David Betancourt

| USA

Directed by: Mike B. Anderson, Michael Polcino

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' I'm Dancing as Fat as I Can (2019)

| USA

Directed by: Matthew Nastuk, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The Winter of Our Monetized Content (2019)

Directed by: Bob Anderson, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' E My Sports (2019)

| USA

Directed by: Mike B. Anderson, Rob Oliver

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' D'oh Canada (2019)

| USA

Directed by: Mike B. Anderson, Matthew Nastuk

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The Clown Stays in the Picture (2019)

| USA

Directed by: Timothy Bailey, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Bart vs. Itchy & Scratchy (2019)

| USA

Directed by: Chris Clements, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Mad About the Toy (2019)

| USA

Directed by: Rob Oliver, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Woo-Hoo Dunnit? (2019)

| USA

Directed by: Mike B. Anderson, Steven Dean Moore

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' 101 Mitigations (2019)

| USA

Directed by: Mike B. Anderson, Mark Kirkland

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

Terminator: Dark Fate (2019)

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo 45-120mm T2.8 Lens, Angenieux Optimo Anamorphic 30-72mm A2S T4.0 Lens, Angenieux Optimo Anamorphic 44-440mm A2S T4.5 Lens, Angenieux Optimo Anamorphic 56-152mm A2S T4.0 Lens, ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental Prime DNA Lenses, Cineovision Lenses, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 45-250mm T2.8 Lens, Zeiss Compact Prime CP.3 Lenses, Zeiss Master Prime Lenses, Zeiss Super Speeds Mk III Lenses, Zeiss Ultra Prime Lenses

| China, Spain, Hungary, USA

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA LF, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus, Canon EOS-C300 Mark II Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Sony CineAlta VENICE Camera

Production Mixer

'The Simpsons' Girl's in the Band (2019)

| USA

Directed by: Jennifer Moeller, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The Girl on the Bus (2019)

| USA

Directed by: Chris Clements, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Crystal Blue-Haired Persuasion (2019)

| USA

Directed by: Matthew Faughnan, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' I Want You (She's So Heavy) (2019)

| USA

Directed by: Mike B. Anderson, Steven Dean Moore

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Heartbreak Hotel (2018)

| USA

Directed by: Mike B. Anderson, Steven Dean Moore

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' King Leer (2018)

Directed by: Mike B. Anderson, Chris Clements

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' From Russia Without Love (2018)

| USA

Directed by: Mike B. Anderson, Matthew Nastuk

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Throw Grampa from the Dane (2018)

Directed by: Mike B. Anderson, Michael Polcino

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' 3 Scenes Plus a Tag from a Marriage (2018)

Directed by: Mike B. Anderson, Matthew Nastuk

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' 'Tis the 30th Season (2018)

| USA

Directed by: Mike B. Anderson, Lance Kramer

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' My Way or the Highway to Heaven (2018)

| USA

Directed by: Rob Oliver, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Lisa Gets the Blues (2018)

Directed by: Bob Anderson, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Haw-Haw Land (2018)

Directed by: Bob Anderson, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Werking Mom (2018)

| USA

Directed by: Michael Polcino, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Flanders' Ladder (2018)

Directed by: Mike B. Anderson, Matthew Nastuk

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Fears of a Clown (2018)

Directed by: Mike B. Anderson, Steven Dean Moore

Edited by: Don Barrozo, Michael Bridge

Adr Mixer: 20th Century Fox Studios

Ready Player One (2018)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

| USA, India

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Production Mixer

'The Simpsons' Treehouse of Horror XXIX (2018)

| USA

Directed by: Mike B. Anderson, Matthew Faughnan

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Forgive and Regret (2018)

Directed by: Mike B. Anderson, Rob Oliver

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Frink Gets Testy (2018)

Directed by: Mike B. Anderson, Chris Clements

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Krusty the Clown (2018)

| USA

Directed by: Matthew Faughnan, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Bart's Not Dead (2018)

| USA

Directed by: Mike B. Anderson, Bob Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' No Good Read Goes Unpunished (2018)

Directed by: Mark Kirkland, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Baby You Can't Drive My Car (2018)

| USA

Directed by: Mike B. Anderson, Timothy Bailey

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Left Behind (2018)

Directed by: Mike B. Anderson, Lance Kramer

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Homer is Where the Art Isn't (2018)

Directed by: Mike B. Anderson, Timothy Bailey

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Daddicus Finch (2018)

| USA

Directed by: Mike B. Anderson, Steven Dean Moore

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The Great Phatsby (2017)

| USA

Directed by: Timothy Bailey, Mike B. Anderson, Chris Clements

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Gone Boy (2017)

Directed by: Rob Oliver, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Springfield Splendor (2017)

Directed by: Mike B. Anderson, Matthew Faughnan, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

Logan (2017)

| USA

Directed by: James Mangold

Cinematography by: John Mathieson

Edited by: Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Production Mixer

'The Simpsons' 22 for 30 (2017)

| USA

Directed by: Chris Clements, Mike B. Anderson, Bill Plympton

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The Old Blue Mayor She Ain't What She Used To Be (2017)

Directed by: Matthew Nastuk, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Moho House (2017)

| USA

Directed by: Matthew Nastuk, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Fatzcarraldo (2017)

| USA

Directed by: Mark Kirkland, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Whistler's Father (2017)

Directed by: Mike B. Anderson, Matthew Faughnan, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

War for the Planet of the Apes (2017)

| USA, Canada, New Zealand

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses

Production Mixer

'The Simpsons' A Father's Watch (2017)

| USA

Directed by: Bob Anderson, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Singin' in the Lane (2017)

Directed by: Mike B. Anderson, Michael Polcino

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Dogtown (2017)

| USA

Directed by: Mike B. Anderson, Steven Dean Moore, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The Cad and the Hat (2017)

| USA

Directed by: John Harvatine IV, Steven Dean Moore, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Treehouse of Horror XXVIII (2017)

Directed by: Mike B. Anderson, Timothy Bailey

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The Caper Chase (2017)

| USA

Directed by: Lance Kramer, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Pork and Burns (2017)

| USA

Directed by: Mike B. Anderson, Matthew Nastuk, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Mr. Lisa's Opus (2017)

Directed by: Steven Dean Moore, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The Serfsons (2017)

Directed by: Mike B. Anderson, Rob Oliver, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Kamp Krustier (2017)

| USA

Directed by: Rob Oliver, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Grampy Can Ya Hear Me (2017)

Directed by: Mike B. Anderson, Bob Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Looking for Mr. Goodbart (2017)

| USA

Directed by: Michael Polcino, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Trust But Clarify (2016)

| USA

Directed by: Michael Polcino, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' To Courier with Love (2016)

| USA

Directed by: Timothy Bailey, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Love Is in the N2-O2-Ar-CO2-Ne-He-CH4 (2016)

| USA

Directed by: Mark Kirkland, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The Last Traction Hero (2016)

| USA

Directed by: Bob Anderson, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Friends and Family (2016)

| USA

Directed by: Lance Kramer, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The Burns Cage (2016)

| USA

Directed by: Rob Oliver, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The Girl Code (2016)

| USA

Directed by: Chris Clements, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

Deadpool (2016)

| USA

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA XT Plus Camera

Editing System: Adobe Premiere Editing System

Production Mixer

'The Simpsons' There Will Be Buds (2016)

| USA

Directed by: Matthew Faughnan, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Simprovised (2016)

| USA

Directed by: Matthew Nastuk, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Gal of Constant Sorrow (2016)

| USA

Directed by: Matthew Nastuk, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The Nightmare After Krustmas (2016)

| USA

Directed by: Rob Oliver

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The Town (2016)

| USA

Directed by: Rob Oliver, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' How Lisa Got Her Marge Back (2016)

| USA

Directed by: Bob Anderson, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Teenage Mutant Milk-Caused Hurdles (2016)

| USA

Directed by: Timothy Bailey, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

X-Men: Apocalypse (2016)

| USA

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Leica Summilux-C Series Lenses

Production Mixer

'The Simpsons' Havana Wild Weekend (2016)

| USA

Directed by: Bob Anderson, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Orange Is the New Yellow (2016)

| USA

Directed by: Matthew Faughnan, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Lisa the Veterinarian (2016)

| USA

Directed by: Steven Dean Moore, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Treehouse of Horror XXVII (2016)

| USA

Directed by: Steven Dean Moore, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Fland Canyon (2016)

| USA

Directed by: Michael Polcino, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Much Apu About Something (2016)

| USA

Directed by: Bob Anderson, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

La La Land (2016)

Lenses: Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens

| USA, Hong Kong

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Panavision Panaflex Millennium XL2 Camera

Production Mixer

'The Simpsons' Dad Behavior (2016)

| USA

Directed by: Steven Dean Moore, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Monty Burns' Fleeing Circus (2016)

| USA

Directed by: Matthew Nastuk, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The Marge-ian Chronicles (2016)

| USA

Directed by: Chris Clements, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

Joy (2015)

| USA

Directed by: David O. Russell

Cinematography by: Linus Sandgren

Edited by: Alan Baumgarten, Jay Cassidy, Tom Cross, Christopher Tellefsen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

Production Mixer

'The Simpsons' 'Cue Detective (2015)

| USA

Directed by: Timothy Bailey

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Waiting for Duffman (2015)

| USA

Directed by: Steven Dean Moore, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The Man Who Came to Be Dinner (2015)

| USA

Directed by: David Silverman, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Friend with Benefit (2015)

| USA

Directed by: Matthew Faughnan, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Bull-E (2015)

| USA

Directed by: Lance Kramer, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' My Fare Lady (2015)

| USA

Directed by: Michael Polcino, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Puffless (2015)

| USA

Directed by: Rob Oliver, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Peeping Mom (2015)

| USA

Directed by: Mark Kirkland, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Bart's New Friend (2015)

| USA

Directed by: Bob Anderson, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Lisa with an 'S' (2015)

| USA

Directed by: Bob Anderson, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Mathlete's Feat (2015)

| USA

Directed by: Michael Polcino, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The Princess Guide (2015)

| USA

Directed by: Timothy Bailey, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Halloween of Horror (2015)

| USA

Directed by: Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The Kids Are All Fight (2015)

| USA

Directed by: Bob Anderson, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The Musk Who Fell to Earth (2015)

| USA

Directed by: Matthew Nastuk, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Paths of Glory (2015)

| USA

Directed by: Steven Dean Moore, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Every Man's Dream (2015)

| USA

Directed by: Matthew Nastuk, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Sky Police (2015)

| USA

Directed by: Rob Oliver, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Treehouse of Horror XXVI (2015)

| USA

Directed by: Steven Dean Moore, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

The Hunger Games: Mockingjay - Part 2 (2015)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Production Mixer

'The Simpsons' Let's Go Fly a Coot (2015)

| USA

Directed by: Chris Clements, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Walking Big & Tall (2015)

| USA

Directed by: Chris Clements, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Barthood (2015)

| USA

Directed by: Rob Oliver, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The Winter of His Content (2014)

| USA

Directed by: Chuck Sheetz, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

The Hunger Games: Mockingjay - Part 1 (2014)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Adr Mixer

Dawn of the Planet of the Apes (2014)

| USA, UK, Canada

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leica Summilux-C Series Lenses

Editing System: Avid Editing System

Production Mixer

'The Simpsons' Super Franchise Me (2014)

| USA

Directed by: Mark Kirkland, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Days of Future Future (2014)

| USA

Directed by: Bob Anderson, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

The Book of Life (2014)

| USA

Directed by: Jorge R. Gutiérrez

Edited by: Ahren Shaw

Production Mixer

'The Simpsons' Specs and the City (2014)

| USA

Directed by: Lance Kramer, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Blazed and Confused (2014)

| USA

Directed by: Rob Oliver, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The Yellow Badge of Cowardge (2014)

| USA

Directed by: Timothy Bailey, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The War of Art (2014)

| USA

Directed by: Steven Dean Moore, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

The Fault in Our Stars (2014)

| USA

Directed by: Josh Boone

Cinematography by: Ben Richardson

Edited by: Robb Sullivan

Cameras: ARRI ALEXA XT Camera

Production Mixer

'The Simpsons' Treehouse of Horror XXV (2014)

| USA

Directed by: Matthew Faughnan, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' What to Expect When Bart's Expecting (2014)

| USA

Directed by: Matthew Nastuk, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

Wild (2014)

| USA

Directed by: Jean-Marc Vallée

Cinematography by: Yves Bélanger

Edited by: Martin Pensa, Jean-Marc Vallée

Cameras: ARRI ALEXA XT Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Super Speed Lenses

Production Mixer

'The Simpsons' Diggs (2014)

| USA

Directed by: Michael Polcino, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Covercraft (2014)

| USA

Directed by: Steven Dean Moore, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Clown in the Dumps (2014)

| USA

Directed by: Steven Dean Moore, Mike B. Anderson, Don Hertzfeldt

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' You Don't Have to Live Like a Referee (2014)

| USA

Directed by: Mark Kirkland, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

Exodus: Gods and Kings (2014)

| UK, Spain, USA

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Ali Degismis, Billy Rich

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Production Mixer

'The Simpsons' Steal This Episode (2014)

| USA

Directed by: Matthew Nastuk, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Opposites A-Frack (2014)

| USA

Directed by: Matthew Nastuk, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Brick Like Me (2014)

| USA

Directed by: Matthew Nastuk, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

The Maze Runner (2014)

| USA, UK

Directed by: Wes Ball

Cinematography by: Enrique Chediak

Edited by: Dan Zimmerman

Cameras: ARRI ALEXA Camera, Red Epic Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Production Mixer

'The Simpsons' The Man Who Grew Too Much (2014)

| USA

Directed by: Matthew Schofield, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

Winter's Tale (2014)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA

Directed by: Akiva Goldsman

Cinematography by: Caleb Deschanel

Edited by: Tim Squyres, Wayne Wahrman

Cameras: ARRI ALEXA Plus 4:3 Camera

Production Mixer

'The Simpsons' I Won't Be Home for Christmas (2014)

| USA

Directed by: Mark Kirkland, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The Wreck of the Relationship (2014)

| USA

Directed by: Chuck Sheetz, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Luca$ (2014)

| USA

Directed by: Chris Clements, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Married to the Blob (2014)

| USA

Directed by: Chris Clements, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

X-Men: Days of Future Past (2014)

| USA, UK, Canada

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: ARRI / Fujinon Lenses, Fujinon Lenses, Leica Summilux-C Series Lenses

Production Mixer

'The Simpsons' Simpsorama (2014)

| USA

Directed by: Bob Anderson, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Pay Pal (2014)

| USA

Directed by: Michael Polcino, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Yellow Subterfuge (2013)

| USA

Directed by: Bob Anderson, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Dangers on a Train (2013)

| USA

Directed by: Steven Dean Moore, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Black-Eyed, Please (2013)

| USA

Directed by: Matthew Schofield, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

The Counselor (2013)

| UK, USA

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Production Mixer

'The Simpsons' YOLO (2013)

| USA

Directed by: Michael Polcino, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Whiskey Business (2013)

| USA

Directed by: Matthew Nastuk, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Love Is a Many Splintered Thing (2013)

| USA

Directed by: Michael Polcino, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' White Christmas Blues (2013)

| USA

Directed by: Steven Dean Moore, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

The Wolverine (2013)

| USA, UK

Directed by: James Mangold

Cinematography by: Ross Emery

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera

Production Mixer

'The Simpsons' Homerland (2013)

| USA

Directed by: Bob Anderson, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Dark Knight Court (2013)

| USA

Directed by: Mark Kirkland, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Homer Goes to Prep School (2013)

| USA

Directed by: Mark Kirkland, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

The Heat (2013)

| USA

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Jay Deuby, Brent White

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Production Mixer

'The Simpsons' Labor Pains (2013)

| USA

Directed by: Matthew Faughnan, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

A Good Day to Die Hard (2013)

| USA, Russia

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Production Mixer

'The Simpsons' The Fabulous Faker Boy (2013)

| USA

Directed by: Bob Anderson, John Harvatine IV, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Hardly Kirk-ing (2013)

| USA

Directed by: Matthew Nastuk, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

A.d.r. Mixer

Percy Jackson: Sea of Monsters (2013)

| USA

Directed by: Thor Freudenthal

Cinematography by: Shelly Johnson

Edited by: Mark Goldblatt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Production Mixer

'The Simpsons' Treehouse of Horror XXIV (2013)

| USA

Directed by: Rob Oliver, Mike B. Anderson, Guillermo del Toro

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' What Animated Women Want (2013)

| USA

Directed by: Steven Dean Moore, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' A Test Before Trying (2013)

| USA

Directed by: Chris Clements, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The Kid Is All Right (2013)

| USA

Directed by: Mark Kirkland, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

Stoker (2013)

| UK, USA

Directed by: Chan-wook Park

Cinematography by: Chung-hoon Chung

Edited by: Nicolas De Toth

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Production Mixer

'The Simpsons' The Saga of Carl (2013)

| USA

Directed by: Chuck Sheetz, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Gorgeous Grampa (2013)

| USA

Directed by: Chuck Sheetz, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Four Regrettings and a Funeral (2013)

| USA

Directed by: Mark Kirkland, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Pulpit Friction (2013)

| USA

Directed by: Chris Clements, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Changing of the Guardian (2013)

| USA

Directed by: Bob Anderson, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Gone Abie Gone (2012)

| USA

Directed by: Matthew Nastuk, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' A Totally Fun Thing Bart Will Never Do Again (2012)

| USA

Directed by: Chris Clements, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Moe Goes from Rags to Riches (2012)

| USA

Directed by: Bob Anderson, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' To Cur with Love (2012)

| USA

Directed by: Steven Dean Moore, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Moonshine River (2012)

| USA

Directed by: Bob Anderson, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' How I Wet Your Mother (2012)

| USA

Directed by: Lance Kramer, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer: Twentieth Century Fox Studios

Hitchcock (2012)

| USA, UK

Directed by: Sacha Gervasi

Cinematography by: Jeff Cronenweth

Edited by: Pamela Martin

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Ultra Prime Lenses

Production Mixer

'The Simpsons' Penny-Wiseguys (2012)

| USA

Directed by: Mark Kirkland, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The Spy Who Learned Me (2012)

| USA

Directed by: Bob Anderson, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The Daughter Also Rises (2012)

| USA

Directed by: Chuck Sheetz, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

Diary of a Wimpy Kid: Dog Days (2012)

| USA, Canada

Directed by: David Bowers

Cinematography by: Anthony B. Richmond

Edited by: Troy Takaki

Production Mixer

'The Simpsons' Treehouse of Horror XXIII (2012)

| USA

Directed by: Steven Dean Moore, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Them, Robot (2012)

| USA

Directed by: Michael Polcino, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Politically Inept, with Homer Simpson (2012)

| USA

Directed by: Mark Kirkland, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' A Tree Grows in Springfield (2012)

| USA

Directed by: Timothy Bailey, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Ned 'N' Edna's Blend (2012)

| USA

Directed by: Chuck Sheetz, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

Abraham Lincoln: Vampire Hunter (2012)

| USA, Russia

Directed by: Timur Bekmambetov

Cinematography by: Caleb Deschanel

Edited by: William Hoy

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Phantom Flex Camera

Lenses: ARRI / Fujinon Lenses, Zeiss Ultra Prime Lenses

Production Mixer

'The Simpsons' At Long Last Leave (2012)

| USA

Directed by: Matthew Nastuk, Mike B. Anderson

Production Mixer

'The Simpsons' Adventures in Baby-Getting (2012)

| USA

Directed by: Rob Oliver, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Beware My Cheating Bart (2012)

| USA

Directed by: Mark Kirkland, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The D'oh-cial Network (2012)

| USA

Directed by: Chris Clements, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The Day the Earth Stood Cool (2012)

| USA

Directed by: Matthew Faughnan, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Lisa Goes Gaga (2012)

| USA

Directed by: Matthew Schofield, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Exit Through the Kwik-E-Mart (2012)

| USA

Directed by: Steven Dean Moore, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Replaceable You (2011)

| USA

Directed by: Mark Kirkland, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The Ten-Per-Cent Solution (2011)

| USA

Directed by: Michael Polcino, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' 500 Keys (2011)

| USA

Directed by: Bob Anderson, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Foley Mixer

There Be Dragons (2011)

| Spain, USA

Directed by: Roland Joffé

Cinematography by: Gabriel Beristain

Edited by: Richard Nord

Production Mixer

'The Simpsons' The Food Wife (2011)

| USA

Directed by: Timothy Bailey, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' The Ned-Liest Catch (2011)

| USA

Directed by: Chuck Sheetz, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

Real Steel (2011)

| USA, India

Directed by: Shawn Levy

Cinematography by: Mauro Fiore

Edited by: Dean Zimmerman

Cameras: Sony CineAlta F35 Camera

Lenses: Cooke Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Production Mixer

'The Simpsons' The Book Job (2011)

| USA

Directed by: Bob Anderson, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Foley Mixer

Contagion (2011)

| USA, United Arab Emirates

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Red One MX Camera

Lenses: Red Pro Prime Lenses

Adr Mixer

Alvin and the Chipmunks: Chipwrecked (2011)

| USA

Directed by: Mike Mitchell

Cinematography by: Thomas E. Ackerman

Edited by: Peter Amundson

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Adr Mixer

Rise of the Planet of the Apes (2011)

| USA, UK, Canada

Directed by: Rupert Wyatt

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV, Mark Goldblatt

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Production Mixer

'The Simpsons' The Falcon and the D'Ohman (2011)

| USA

Directed by: Matthew Nastuk, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Foley Mixer

Haywire (2011)

| Ireland, USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

Cameras: Red One MX Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses

Production Mixer

'The Simpsons' The Man in the Blue Flannel Pants (2011)

| USA

Directed by: Steven Dean Moore, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Production Mixer

'The Simpsons' Homer Scissorhands (2011)

| USA

Directed by: Mark Kirkland, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer: Los Angeles

127 Hours (2010)

| USA, UK, France

Directed by: Danny Boyle

Cinematography by: Enrique Chediak, Anthony Dod Mantle

Edited by: Jon Harris

Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, IDT / Redlake Y5 Camera, Moviecam Compact MK2 Camera, Moviecam Superlight Camera, Silicon Imaging SI-2K Mini Camera

Lenses: Cooke Speed Panchro Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Foley Mixer

Love & Other Drugs (2010)

| USA

Directed by: Edward Zwick

Cinematography by: Steven Fierberg

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Foley Mixer

Marmaduke (2010)

| USA

Directed by: Tom Dey

Cinematography by: Greg Gardiner

Edited by: Don Zimmerman

Foley Mixer

Diary of a Wimpy Kid (2010)

| USA, UK

Directed by: Thor Freudenthal

Cinematography by: Jack N. Green

Edited by: Wendy Greene Bricmont

Cameras: Panavision Cameras

Foley Mixer

Mother and Child (2009)

| USA, Spain

Directed by: Rodrigo García

Cinematography by: Xavier Grobet

Edited by: Steven Weisberg

Foley Mixer

The Girlfriend Experience (2009)

| USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

Cameras: Red One MX Camera

Foley Mixer

Aliens in the Attic (2009)

| USA, Canada

Directed by: John Schultz

Cinematography by: Don Burgess

Edited by: John Pace

Foley Mixer

The Ruins (2008)

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

| USA, Germany, Australia

Directed by: Carter Smith

Cinematography by: Darius Khondji

Edited by: Jeff Betancourt

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Foley Mixer

3:10 to Yuma (2007)

| USA

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Michael McCusker

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Foley Mixer: Post-production

The Seeker: The Dark Is Rising (2007)

| USA

Directed by: David L. Cunningham

Cinematography by: Joel Ransom

Edited by: Geoffrey Rowland, Eric A. Sears

Cameras: Panavision Cameras

Foley Mixer

Live Free or Die Hard (2007)

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

| USA, UK

Directed by: Len Wiseman

Cinematography by: Simon Duggan

Edited by: Nicolas De Toth

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Editing System: Avid Editing System

Foley Mixer

Hairspray (2007)

| USA, UK

Directed by: Adam Shankman

Cinematography by: Bojan Bazelli

Edited by: Michael Tronick

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Master Prime Lenses

Foley Mixer

Ocean's Thirteen (2007)

| USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Foley Mixer

Underdog (2007)

| USA

Directed by: Frederik Du Chau

Cinematography by: David Eggby

Edited by: Tom Finan

Foley Mixer

Garfield: A Tail of Two Kitties (2006)

| UK, USA

Directed by: Tim Hill

Cinematography by: Peter Lyons Collister

Edited by: Peter S. Elliot

Foley Mixer

Apocalypto (2006)

| USA, Mexico

Directed by: Mel Gibson

Cinematography by: Dean Semler

Edited by: John Wright

Cameras: Aaton A-Minima Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Ikonoskop Cameras, Panavision Genesis Camera

Foley Mixer

The Good German (2006)

| USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

Cameras: Panavision Panaflex Millennium XL2 Camera

Foley Mixer

You, Me and Dupree (2006)

| USA

Directed by: Anthony Russo, Joe Russo

Cinematography by: Charles Minsky

Edited by: Peter B. Ellis, Debra Neil-Fisher

Foley Mixer

Peaceful Warrior (2006)

| USA, Germany

Directed by: Victor Salva

Cinematography by: Sharone Meir

Edited by: Ed Marx

Foley Editor

Amazing Grace (2006)

| USA, UK

Directed by: Michael Apted

Cinematography by: Remi Adefarasin

Edited by: Rick Shaine

Cameras: ARRI Cameras

Foley Mixer

We Are Marshall (2006)

| USA

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Gregg London, Priscilla Nedd-Friendly

Foley Mixer

X-Men: The Last Stand (2006)

| Canada, USA, UK

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Goldblatt, Mark Helfrich, Julia Wong

Foley Mixer

Walk the Line (2005)

| USA, Germany

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Michael McCusker

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Standard Primes (SP) Lenses

Foley Mixer

The Family Stone (2005)

| USA

Directed by: Thomas Bezucha

Cinematography by: Jonathan Brown

Edited by: Jeffrey Ford

Foley Mixer

Syriana (2005)

| USA, United Arab Emirates

Directed by: Stephen Gaghan

Cinematography by: Robert Elswit

Edited by: Tim Squyres

Cameras: Panavision Panaflex Millennium XL Camera

Foley Mixer

Keane (2004)

| USA

Directed by: Lodge Kerrigan

Cinematography by: John Foster

Edited by: Andrew Hafitz

Foley Mixer

I, Robot (2004)

| USA, Germany

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: William Hoy, Richard Learoyd, Armen Minasian

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses

Foley Mixer

The Terminal (2004)

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Foley Mixer

Garfield (2004)

| USA

Directed by: Peter Hewitt

Cinematography by: Dean Cundey

Edited by: Peter E. Berger, Michael A. Stevenson

Cameras: Panavision Cameras

Foley Mixer - Segment "Equilibrium"

Eros (2004)

| USA, Italy, Hong Kong, France, Luxembourg, UK

Directed by: Michelangelo Antonioni, Steven Soderbergh, Kar-Wai Wong

Cinematography by: Christopher Doyle, Marco Pontecorvo, Steven Soderbergh

Edited by: William Chang, Claudio Di Mauro, Steven Soderbergh

Foley Mixer

Ocean's Twelve (2004)

| USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Foley Mixer

Criminal (2004)

| USA

Directed by: Gregory Jacobs

Cinematography by: Chris Menges

Edited by: Douglas Crise, Stephen Mirrione

Foley Mixer

Undertow (2004)

| USA

Directed by: David Gordon Green

Cinematography by: Tim Orr

Edited by: Zene Baker, Steven Gonzales

Foley Mixer

Full Frontal (2002)

| USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Sarah Flack

Cameras: Canon XL1S Camera

Editing System: Final Cut Pro Editing System

Foley Mixer

Insomnia (2002)

| USA

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Dody Dorn

Cameras: Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Foley Mixer

Catch Me If You Can (2002)

| USA, Canada

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Foley Mixer

Planet of the Apes (2001)

| USA

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Foley Mixer

From Hell (2001)

| USA

Directed by: Albert Hughes, Allen Hughes

Cinematography by: Peter Deming

Edited by: George Bowers, Dan Lebental

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Foley Mixer

Dr. Dolittle 2 (2001)

| USA

Directed by: Steve Carr

Cinematography by: Daryn Okada

Edited by: Craig Herring

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Foley Mixer

Ocean's Eleven (2001)

| USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Millennium XL Camera

Editing System: Avid Editing System

Foley Mixer

Riding in Cars with Boys (2001)

| USA

Directed by: Penny Marshall

Cinematography by: Miroslav Ondrícek

Edited by: Lawrence Jordan, Richard Marks

Foley Mixer

Shallow Hal (2001)

| USA, Germany

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Russell Carpenter

Edited by: Christopher Greenbury

Foley Mixer

Shanghai Noon (2000)

| USA, Hong Kong

Directed by: Tom Dey

Cinematography by: Dan Mindel

Edited by: Richard Chew

Foley Mixer

X-Men (2000)

| USA

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Steven Rosenblum, Kevin Stitt, John Wright

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Foley Mixer

Bedazzled (2000)

| USA, Germany

Directed by: Harold Ramis

Cinematography by: Bill Pope

Edited by: Craig Herring

Foley Mixer

Miss Congeniality (2000)

| USA

Directed by: Donald Petrie

Cinematography by: László Kovács

Edited by: Billy Weber

Foley Mixer

Me, Myself & Irene (2000)

| USA

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Mark Irwin

Edited by: Christopher Greenbury

Foley Mixer

Traffic (2000)

| USA, Mexico, Germany

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Millennium XL Camera

Foley Mixer

Big Momma's House (2000)

| USA, Germany

Directed by: Raja Gosnell

Cinematography by: Michael D. O'Shea

Edited by: Kent Beyda, Bruce Green

Foley Mixer

The Way of the Gun (2000)

| USA

Directed by: Christopher McQuarrie

Cinematography by: Dick Pope

Edited by: Stephen Semel

Foley Mixer

Dude, Where's My Car? (2000)

| USA

Directed by: Danny Leiner

Cinematography by: Robert M. Stevens

Edited by: Kimberly Ray

Foley Mixer

Erin Brockovich (2000)

| USA

Directed by: Steven Soderbergh

Cinematography by: Edward Lachman

Edited by: Anne V. Coates

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses

Foley Mixer

The Limey (1999)

| USA

Directed by: Steven Soderbergh

Cinematography by: Edward Lachman

Edited by: Sarah Flack

Foley Mixer

Forces of Nature (1999)

| USA

Directed by: Bronwen Hughes

Cinematography by: Elliot Davis, David Stockton

Edited by: Craig Wood

Cameras: Panavision Cameras

Foley Mixer

Anna and the King (1999)

| USA

Directed by: Andy Tennant

Cinematography by: Caleb Deschanel

Edited by: Roger Bondelli

Cameras: Panavision Cameras

Lenses: Panavision E Series Anamorphic Lenses

Foley Mixer

Never Been Kissed (1999)

| USA

Directed by: Raja Gosnell

Cinematography by: Alex Nepomniaschy

Edited by: Debra Chiate, Marcelo Sansevieri

Foley Mixer

Doctor Dolittle (1998)

| USA

Directed by: Betty Thomas

Cinematography by: Russell Boyd

Edited by: Peter Teschner

Foley Mixer

The X Files (1998)

| USA

Directed by: Rob Bowman

Cinematography by: Ward Russell

Edited by: Stephen Mark

Foley Mixer

How Stella Got Her Groove Back (1998)

| USA

Directed by: Kevin Rodney Sullivan

Cinematography by: Jeffrey Jur

Edited by: George Bowers

Foley Mixer

There's Something About Mary (1998)

| USA

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Mark Irwin

Edited by: Christopher Greenbury

Foley Mixer

Hope Floats (1998)

| USA

Directed by: Forest Whitaker

Cinematography by: Caleb Deschanel

Edited by: Richard Chew

Cameras: Panavision Cameras

Foley Mixer

Out of Sight (1998)

| USA

Directed by: Steven Soderbergh

Cinematography by: Elliot Davis

Edited by: Anne V. Coates

Foley Mixer

Red Corner (1997)

| USA

Directed by: Jon Avnet

Cinematography by: Karl Walter Lindenlaub

Edited by: Peter E. Berger

Foley Mixer

My Best Friend's Wedding (1997)

| USA

Directed by: P.J. Hogan

Cinematography by: László Kovács

Edited by: Garth Craven, Lisa Fruchtman

Foley Mixer

The Rainmaker (1997)