Richard Duarte

79 Titles

Is this you? Add a Profile

Indiana Jones and the Dial of Destiny | ShotOnWhat?

Foley Mixer

Indiana Jones and the Dial of Destiny (2023)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Fabelmans | ShotOnWhat?

Foley Mixer

The Fabelmans (2022)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Mini LF Camera, ARRIFLEX 16ST Camera, ARRIFLEX 416 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

John Wick: Chapter 3 - Parabellum | ShotOnWhat?

Foley Mixer: One Step Up

John Wick: Chapter 3 - Parabellum (2019)

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Evan Schiff

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

Ford v Ferrari | ShotOnWhat?

Foley Mixer

Ford v Ferrari (2019)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

Us | ShotOnWhat?

Foley Artist

Us (2019)

Directed by: Jordan Peele

Cinematography by: Mike Gioulakis

Edited by: Nicholas Monsour

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

Avengers: Endgame | ShotOnWhat?

Foley Mixer

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Pokémon Detective Pikachu | ShotOnWhat?

Foley Mixer, Foley Mixer: One Step Up

Pokémon: Detective Pikachu (2019)

Directed by: Rob Letterman

Cinematography by: John Mathieson

Edited by: Mark Sanger, James Thomas

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Skyscraper | ShotOnWhat?

Foley Mixer

Skyscraper (2018)

Directed by: Rawson Marshall Thurber

Cinematography by: Robert Elswit

Edited by: Julian Clarke, Michael L. Sale

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

First Man | ShotOnWhat?

Foley Mixer

First Man (2018)

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses: CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

A Star Is Born | ShotOnWhat?

Foley Mixer

A Star Is Born (2018)

Directed by: Bradley Cooper

Cinematography by: Matthew Libatique

Edited by: Jay Cassidy

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses

Christopher Robin | ShotOnWhat?

Foley Mixer

Christopher Robin (2018)

Directed by: Marc Forster

Cinematography by: Matthias Koenigswieser

Edited by: Matt Chesse

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

War for the Planet of the Apes | ShotOnWhat?

Foley Mixer

War for the Planet of the Apes (2017)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Foley Mixer

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

Wind River | ShotOnWhat?

Foley Mixer

Wind River (2017)

Directed by: Taylor Sheridan

Cinematography by: Ben Richardson

Edited by: Gary Roach

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Lenses, Zeiss Standard Speed Prime Lenses

John Wick: Chapter 2 | ShotOnWhat?

Foley Mixer

John Wick: Chapter 2 (2017)

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Evan Schiff

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Anamorphic Lenses, ARRI / Zeiss Master Anamorphic Lenses

Star Trek Beyond | ShotOnWhat?

Foley Mixer: One Step Up

Star Trek Beyond (2016)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

All I See Is You | ShotOnWhat?

Foley Mixer, Foley Mixer: One Step Up

All I See Is You (2016)

Directed by: Marc Forster

Cinematography by: Matthias Koenigswieser

Edited by: Hughes Winborne

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision G Series Anamorphic Lenses

The Maze Runner | ShotOnWhat?

Foley Mixer

The Maze Runner (2014)

Directed by: Wes Ball

Cinematography by: Enrique Chediak

Edited by: Dan Zimmerman

Cameras: ARRI ALEXA Camera, Red Epic Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Unbroken | ShotOnWhat?

Foley Mixer

Unbroken (2014)

Directed by: Angelina Jolie

Cinematography by: Roger Deakins

Edited by: William Goldenberg, Tim Squyres

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses: Zeiss Master Prime Lenses

Prisoners | ShotOnWhat?

Foley Mixer

Prisoners (2013)

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA Studio Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

Pain & Gain | ShotOnWhat?

Foley Mixer

Pain & Gain (2013)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Tom Muldoon, Joel Negron

Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

Stoker | ShotOnWhat?

Foley Mixer

Stoker (2013)

Directed by: Chan-wook Park

Cinematography by: Chung-hoon Chung

Edited by: Nicolas De Toth

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

G.I. Joe: Retaliation | ShotOnWhat?

Foley Mixer

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Iron Man Three | ShotOnWhat?

This Means War | ShotOnWhat?

Foley Mixer

This Means War (2012)

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Nicolas De Toth

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Chasing Mavericks | ShotOnWhat?

Foley Mixer

Chasing Mavericks (2012)

Directed by: Michael Apted, Curtis Hanson

Cinematography by: Bill Pope

Edited by: John Gilbert

Cameras: ARRI ALEXA Camera, Red Epic Camera

Hitchcock | ShotOnWhat?

Foley Mixer: One Step Up

Hitchcock (2012)

Directed by: Sacha Gervasi

Cinematography by: Jeff Cronenweth

Edited by: Pamela Martin

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

The Bourne Legacy | ShotOnWhat?

Foley Mixer

The Bourne Legacy (2012)

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

ParaNorman | ShotOnWhat?

Foley Mixer

ParaNorman (2012)

Directed by: Chris Butler, Sam Fell

Cinematography by: Tristan Oliver

Edited by: Christopher Murrie

Cameras: Canon EOS-5D Mark II Camera

Lenses: Canon Tilt-Shift Lenses, Cooke Varotal Lenses

Get the Gringo | ShotOnWhat?

Foley Mixer

Get the Gringo (2012)

Directed by: Adrian Grunberg

Cinematography by: Benoît Debie

Edited by: Steven Rosenblum

Cameras: Red One MX Camera

Lenses: Hawk V-Lite Lenses

Prometheus | ShotOnWhat?

Foley Mixer

Prometheus (2012)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: ARRI ALEXA Camera, Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Pitch Perfect | ShotOnWhat?

Foley Mixer

Pitch Perfect (2012)

Directed by: Jason Moore

Cinematography by: Julio Macat

Edited by: Lisa Zeno Churgin

Cameras: ARRI ALEXA Camera

Argo | ShotOnWhat?

Foley Mixer

Argo (2012)

Directed by: Ben Affleck

Cinematography by: Rodrigo Prieto

Edited by: William Goldenberg

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

J. Edgar | ShotOnWhat?

Foley Mixer

J. Edgar (2011)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C100 100 mm T2.8 Lens, Panavision C75 75 mm T2.5 Lens, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Foley Artist , Foley Mixer

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

We Bought a Zoo | ShotOnWhat?

Foley Mixer

We Bought a Zoo (2011)

Directed by: Cameron Crowe

Cinematography by: Rodrigo Prieto

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera

Lenses: Zeiss Ultra Prime Lenses

The A-Team | ShotOnWhat?

Foley Mixer

The A-Team (2010)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Little Fockers | ShotOnWhat?

Foley Mixer

Little Fockers (2010)

Directed by: Paul Weitz

Cinematography by: Remi Adefarasin

Edited by: Greg Hayden, Leslie Jones, Myron Kerstein

Cameras: ARRI Cameras

Invictus | ShotOnWhat?

Foley Mixer

Invictus (2009)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Valkyrie | ShotOnWhat?

Foley Mixer

Valkyrie (2008)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: John Ottman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Fantastic Four: Rise of the Silver Surfer | ShotOnWhat?

Foley Mixer

Fantastic Four: Rise of the Silver Surfer (2007)

Directed by: Tim Story

Cinematography by: Larry Blanford

Edited by: Peter S. Elliot, William Hoy

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System, Sony Vegas Editing System

Pirates of the Caribbean: At World's End | ShotOnWhat?

Foley Mixer

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Aliens vs. Predator: Requiem | ShotOnWhat?

Foley Mixer

Aliens vs. Predator: Requiem (2007)

Directed by: Colin Strause, Greg Strause

Cinematography by: Daniel Pearl

Edited by: Dan Zimmerman

The Omen | ShotOnWhat?

Foley Mixer: Dublin

The Omen (2006)

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: Panavision Cameras

Pirates of the Caribbean: Dead Man's Chest | ShotOnWhat?

Foley Mixer

Pirates of the Caribbean: Dead Man's Chest (2006)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Flags of Our Fathers | ShotOnWhat?

Foley Mixer

Flags of our Fathers (2006)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses: Panavision C Series Anamorphic Lenses

Marie Antoinette | ShotOnWhat?

Foley Mixer

Marie Antoinette (2006)

Directed by: Sofia Coppola

Cinematography by: Lance Acord

Edited by: Sarah Flack

Cameras: Aaton 35-III Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Domino | ShotOnWhat?

Foley Mixer

Domino (2005)

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: William Goldenberg, Christian Wagner

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | ShotOnWhat?

Foley Mixer

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

Directed by: Andrew Adamson

Cinematography by: Donald McAlpine

Edited by: Sim Evan-Jones, Jim May

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Cursed | ShotOnWhat?

Foley Mixer

Cursed (2005)

Directed by: Wes Craven

Cinematography by: Robert McLachlan

Edited by: Patrick Lussier, Lisa Mozden

Raising Helen | ShotOnWhat?

Foley Mixer

Raising Helen (2004)

Directed by: Garry Marshall

Cinematography by: Charles Minsky

Edited by: Bruce Green, Tara Timpone

Bad Boys II | ShotOnWhat?

Foley Mixer

Bad Boys II (2003)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

Narc | ShotOnWhat?

Foley Mixer

Narc (2002)

Directed by: Joe Carnahan

Cinematography by: Alex Nepomniaschy

Edited by: John Gilroy

Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera, Moviecam Compact Camera

Lenses: Zeiss Super Speed Lenses

Replicant | ShotOnWhat?

Foley Editor / Foley Recordist

Replicant (2001)

Directed by: Ringo Lam

Cinematography by: Mike Southon

Edited by: David M. Richardson

Diary of a Sex Addict | ShotOnWhat?

Foley Editor / Foley Recordist

Diary of a Sex Addict (2001)

Direct to Video

Directed by: Joseph Brutsman

Cinematography by: Nathan Hope

Edited by: Greg Tillman

The Patriot | ShotOnWhat?

Foley Mixer

The Patriot (2000)

Directed by: Roland Emmerich

Cinematography by: Caleb Deschanel

Edited by: David Brenner, Christopher Holmes, Julie Monroe

Cameras: Panavision Cameras

Lenses: Panavision Lenses

28 Days | ShotOnWhat?

Foley Mixer

28 Days (2000)

Directed by: Betty Thomas

Cinematography by: Declan Quinn

Edited by: Peter Teschner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Hollow Man | ShotOnWhat?

Foley Mixer

Hollow Man (2000)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Ron Vignone

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Standard Speed Prime Lenses

Muppets from Space | ShotOnWhat?

Foley Mixer

Muppets from Space (1999)

Directed by: Tim Hill

Cinematography by: Alan Caso

Edited by: Richard Pearson, Michael A. Stevenson

Stuart Little | ShotOnWhat?

Foley Mixer

Stuart Little (1999)

Directed by: Rob Minkoff

Cinematography by: Guillermo Navarro

Edited by: Tom Finan

Cameras: Moviecam Compact Camera

Lenses: Zeiss Ultra Prime Lenses

Idle Hands | ShotOnWhat?

Foley Mixer

Idle Hands (1999)

Directed by: Rodman Flender

Cinematography by: Christopher Baffa

Edited by: Stephen E. Rivkin

Blue Streak | ShotOnWhat?

Foley Mixer

Blue Streak (1999)

Directed by: Les Mayfield

Cinematography by: David Eggby

Edited by: Michael Tronick

Girl, Interrupted | ShotOnWhat?

Foley Mixer

Girl, Interrupted (1999)

Directed by: James Mangold

Cinematography by: Jack N. Green

Edited by: Kevin Tent

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Dead Man on Campus | ShotOnWhat?

Foley Mixer

Dead Man on Campus (1998)

Directed by: Alan Cohn

Cinematography by: John Thomas

Edited by: Debra Chiate

The Parent Trap | ShotOnWhat?

Foley Mixer

The Parent Trap (1998)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Stephen A. Rotter

Great Expectations | ShotOnWhat?

Foley Mixer

Great Expectations (1998)

Directed by: Alfonso Cuarón

Cinematography by: Emmanuel Lubezki

Edited by: Steven Weisberg

Cameras: Panavision Cameras

Lenses: Panavision Lenses

As Good as It Gets | ShotOnWhat?

Foley Mixer

As Good as It Gets (1997)

Directed by: James L. Brooks

Cinematography by: John Bailey

Edited by: Richard Marks

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The English Patient | ShotOnWhat?

Foley Mixer

The English Patient (1996)

Directed by: Anthony Minghella

Cinematography by: John Seale

Edited by: Walter Murch

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Se7en | ShotOnWhat?

Foley Mixer

Se7en (1995)

Directed by: David Fincher

Cinematography by: Darius Khondji

Edited by: Richard Francis-Bruce

Cameras: Aaton 35-III Camera, Panavision Panaflex Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

Species | ShotOnWhat?

Foley Mixer

Species (1995)

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV

Boys on the Side | ShotOnWhat?

Foley Engineer

Boys on the Side (1995)

Directed by: Herbert Ross

Cinematography by: Donald E. Thorin

Edited by: Michael R. Miller

Cameras: Panavision Cameras

Judge Dredd | ShotOnWhat?

Foley Recordist

Judge Dredd (1995)

Directed by: Danny Cannon

Cinematography by: Adrian Biddle

Edited by: Harry Keramidas, Alex Mackie

Ed Wood | ShotOnWhat?

Foley Recording Engineer

Ed Wood (1994)

Directed by: Tim Burton

Cinematography by: Stefan Czapsky

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Siu nin Wong Fei Hung chi: Tit ma lau | ShotOnWhat?

Foley Mixer: US Version

Siu nin Wong Fei Hung chi: Tit ma lau (1993)

Directed by: Woo-Ping Yuen

Cinematography by: Chi-Wai Tam, Arthur Wong

Edited by: Chi Wai Chan, Stephanie Johnson, Angie Lam, Marco Mak, John Zeitler

Red Rock West | ShotOnWhat?

Foley Recordist

Red Rock West (1993)

Directed by: John Dahl

Cinematography by: Marc Reshovsky

Edited by: Scott Chestnut

Twin Peaks: Fire Walk with Me | ShotOnWhat?

Foley Engineer

Twin Peaks: Fire Walk with Me (1992)

Directed by: David Lynch

Cinematography by: Ronald Víctor García

Edited by: Mary Sweeney

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

Equinox | ShotOnWhat?

Foley Recordist

Equinox (1992)

Directed by: Alan Rudolph

Cinematography by: Elliot Davis

Edited by: Michael Ruscio

Folks! | ShotOnWhat?

Foley Recordist

Folks! (1992)

Directed by: Ted Kotcheff

Cinematography by: Larry Pizer

Edited by: Joan E. Chapman

The Exorcist | ShotOnWhat?

Foley Mixer - 2000 Version

The Exorcist (1973)

Directed by: William Friedkin

Cinematography by: Owen Roizman

Edited by: Norman Gay, Evan A. Lottman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

©2012 - 2025 ShotOnWhat?

20254.20