlta F65 Camera

Lenses: ARRI / Zeiss Lenses, Fujinon Premier Lenses, Zeiss Lenses

Visual Effects Producer: BOT VFX (uncredited)

Identity Thief (2013)

| USA

Directed by: Seth Gordon

Cinematography by: Javier Aguirresarobe

Edited by: Peter Teschner

Cameras: ARRI ALEXA Camera

: BOTVFX (uncredited) (1 Episode, 2013)

Ray Donovan (2013)

Television Series

| USA

Cameras: ARRI ALEXA Camera

Lenses: Leica Summilux-C Series Lenses

: BOTVFX (uncredited)

'Sleepy Hollow' The Midnight Ride (2013)

| USA

Directed by: Douglas Aarniokoski

Cinematography by: Teodoro Maniaci

Edited by: Neil Felder

Visual Effects Producer: Botvfx (uncredited)

Elysium (2013)

Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA

Directed by: Neill Blomkamp

Cinematography by: Trent Opaloch

Edited by: Julian Clarke, Lee Smith

Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera

Editing System: Avid Editing System

: BOTVFX (uncredited) / Visual Effects Producer (uncredited)

47 Ronin (2013)

| USA

Directed by: Carl Rinsch

Cinematography by: John Mathieson

Edited by: Stuart Baird

Cameras: ARRI ALEXA Camera

Editing System: Avid Editing System

: BOTVFX (uncredited)

'Sleepy Hollow' For the Triumph of Evil (2013)

| USA

Directed by: John F. Showalter

Cinematography by: Arthur Albert

Edited by: Imelda Betiong

Visual Effects Producer: BOT VFX (uncredited)

Now You See Me (2013)

| France, USA

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

: BOTVFX (uncredited)

'Ray Donovan' The Bag or the Bat (2013)

| USA

Directed by: Allen Coulter

Cinematography by: Matthew Jensen

Edited by: Sidney Wolinsky

: BOTVFX (uncredited)

'Sleepy Hollow' The Sin Eater (2013)

| USA

Directed by: Ken Olin

Cinematography by: John R. Leonetti

Edited by: Imelda Betiong

: BOTVFX (uncredited)

Pacific Rim (2013)

| USA

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson, John Gilroy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Zeiss Ultra Prime Lenses

: BOTVFX (uncredited)

RED 2 (2013)

| USA, France, Canada

Directed by: Dean Parisot

Cinematography by: Enrique Chediak

Edited by: Don Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses

Visual Effects Producer: BOTVFX (uncredited)

Star Trek Into Darkness (2013)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

| USA

Directed by: J.J. Abrams

Cinematography by: Daniel Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, Imax MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Producer (uncredited)

Gangster Squad (2013)

| USA

Directed by: Ruben Fleischer

Cinematography by: Dion Beebe

Edited by: Alan Baumgarten, James Herbert

Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

: BOTVFX (uncredited)

'Sleepy Hollow' Pilot (2013)

| USA

Directed by: Len Wiseman

Cinematography by: Kramer Morgenthau

Edited by: John Refoua

Visual Effects Producer: BOTVFX (uncredited) / Visual Effects Producer: Stereoscopic Support (uncredited)

John Carter (2012)

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA

Directed by: Andrew Stanton

Cinematography by: Daniel Mindel

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL2 Camera

: BOTVFX (uncredited)

Wrath of the Titans (2012)

| USA, Spain

Directed by: Jonathan Liebesman

Cinematography by: Ben Davis

Edited by: Martin Walsh

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Visual Effects Producer: BOTVFX (uncredited)

Here Comes the Boom (2012)

| USA

Directed by: Frank Coraci

Cinematography by: Phil Meheux

Edited by: Scott Hill

Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera

Visual Effects Producer (uncredited)

Abraham Lincoln: Vampire Hunter (2012)

| USA

Directed by: Timur Bekmambetov

Cinematography by: Caleb Deschanel

Edited by: William Hoy

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Phantom Flex Camera

Lenses: ARRI / Fujinon Lenses, Zeiss Ultra Prime Lenses

: BOTVFX (uncredited)

'Boardwalk Empire' Blue Bell Boy (2012)

TV Episode

| USA

Directed by: Kari Skogland

Cinematography by: William Coleman

Edited by: Tim Streeto

Producer

Looper (2012)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA, China

Directed by: Rian Johnson

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: Canon EOS-7D Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Visual Effects Producer (stereoscopic Conversion)

The Amazing Spider-Man (2012)

| USA

Directed by: Marc Webb

Cinematography by: John Schwartzman

Edited by: Alan Edward Bell, Michael McCusker, Pietro Scalia

Cameras: Red Epic Camera

Visual Effects Producer (uncredited)

That's My Boy (2012)

| USA

Directed by: Sean Anders

Cinematography by: Brandon Trost

Edited by: Tom Costain

Visual Effects Producer: BOT VFX (uncredited)

Les Misérables (2012)

| USA, UK

Directed by: Tom Hooper

Cinematography by: Danny Cohen

Edited by: Chris Dickens, Melanie Oliver

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Visual Effects (uncredited)

Flight (2012)

| USA

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Camera

Editing System: Avid Editing System

Producer: BOT VFX

Savages (2012)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA

Directed by: Oliver Stone

Cinematography by: Daniel Mindel

Edited by: Joe Hutshing, Stuart Levy, Alex Marquez

Cameras: ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

Producer (uncredited)

Green Lantern (2011)

| USA

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Visual Effects Producer (uncredited)

J. Edgar (2011)

Lenses: Panavision C Series Anamorphic Lenses, Panavision C100 100 mm T2.8 Lens, Panavision C75 75 mm T2.5 Lens, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens

| USA

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Visual Effects Producer (uncredited) / Visual Effects Producer: BOTVFX (uncredited)

Jack and Jill (2011)

| USA

Directed by: Dennis Dugan

Cinematography by: Dean Cundey

Edited by: Tom Costain

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Producer (uncredited) / Visual Effects Producer: BOTVFX (uncredited)

Priest (2011)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

| USA

Directed by: Scott Stewart

Cinematography by: Don Burgess

Edited by: Lisa Zeno Churgin, Rebecca Weigold

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Visual Effects Producer: BOTVFX (uncredited)

Immortals (2011)

| USA

Directed by: Tarsem Singh

Cinematography by: Brendan Galvin

Edited by: Wyatt Jones, Stuart Levy, David Rosenbloom

Cameras: Panavision Genesis Camera, Phantom HD Gold Camera

Lenses: Panavision Primo Anamorphic Lenses

: BOTVFX (uncredited) / Visual Effects Producer (uncredited)

Water for Elephants (2011)

| USA

Directed by: Francis Lawrence

Cinematography by: Rodrigo Prieto

Edited by: Alan Edward Bell

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Visual Effects Producer (uncredited)

Where the Wild Things Are (2009)

| Germany, Australia, USA

Directed by: Spike Jonze

Cinematography by: Lance Acord

Edited by: James Haygood, Eric Zumbrunnen

Cameras: Aaton 35-III Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Visual Effects Producer (uncredited)

Invictus (2009)