VFX Executive Producer: BOT VFX
Terminator: Dark Fate (2019)
| China, Spain, Hungary, USA
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA LF, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus, Canon EOS-C300 Mark II Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Sony CineAlta VENICE Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo 45-120mm T2.8 Lens, Angenieux Optimo Anamorphic 30-72mm A2S T4.0 Lens, Angenieux Optimo Anamorphic 44-440mm A2S T4.5 Lens, Angenieux Optimo Anamorphic 56-152mm A2S T4.0 Lens, ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental Prime DNA Lenses, Cineovision Lenses, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 45-250mm T2.8 Lens, Zeiss Compact Prime CP.3 Lenses, Zeiss Master Prime Lenses, Zeiss Super Speeds Mk III Lenses, Zeiss Ultra Prime Lenses
Visual Effects Producer: BOT VFX
Deadpool (2016)
| USA
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA XT Plus Camera
Editing System: Adobe Premiere Editing System
Visual Effects Producer
The 5th Wave (2016)
| USA, UK
Directed by: J Blakeson
Cinematography by: Enrique Chediak
Edited by: Paul Rubell
Cameras: ARRI ALEXA XT Plus Camera
: BOTVFX
'Sleepy Hollow' Tempus Fugit (2015)
| USA
Directed by: Paul A. Edwards
Cinematography by: Tod Campbell
Edited by: Andrew Coutts
Visual Effects Producer: BOTVFX - 1 Episode, 2015
Limitless (2015)
| USA
Directed by: Douglas Aarniokoski, Peter Werner, Marc Webb, Steven A. Adelson, Joshua Butler, Leslie Libman, Aaron Lipstadt, Guillermo Navarro, Lexi Alexander, John Behring, Holly Dale, Paul A. Edwards, Guy Ferland, Rich Lee, Christine Moore, Edward Ornelas, Maja Vrvilo
Cinematography by: Jimmy Lindsey, Robert Gantz, Larry Reibman, Derick V. Underschultz, Jonathan Sela
Visual Effects Producer: BOTVFX
San Andreas (2015)
| USA
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
: BOTVFX
'Sleepy Hollow' Novus Ordo Seclorum (2015)
| USA
Directed by: Russell Lee Fine
Cinematography by: Jan Richter-Friis
Edited by: Andrew Coutts
Visual Effects Producer: BOTVFX
Jurassic World (2015)
| USA
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
: BOTVFX
'Sleepy Hollow' This Red Lady from Caribee (2015)
| USA
Directed by: Olatunde Osunsanmi
Cinematography by: Jan Richter-Friis
Edited by: Scott Gamzon
Visual Effects Producer: BOTVFX
Furious 7 (2015)
| USA, China, Japan, Canada, United Arab Emirates
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 30-80mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Visual Effects Producer: BOTVFX
Pan (2015)
| USA, UK, Australia
Directed by: Joe Wright
Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera
: BOTVFX
'Sleepy Hollow' Dead Men Tell No Tales (2015)
| USA
Directed by: Russell Lee Fine
Cinematography by: Bing Sokolsky
Edited by: Andrew Coutts
Visual Effects Producer: BOTVFX
Terminator Genisys (2015)
| USA
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Roger Barton
Cameras: ARRI ALEXA XT Plus Camera
Visual Effects Producer: BOTVFX
Avengers: Age of Ultron (2015)
| USA
Directed by: Joss Whedon
Cinematography by: Ben Davis
Visual Effects Producer: BOTVFX
'Limitless' Pilot (2015)
| USA
Directed by: Marc Webb
Cinematography by: Jonathan Sela
Visual Effects Producer: BOT VFX
The 33 (2015)
| Chile, USA
Directed by: Patricia Riggen
Cinematography by: Checco Varese
Edited by: Michael Tronick
Visual Effects Producer: BOTVFX
Divergent (2014)
| USA
Directed by: Neil Burger
Cinematography by: Alwin H. Küchler
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
: BOTVFX
'Boardwalk Empire' The Good Listener (2014)
Directed by: Allen Coulter
Cinematography by: William Coleman
Edited by: Tim Streeto
Visual Effects Producer: BOT VFX
Xi you ji: Da nao tian gong (2014)
| China, Hong Kong
Directed by: Soi Cheang
Edited by: Ka-Fai Cheung
Cameras: Red One MX Camera
: BOTVFX
'Boardwalk Empire' Devil You Know (2014)
Directed by: Jeremy Podeswa
Cinematography by: William Coleman
Edited by: Tim Streeto
Visual Effects Producer: BOTVFX
Inherent Vice (2014)
| USA
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Leslie Jones
Editing System: Avid Editing System
Visual Effects Producer: BOTVFX
Pompeii (2014)
| Canada, Germany, USA
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Michele Conroy
Cameras: Red Epic Camera
Editing System: Avid Editing System
: BOTVFX
'Sleepy Hollow' Heartless (2014)
| USA
Directed by: David Boyd
Cinematography by: Tod Campbell
Edited by: John L. Roberts
: BOTVFX
'Boardwalk Empire' Golden Days for Boys and Girls (2014)
Directed by: Timothy Van Patten
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Visual Effects Producer: BOTVFX - 1 Episode, 2014
The Flash (2014)
| USA
Directed by: Dermott Downs, Ralph Hemecker, Stefan Pleszczynski, David McWhirter, Glen Winter, Jesse Warn, Rachel Talalay, Tom Cavanagh, Alexandra La Roche, Millicent Shelton, Kevin Tancharoen, Rob Hardy, J.J. Makaro, John F. Showalter, Hanelle M. Culpepper, Kevin Smith, Armen V. Kevorkian, Gregory Smith, David Nutter, Steve Shill, C. Kim Miles, Michael A. Allowitz, Brent Crowell, Harry Jierjian, Rob Greenlea, Viet Nguyen, Philip Chipera, Chris Peppe, Larry Shaw, Douglas Aarniokoski, John Behring, Nick Copus, Thor Freudenthal, Wendey Stanzler, Stephen Surjik, Antonio Negret, Alice Troughton, Laura Belsey, Nina Lopez-Corrado, Andi Armaganian, Sarah Boyd, Kevin Mock, Tara Nicole Weyr, Jeff Cassidy, Rebecca Johnson, Danielle Panabaker, Marcus Stokes, Kristin Windell
Cinematography by: C. Kim Miles, Brenton Spencer, Stewart Whelan, Alwyn Kumst, Jeffrey C. Mygatt, Glen Winter, Jan Kiesser, Bruce Worrall, Craig Wright, Ronald Richard
Edited by: Nathan Draper, Felicia Mignon Livingston, Christopher Oakes, Chris Peppe, Chris Conlee, Harry Jierjian, Paul Karasick, Dan Wilken, Rhett Finch, Mike Jackson, Iris Hershner, Andrew Kasch, Derek Stricker
Visual Effects Producer: BOTVFX
Teenage Mutant Ninja Turtles (2014)
| USA
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects Head Of Production: BOTVFX / Visual Effects Producer
Godzilla (2014)
| USA, Japan
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
: BOTVFX
'Boardwalk Empire' Cuanto (2014)
Directed by: Jake Paltrow
Cinematography by: William Coleman
Visual Effects Producer: BOTVFX
Night at the Museum: Secret of the Tomb (2014)
| UK, USA
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Dean Zimmerman
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Visual Effects Producer: BOTVFX
Transcendence (2014)
| UK, China, USA
Directed by: Wally Pfister
Cinematography by: Jess Hall
Edited by: David Rosenbloom
: BOTVFX
'Sleepy Hollow' Deliverance (2014)
| USA
Directed by: Nick Copus
Cinematography by: Tod Campbell
Edited by: Scott Gamzon
Visual Effects Producer: BOTVFX
'The Flash' Pilot (2014)
| USA
Directed by: David Nutter
Cinematography by: Glen Winter
Edited by: Paul Karasick
Visual Effects Producer: BOTVFX
Hercules (2014)
| USA
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Visual Effects Producer: BOTVFX
Need for Speed (2014)
| USA, India
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 19.5-94mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Summicron-C 21 mm T2.0 Lens, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
: BOTVFX
'Boardwalk Empire' What Jesus Said (2014)
| USA
Directed by: Ed Bianchi
Cinematography by: Jonathan Freeman
Visual Effects Producer: BOTVFX
Unbroken (2014)
| USA
Directed by: Angelina Jolie
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
: BOTVFX
'Boardwalk Empire' Eldorado (2014)
Directed by: Timothy Van Patten
Cinematography by: William Coleman
Edited by: Tim Streeto
: BOTVFX
'Sleepy Hollow' For the Triumph of Evil (2013)
| USA
Directed by: John F. Showalter
Cinematography by: Arthur Albert
Edited by: Imelda Betiong
Visual Effects Producer: BOTVFX
Pacific Rim (2013)
| USA
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Visual Effects Producer: Botvfx
Elysium (2013)
| USA
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects Producer: BOTVFX
Gangster Squad (2013)
| USA
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
: BOTVFX
'Ray Donovan' The Bag or the Bat (2013)
| USA
Directed by: Allen Coulter
Cinematography by: Matthew Jensen
Edited by: Sidney Wolinsky
: BOTVFX
'Sleepy Hollow' The Sin Eater (2013)
| USA
Directed by: Ken Olin
Cinematography by: John R. Leonetti
Edited by: Imelda Betiong
Visual Effects Producer: BOTVFX
The Wolf of Wall Street (2013)
| USA
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
: BOTVFX - 12 Episodes, 2013-2015
Sleepy Hollow (2013)
| USA
Directed by: Russell Lee Fine, Paul A. Edwards, Douglas Aarniokoski, Ken Olin, Marc Roskin, Dwight H. Little, Wendey Stanzler, Kate Dennis, Olatunde Osunsanmi, Jim O'Hanlon, Ernest R. Dickerson, Liz Friedlander, John F. Showalter, J. Miller Tobin, Len Wiseman, David Boyd, Nick Copus, Jeffrey G. Hunt, Adam Kane, Larry Teng, Romeo Tirone, Hanelle M. Culpepper, John R. Leonetti, Guillermo Navarro, Peter Weller, Sylvain White, Steven A. Adelson, Kellie Cyrus, Michael Goi, Darnell Martin
Cinematography by: Jan Richter-Friis, Tod Campbell, Bing Sokolsky, Glen Keenan, Niels Alpert, Robert LaBonge, John R. Leonetti, Arthur Albert, Teodoro Maniaci, Kramer Morgenthau
Edited by: Scott Gamzon, Andrew Coutts, Steve Haugen, Tim Brinker, Imelda Betiong, Neil Felder, John L. Roberts, Casey Brown, Michael Stern, Barbara Gerard, John Refoua, Casey O. Rohrs, David Dean, John Roberts, Kaja Fehr, Michael N. Knue
Cameras: Red Epic Camera
Visual Effects Producer: BOTVFX
R.I.P.D. (2013)
| USA
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
: BOTVFX
'Sleepy Hollow' Pilot (2013)
| USA
Directed by: Len Wiseman
Cinematography by: Kramer Morgenthau
Edited by: John Refoua
Visual Effects Producer: BOTVFX
RED 2 (2013)
| USA, France, Canada
Directed by: Dean Parisot
Cinematography by: Enrique Chediak
Edited by: Don Zimmerman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk V-Lite Lenses
Visual Effects Producer: BOTVFX
Star Trek Into Darkness (2013)
| USA
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
: BOTVFX
'Sleepy Hollow' John Doe (2013)
| USA
Directed by: Ernest R. Dickerson
Cinematography by: Teodoro Maniaci
Edited by: Casey O. Rohrs
Visual Effects Producer: BOTVFX
The Wolverine (2013)
| USA, UK
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
: BOTVFX
'Boardwalk Empire' New York Sour (2013)
| USA
Directed by: Timothy Van Patten
Cinematography by: David Franco
Edited by: Kate Sanford
Visual Effects Producer: BOTVFX
'Once Upon a Time' Think Lovely Thoughts (2013)
| USA
Directed by: David Solomon
Cinematography by: Stephen Jackson
Visual Effects Producer: BOT VFX
Prisoners (2013)
| USA
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Cameras: ARRI ALEXA Studio Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Visual Effects Producer: BOT VFX
G.I. Joe: Retaliation (2013)
| USA
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
: BOTVFX
'Sleepy Hollow' The Lesser Key of Solomon (2013)
| USA
Directed by: Paul A. Edwards
Cinematography by: John R. Leonetti
Edited by: Neil Felder
Visual Effects Producer: BOTVFX
Percy Jackson: Sea of Monsters (2013)
| USA
Directed by: Thor Freudenthal
Cinematography by: Shelly Johnson
Edited by: Mark Goldblatt
Visual Effects Producer: BOTVFX
After Earth (2013)
| USA
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Visual Effects Producer: BOTVFX
47 Ronin (2013)
| USA, UK, Japan, Hungary
Directed by: Carl Rinsch
Cinematography by: John Mathieson
Edited by: Stuart Baird
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
: BOTVFX - 1 Episode, 2013
Ray Donovan (2013)
| USA
Directed by: John Dahl, Michael Uppendahl, Tucker Gates, David Hollander, Allen Coulter, Daniel Attias, Colin Bucksey, Guy Ferland, Michael Apted, Lesli Linka Glatter, Phil Abraham, Liev Schreiber, Robert McLachlan, Daisy von Scherler Mayer, Stephen Williams, Zetna Fuentes, Daniel Minahan, Jeremy Podeswa, Greg Yaitanes, Ed Bianchi, Tricia Brock, James Whitmore Jr., Carl Franklin, Denise Di Novi, Tarik Saleh, Joshua Marston
Cinematography by: Robert McLachlan, Matthew Jensen, Loren S. Yaconelli, Roy H. Wagner, David Franco, Tim Nagasawa, Dan Stoloff
Edited by: Lynne Willingham, Harvey Rosenstock, John Axness, Peter B. Ellis, Sidney Wolinsky, Tanya M. Swerling, Susan Godfrey, Amy Colla, Garret Donnelly, John Duffy, Miriam Kim
Cameras: ARRI ALEXA Camera
Lenses: Leica Summilux-C Series Lenses
: BOTVFX
'Sleepy Hollow' The Midnight Ride (2013)
| USA
Directed by: Douglas Aarniokoski
Cinematography by: Teodoro Maniaci
Edited by: Neil Felder
Visual Effects Producer: BOTVFX
White House Down (2013)
| USA
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Adam Wolfe
Visual Effects Producer: BOT VFX
Identity Thief (2013)
| USA
Directed by: Seth Gordon
Cinematography by: Javier Aguirresarobe
Edited by: Peter Teschner
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Producer: BOT VFX
Les Misérables (2012)
| UK, USA
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Visual Effects Producer: BOTVFX
Savages (2012)
| USA
Directed by: Oliver Stone
Cinematography by: Dan Mindel
Visual Effects Producer: BOTVFX / Visual Effects Producer: Stereoscopic Support
John Carter (2012)
| USA
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Visual Effects Producer: BOTVFX
Wrath of the Titans (2012)
| Spain, USA
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Visual Effects Producer: BOTVFX
Here Comes the Boom (2012)
| USA
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Scott Hill
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Visual Effects Producer
Abraham Lincoln: Vampire Hunter (2012)
| USA, Russia
Directed by: Timur Bekmambetov
Cinematography by: Caleb Deschanel
Edited by: William Hoy
Visual Effects Producer: BOTVFX
Looper (2012)
| USA, China
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Visual Effects Producer - Stereoscopic Conversion
The Amazing Spider-Man (2012)
| USA
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
: BOTVFX
'Boardwalk Empire' Blue Bell Boy (2012)
| USA
Directed by: Kari Skogland
Cinematography by: William Coleman
Edited by: Tim Streeto
Visual Effects Producer
That's My Boy (2012)
| USA
Directed by: Sean Anders
Cinematography by: Brandon Trost
Edited by: Tom Costain
Visual Effects
Flight (2012)
| USA, United Arab Emirates
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Visual Effects Producer: BOTVFX - 1 Episode, 2013
Once Upon a Time (2011)
| USA
Directed by: Ralph Hemecker, Ron Underwood, Dean White, Romeo Tirone, Steve Pearlman, Gwyneth Horder-Payton, Billy Gierhart, David Solomon, Milan Cheylov, Alrick Riley, Eagle Egilsson, David Barrett, Paul A. Edwards, Guy Ferland, Mario Van Peebles, Geofrey Hildrew, Jon Amiel, Morgan Beggs, Mick Garris, Sharat Raju, Greg Beeman, Mark Mylod, Victor Nelli Jr., Anthony Hemingway, Bryan Spicer, Michael Waxman, David Boyd, Ciaran Donnelly, Andy Goddard, Alex Zakrzewski, Ernest R. Dickerson, Adam Horowitz, Mairzee Almas, Norman Buckley, Rob Duncan, Eriq La Salle, Jennifer Lynch, Craig Powell, Alex Kalymnios, Michael Schultz, Tara Nicole Weyr, Kate Woods, Tessa Blake, Nina Lopez-Corrado, Steve Miner, Antonio Negret, Lana Parrilla, Ellen S. Pressman
Edited by: Geofrey Hildrew, Mark Goldman, Joe Talbot Hall, Scot J. Kelly, Richard Glazerman, Paul Mendoza, Jon Koslowsky, Kathryn Panian, Robert Lanford, Adam Lemnah, Chris Conlee, Adam K. Tiller, Jim Towne, Julie Monroe, Henk Van Eeghen, Luke Brown, Lindsay Armstrong
Cameras: ARRI ALEXA Camera, Blackmagic Cinema Camera
Visual Effects Producer: BOTVFX
Water for Elephants (2011)
| USA
Directed by: Francis Lawrence
Cinematography by: Rodrigo Prieto
Edited by: Alan Edward Bell
Editing System: Avid Editing System
Visual Effects Producer: BOTVFX
Green Lantern (2011)
| USA
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Visual Effects Producer
J. Edgar (2011)
| USA
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Visual Effects Producer / Visual Effects Producer: BOTVFX
Jack and Jill (2011)
| USA
Directed by: Dennis Dugan
Cinematography by: Dean Cundey
Edited by: Tom Costain
Cameras: ARRI ALEXA Camera
Visual Effects Producer: BOTVFX
Priest (2011)
| USA
Directed by: Scott Stewart
Cinematography by: Don Burgess
Visual Effects Producer: BOTVFX
Immortals (2011)
| USA, Canada, UK
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
: BOTVFX - 8 Episodes, 2012-2014
Boardwalk Empire (2010)
| USA
Directed by: Timothy Van Patten, Allen Coulter, Jeremy Podeswa, Ed Bianchi, Brad Anderson, Alik Sakharov, Jake Paltrow, Simon Cellan Jones, Brian Kirk, Martin Scorsese, Alan Taylor, David Petrarca, Susanna White, Kari Skogland
Cinematography by: William Coleman, David Franco, Jonathan Freeman, Kramer Morgenthau, Stuart Dryburgh, Eric Moynier
Visual Effects Producer
Invictus (2009)
| USA
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Visual Effects Producer
Where the Wild Things Are (2009)
| Germany, Australia, USA
Directed by: Spike Jonze
Cinematography by: Lance Acord
Editing System: Final Cut Pro Editing System
