Sound Editor
'Young Sheldon' An Eagle Feather, a String Bean, and an Eskimo (2018)
Directed by: Rebecca Asher
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Sound Editor
'Young Sheldon' Demons, Sunday School, and Prime Numbers (2018)
Directed by: Howard Deutch
Cinematography by: Buzz Feitshans IV
Edited by: Steven Rasch
Sound Editor
'Young Sheldon' A Computer, a Plastic Pony, and a Case of Beer (2018)
Directed by: Richie Keen
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Sound Editor
'Young Sheldon' A Sneeze, Detention, and Sissy Spacek (2018)
Directed by: Howard Deutch
Cinematography by: Buzz Feitshans IV
Edited by: Steven Rasch
Sound Editor
'Young Sheldon' Potato Salad, a Broomstick, and Dad's Whiskey (2018)
Directed by: Howard Deutch
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Sound Editor
'Young Sheldon' Dolomite, Apple Slices, and a Mystery Woman (2018)
Directed by: Mark Cendrowski
Cinematography by: Buzz Feitshans IV
Edited by: Steven Rasch
Sound Editor
'Young Sheldon' Killer Asteroids, Oklahoma, and a Frizzy Hair Machine (2018)
Directed by: Howard Deutch
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Sound Editor
'Young Sheldon' Jiu-Jitsu, Bubble Wrap, and Yoo-Hoo (2018)
Directed by: Jaffar Mahmood
Cinematography by: Buzz Feitshans IV
Edited by: Steven Rasch
Sound Editor
'Young Sheldon' A Mother, a Child, and a Blue Man's Backside (2018)
Directed by: Jaffar Mahmood
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Sound Editor
'Young Sheldon' Gluons, Guacamole, and the Color Purple (2018)
Directed by: Alex Reid
Cinematography by: Buzz Feitshans IV
Sound Editor
'Young Sheldon' A Dog, a Squirrel, and a Fish Named Fish (2018)
Directed by: Jaffar Mahmood
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Sound Editor
'Young Sheldon' Summer Sausage, a Pocket Poncho, and Tony Danza (2018)
Directed by: Alex Reid
Cinematography by: Buzz Feitshans IV
Sound Editor
'Young Sheldon' Vanilla Ice Cream, Gentleman Callers, and a Dinette Set (2018)
Directed by: Jaffar Mahmood
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Sound Editor - 22 Episodes, 2017-2018
Young Sheldon (2017)
Directed by: Jaffar Mahmood, Alex Reid, Chris Koch, Howard Deutch, Mark Cendrowski, Rebecca Asher, Melissa Joan Hart, Michael Zinberg, Jude Weng, Jon Favreau, Peter Lauer, Don Scardino, Jonathan Judge, Richie Keen, Nikki Lorre, Beth McCarthy-Miller, Jeremy Howe, Lea Thompson, Michael Judd
Cameras: ARRI ALEXA Mini Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Style Lenses, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens
Sound Editor
'Young Sheldon' Pilot (2017)
Directed by: Jon Favreau
Cinematography by: Tim Suhrstedt
Edited by: Jeff Seibenick
Sound Editor
'Young Sheldon' Rockets, Communists, and the Dewey Decimal System (2017)
Directed by: Michael Zinberg
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Sound Editor
'Young Sheldon' Poker, Faith and Eggs (2017)
Directed by: Michael Zinberg
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Sound Editor
'Young Sheldon' A Therapist, a Comic Book, and a Breakfast Sausage (2017)
Directed by: Jaffar Mahmood
Cinematography by: Buzz Feitshans IV
Sound Editor
'Young Sheldon' A Solar Calculator, a Game Ball, and a Cheerleader's Bosom (2017)
Directed by: Chris Koch
Cinematography by: Buzz Feitshans IV
Sound Editor
'Young Sheldon' A Patch, a Modem, and a Zantac (2017)
Directed by: Don Scardino
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Sound Editor
'Young Sheldon' A Brisket, Voodoo, and Cannonball Run (2017)
Directed by: Mark Cendrowski
Cinematography by: Buzz Feitshans IV
Sound Editor
'Young Sheldon' Cape Canaveral, Schrödinger's Cat, and Cyndi Lauper's Hair (2017)
Directed by: Howard Deutch
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Sound Editor
'Young Sheldon' Spock, Kirk, and Testicular Hernia (2017)
Directed by: Peter Lauer
Cinematography by: Buzz Feitshans IV
Sound Effects Editor
Child 44 (2015)
Directed by: Daniel Espinosa
Cinematography by: Oliver Wood
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk Anamorphic Lenses
Sound Effects Editor
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Sound Effects Editor
Unbroken (2014)
Directed by: Angelina Jolie
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Sound Effects Editor
Dumb and Dumber To (2014)
Cinematography by: Matthew F. Leonetti
Edited by: Steven Rasch
Cameras: ARRI ALEXA Camera
Sound Effects Editor
Pacific Rim (2013)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Sound Editor
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Sound Effects Editor
The Best Man Holiday (2013)
Directed by: Malcolm D. Lee
Cinematography by: Greg Gardiner
Edited by: Paul Millspaugh
Cameras: ARRI ALEXA Plus 4:3 Camera
Sound Effects Editor
Jayne Mansfield's Car (2012)
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Lauren Zuckerman
Sound Effects Editor
The Bourne Legacy (2012)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Backgrounds Editor
Safe House (2012)
Directed by: Daniel Espinosa
Cinematography by: Oliver Wood
Edited by: Richard Pearson
Sound Effects Editor
Skyfall (2012)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Sound Effects Editor
The Guilt Trip (2012)
Directed by: Anne Fletcher
Cinematography by: Oliver Stapleton
Sound Effects Editor
I Am Number Four (2011)
Directed by: D.J. Caruso
Cinematography by: Guillermo Navarro
Boom Operator: Adr
Salmon Fishing in the Yemen (2011)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Lisa Gunning
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Sound Effects Editor
Cedar Rapids (2011)
Directed by: Miguel Arteta
Cinematography by: Chuy Chávez
Edited by: Eric Kissack
Sound Effects Editor
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Sound Effects Editor
A Little Bit of Heaven (2011)
Directed by: Nicole Kassell
Cinematography by: Russell Carpenter
Edited by: Stephen A. Rotter
Sound Effects Editor
What's Your Number? (2011)
Directed by: Mark Mylod
Cinematography by: James M. Muro
Edited by: Julie Monroe
Sound Effects Editor
Love Ranch (2010)
Directed by: Taylor Hackford
Cinematography by: Kieran McGuigan
Edited by: Paul Hirsch
Sound Effects Editor
London Boulevard (2010)
Directed by: William Monahan
Cinematography by: Chris Menges
Editing System: Avid Editing System
Sound Effects Editor
A Nightmare on Elm Street (2010)
Directed by: Samuel Bayer
Cinematography by: Jeff Cutter
Edited by: Glen Scantlebury
Sound Effects Editor
Nothing But the Truth (2008)
Directed by: Rod Lurie
Cinematography by: Alik Sakharov
Edited by: Sarah Boyd
Sound Effects Editor
Body of Lies (2008)
Directed by: Ridley Scott
Cinematography by: Alexander Witt
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Sound Effects Editor
Eagle Eye (2008)
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Sound Editor
Shoot 'Em Up (2007)
Directed by: Michael Davis
Cinematography by: Peter Pau
Edited by: Peter Amundson
Sound Effects Editor
American Gangster (2007)
Directed by: Ridley Scott
Cinematography by: Harris Savides
Edited by: Pietro Scalia
Editing System: Avid Editing System
Sound Effects Editor
Things We Lost in the Fire (2007)
Directed by: Susanne Bier
Cinematography by: Tom Stern
Sound Effects Editor
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Sound Effects Editor
Slipstream (2007)
Directed by: Anthony Hopkins
Cinematography by: Dante Spinotti
Edited by: Michael R. Miller
Sound Effects Editor
A Good Year (2006)
Directed by: Ridley Scott
Cinematography by: Philippe Le Sourd
Cameras: ARRICAM Lite (LT) Camera
Sound Effects Editor
Eight Below (2006)
Directed by: Frank Marshall
Cinematography by: Don Burgess
Edited by: Christopher Rouse
Sound Effects Editor
Step Up (2006)
Directed by: Anne Fletcher
Cinematography by: Michael Seresin
Edited by: Nancy Richardson
Cameras: ARRICAM Studio (ST) Camera
Sound Effects Editor
Flightplan (2005)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Sound Editor
Kingdom of Heaven (2005)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Dody Dorn
Sound Effects Editor
The Big White (2005)
Directed by: Mark Mylod
Cinematography by: James Glennon
Edited by: Julie Monroe
Sound Effects Editor
The Island (2005)
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Sound Effects Editor
The Last Shot (2004)
Directed by: Jeff Nathanson
Cinematography by: John Lindley
Edited by: David Rosenbloom
Sound Effects Editor
Van Helsing (2004)
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Sound Effects Editor
The Bourne Supremacy (2004)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Cameras: ARRI Cameras
Sound Effects Editor
Ray (2004)
Directed by: Taylor Hackford
Cinematography by: Pawel Edelman
Edited by: Paul Hirsch
Sound Effects Editor
Seabiscuit (2003)
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Sound Effects Editor
Radio (2003)
Directed by: Michael Tollin
Cinematography by: Don Burgess
Cameras: Panavision Cameras
Sound Effects Editor
Kill Bill: Vol. 1 (2003)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Sound Effects Editor: Director's Cut
Windtalkers (2002)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Sound Effects Editor
The Bourne Identity (2002)
Directed by: Doug Liman
Cinematography by: Oliver Wood
Edited by: Saar Klein
Sound Effects Editor
Eight Legged Freaks (2002)
Directed by: Ellory Elkayem
Cinematography by: John S. Bartley
Edited by: David Siegel
Sound Effects Editor
'The Sopranos' Whitecaps (2002)
Directed by: John Patterson
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
Sound Effects Editor
'The Sopranos' Calling All Cars (2002)
Directed by: Timothy Van Patten
Cinematography by: Phil Abraham
Sound Effects Editor
'The Sopranos' Eloise (2002)
Directed by: James Hayman
Cinematography by: Alik Sakharov
Sound Effects Editor
Hannibal (2001)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Sound Effects Editor
Black Hawk Down (2001)
Directed by: Ridley Scott
Cinematography by: Slawomir Idziak
Edited by: Pietro Scalia
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Sound Effects Editor
Evolution (2001)
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Cameras: Panavision Cameras
Sound Effects Editor
Proof of Life (2000)
Directed by: Taylor Hackford
Cinematography by: Slawomir Idziak
Adr Editor: LA
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Dialogue Editor
Final Destination (2000)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Background Sound Editor
Gladiator (2000)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Sound Effects Editor
The Patriot (2000)
Directed by: Roland Emmerich
Cinematography by: Caleb Deschanel
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
Inspector Gadget (1999)
Directed by: David Kellogg
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Sound Effects Editor - 3 Episodes, 2002
The Sopranos (1999)
Directed by: Timothy Van Patten, John Patterson, Allen Coulter, Alan Taylor, Henry Bronchtein, Jack Bender, Steve Buscemi, Daniel Attias, David Chase, Nick Gomez, Matthew Penn, Lorraine Senna, Andy Wolk, Martin Bruestle, Lee Tamahori, James Hayman, Peter Bogdanovich, Mike Figgis, Rodrigo García, Danny Leiner, David Nutter, Steve Shill, Phil Abraham, Terence Winter
Edited by: Sidney Wolinsky, William B. Stich, Conrad M. Gonzalez, Lynne Whitlock, Michael Ruscio, Tammis Chandler, Joanna Cappuccilli Lovetti
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Foley Editor: Los Angeles
A Civil Action (1998)
Directed by: Steven Zaillian
Cinematography by: Conrad L. Hall
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Platinum Camera
Sound Editor
The Replacement Killers (1998)
Directed by: Antoine Fuqua
Cinematography by: Peter Lyons Collister
Edited by: Jay Cassidy
Sound Effects Editor
Wrongfully Accused (1998)
Directed by: Pat Proft
Cinematography by: Glen MacPherson
Edited by: James R. Symons
Dialogue Editor
Air Force One (1997)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Sound Effects Editor
Vegas Vacation (1997)
Directed by: Stephen Kessler
Cinematography by: William A. Fraker
Edited by: Seth Flaum
Cameras: Panavision Cameras
Dialogue Editor
The Associate (1996)
Directed by: Donald Petrie
Cinematography by: Alex Nepomniaschy
Edited by: Bonnie Koehler
Dialogue Editor
Albino Alligator (1996)
Directed by: Kevin Spacey
Cinematography by: Mark Plummer
Edited by: Jay Cassidy
Dialogue Editor
Courage Under Fire (1996)
Directed by: Edward Zwick
Cinematography by: Roger Deakins
Edited by: Steven Rosenblum
Sound Effects Editor
Outbreak (1995)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Sound Effects Editor
Congo (1995)
Directed by: Frank Marshall
Cinematography by: Allen Daviau
Edited by: Anne V. Coates
Foley Editor
Speechless (1994)
Directed by: Ron Underwood
Cinematography by: Donald Peterman
Edited by: Richard Francis-Bruce
Dialogue Editor
The Specialist (1994)
Directed by: Luis Llosa
Cinematography by: Jeffrey L. Kimball
Edited by: Jack Hofstra
Dialogue Editor
The Crow (1994)
Directed by: Alex Proyas
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 35 BL4 Camera
Lenses: Zeiss Lenses
Foley Editor
Homeward Bound: The Incredible Journey (1993)
Directed by: Duwayne Dunham
Cinematography by: Reed Smoot
Edited by: Jonathan P. Shaw
Dialogue Editor
A Far Off Place (1993)
Directed by: Mikael Salomon
Cinematography by: Juan Ruiz Anchía
Edited by: Ray Lovejoy
Cameras: Panavision Panaflex Camera
Foley Editor
Home Alone 2: Lost in New York (1992)
Directed by: Chris Columbus
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Cameras: Panavision Panaflex Platinum Camera
Dialogue Editor
Night and the City (1992)
Directed by: Irwin Winkler
Cinematography by: Tak Fujimoto
Edited by: David Brenner
Cameras: Panavision Cameras
Sound Editor
The Last of the Mohicans (1992)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Cameras: Panavision Cameras
Sound Editor
The Super (1991)
Directed by: Rod Daniel
Cinematography by: Bruce Surtees
Edited by: Jack Hofstra
Sound Editor
The First Power (1990)
Directed by: Robert Resnikoff
Cinematography by: Theo van de Sande
Edited by: Michael Bloecher
Sound Editor
UHF (1989)
Directed by: Jay Levey
Cinematography by: David Lewis
Edited by: Dennis M. O'Connor
Sound Editor
National Lampoon's Christmas Vacation (1989)
Directed by: Jeremiah S. Chechik
Cinematography by: Thomas E. Ackerman
Dialogue Editor
Halloween 5: The Revenge of Michael Myers (1989)
Directed by: Dominique Othenin-Girard
Cinematography by: Robert Draper
Cameras: ARRI Cameras
Dialogue Editor
Sister, Sister (1987)
Directed by: Bill Condon
Cinematography by: Stephen M. Katz
Edited by: Virginia Katz
Sound Editor: California
The Outing (1987)
Directed by: Tom Daley
Cinematography by: Herbert Raditschnig
Edited by: Claudio M. Cutry
