James Newton Howard

99 Titles

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A Hidden Life | ShotOnWhat?

Composer

A Hidden Life (2019)

Directed by: Terrence Malick

Cinematography by: Jörg Widmer

Edited by: Rehman Nizar Ali, Joe Gleason, Sebastian Jones

Cameras: Red Epic Dragon Camera

Lenses: Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

The Huntsman: Winter's War | ShotOnWhat?

Composer

The Huntsman: Winter's War (2016)

Directed by: Cedric Nicolas-Troyan

Cinematography by: Phedon Papamichael

Edited by: Conrad Buff IV

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Music By

Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

Composer, Score Producer

The Hunger Games: Mockingjay - Part 2 (2015)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Composer, Score Producer

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Maleficent | ShotOnWhat?

Composer

Maleficent (2014)

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Nightcrawler | ShotOnWhat?

Composer

Nightcrawler (2014)

Directed by: Dan Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA XT Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

The Hunger Games: Catching Fire | ShotOnWhat?

Composer, Score Producer

The Hunger Games: Catching Fire (2013)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell

Cameras: ARRIFLEX 435 Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

After Earth | ShotOnWhat?

Composer

After Earth (2013)

Directed by: M. Night Shyamalan

Cinematography by: Peter Suschitzky

Edited by: Steven Rosenblum

Cameras: Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

The Bourne Legacy | ShotOnWhat?

Composer

The Bourne Legacy (2012)

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Hunger Games | ShotOnWhat?

Composer, Score Producer

The Hunger Games (2012)

Directed by: Gary Ross

Cinematography by: Tom Stern

Edited by: Christopher S. Capp, Stephen Mirrione, Juliette Welfling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Snow White and the Huntsman | ShotOnWhat?

Composer

Snow White and the Huntsman (2012)

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Darling Companion | ShotOnWhat?

Composer

Darling Companion (2012)

Directed by: Lawrence Kasdan

Cinematography by: Michael McDonough

Edited by: Carol Littleton

Larry Crowne | ShotOnWhat?

Composer

Larry Crowne (2011)

Directed by: Tom Hanks

Cinematography by: Philippe Rousselot

Edited by: Alan Cody

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Water for Elephants | ShotOnWhat?

Composer

Water for Elephants (2011)

Directed by: Francis Lawrence

Cinematography by: Rodrigo Prieto

Edited by: Alan Edward Bell

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Green Hornet | ShotOnWhat?

Composer

The Green Hornet (2011)

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Green Lantern | ShotOnWhat?

Composer

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

The Last Airbender | ShotOnWhat?

Composer

The Last Airbender (2010)

Directed by: M. Night Shyamalan

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Love & Other Drugs | ShotOnWhat?

Composer

Love & Other Drugs (2010)

Directed by: Edward Zwick

Cinematography by: Steven Fierberg

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

The Tourist | ShotOnWhat?

Composer

The Tourist (2010)

Directed by: Florian Henckel von Donnersmarck

Cinematography by: John Seale

Edited by: Joe Hutshing, Patricia Rommel

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Nanny McPhee Returns | ShotOnWhat?

Composer

Nanny McPhee Returns (2010)

Directed by: Susanna White

Cinematography by: Mike Eley

Edited by: Sim Evan-Jones

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Editing System: Avid Editing System

Salt | ShotOnWhat?

Composer

Salt (2010)

Directed by: Phillip Noyce

Cinematography by: Robert Elswit

Edited by: Stuart Baird, John Gilroy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses

Duplicity | ShotOnWhat?

Composer

Duplicity (2009)

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Confessions of a Shopaholic | ShotOnWhat?

Composer

Confessions of a Shopaholic (2009)

Directed by: P.J. Hogan

Cinematography by: Jo Willems

Edited by: William Goldenberg

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Happening | ShotOnWhat?

Composer

The Happening (2008)

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Conrad Buff IV

Cameras: Panavision Cameras

The Dark Knight | ShotOnWhat?

Music By, Musician: Piano / Score Producer

The Dark Knight (2008)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Defiance | ShotOnWhat?

Composer

Defiance (2008)

Directed by: Edward Zwick

Cinematography by: Eduardo Serra

Edited by: Steven Rosenblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

I Am Legend | ShotOnWhat?

Composer, Score Producer

I Am Legend (2007)

Directed by: Francis Lawrence

Cinematography by: Andrew Lesnie

Edited by: Wayne Wahrman

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses

Charlie Wilson's War | ShotOnWhat?

Composer

Charlie Wilson's War (2007)

Directed by: Mike Nichols

Cinematography by: Stephen Goldblatt

Edited by: John Bloom, Antonia Van Drimmelen

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Great Debaters | ShotOnWhat?

Composer

The Great Debaters (2007)

Directed by: Denzel Washington

Cinematography by: Philippe Rousselot

Edited by: John Breinholt, Hughes Winborne

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Lookout | ShotOnWhat?

Composer

The Lookout (2007)

Directed by: Scott Frank

Cinematography by: Alar Kivilo

Edited by: Jill Savitt

Michael Clayton | ShotOnWhat?

Composer

Michael Clayton (2007)

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Water Horse | ShotOnWhat?

Composer, Orchestrator

The Water Horse (2007)

Directed by: Jay Russell

Cinematography by: Oliver Stapleton

Edited by: Mark Warner

RV | ShotOnWhat?

Composer

RV (2006)

Directed by: Barry Sonnenfeld

Cinematography by: Fred Murphy

Edited by: Kevin Tent

Freedomland | ShotOnWhat?

Composer

Freedomland (2006)

Directed by: Joe Roth

Cinematography by: Anastas N. Michos

Edited by: Nick Moore

Blood Diamond | ShotOnWhat?

Composer, Score Producer

Blood Diamond (2006)

Directed by: Edward Zwick

Cinematography by: Eduardo Serra

Edited by: Steven Rosenblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses

Lady in the Water | ShotOnWhat?

Composer

Lady in the Water (2006)

Directed by: M. Night Shyamalan

Cinematography by: Christopher Doyle

Edited by: Barbara Tulliver

Batman Begins | ShotOnWhat?

Composer, Score Producer

Batman Begins (2005)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 435 Camera, Bell & Howell Cameras, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Interpreter | ShotOnWhat?

Composer, Orchestrator

The Interpreter (2005)

Directed by: Sydney Pollack

Cinematography by: Darius Khondji

Edited by: William Steinkamp

King Kong | ShotOnWhat?

Composer

King Kong (2005)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jamie Selkirk

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Collateral | ShotOnWhat?

Composer

Collateral (2004)

Directed by: Michael Mann

Cinematography by: Dion Beebe, Paul Cameron

Edited by: Jim Miller, Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera

Lenses: Panavision Primo Primes Spherical Lenses, Zeiss DigiPrime Lenses

Editing System: Avid Editing System

The Village | ShotOnWhat?

Composer

The Village (2004)

Directed by: M. Night Shyamalan

Cinematography by: Roger Deakins

Edited by: Christopher Tellefsen

Cameras: ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

Hidalgo | ShotOnWhat?

Composer

Hidalgo (2004)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Peter Pan | ShotOnWhat?

Composer

Peter Pan (2003)

Directed by: P.J. Hogan

Cinematography by: Donald McAlpine

Edited by: Garth Craven, Michael Kahn

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Dreamcatcher | ShotOnWhat?

Composer, Orchestrator, Score Producer

Dreamcatcher (2003)

Directed by: Lawrence Kasdan

Cinematography by: John Seale

Edited by: Raúl Dávalos, Carol Littleton

Signs | ShotOnWhat?

Composer, Score Producer

Signs (2002)

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Barbara Tulliver

Treasure Planet | ShotOnWhat?

Composer, Orchestrator / Score Producer

Treasure Planet (2002)

Directed by: Ron Clements, John Musker

Cinematography by: Rasoul Azadani

Edited by: Michael Kelly

Unconditional Love | ShotOnWhat?

Composer, Orchestrator

Unconditional Love (2002)

Directed by: P.J. Hogan

Cinematography by: Remi Adefarasin

Edited by: Robert C. Jones

Cameras: Panavision Cameras

America's Sweethearts | ShotOnWhat?

Composer

America's Sweethearts (2001)

Directed by: Joe Roth

Cinematography by: Phedon Papamichael

Edited by: Stephen A. Rotter

Unbreakable | ShotOnWhat?

Composer, Orchestrator, Score Producer

Unbreakable (2000)

Directed by: M. Night Shyamalan

Cinematography by: Eduardo Serra

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Vertical Limit | ShotOnWhat?

Composer, Orchestrator / Score Producer

Vertical Limit (2000)

Directed by: Martin Campbell

Cinematography by: David Tattersall

Edited by: Thom Noble

Dinosaur | ShotOnWhat?

Composer, Orchestrator / Score Producer

Dinosaur (2000)

Directed by: Eric Leighton, Ralph Zondag

Cinematography by: David R. Hardberger, Steven Douglas Smith

Edited by: H. Lee Peterson

Cameras: VistaVision Cameras

Stir of Echoes | ShotOnWhat?

Composer, Orchestrator / Score Producer

Stir of Echoes (1999)

Directed by: David Koepp

Cinematography by: Fred Murphy

Edited by: Jill Savitt

The Sixth Sense | ShotOnWhat?

Composer, Orchestrator, Score Producer

The Sixth Sense (1999)

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Andrew Mondshein

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Runaway Bride | ShotOnWhat?

Composer, Orchestrator

Runaway Bride (1999)

Directed by: Garry Marshall

Cinematography by: Stuart Dryburgh

Edited by: Bruce Green

Snow Falling on Cedars | ShotOnWhat?

Composer, Orchestrator / Score Producer

Snow Falling on Cedars (1999)

Directed by: Scott Hicks

Cinematography by: Robert Richardson

Edited by: Hank Corwin

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses

A Perfect Murder | ShotOnWhat?

Composer, Orchestrator

A Perfect Murder (1998)

Directed by: Andrew Davis

Cinematography by: Dariusz Wolski

Edited by: Dov Hoenig, Dennis Virkler

My Best Friend's Wedding | ShotOnWhat?

Conductor , Music By

My Best Friend's Wedding (1997)

Directed by: P.J. Hogan

Cinematography by: László Kovács

Edited by: Garth Craven, Lisa Fruchtman

Cameras: Panavision Panaflex Camera

Fathers' Day | ShotOnWhat?

Music By, Orchestrator

Fathers' Day (1997)

Directed by: Ivan Reitman

Cinematography by: Stephen H. Burum

Edited by: Wendy Greene Bricmont, Sheldon Kahn

The Postman | ShotOnWhat?

Composer, Music Producer , Orchestrator

The Postman (1997)

Directed by: Kevin Costner

Cinematography by: Stephen F. Windon

Edited by: Peter Boyle

Dante's Peak | ShotOnWhat?

Composer: Theme Music

Dante's Peak (1997)

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV, Tina Hirsch, Howard E. Smith

Picture Perfect | ShotOnWhat?

Composer: Additional Music

Picture Perfect (1997)

Directed by: Glenn Gordon Caron

Cinematography by: Paul Sarossy

Edited by: Robert M. Reitano

Liar Liar | ShotOnWhat?

Composer: Theme Music

Liar Liar (1997)

Directed by: Tom Shadyac

Cinematography by: Russell Boyd

Edited by: Don Zimmerman

One Fine Day | ShotOnWhat?

Composer, Orchestrator

One Fine Day (1996)

Directed by: Michael Hoffman

Cinematography by: Oliver Stapleton

Edited by: Garth Craven

The Trigger Effect | ShotOnWhat?

Composer, Orchestrator

The Trigger Effect (1996)

Directed by: David Koepp

Cinematography by: Newton Thomas Sigel

Edited by: Jill Savitt

Primal Fear | ShotOnWhat?

Composer, Music By, Orchestrator

Primal Fear (1996)

Directed by: Gregory Hoblit

Cinematography by: Michael Chapman

Edited by: David Rosenbloom

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Ultra Speed MKII Lenses

Eye for an Eye | ShotOnWhat?

Composer, Orchestrator

Eye for an Eye (1996)

Directed by: John Schlesinger

Cinematography by: Amir Mokri

Edited by: Peter Honess

Space Jam | ShotOnWhat?

Composer, Orchestrator

Space Jam (1996)

Directed by: Joe Pytka

Cinematography by: Michael Chapman

Edited by: Sheldon Kahn

The Juror | ShotOnWhat?

Composer

The Juror (1996)

Directed by: Brian Gibson

Cinematography by: Jamie Anderson

Edited by: Robert M. Reitano

French Kiss | ShotOnWhat?

Composer, Orchestrator

French Kiss (1995)

Directed by: Lawrence Kasdan

Cinematography by: Owen Roizman

Edited by: Joe Hutshing

Cameras: Panavision Panaflex Camera

Lenses: Panavision E Series Anamorphic Lenses

Waterworld | ShotOnWhat?

Music By, Musician: Synthesizer & Drum Programmer , Orchestrator

Waterworld (1995)

Directed by: Kevin Reynolds

Cinematography by: Dean Semler

Edited by: Peter Boyle

Cameras: Aaton 35-III Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, Cine SL-35 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses: Canon Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Restoration | ShotOnWhat?

Composer

Restoration (1995)

Directed by: Michael Hoffman

Cinematography by: Oliver Stapleton

Edited by: Garth Craven

Just Cause | ShotOnWhat?

Composer, Orchestrator

Just Cause (1995)

Directed by: Arne Glimcher

Cinematography by: Lajos Koltai

Edited by: William M. Anderson, Armen Minasian

Outbreak | ShotOnWhat?

Composer, Orchestrator

Outbreak (1995)

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: William Hoy, Lynzee Klingman, Stephen E. Rivkin, Neil Travis

Wyatt Earp | ShotOnWhat?

Composer, Orchestrator

Wyatt Earp (1994)

Directed by: Lawrence Kasdan

Cinematography by: Owen Roizman

Edited by: Carol Littleton

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Cooke Lenses, Panavision Primo Anamorphic Lenses

Junior | ShotOnWhat?

Composer, Orchestrator

Junior (1994)

Directed by: Ivan Reitman

Cinematography by: Adam Greenberg

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Intersection | ShotOnWhat?

Composer, Orchestrations

Intersection (1994)

Directed by: Mark Rydell

Cinematography by: Vilmos Zsigmond

Edited by: Mark Warner

Alive | ShotOnWhat?

Composer, Orchestrator

Alive (1993)

Directed by: Frank Marshall

Cinematography by: Peter James

Edited by: William Goldenberg, Michael Kahn

The Fugitive | ShotOnWhat?

Conductor / Music Producer / Musician: Keyboards, Piano , Music By, Orchestrator

The Fugitive (1993)

Directed by: Andrew Davis

Cinematography by: Michael Chapman

Edited by: Don Brochu, David Finfer, Dean Goodhill, Dov Hoenig, Richard Nord, Dennis Virkler

The Saint of Fort Washington | ShotOnWhat?

Composer, Orchestrator

The Saint of Fort Washington (1993)

Directed by: Tim Hunter

Cinematography by: Frederick Elmes

Edited by: Howard E. Smith

Falling Down | ShotOnWhat?

Composer, Orchestrator, Score Producer

Falling Down (1993)

Directed by: Joel Schumacher

Cinematography by: Andrzej Bartkowiak

Edited by: Paul Hirsch

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Night and the City | ShotOnWhat?

Composer

Night and the City (1992)

Directed by: Irwin Winkler

Cinematography by: Tak Fujimoto

Edited by: David Brenner

Cameras: Panavision Cameras

Glengarry Glen Ross | ShotOnWhat?

Arranger / Conductor / Orchestrator , Composer

Glengarry Glen Ross (1992)

Directed by: James Foley

Cinematography by: Juan Ruiz Anchía

Diggstown | ShotOnWhat?

Composer, Conductor

Diggstown (1992)

Directed by: Michael Ritchie

Cinematography by: Gerry Fisher

Edited by: Don Zimmerman

My Girl | ShotOnWhat?

Composer

My Girl (1991)

Directed by: Howard Zieff

Cinematography by: Paul Elliott

Edited by: Wendy Greene Bricmont

The Man in the Moon | ShotOnWhat?

Composer

The Man in the Moon (1991)

Directed by: Robert Mulligan

Cinematography by: Freddie Francis

Edited by: Trudy Ship

King Ralph | ShotOnWhat?

Composer

King Ralph (1991)

Directed by: David S. Ward

Cinematography by: Kenneth MacMillan

Edited by: John Jympson

Dying Young | ShotOnWhat?

Composer

Dying Young (1991)

Directed by: Joel Schumacher

Cinematography by: Juan Ruiz Anchía

Edited by: Robert Brown, Jim Prior

Guilty by Suspicion | ShotOnWhat?

Composer, Conductor

Guilty by Suspicion (1991)

Directed by: Irwin Winkler

Cinematography by: Michael Ballhaus

Edited by: Priscilla Nedd-Friendly

Grand Canyon | ShotOnWhat?

Composer, Orchestrator

Grand Canyon (1991)

Directed by: Lawrence Kasdan

Cinematography by: Owen Roizman

Edited by: Carol Littleton

Cameras: Panavision Panaflex Gold Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Image | ShotOnWhat?

Composer

The Image (1990)

Television Movie

Directed by: Peter Werner

Cinematography by: Neil Roach

Edited by: Steven Cohen

Marked for Death | ShotOnWhat?

Composer

Marked for Death (1990)

Directed by: Dwight H. Little

Cinematography by: Ric Waite

Edited by: O. Nicholas Brown

Pretty Woman | ShotOnWhat?

Composer, Orchestrator

Pretty Woman (1990)

Directed by: Garry Marshall

Cinematography by: Charles Minsky

Edited by: Raja Gosnell, Priscilla Nedd-Friendly

Major League | ShotOnWhat?

Composer, Musician: Keyboards, Synthesizer

Major League (1989)

Directed by: David S. Ward

Cinematography by: Reynaldo Villalobos

Edited by: Dennis M. Hill

Cameras: Panavision Cameras

The Package | ShotOnWhat?

Composer

The Package (1989)

Directed by: Andrew Davis

Cinematography by: Frank Tidy

Edited by: Billy Weber, Don Zimmerman

Everybody's All-American | ShotOnWhat?

Composer

Everybody's All-American (1988)

Directed by: Taylor Hackford

Cinematography by: Stephen Goldblatt

Edited by: Don Zimmerman

Off Limits | ShotOnWhat?

Composer

Off Limits (1988)

Directed by: Christopher Crowe

Cinematography by: David Gribble

Edited by: Douglas Ibold

8 Million Ways to Die | ShotOnWhat?

Composer, Musician

8 Million Ways to Die (1986)

Directed by: Hal Ashby

Cinematography by: Stephen H. Burum

Edited by: Robert Lawrence, Stuart H. Pappé

Cameras: Panavision Cameras

Twilight Zone: The Movie | ShotOnWhat?

Musician: Keyboards , Song Producer

Twilight Zone: The Movie (1983)

Directed by: Joe Dante, John Landis, George Miller, Steven Spielberg

Cinematography by: Allen Daviau, John Hora, Stevan Larner

Edited by: Malcolm Campbell, Tina Hirsch, Michael Kahn, Howard E. Smith

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